Matt McCormick Traces the Afterlife in ‘Long Distance Call’

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Matt McCormick presents ‘Long Distance Call,’ his first solo exhibition with Ruttkowski;68 in New York.

The show explores how images shift in meaning as they are repeated, inherited, remembered and circulated over time.

Spanning painting, sculpture, installation, works on paper and film, McCormick blurs the line between lived experience, memory and cultural mythology.

Matt McCormick is set to present ‘Long Distance Call,’ his first solo exhibition with Ruttkowski;68, opening at the gallery’s New York space this September.

Working across painting, sculpture, installation, works on paper and film, McCormick builds a visual world where memory, popular imagery and personal history are difficult to separate. His work has long pulled from the iconography of American life, but in ‘Long Distance Call,’ the emphasis shifts toward the way those images are carried forward and reshaped over time. As the gallery describes it, “pictures rarely reach us intact.” Instead, they are “repeated, reproduced, retold, and passed between people and across generations,” accumulating new meanings with every encounter.

That instability sits at the center of the exhibition. McCormick places images rooted in his own experience alongside those inherited from family, encountered through photographs or absorbed from the wider culture, without establishing a clear hierarchy between them.

The show also considers the gap between making an image and eventually encountering it. Ruttkowski;68 describes that distance as “at once elastic and idiosyncratic,” a space where context can shift and an image can become detached from the circumstances that first produced it.

Rather than attempting to restore those references to some original meaning, ‘Long Distance Call’ looks at what remains after they have traveled: the associations, memories and projections that ultimately become part of the image itself.

Matt McCormick’s ‘Long Distance Call’ is on view at Ruttkowski;68 New York from September 10 through October 17, 2026.

Ruttkowski;68
46 Cortlandt Alley
New York, NY 10013

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Keith Estiler

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Keith Estiler

Managing Editor, Hypeart

Keith Estiler is a New York-born curator, writer, and the Managing Editor of Hypeart, the contemporary art arm of Hypebeast. Based in NYC, Keith heads up editorial strategy at the intersection of contemporary art and culture, capturing the icons and outliers of both the local and international scenes. He has curated exhibitions worldwide, dedicated to championing the emerging voices and subcultures currently redefining contemporary visual culture.

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Summary

Matt McCormick presents ‘Long Distance Call,’ his first solo exhibition with Ruttkowski;68 in New York.

The show explores how images shift in meaning as they are repeated, inherited, remembered and circulated over time.

Spanning painting, sculpture, installation, works on paper and film, McCormick blurs the line between lived experience, memory and cultural mythology.

Matt McCormick is set to present ‘Long Distance Call,’ his first solo exhibition with Ruttkowski;68, opening at the gallery’s New York space this September.

Working across painting, sculpture, installation, works on paper and film, McCormick builds a visual world where memory, popular imagery and personal history are difficult to separate. His work has long pulled from the iconography of American life, but in ‘Long Distance Call,’ the emphasis shifts toward the way those images are carried forward and reshaped over time. As the gallery describes it, “pictures rarely reach us intact.” Instead, they are “repeated, reproduced, retold, and passed between people and across generations,” accumulating new meanings with every encounter.

That instability sits at the center of the exhibition. McCormick places images rooted in his own experience alongside those inherited from family, encountered through photographs or absorbed from the wider culture, without establishing a clear hierarchy between them.

The show also considers the gap between making an image and eventually encountering it. Ruttkowski;68 describes that distance as “at once elastic and idiosyncratic,” a space where context can shift and an image can become detached from the circumstances that first produced it.

Rather than attempting to restore those references to some original meaning, ‘Long Distance Call’ looks at what remains after they have traveled: the associations, memories and projections that ultimately become part of the image itself.

Matt McCormick’s ‘Long Distance Call’ is on view at Ruttkowski;68 New York from September 10 through October 17, 2026.

Ruttkowski;68
46 Cortlandt Alley
New York, NY 10013

Read Full Article

Find out more for New York City

Deana Lawson Links With Gagosian for Inaugural New York Solo Exhibition

Opening on September 10, the landmark Chelsea showcase debuts new mirror-framed photographic series, glass holograms, and signature large-scale portraits.

Artists Imagine Life After Earth in ‘Cataclysm of Binary Star Systems’

Creating otherworldly works that answer: “what happens when the world we know is no longer sustainable?”

Looking for more suggestions for New York City?

Text By

Keith Estiler

Share this article

Keith Estiler

Managing Editor, Hypeart

Keith Estiler is a New York-born curator, writer, and the Managing Editor of Hypeart, the contemporary art arm of Hypebeast. Based in NYC, Keith heads up editorial strategy at the intersection of contemporary art and culture, capturing the icons and outliers of both the local and international scenes. He has curated exhibitions worldwide, dedicated to championing the emerging voices and subcultures currently redefining contemporary visual culture.

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Keith Estiler

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Keith Estiler

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543

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Summary

Matt McCormick presents ‘Long Distance Call,’ his first solo exhibition with Ruttkowski;68 in New York.

The show explores how images shift in meaning as they are repeated, inherited, remembered and circulated over time.

Spanning painting, sculpture, installation, works on paper and film, McCormick blurs the line between lived experience, memory and cultural mythology.

Matt McCormick is set to present ‘Long Distance Call,’ his first solo exhibition with Ruttkowski;68, opening at the gallery’s New York space this September.

Working across painting, sculpture, installation, works on paper and film, McCormick builds a visual world where memory, popular imagery and personal history are difficult to separate. His work has long pulled from the iconography of American life, but in ‘Long Distance Call,’ the emphasis shifts toward the way those images are carried forward and reshaped over time. As the gallery describes it, “pictures rarely reach us intact.” Instead, they are “repeated, reproduced, retold, and passed between people and across generations,” accumulating new meanings with every encounter.

That instability sits at the center of the exhibition. McCormick places images rooted in his own experience alongside those inherited from family, encountered through photographs or absorbed from the wider culture, without establishing a clear hierarchy between them.

The show also considers the gap between making an image and eventually encountering it. Ruttkowski;68 describes that distance as “at once elastic and idiosyncratic,” a space where context can shift and an image can become detached from the circumstances that first produced it.

Rather than attempting to restore those references to some original meaning, ‘Long Distance Call’ looks at what remains after they have traveled: the associations, memories and projections that ultimately become part of the image itself.

Matt McCormick’s ‘Long Distance Call’ is on view at Ruttkowski;68 New York from September 10 through October 17, 2026.

Ruttkowski;68
46 Cortlandt Alley
New York, NY 10013

Read Full Article

Find out more for New York City

Deana Lawson Links With Gagosian for Inaugural New York Solo Exhibition

Opening on September 10, the landmark Chelsea showcase debuts new mirror-framed photographic series, glass holograms, and signature large-scale portraits.

Artists Imagine Life After Earth in ‘Cataclysm of Binary Star Systems’

Creating otherworldly works that answer: “what happens when the world we know is no longer sustainable?”

Looking for more suggestions for New York City?

Text By

Keith Estiler

Share this article

Keith Estiler

Managing Editor, Hypeart

Keith Estiler is a New York-born curator, writer, and the Managing Editor of Hypeart, the contemporary art arm of Hypebeast. Based in NYC, Keith heads up editorial strategy at the intersection of contemporary art and culture, capturing the icons and outliers of both the local and international scenes. He has curated exhibitions worldwide, dedicated to championing the emerging voices and subcultures currently redefining contemporary visual culture.

Art


543

0 Comments

Save

Art

Art


543

0 Comments

Save

Summary

Matt McCormick presents ‘Long Distance Call,’ his first solo exhibition with Ruttkowski;68 in New York.

The show explores how images shift in meaning as they are repeated, inherited, remembered and circulated over time.

Spanning painting, sculpture, installation, works on paper and film, McCormick blurs the line between lived experience, memory and cultural mythology.

Matt McCormick is set to present ‘Long Distance Call,’ his first solo exhibition with Ruttkowski;68, opening at the gallery’s New York space this September.

Working across painting, sculpture, installation, works on paper and film, McCormick builds a visual world where memory, popular imagery and personal history are difficult to separate. His work has long pulled from the iconography of American life, but in ‘Long Distance Call,’ the emphasis shifts toward the way those images are carried forward and reshaped over time. As the gallery describes it, “pictures rarely reach us intact.” Instead, they are “repeated, reproduced, retold, and passed between people and across generations,” accumulating new meanings with every encounter.

That instability sits at the center of the exhibition. McCormick places images rooted in his own experience alongside those inherited from family, encountered through photographs or absorbed from the wider culture, without establishing a clear hierarchy between them.

The show also considers the gap between making an image and eventually encountering it. Ruttkowski;68 describes that distance as “at once elastic and idiosyncratic,” a space where context can shift and an image can become detached from the circumstances that first produced it.

Rather than attempting to restore those references to some original meaning, ‘Long Distance Call’ looks at what remains after they have traveled: the associations, memories and projections that ultimately become part of the image itself.

Matt McCormick’s ‘Long Distance Call’ is on view at Ruttkowski;68 New York from September 10 through October 17, 2026.

Ruttkowski;68
46 Cortlandt Alley
New York, NY 10013

Read Full Article

Text By

Keith Estiler

Share this article

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