The War Against Imagination

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Daily Newsletter

The War Against Imagination

The SAIC cracks down on a professor’s thought experiment and the Obama Presidential Center embodies a nostalgic idea of public life.

An art therapy professor asked her students to imagine a therapeutic treatment plan for a queer Arab woman who feared retaliation under the Trump administration for supporting pro-Palestine protests. For that, the School of the Art Institute in Chicago (SAIC), one of the foremost art schools in the country, placed her on leave. It’s a prime example of the rot authoritarianism introduces into democratic society — something we have to “fight at every turn,” Editor-at-Large Hrag Vartanian writes in an opinion piece today. 

Mere minutes away from the SAIC, the Obama Presidential Center, opening to the public on Juneteenth, feels like a dispatch from an alternate timeline — a vision of public life built around pluralism, civic responsibility, hope, Lori Waxman writes today. If only that world extended beyond its granite walls.

—Lisa Yin Zhang, associate editor


They Want to Control Our Imagination

When oppression works its way into society, it does so by limiting our imagination first, stopping us from finding our way out of the tyranny of control by forcing us to curb what is possible, what we may need and not yet know.

The recent story coming out of the School of the Art Institute of Chicago (SAIC) that Savneet Talwar, the director of its graduate art therapy program, was placed on leave after she asked students to “create a mock therapeutic treatment plan for a queer Arab woman who sympathized with pro-Palestinian protests and feared retaliation under the Trump administration” is a prime example of this decay that authoritarianism can insert into a democratic society, one that we have to fight at every turn. | Hrag Vartanian

Read More


SPONSORED
CTA Image

Tough Stuff: Women in The American Glass Studio

Highlighting works from the 1960s through today, this survey at the Corning Museum of Glass celebrates the legacies of women artists who helped shape the Studio Glass Movement in the US.

Learn more


Queer Elders Series

Sarah Schulman’s Four Decades of Lesbian Fiction

“Nothing stops me except the publishing industry,” quipped the novelist and AIDS historian, who cut her teeth as an East Village journalist writing for queer and feminist papers. | Lakshmi Rivera Amin

Read More


News

  • A self-portrait by the painter Clarence Heyward on display at the Houston Museum of African American Culture was intentionally defaced last month by visitors, the Texas institution said this week.
  • Along the Charleston waterfront, the International African American Museum has furloughed all its staff — including leadership — due to challenging financial conditions.

From Our Critics

A Better World at the Obama Center

The new campus is an expression of the former US president’s civic ideals, and a reminder of how distant they now seem. | Lori Waxman

Read More


Community

Required Reading

This week: Jean Shin’s memorial to the trees of Greenwood Cemetery, the 250th anniversary nobody wants, Pride bar-hopping, and more.

Read More

Art Movements: Sam Gilliam Foundation Names Its First Director

Dr. Steve Nelson has been named the new Director of the Sam Gillman Foundation. Also, Aperture HQ announces fall opening date, and, uh, the New Museum partners with Penske Media?

Read More


From the Archive

How New York City Got Its First Pride March

What started as a response to the 1969 Stonewall Uprising has evolved and expanded, taking on an added urgency amid Trump’s ongoing attacks on LGBTQ+ people. | Maya Pontone

Read More

Daily Newsletter

The War Against Imagination

The SAIC cracks down on a professor’s thought experiment and the Obama Presidential Center embodies a nostalgic idea of public life.

An art therapy professor asked her students to imagine a therapeutic treatment plan for a queer Arab woman who feared retaliation under the Trump administration for supporting pro-Palestine protests. For that, the School of the Art Institute in Chicago (SAIC), one of the foremost art schools in the country, placed her on leave. It’s a prime example of the rot authoritarianism introduces into democratic society — something we have to “fight at every turn,” Editor-at-Large Hrag Vartanian writes in an opinion piece today. 

Mere minutes away from the SAIC, the Obama Presidential Center, opening to the public on Juneteenth, feels like a dispatch from an alternate timeline — a vision of public life built around pluralism, civic responsibility, hope, Lori Waxman writes today. If only that world extended beyond its granite walls.

—Lisa Yin Zhang, associate editor


They Want to Control Our Imagination

When oppression works its way into society, it does so by limiting our imagination first, stopping us from finding our way out of the tyranny of control by forcing us to curb what is possible, what we may need and not yet know.

The recent story coming out of the School of the Art Institute of Chicago (SAIC) that Savneet Talwar, the director of its graduate art therapy program, was placed on leave after she asked students to “create a mock therapeutic treatment plan for a queer Arab woman who sympathized with pro-Palestinian protests and feared retaliation under the Trump administration” is a prime example of this decay that authoritarianism can insert into a democratic society, one that we have to fight at every turn. | Hrag Vartanian

Read More


SPONSORED
CTA Image

Tough Stuff: Women in The American Glass Studio

Highlighting works from the 1960s through today, this survey at the Corning Museum of Glass celebrates the legacies of women artists who helped shape the Studio Glass Movement in the US.

Learn more


Queer Elders Series

Sarah Schulman’s Four Decades of Lesbian Fiction

“Nothing stops me except the publishing industry,” quipped the novelist and AIDS historian, who cut her teeth as an East Village journalist writing for queer and feminist papers. | Lakshmi Rivera Amin

Read More


News

  • A self-portrait by the painter Clarence Heyward on display at the Houston Museum of African American Culture was intentionally defaced last month by visitors, the Texas institution said this week.
  • Along the Charleston waterfront, the International African American Museum has furloughed all its staff — including leadership — due to challenging financial conditions.

From Our Critics

A Better World at the Obama Center

The new campus is an expression of the former US president’s civic ideals, and a reminder of how distant they now seem. | Lori Waxman

Read More


Community

Required Reading

This week: Jean Shin’s memorial to the trees of Greenwood Cemetery, the 250th anniversary nobody wants, Pride bar-hopping, and more.

Read More

Art Movements: Sam Gilliam Foundation Names Its First Director

Dr. Steve Nelson has been named the new Director of the Sam Gillman Foundation. Also, Aperture HQ announces fall opening date, and, uh, the New Museum partners with Penske Media?

Read More


From the Archive

How New York City Got Its First Pride March

What started as a response to the 1969 Stonewall Uprising has evolved and expanded, taking on an added urgency amid Trump’s ongoing attacks on LGBTQ+ people. | Maya Pontone

Read More

An art therapy professor asked her students to imagine a therapeutic treatment plan for a queer Arab woman who feared retaliation under the Trump administration for supporting pro-Palestine protests. For that, the School of the Art Institute in Chicago (SAIC), one of the foremost art schools in the country, placed her on leave. It’s a prime example of the rot authoritarianism introduces into democratic society — something we have to “fight at every turn,” Editor-at-Large Hrag Vartanian writes in an opinion piece today. 

Mere minutes away from the SAIC, the Obama Presidential Center, opening to the public on Juneteenth, feels like a dispatch from an alternate timeline — a vision of public life built around pluralism, civic responsibility, hope, Lori Waxman writes today. If only that world extended beyond its granite walls.

—Lisa Yin Zhang, associate editor


They Want to Control Our Imagination

When oppression works its way into society, it does so by limiting our imagination first, stopping us from finding our way out of the tyranny of control by forcing us to curb what is possible, what we may need and not yet know.

The recent story coming out of the School of the Art Institute of Chicago (SAIC) that Savneet Talwar, the director of its graduate art therapy program, was placed on leave after she asked students to “create a mock therapeutic treatment plan for a queer Arab woman who sympathized with pro-Palestinian protests and feared retaliation under the Trump administration” is a prime example of this decay that authoritarianism can insert into a democratic society, one that we have to fight at every turn. | Hrag Vartanian

Read More


SPONSORED
CTA Image

Tough Stuff: Women in The American Glass Studio

Highlighting works from the 1960s through today, this survey at the Corning Museum of Glass celebrates the legacies of women artists who helped shape the Studio Glass Movement in the US.

Learn more


Queer Elders Series

Sarah Schulman’s Four Decades of Lesbian Fiction

“Nothing stops me except the publishing industry,” quipped the novelist and AIDS historian, who cut her teeth as an East Village journalist writing for queer and feminist papers. | Lakshmi Rivera Amin

Read More


News

  • A self-portrait by the painter Clarence Heyward on display at the Houston Museum of African American Culture was intentionally defaced last month by visitors, the Texas institution said this week.
  • Along the Charleston waterfront, the International African American Museum has furloughed all its staff — including leadership — due to challenging financial conditions.

From Our Critics

A Better World at the Obama Center

The new campus is an expression of the former US president’s civic ideals, and a reminder of how distant they now seem. | Lori Waxman

Read More


Community

Required Reading

This week: Jean Shin’s memorial to the trees of Greenwood Cemetery, the 250th anniversary nobody wants, Pride bar-hopping, and more.

Read More

Art Movements: Sam Gilliam Foundation Names Its First Director

Dr. Steve Nelson has been named the new Director of the Sam Gillman Foundation. Also, Aperture HQ announces fall opening date, and, uh, the New Museum partners with Penske Media?

Read More


From the Archive

How New York City Got Its First Pride March

What started as a response to the 1969 Stonewall Uprising has evolved and expanded, taking on an added urgency amid Trump’s ongoing attacks on LGBTQ+ people. | Maya Pontone

Read More

Discover MA Arts and Cultural Enterprise at Central Saint Martins

Discover MA Arts and Cultural Enterprise at Central Saint Martins

Develop business skills for cultural management and production on this flexible, part-time online Masters. 

Central Saint Martins
Indian Theater: Native Performance, Art, and Self-Determination since 1969

Indian Theater: Native Performance, Art, and Self-Determination since 1969

Featuring live presentations, this exhibition grounds performance as the foundation of contemporary Native Art. On view at SITE Santa Fe June 5–September 7, 2026.

SITE Santa Fe
Divination, Mark Making, Boxing, & Drawing: "Tracey Rose" at Ruby City

Divination, Mark Making, Boxing, & Drawing: “Tracey Rose” at Ruby City

Opening June 6 in San Antonio, Texas, “Tracey Rose” offers viewers an intimate look at the artist’s groundbreaking multidisciplinary practice including performance and drawings.

Ruby City
America Today: Voices in Contemporary Print

America Today: Voices in Contemporary Print

On view at The Print Center through July 25, the exhibition highlights the power of print as a medium for expressing political ideals and urgent societal concerns.

The Print Center

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