“In Minor Keys” Is the Biennale’s Crown Jewel

[analyse_image type=”featured” src=””]

Daily Newsletter

“In Minor Keys” Is the Biennale’s Crown Jewel

Also, Aruna D’Souza interviews Australian Pavilion artist Khaled Sabsabi.

Unveiled against the din of protest chants and on the brink of a historic cultural labor strike, In Minor Keys at the Venice Biennale is “a solid hymn to the billions who carry melancholy and riotous joy in the same heart,” writes Hyperallergic’s Editor-in-Chief Hakim Bishara. In a review of the exhibition, Bishara touts the ways in which this exhibition elevates the unseen and the unsung. (And if you didn’t like it, “it might be partly about you,” he writes.)

Among the artists in that show is Khaled Sabsabi, whom the late curator Koyo Kouoh invited to participate after he was temporarily removed as the Australian pavilion’s pick due to pressure from pro-Israel groups. (He was ultimately reinstated.) Today, Aruna D’Souza interviews the Lebanese-born, Sydney-based artist about “khalil,” his major piece at the Arsenale; his pavilion vision, and “the multitude of beings within yourself.”

—Valentina Di Liscia, senior editor


Centuries of Endurance Undergird “In Minor Keys”

The main exhibition of the 2026 Venice Biennale sets rage and retribution aside, relaxing the oppressed’s clenched fist for a moment of calm, centeredness, and self-forgiveness.

Boasting work by 111 international artists, the posthumous exhibition “In Minor Keys” is the crown jewel of a momentous biennale. It is a triumph of the historically dispossessed and overlooked, the proud, and beautiful “wretched of the earth.” | Hakim Bishara

Read More


Interview

Khaled Sabsabi’s Art of Collective Becoming

Lebanese-born, Sydney-based artist Khaled Sabsabi was chosen to represent Australia at the 2026 Venice Biennale. Within a week, the government intervened to override that decision — to which Koyo Kouoh, the curator of the biennale’s main exhibition, stepped in and invited Sabsabi to the show.

Here, we speak to Sabsabi about his work. | Aruna D’Souza

Read More


SPONSORED
CTA Image

At auction on June 4, Swann’s Contemporary Art sale offers works from living artists like Banksy, Simone Leigh, and Nicole Eisenman alongside Pop, Post Modern, and Minimalist icons. 

Learn more


News

  • Last year’s infamous jewel heist at the Louvre Museum, during which a brazen group of thieves made off with France’s crown jewels in broad daylight, is set for a film adaptation amid the ongoing investigation.
  • Taking photographs, perusing cultural heritage sites, and visiting art museums could slow aging, according to a new study published earlier this month in the journal Innovation in Aging.

Opinion

Fixing the Potholes in NYC’s Cultural Infrastructure

If “pothole politics” is about fixing what people experience in their daily lives, then cultural funding should follow the same logic: steady, predictable, and built to last. | Stephanie Hill Wilchfort

Read More


SPONSORED
CTA Image

A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art

At Museum Rietberg, 20 global artists transform colonial photographs into new narratives of memory, identity, and resistance.

Learn more


Community

Paula Kamps, Painter of Rare Sensitivity, Dies at 36

This week, we also honor Tess Jaray, luminary of abstraction, and Ben Morea, counterculture icon.

Read More


From the Archive

Indigenous Artists Make Themselves Seen at the Thomas Cole Site

An exhibition curated by Scott Manning Stevens moves Native peoples to the forefront of historical depictions of the Hudson Valley and elsewhere. | Steven Weinberg

Read More

Daily Newsletter

“In Minor Keys” Is the Biennale’s Crown Jewel

Also, Aruna D’Souza interviews Australian Pavilion artist Khaled Sabsabi.

Unveiled against the din of protest chants and on the brink of a historic cultural labor strike, In Minor Keys at the Venice Biennale is “a solid hymn to the billions who carry melancholy and riotous joy in the same heart,” writes Hyperallergic’s Editor-in-Chief Hakim Bishara. In a review of the exhibition, Bishara touts the ways in which this exhibition elevates the unseen and the unsung. (And if you didn’t like it, “it might be partly about you,” he writes.)

Among the artists in that show is Khaled Sabsabi, whom the late curator Koyo Kouoh invited to participate after he was temporarily removed as the Australian pavilion’s pick due to pressure from pro-Israel groups. (He was ultimately reinstated.) Today, Aruna D’Souza interviews the Lebanese-born, Sydney-based artist about “khalil,” his major piece at the Arsenale; his pavilion vision, and “the multitude of beings within yourself.”

—Valentina Di Liscia, senior editor


Centuries of Endurance Undergird “In Minor Keys”

The main exhibition of the 2026 Venice Biennale sets rage and retribution aside, relaxing the oppressed’s clenched fist for a moment of calm, centeredness, and self-forgiveness.

Boasting work by 111 international artists, the posthumous exhibition “In Minor Keys” is the crown jewel of a momentous biennale. It is a triumph of the historically dispossessed and overlooked, the proud, and beautiful “wretched of the earth.” | Hakim Bishara

Read More


Interview

Khaled Sabsabi’s Art of Collective Becoming

Lebanese-born, Sydney-based artist Khaled Sabsabi was chosen to represent Australia at the 2026 Venice Biennale. Within a week, the government intervened to override that decision — to which Koyo Kouoh, the curator of the biennale’s main exhibition, stepped in and invited Sabsabi to the show.

Here, we speak to Sabsabi about his work. | Aruna D’Souza

Read More


SPONSORED
CTA Image

At auction on June 4, Swann’s Contemporary Art sale offers works from living artists like Banksy, Simone Leigh, and Nicole Eisenman alongside Pop, Post Modern, and Minimalist icons. 

Learn more


News

  • Last year’s infamous jewel heist at the Louvre Museum, during which a brazen group of thieves made off with France’s crown jewels in broad daylight, is set for a film adaptation amid the ongoing investigation.
  • Taking photographs, perusing cultural heritage sites, and visiting art museums could slow aging, according to a new study published earlier this month in the journal Innovation in Aging.

Opinion

Fixing the Potholes in NYC’s Cultural Infrastructure

If “pothole politics” is about fixing what people experience in their daily lives, then cultural funding should follow the same logic: steady, predictable, and built to last. | Stephanie Hill Wilchfort

Read More


SPONSORED
CTA Image

A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art

At Museum Rietberg, 20 global artists transform colonial photographs into new narratives of memory, identity, and resistance.

Learn more


Community

Paula Kamps, Painter of Rare Sensitivity, Dies at 36

This week, we also honor Tess Jaray, luminary of abstraction, and Ben Morea, counterculture icon.

Read More


From the Archive

Indigenous Artists Make Themselves Seen at the Thomas Cole Site

An exhibition curated by Scott Manning Stevens moves Native peoples to the forefront of historical depictions of the Hudson Valley and elsewhere. | Steven Weinberg

Read More

Unveiled against the din of protest chants and on the brink of a historic cultural labor strike, In Minor Keys at the Venice Biennale is “a solid hymn to the billions who carry melancholy and riotous joy in the same heart,” writes Hyperallergic’s Editor-in-Chief Hakim Bishara. In a review of the exhibition, Bishara touts the ways in which this exhibition elevates the unseen and the unsung. (And if you didn’t like it, “it might be partly about you,” he writes.)

Among the artists in that show is Khaled Sabsabi, whom the late curator Koyo Kouoh invited to participate after he was temporarily removed as the Australian pavilion’s pick due to pressure from pro-Israel groups. (He was ultimately reinstated.) Today, Aruna D’Souza interviews the Lebanese-born, Sydney-based artist about “khalil,” his major piece at the Arsenale; his pavilion vision, and “the multitude of beings within yourself.”

—Valentina Di Liscia, senior editor


Centuries of Endurance Undergird “In Minor Keys”

The main exhibition of the 2026 Venice Biennale sets rage and retribution aside, relaxing the oppressed’s clenched fist for a moment of calm, centeredness, and self-forgiveness.

Boasting work by 111 international artists, the posthumous exhibition “In Minor Keys” is the crown jewel of a momentous biennale. It is a triumph of the historically dispossessed and overlooked, the proud, and beautiful “wretched of the earth.” | Hakim Bishara

Read More


Interview

Khaled Sabsabi’s Art of Collective Becoming

Lebanese-born, Sydney-based artist Khaled Sabsabi was chosen to represent Australia at the 2026 Venice Biennale. Within a week, the government intervened to override that decision — to which Koyo Kouoh, the curator of the biennale’s main exhibition, stepped in and invited Sabsabi to the show.

Here, we speak to Sabsabi about his work. | Aruna D’Souza

Read More


SPONSORED
CTA Image

At auction on June 4, Swann’s Contemporary Art sale offers works from living artists like Banksy, Simone Leigh, and Nicole Eisenman alongside Pop, Post Modern, and Minimalist icons. 

Learn more


News

  • Last year’s infamous jewel heist at the Louvre Museum, during which a brazen group of thieves made off with France’s crown jewels in broad daylight, is set for a film adaptation amid the ongoing investigation.
  • Taking photographs, perusing cultural heritage sites, and visiting art museums could slow aging, according to a new study published earlier this month in the journal Innovation in Aging.

Opinion

Fixing the Potholes in NYC’s Cultural Infrastructure

If “pothole politics” is about fixing what people experience in their daily lives, then cultural funding should follow the same logic: steady, predictable, and built to last. | Stephanie Hill Wilchfort

Read More


SPONSORED
CTA Image

A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art

At Museum Rietberg, 20 global artists transform colonial photographs into new narratives of memory, identity, and resistance.

Learn more


Community

Paula Kamps, Painter of Rare Sensitivity, Dies at 36

This week, we also honor Tess Jaray, luminary of abstraction, and Ben Morea, counterculture icon.

Read More


From the Archive

Indigenous Artists Make Themselves Seen at the Thomas Cole Site

An exhibition curated by Scott Manning Stevens moves Native peoples to the forefront of historical depictions of the Hudson Valley and elsewhere. | Steven Weinberg

Read More

A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art

A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art

At Museum Rietberg, 20 global artists transform colonial photographs into new narratives of memory, identity, and resistance.

Museum Rietberg
Art-Science Undisciplined: A Playbook for Transformative Collaboration

Art-Science Undisciplined: A Playbook for Transformative Collaboration

Artist Janani Balasubramanian and astrophysicist Natalie Gosnell reimagine collaboration through a values-based and joyfully undisciplined practice.

University of California Press
Tough Stuff: Women in The American Glass Studio

Tough Stuff: Women in The American Glass Studio

Highlighting works from the 1960s through today, this survey at the Corning Museum of Glass celebrates the legacies of women artists who helped shape the Studio Glass Movement in the US.

Corning Museum of Glass
Still in Sound

Still in Sound

Sound artists compose sonic and multisensory interpretations of abstract paintings for this new exhibition at the Clyfford Still Museum in Denver, Colorado.

Clyfford Still Museum

[analyse_source url=”https://hyperallergic.com/in-minor-keys-is-the-biennales-crown-jewel/”]


Analyse


Post not analysed yet. Do the magic.