Roses and Thorns of Greater New York

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Daily Newsletter

Roses and Thorns of Greater New York

An artist on saying no to the US Biennale pavilion, Dumbo Open Studios turns 10, and the Rijksmuseum takes on Ovid’s magnum opus.

MoMA PS1’s massive survey of local artists, Greater New York, happens just once every five years, so it’s only natural that the show would stir strong emotions … including ambivalence. Read all about the works Hyperallergic loved, didn’t, and couldn’t make up their minds about, with contributions from Editor-in-Chief Hakim Bishara, Editor-at-Large Hrag Vartanian, Associate Editor Lisa Yin Zhang, and Staff Writer Rhea Nayyar.

In news, American-French sculptor Barbara Chase-Riboud speaks about her decision to decline an invitation to represent the US at the Venice Biennale as the pavilion — and its murky, Trump-friendly commissioning entity — come under intensifying scrutiny. As a reminder, if you’d like to send a confidential news tip, you may do so at tips@hyperallergic.com, or contact me or a reporter directly.

—Valentina Di Liscia, senior editor


Kenneth Tam, “I’M STAYING HOPEFUL AND STRONG (For Bilal and Salah)” (2026) (photo Hrag Vartanian/Hyperallergic)

What We Loved (And Didn’t) in “Greater New York”

Plus, the works we’re on the fence about in the massive MoMA PS1 survey. | Hrag Vartanian, Hakim Bishara, Lisa Yin Zhang, Rhea Nayyar


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Summer Marathons in Painting and Drawing at the New York Studio School

Join an immersive, two-week session and transform your studio practice. Online or in-person.

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News

Barbara Chase-Riboud (photo Pascal Le Segretain/Getty Images)
  • Artist Barbara Chase-Riboud spoke about her decision not to represent the US at the 61st Venice Biennale, noting that now is “not the moment.”
  • ArtPhilly plans to unveil a sprawling temporary monument next month honoring Ona Judge, who escaped enslavement by the United States’s first presidential family in 1796.
  • Works on paper were a highlight at Dumbo Open Studios’s 10th year event — not to mention the impromptu conversations and artistic community.

From Our Critics

Jean-Léon Gérôme, “Pygmalion and Galatea” (1890–92) (photo Zoe Guy/Hyperallergic)

A Blockbuster Take on Ovid’s “Metamorphosis”

The Rijksmuseum exhibition raises questions about gender, sexuality, and transformation that it is not prepared to answer. | Zoe Guy


SPONSORED
CTA Image

The Marsden Hartley Legacy Project Launches Online

The first comprehensive catalogue of artworks by acclaimed modernist painter Marsden Hartley is now freely available on the internet.

Learn more


Member Comment

Adrian Rifkin on Naz Cuguoğlu’s “The Future of Museums Is a Dance Floor”:

2 things. In the 90s when I was Professor of Fine Art at Leeds I had a v good MA guy who wrote on this matter and ran raves as an artist. If you read Boulez in some of his reflections you can see how the DJ becomes an artist as such, and maybe the truest form of modern in Adorno’s sense in his critique of Moses un Aron.

Commenting privileges are reserved for paid members. Join us today!


ICYMI

Rembrandt van Rijn, “The Vision of Zechariah in the Temple” (1633) (photo Rene Gerritsen, courtesy Rijksmuseum)

Long-Lost Rembrandt Goes on Display at the Rijksmuseum

Previously misattributed to a pupil of the Dutch Master, the painting was hidden from public view in a private collection for over six decades. | Rhea Nayyar

Daily Newsletter

Roses and Thorns of Greater New York

An artist on saying no to the US Biennale pavilion, Dumbo Open Studios turns 10, and the Rijksmuseum takes on Ovid’s magnum opus.

MoMA PS1’s massive survey of local artists, Greater New York, happens just once every five years, so it’s only natural that the show would stir strong emotions … including ambivalence. Read all about the works Hyperallergic loved, didn’t, and couldn’t make up their minds about, with contributions from Editor-in-Chief Hakim Bishara, Editor-at-Large Hrag Vartanian, Associate Editor Lisa Yin Zhang, and Staff Writer Rhea Nayyar.

In news, American-French sculptor Barbara Chase-Riboud speaks about her decision to decline an invitation to represent the US at the Venice Biennale as the pavilion — and its murky, Trump-friendly commissioning entity — come under intensifying scrutiny. As a reminder, if you’d like to send a confidential news tip, you may do so at tips@hyperallergic.com, or contact me or a reporter directly.

—Valentina Di Liscia, senior editor


Kenneth Tam, “I’M STAYING HOPEFUL AND STRONG (For Bilal and Salah)” (2026) (photo Hrag Vartanian/Hyperallergic)

What We Loved (And Didn’t) in “Greater New York”

Plus, the works we’re on the fence about in the massive MoMA PS1 survey. | Hrag Vartanian, Hakim Bishara, Lisa Yin Zhang, Rhea Nayyar


SPONSORED
CTA Image

Summer Marathons in Painting and Drawing at the New York Studio School

Join an immersive, two-week session and transform your studio practice. Online or in-person.

Learn more


News

Barbara Chase-Riboud (photo Pascal Le Segretain/Getty Images)
  • Artist Barbara Chase-Riboud spoke about her decision not to represent the US at the 61st Venice Biennale, noting that now is “not the moment.”
  • ArtPhilly plans to unveil a sprawling temporary monument next month honoring Ona Judge, who escaped enslavement by the United States’s first presidential family in 1796.
  • Works on paper were a highlight at Dumbo Open Studios’s 10th year event — not to mention the impromptu conversations and artistic community.

From Our Critics

Jean-Léon Gérôme, “Pygmalion and Galatea” (1890–92) (photo Zoe Guy/Hyperallergic)

A Blockbuster Take on Ovid’s “Metamorphosis”

The Rijksmuseum exhibition raises questions about gender, sexuality, and transformation that it is not prepared to answer. | Zoe Guy


SPONSORED
CTA Image

The Marsden Hartley Legacy Project Launches Online

The first comprehensive catalogue of artworks by acclaimed modernist painter Marsden Hartley is now freely available on the internet.

Learn more


Member Comment

Adrian Rifkin on Naz Cuguoğlu’s “The Future of Museums Is a Dance Floor”:

2 things. In the 90s when I was Professor of Fine Art at Leeds I had a v good MA guy who wrote on this matter and ran raves as an artist. If you read Boulez in some of his reflections you can see how the DJ becomes an artist as such, and maybe the truest form of modern in Adorno’s sense in his critique of Moses un Aron.

Commenting privileges are reserved for paid members. Join us today!


ICYMI

Rembrandt van Rijn, “The Vision of Zechariah in the Temple” (1633) (photo Rene Gerritsen, courtesy Rijksmuseum)

Long-Lost Rembrandt Goes on Display at the Rijksmuseum

Previously misattributed to a pupil of the Dutch Master, the painting was hidden from public view in a private collection for over six decades. | Rhea Nayyar

MoMA PS1’s massive survey of local artists, Greater New York, happens just once every five years, so it’s only natural that the show would stir strong emotions … including ambivalence. Read all about the works Hyperallergic loved, didn’t, and couldn’t make up their minds about, with contributions from Editor-in-Chief Hakim Bishara, Editor-at-Large Hrag Vartanian, Associate Editor Lisa Yin Zhang, and Staff Writer Rhea Nayyar.

In news, American-French sculptor Barbara Chase-Riboud speaks about her decision to decline an invitation to represent the US at the Venice Biennale as the pavilion — and its murky, Trump-friendly commissioning entity — come under intensifying scrutiny. As a reminder, if you’d like to send a confidential news tip, you may do so at tips@hyperallergic.com, or contact me or a reporter directly.

—Valentina Di Liscia, senior editor


Kenneth Tam, “I’M STAYING HOPEFUL AND STRONG (For Bilal and Salah)” (2026) (photo Hrag Vartanian/Hyperallergic)

What We Loved (And Didn’t) in “Greater New York”

Plus, the works we’re on the fence about in the massive MoMA PS1 survey. | Hrag Vartanian, Hakim Bishara, Lisa Yin Zhang, Rhea Nayyar


SPONSORED
CTA Image

Summer Marathons in Painting and Drawing at the New York Studio School

Join an immersive, two-week session and transform your studio practice. Online or in-person.

Learn more


News

Barbara Chase-Riboud (photo Pascal Le Segretain/Getty Images)
  • Artist Barbara Chase-Riboud spoke about her decision not to represent the US at the 61st Venice Biennale, noting that now is “not the moment.”
  • ArtPhilly plans to unveil a sprawling temporary monument next month honoring Ona Judge, who escaped enslavement by the United States’s first presidential family in 1796.
  • Works on paper were a highlight at Dumbo Open Studios’s 10th year event — not to mention the impromptu conversations and artistic community.

From Our Critics

Jean-Léon Gérôme, “Pygmalion and Galatea” (1890–92) (photo Zoe Guy/Hyperallergic)

A Blockbuster Take on Ovid’s “Metamorphosis”

The Rijksmuseum exhibition raises questions about gender, sexuality, and transformation that it is not prepared to answer. | Zoe Guy


SPONSORED
CTA Image

The Marsden Hartley Legacy Project Launches Online

The first comprehensive catalogue of artworks by acclaimed modernist painter Marsden Hartley is now freely available on the internet.

Learn more


Member Comment

Adrian Rifkin on Naz Cuguoğlu’s “The Future of Museums Is a Dance Floor”:

2 things. In the 90s when I was Professor of Fine Art at Leeds I had a v good MA guy who wrote on this matter and ran raves as an artist. If you read Boulez in some of his reflections you can see how the DJ becomes an artist as such, and maybe the truest form of modern in Adorno’s sense in his critique of Moses un Aron.

Commenting privileges are reserved for paid members. Join us today!


ICYMI

Rembrandt van Rijn, “The Vision of Zechariah in the Temple” (1633) (photo Rene Gerritsen, courtesy Rijksmuseum)

Long-Lost Rembrandt Goes on Display at the Rijksmuseum

Previously misattributed to a pupil of the Dutch Master, the painting was hidden from public view in a private collection for over six decades. | Rhea Nayyar

The International Center of Photography Presents Photobook Fest

The International Center of Photography Presents Photobook Fest

This year’s fest will feature over 80 publishers with a full weekend of workshops, panels, and book signings. May 8–10 in Manhattan’s Lower East Side.

International Center of Photography
Art by Graphic Rewilding Blooms at Brookfield Place in New York City

Art by Graphic Rewilding Blooms at Brookfield Place in New York City

Bold and vibrant large-scale installations featuring blossoming flowers celebrate the natural world and bring the outside indoors.

Brookfield Place
Maria Britton: Second Sleep

Maria Britton: Second Sleep

Discarded bedsheets shape portals of reflection, obscuring the past or inviting to imagine what lies beyond in this exhibition at the Halsey Institute of Contemporary Art at the College of Charleston.

The Halsey Institute of Contemporary Art
Tutto Boetti 1966–1993

Tutto Boetti 1966–1993

An exhibition of works by Alighiero Boetti at Magazzino Italian Art.

Magazzino Italian Art

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