Carol Bove’s Metal Textiles

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Daily Newsletter

Carol Bove’s Metal Textiles

Was the artist’s Guggenheim survey a success? What’s so “weird” about this year’s Whitney Biennial? And other questions.

Good morning to you, and good riddance to Kristi Noem. If you’re in the mood for some great art writing today, you’ve come to the right place. Read reviews by Aruna D’Souza and Seph Rodney of two of the most talked-about shows of the season: the Whitney Biennial and Carol Bove at the Guggenheim Museum. Also, enjoy our weekly community columns, including an update on Jersey City’s ill-fated Centre Pompidou in Art Movements. Thanks for reading and happy Friday!

—Hakim Bishara, editor-in-chief


Latest Reviews

Installation view of Pat Oleszko, “Blowhard” (1995) (photo Hakim Bishara/Hyperallergic)

The Polycrisis Sublime of the Whitney Biennial

It felt like the world as I experience it: no clear path, but enough moments of beauty to convince me to put one foot in front of the other. | Aruna D’Souza

An Overfilled Guggenheim Retrospective Dulls Carol Bove’s Brilliance

A smaller survey would have allowed for something more meaningful than just showing what Bove has been doing for the past decades. | Seph Rodney


SPONSORED
CTA Image

Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake

As the lake’s ecological crisis worsens, the artist’s new site-specific installation in Salt Lake City renders audible what is increasingly at risk of vanishing.

Learn more


News

  • With negotiations in progress for the next contract ratification, Guggenheim Union workers rallied outside the famous rotunda during the opening reception for Carol Bove’s solo exhibition.
  • You know that feeling of emptiness and exhaustion after a creative spurt? A new study has a name for this phenomenon — “creative hangover” — and some surprising findings.

Community

Anicka Yi in 2024 (photo Jae An Lee, courtesy Pace Gallery)

Art Movements: Anicka Yi Picks Up the Pace

The artist is now represented by Pace, along with three other galleries. Plus, NYC has a new culture commissioner, closures at art schools, and more industry news.

Required Reading

Iranian heritage sites, a Native artist’s anti-ICE beadwork, France’s Braille Museum, mapping Black-owned bookstores, the business behind America’s sauna frenzy, and more links from around the web.

A View From the Easel

In Brooklyn, artist George Seyffert transforms their law school notes into a medium, and Nimisha Doongarwal in Berkeley, California, weaves the studio into their everyday life.


SPONSORED
CTA Image

Interdimensional Timelines: Hartford Art School Exhibits Liz Nielsen’s Photograms

As she concludes her term as the university’s Distinguished Chair in Photography, Nielsen’s “light paintings” are on view this spring in West Hartford, Connecticut.

Learn more


ICYMI

Installation view of works by Emilio Martínez Poppe (photo Hrag Vartanian/Hyperallergic)

First Impressions From the 2026 Whitney Biennial

Here’s what we liked, what we didn’t like, and what we’re still working through. | Lisa Yin Zhang, Hrag Vartanian, and Lakshmi Rivera Amin

Daily Newsletter

Carol Bove’s Metal Textiles

Was the artist’s Guggenheim survey a success? What’s so “weird” about this year’s Whitney Biennial? And other questions.

Good morning to you, and good riddance to Kristi Noem. If you’re in the mood for some great art writing today, you’ve come to the right place. Read reviews by Aruna D’Souza and Seph Rodney of two of the most talked-about shows of the season: the Whitney Biennial and Carol Bove at the Guggenheim Museum. Also, enjoy our weekly community columns, including an update on Jersey City’s ill-fated Centre Pompidou in Art Movements. Thanks for reading and happy Friday!

—Hakim Bishara, editor-in-chief


Latest Reviews

Installation view of Pat Oleszko, “Blowhard” (1995) (photo Hakim Bishara/Hyperallergic)

The Polycrisis Sublime of the Whitney Biennial

It felt like the world as I experience it: no clear path, but enough moments of beauty to convince me to put one foot in front of the other. | Aruna D’Souza

An Overfilled Guggenheim Retrospective Dulls Carol Bove’s Brilliance

A smaller survey would have allowed for something more meaningful than just showing what Bove has been doing for the past decades. | Seph Rodney


SPONSORED
CTA Image

Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake

As the lake’s ecological crisis worsens, the artist’s new site-specific installation in Salt Lake City renders audible what is increasingly at risk of vanishing.

Learn more


News

  • With negotiations in progress for the next contract ratification, Guggenheim Union workers rallied outside the famous rotunda during the opening reception for Carol Bove’s solo exhibition.
  • You know that feeling of emptiness and exhaustion after a creative spurt? A new study has a name for this phenomenon — “creative hangover” — and some surprising findings.

Community

Anicka Yi in 2024 (photo Jae An Lee, courtesy Pace Gallery)

Art Movements: Anicka Yi Picks Up the Pace

The artist is now represented by Pace, along with three other galleries. Plus, NYC has a new culture commissioner, closures at art schools, and more industry news.

Required Reading

Iranian heritage sites, a Native artist’s anti-ICE beadwork, France’s Braille Museum, mapping Black-owned bookstores, the business behind America’s sauna frenzy, and more links from around the web.

A View From the Easel

In Brooklyn, artist George Seyffert transforms their law school notes into a medium, and Nimisha Doongarwal in Berkeley, California, weaves the studio into their everyday life.


SPONSORED
CTA Image

Interdimensional Timelines: Hartford Art School Exhibits Liz Nielsen’s Photograms

As she concludes her term as the university’s Distinguished Chair in Photography, Nielsen’s “light paintings” are on view this spring in West Hartford, Connecticut.

Learn more


ICYMI

Installation view of works by Emilio Martínez Poppe (photo Hrag Vartanian/Hyperallergic)

First Impressions From the 2026 Whitney Biennial

Here’s what we liked, what we didn’t like, and what we’re still working through. | Lisa Yin Zhang, Hrag Vartanian, and Lakshmi Rivera Amin

Good morning to you, and good riddance to Kristi Noem. If you’re in the mood for some great art writing today, you’ve come to the right place. Read reviews by Aruna D’Souza and Seph Rodney of two of the most talked-about shows of the season: the Whitney Biennial and Carol Bove at the Guggenheim Museum. Also, enjoy our weekly community columns, including an update on Jersey City’s ill-fated Centre Pompidou in Art Movements. Thanks for reading and happy Friday!

—Hakim Bishara, editor-in-chief


Latest Reviews

Installation view of Pat Oleszko, “Blowhard” (1995) (photo Hakim Bishara/Hyperallergic)

The Polycrisis Sublime of the Whitney Biennial

It felt like the world as I experience it: no clear path, but enough moments of beauty to convince me to put one foot in front of the other. | Aruna D’Souza

An Overfilled Guggenheim Retrospective Dulls Carol Bove’s Brilliance

A smaller survey would have allowed for something more meaningful than just showing what Bove has been doing for the past decades. | Seph Rodney


SPONSORED
CTA Image

Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake

As the lake’s ecological crisis worsens, the artist’s new site-specific installation in Salt Lake City renders audible what is increasingly at risk of vanishing.

Learn more


News

  • With negotiations in progress for the next contract ratification, Guggenheim Union workers rallied outside the famous rotunda during the opening reception for Carol Bove’s solo exhibition.
  • You know that feeling of emptiness and exhaustion after a creative spurt? A new study has a name for this phenomenon — “creative hangover” — and some surprising findings.

Community

Anicka Yi in 2024 (photo Jae An Lee, courtesy Pace Gallery)

Art Movements: Anicka Yi Picks Up the Pace

The artist is now represented by Pace, along with three other galleries. Plus, NYC has a new culture commissioner, closures at art schools, and more industry news.

Required Reading

Iranian heritage sites, a Native artist’s anti-ICE beadwork, France’s Braille Museum, mapping Black-owned bookstores, the business behind America’s sauna frenzy, and more links from around the web.

A View From the Easel

In Brooklyn, artist George Seyffert transforms their law school notes into a medium, and Nimisha Doongarwal in Berkeley, California, weaves the studio into their everyday life.


SPONSORED
CTA Image

Interdimensional Timelines: Hartford Art School Exhibits Liz Nielsen’s Photograms

As she concludes her term as the university’s Distinguished Chair in Photography, Nielsen’s “light paintings” are on view this spring in West Hartford, Connecticut.

Learn more


ICYMI

Installation view of works by Emilio Martínez Poppe (photo Hrag Vartanian/Hyperallergic)

First Impressions From the 2026 Whitney Biennial

Here’s what we liked, what we didn’t like, and what we’re still working through. | Lisa Yin Zhang, Hrag Vartanian, and Lakshmi Rivera Amin

Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake

Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake

As the lake’s ecological crisis worsens, the artist’s new site-specific installation in Salt Lake City renders audible what is increasingly at risk of vanishing.

Wake the Great Salt Lake
Interdimensional Timelines: Hartford Art School Exhibits Liz Nielsen’s Photograms

Interdimensional Timelines: Hartford Art School Exhibits Liz Nielsen’s Photograms

As she concludes her term as the university’s Distinguished Chair in Photography, Nielsen’s “light paintings” are on view this spring in West Hartford, Connecticut.

University of Hartford
Call for Applications: 2026 Craft Archive Fellowship

Call for Applications: 2026 Craft Archive Fellowship

The Center for Craft will award up to four $5,000 fellowships to support research on underrepresented craft histories, culminating in an article on Hyperallergic.

Center for Craft
In Conversation: Will Wilson

In Conversation: Will Wilson

In partnership with Art Bridges, the Visual Arts Center of New Jersey presents works by Will Wilson alongside historic photographs by Edward Sheriff Curtis. On view through August 23.

Visual Arts Center of New Jersey

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