{"id":980557,"date":"2025-12-09T08:00:00","date_gmt":"2025-12-09T05:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=980557"},"modified":"2025-12-09T08:00:00","modified_gmt":"2025-12-09T05:00:00","slug":"the-20-best-films-of-2025-ranked","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=980557","title":{"rendered":"The 20 best films of 2025, ranked"},"content":{"rendered":"<div class=\"article-body wrapper\">\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>To have enjoyed your 2025, you must have lived under a rock \u2013 and by rock, I mean the rooftop of a cinema that has bad phone reception. In a year with fascist world leaders, escalating violence, and numerous ongoing wars on a planet being destroyed by manmade climate change, going to the movies is still the best way to escape the everyday horrors of the news, social media, and the soul-crushing grind of capitalist life.<\/p>\n<p>Even so, many have complained that 2025 has been a lacklustre year for films. Pandemic aftershocks mean fewer risky, adult dramas are getting made, and the UK\u2019s outdated release schedule means most of the year\u2019s best films won\u2019t arrive until 2026.<\/p>\n<p>The truth is, 2025 has been an awful year, but not for movies. If you looked further than Marvel and<span>\u00a0<\/span><em>Minecraft<\/em>, cinemas have offered a plethora of exciting, thought-provoking releases that try to stand out from the norm. Although we\u2019re in an age of digital, the likes of <a href=\"https:\/\/www.dazeddigital.com\/tag\/josh-safdie\">Josh Safdie<\/a>, <a href=\"https:\/\/www.dazeddigital.com\/tag\/paul-thomas-anderson\">Paul Thomas Anderson<\/a>, and <a href=\"https:\/\/www.dazeddigital.com\/tag\/joachim-trier\">Joachim Trier<\/a> still insist on shooting on 35mm; divisive dramas like<em><span>\u00a0<\/span>Die My Love<\/em>,<span>\u00a0<\/span><em>Alpha<\/em>,<em><span>\u00a0<\/span><\/em>and<span>\u00a0<\/span><em>Eddington<\/em><span>\u00a0<\/span>ensure that theatres are still the best place to love or despise a new release and also the person who dragged you to it; and with<span>\u00a0<\/span><em>Sound of Falling<\/em><span>\u00a0<\/span>and<span>\u00a0<\/span><em>Sirat<\/em><span>\u00a0<\/span>we have two revolutionary films attempting to rewrite cinematic grammar. And so, sticking to films that had their world premiere in 2025, here are our top picks for the best of the year.<\/p>\n<h1><strong>20.<span>\u00a0<\/span><em>TWINLESS<\/em><span>\u00a0<\/span>(JAMES SWEENEY)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"pxseQQkGvb8\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"900\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/pxseQQkGvb8\" webkitallowfullscreen width=\"1600\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>Already notorious for its sex scenes between Sweeney and Dylan O\u2019Brien,<span>\u00a0<\/span><em>Twinless<\/em><span>\u00a0<\/span>is a snappy screwball romcom without the rom: after Dennis (Sweeney) has a one-night stand with Rocky (O\u2019Brien) and accidentally causes his death, he semi-stalks his crush\u2019s heterosexual twin brother, also played by O\u2019Brien. The quips are fast and constant; by the end, it\u2019s surprisingly moving.<\/p>\n<p>Twinless<em>\u00a0is out in UK cinemas on February 6<\/em><\/p>\n<h1><strong>19.\u00a0<em>ENZO\u00a0<\/em>(ROBIN CAMPILLO)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"dgIb6V2xlhY\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>Credited as \u201ca film by Laurent Cantet\u201d but \u201cdirected by Robin Campillo\u201d,<span>\u00a0<\/span><em>Enzo<\/em><span>\u00a0<\/span>is a moving, prickly coming-of-ager about a French teen who rebels against his middle-class parents: shunning academia, the 16-year-old boy becomes a builder and lusts after a man twice his age. Full of pathos, the drama is heightened by behind-the-scenes heartbreak: Cantet, the intended director, died just before the shoot.<\/p>\n<p>Enzo\u00a0<em>is out in UK cinemas in 2026<\/em><\/p>\n<h1><strong>18.<\/strong><em><strong><em>ALPHA<\/em><\/strong><\/em><strong>(JULIA DUCOURNAU)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"3Jiax6tpDk8\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>Strange, shocking, and deeply divisive:<span>\u00a0<\/span><em>Alpha<\/em><span>\u00a0<\/span>is a time-jumping, mind-melting sci-fi about grief, family, and homophobia. Set in the 90s, <a href=\"https:\/\/www.dazeddigital.com\/julia-ducournau\">Julia Ducournau<\/a>\u2019s follow-up to<span>\u00a0<\/span><em>Titane<\/em><span>\u00a0<\/span>establishes an AIDS-coded virus that turns the infected into marble. When a 13-year-old girl believes she\u2019s contracted the disease, kids at school shun her and flashbacks reveal her unprocessed trauma. There\u2019s nothing else like it.<\/p>\n<p><em>Read our interview with Julia Ducournau\u00a0<a href=\"https:\/\/www.dazeddigital.com\/film-tv\/article\/69084\/1\/julia-ducournau-alpha-interview-future-cult-classic-sci-fi\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.dazeddigital.com\/film-tv\/article\/69084\/1\/julia-ducournau-alpha-interview-future-cult-classic-sci-fi&amp;source=gmail&amp;ust=1765038551719000&amp;usg=AOvVaw26phTp2BaXxDyPQAVyjGR7\">here<\/a><\/em><\/p>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<h1><strong>17.<span>\u00a0<\/span><em>THE MASTERMIND<span>\u00a0<\/span><\/em>(KELLY REICHARDT)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"AWokrf6yeEU\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>Marketed as a heist-thriller but really a slow-burn drama about realising you\u2019ve ruined your life,<span>\u00a0<\/span><em>The Mastermind<\/em><span>\u00a0<\/span>stars <a href=\"https:\/\/www.dazeddigital.com\/tag\/josh-oconnor\">Josh O\u2019Connor<\/a> as an art thief who steals four Arthur Dove paintings and doesn\u2019t know how to sell them. The crime\u2019s motivation isn\u2019t really money; it\u2019s male arrogance from someone expecting a safety net. Kelly Reichardt, as usual, delights in the quiet details that other filmmakers ignore.<\/p>\n<p><em>Read our interview with Kelly Reichardt and Josh O\u2019Connor\u00a0<a href=\"https:\/\/www.dazeddigital.com\/film-tv\/article\/68954\/1\/the-mastermind-art-heist-drama-josh-oconnor-kelly-reichardt-interview-film\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.dazeddigital.com\/film-tv\/article\/68954\/1\/the-mastermind-art-heist-drama-josh-oconnor-kelly-reichardt-interview-film&amp;source=gmail&amp;ust=1765038551719000&amp;usg=AOvVaw2L6pF8FtpNqY4aVtg_iauy\">here<\/a><\/em><\/p>\n<h1><strong><strong>16.<span>\u00a0<\/span><em>WEAPONS<\/em><span>\u00a0<\/span>(ZACH CREGGER)<\/strong><\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"OpThntO9ixc\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Like Jordan Peele, Cregger is proving that sketch comedians can also be talented horror auteurs. The premise is promisingly creepy: one night, 17 children all flee their homes at 2:17am and don\u2019t return. But\u00a0<\/span><em>Weapons<\/em><span>\u00a0soars in the individual character moments, whether it\u2019s Josh Brolin yelling at a wall, or Amy Madigan stealing the film as Aunt Gladys. Big on laughs and scares, it\u2019s the kind of film that excels in a packed multiplex on a Saturday night.<\/span><\/p>\n<h1><span><strong>15.\u00a0<em>BUGONIA<\/em>\u00a0(YORGOS LANTHIMOS)<\/strong><\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"bd_5HcTujfc\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>With their third film in three years, <a href=\"https:\/\/www.dazeddigital.com\/tag\/yorgos-lanthimos\">Yorgos Lanthimos<\/a> and <a href=\"https:\/\/www.dazeddigital.com\/tag\/emma-stone\">Emma Stone<\/a> are becoming a strangely underrated partnership that people take for granted:<span>\u00a0<\/span><em>Bugonia<\/em><span>\u00a0<\/span>is a tense, darkly hilarious sci-fi thriller that combines the Greek director\u2019s esoteric camera choices (this time it\u2019s VistaVision) with a committed cast that includes Jesse Plemons and newcomer Aidan Delbis. If it wasn\u2019t such a faithful remake of an existing Korean film (<em>Save the Green Planet!<\/em>), perhaps it\u2019d be at the top of our list.<\/p>\n<p><em>Read our interview with Emma Stone, Jesse Plemons, Yorgos Lanthimos, and Will Tracy\u00a0<a href=\"https:\/\/www.dazeddigital.com\/film-tv\/article\/68969\/1\/bugonia-yorgos-lanthimos-twisted-alien-comedy-emma-stone-jesse-plemons\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.dazeddigital.com\/film-tv\/article\/68969\/1\/bugonia-yorgos-lanthimos-twisted-alien-comedy-emma-stone-jesse-plemons&amp;source=gmail&amp;ust=1765038551719000&amp;usg=AOvVaw00NZSiGWOW5It47irpOVWC\">here<\/a><\/em><\/p>\n<h1><strong>14.\u00a0<em>THE SECRET AGENT<\/em>\u00a0(KLEBER MENDON\u00c7A FILHO)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"9UfrzDKrhEc\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>It\u2019s 1977 in Recife when Marcelo (Wagner Moura), a grieving widower, reckons with the celebrations of Carnaval amidst a Brazilian dictatorship. Mendon\u00e7a Filho\u2019s political thriller laments the bigotry, violence, and censorship of the era; in a fantastical sequence, a severed human leg with a mind of its own attacks gay men (a reference to coded newspaper articles from the time), while Marcelo is an innocent man whose life is in danger. Juggling numerous tones, the period-drama is gripping, funny, and moving \u2013 often at the same time.<\/p>\n<p>The Secret Agent\u00a0<em>is out in UK cinemas on February 20, 2026.<\/em><\/p>\n<h1><strong>13.<em>\u00a0IF I HAD LEGS I\u2019D KICK YOU<\/em>\u00a0(MARY BRONSTEIN)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"ywFDoT7LBbQ\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>Perhaps the year\u2019s most anxiety-inducing film, Bronstein\u2019s second feature stars Rose Byrne as a mother whose life goes from worse to worse to worse. Her ceiling collapses; her screaming child (always off-screen) suffers an unsolvable ailment; further clashes arise with an unsympathetic therapist (Conan O\u2019Brien) and a flirty frenemy (<a href=\"https:\/\/www.dazeddigital.com\/asap-rocky\">ASAP Rocky<\/a>). With the camera often zooming in on her panicked face, Byrne has never been better.<\/p>\n<p>\u00a0If I Had Legs I\u2019d Kick You<em> is out in UK cinemas on February 20, 2026<\/em><\/p>\n<h1><strong><strong>12.<span>\u00a0<\/span><em>RESURRECTION<\/em><span>\u00a0<\/span>(BI GAN)<\/strong><\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"ZIJezWgFUEY\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>Split into five chapters,<span>\u00a0<\/span><em>Resurrection<\/em><span>\u00a0<\/span>is a sci-fi epic that retells the history of cinema \u2013 I think. The head-spinning thriller starts off with a world where humans realise they can live forever if they stop dreaming. Those who choose to dream are Fantasmers, whom are hunted down by The Other Ones, such as Shi Qu. This is 10 minutes into a three-hour film: at some point, you have to surrender to Bi\u2019s dazzling collection of genre experiments, including one neo-noir section that\u2019s an unbroken shot lasting nearly an hour.<\/p>\n<p>Resurrection<em>\u00a0is out in UK cinemas in 2026<\/em><\/p>\n<h1><strong>11.<\/strong><span>\u00a0<\/span><strong><em>THE KIDNAPPING OF ARABELLA<\/em><span>\u00a0<\/span>(CAROLINA CAVALLI)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"1A0d79W7bsU\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>From the Italian writer-director of<span>\u00a0<\/span><em>Amanda<\/em><span>\u00a0<\/span>and co-writer of<span>\u00a0<\/span><em>Fremont<\/em><span>\u00a0<\/span>comes a striking, existential comedy: Holly (Benedetta Porcaroli from<span>\u00a0<\/span><em>Amanda<\/em>) stumbles upon a seven-year-old girl, Arabella, and is convinced that she\u2019s meeting her younger self. It\u2019s a laugh-out-loud road movie that fully commits to its bizarre premise, ensuring you\u2019re never sure what will happen next. One example: Chris Pine\u2019s supporting role as Arabella\u2019s Italian-speaking father.<\/p>\n<p>The Kidnapping of Arabella<em>\u00a0is seeking UK distribution<\/em><\/p>\n<h1><strong><strong><span>10. <\/span><em>LEFT-HANDED GIRL<\/em> (SHIH-CHING TSOU)<\/strong><\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"0rXnpfzpk8s\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>Shot on iPhones, Tsou\u2019s kinetic comedy-drama follows three women navigating the night markets of Taipei. Of particular note is five-year-old I-jing, a left-handed kid who\u2019s told by her grandfather that she\u2019s using \u201cthe Devil\u2019s hand\u201d and must correct herself. Her response? Shoplifting with her left hand. Elsewhere, the layered storytelling is rich and surprising, all culminating in a shocking showdown worthy of Mike Leigh. If it reminds you of<span>\u00a0<\/span><em>The Florida Project<\/em><span>\u00a0<\/span>and<span>\u00a0<\/span><em>Anora<\/em>, it\u2019s because it was co-written, co-produced, and edited by Sean Baker.<\/p>\n<p><em>Read our interview with Shih-Ching Tsou and Sean Baker <a href=\"https:\/\/www.dazeddigital.com\/film-tv\/article\/69209\/1\/left-handed-girl-film-taiwan-shih-ching-tsou-sean-baker-interview\">here<\/a><\/em><\/p>\n<h1><strong>9.\u00a0<em>URCHIN\u00a0<\/em>(HARRIS DICKINSON)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"xUnNNwA4MiA\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>With<span>\u00a0<\/span><em>Urchin<\/em>, <a href=\"https:\/\/www.dazeddigital.com\/harris-dickinson\">Harris Dickinson<\/a> proves himself to be annoyingly talented: the actor has written and directed a London-based drama about homelessness that\u2019s both searing and strange. Frank Dillane is superb as Mike, an addict who exits prison and must curb his anger issues to maintain a catering job. While the acting is grounded and poignant, the film excels when Dickinson reveals his arthouse sensibilities \u2013 with a French cinematographer, it has clear allusions to Leos Carax \u2013 and even a sci-fi detour.<\/p>\n<p><em>Read our interview with Harris Dickinson\u00a0<a href=\"https:\/\/www.dazeddigital.com\/film-tv\/article\/68735\/1\/harris-dickinson-urchin-director-interview\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.dazeddigital.com\/film-tv\/article\/68735\/1\/harris-dickinson-urchin-director-interview&amp;source=gmail&amp;ust=1765038551719000&amp;usg=AOvVaw31Nj4hhivFZwxKfLYmDYXf\">here<\/a><\/em><\/p>\n<h1><strong>8.<\/strong><span>\u00a0<\/span><strong><em>SENTIMENTAL VALUE<\/em><span>\u00a0<\/span>(JOACHIM TRIER)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"AkoX8Cnp68E\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>A talky film about family members who don\u2019t know how to talk, Trier\u2019s follow-up to<span>\u00a0<\/span><em>The Worst Person in the World<\/em><span>\u00a0<\/span>is novelistic and cinematic: a depiction of what happens when a director (Stellan Skarsg\u00e5rd) prioritises his career over his children. A superb ensemble cast led by Renate Reinsve execute a sharp, probing drama that succeeds on all levels: it\u2019s smart, funny, brilliantly acted, and once again showcasing Trier\u2019s gift at composing beautiful images that don\u2019t distract from the drama.<\/p>\n<p>Sentimental Value\u00a0<em>is out in UK cinemas on December 26<\/em><\/p>\n<h1><strong><strong>7.<\/strong><span>\u00a0<\/span><strong><em>MY FATHER\u2019S SHADOW<\/em><span>\u00a0<\/span>(AKINOLA DAVIES JR.)<\/strong><\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"drRLw7-ttp0\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><em>My Father\u2019s Shadow<\/em><span>\u00a0<\/span>is such a gorgeous, accomplished drama, it\u2019s hard to believe that Davies, who wrote the script with his brother, is a first-time feature filmmaker. Set in 1993 during the Nigerian presidential election, the lush memory piece follows Fola (a terrific Sope Dirisu) as he guides his two sons through Lagos. The viewer soaks up the drama through both perspectives: the often-absent father who\u2019s hiding secrets from his children, and the two boys who are so astonished by the day\u2019s events they\u2019ll one day write a film about it.<\/p>\n<p>My Father\u2019s Shadow<em>\u00a0is out in UK cinemas on February 6, 2026<\/em><\/p>\n<h1><strong><strong>6. <em>SINNERS<\/em><span>\u00a0<\/span>(RYAN COOGLER)<\/strong><\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"bKGxHflevuk\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>A huge hit at the box office,\u00a0<\/span><em>Sinners<\/em><span>\u00a0proved that successful blockbusters could be bold, auteur-driven, not based on any IP. Above all, Coogler\u2019s period-drama horror is pure popcorn fun, mixing Michael B. Jordan as twin vampire slayers with a musical sequence so trippy that it traverses through time. It also serves as a reminder to always stay through the credits \u2013 at the press screening, most critics missed the actual final scene.<\/span><\/p>\n<h1><span><strong>5.\u00a0<em>SIR\u0100T<\/em>\u00a0(OLIVER LAXE)<\/strong><\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"ww-IXHXvS70\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>In Oliver Laxe\u2019s genre-bending, EDM-infused thriller, a bunch of ravers face their impending doom during World War Three, and respond by dancing in the desert to techno music. Set in Morocco\u2019s dustiest landscapes, the apocalyptic road-trip movie depicts the transcendent power of catchy, repetitive electronica when you\u2019re at your lowest. The challenge in a cinema is whether you can remain in your seat when the soundtrack blasts on the speakers.<\/p>\n<p>Sir\u0101t<em>\u00a0is out in UK cinemas on February 27, 2026<\/em><\/p>\n<h1><strong>4. <\/strong><em><strong>SOUND OF FALLING<\/strong><\/em><strong>\u00a0(MASCHA SCHILINSKI)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"yEtAZo-MOlI\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>A mind-bending, decade-spanning coming-of-age drama about four suffering women in Germany,<span>\u00a0<\/span><em>Sound of Falling<\/em><span>\u00a0<\/span>is a truly radical piece of work: scenes start in one century and end with a different character in the next; when you think it can\u2019t get any more esoteric, the plot turns supernatural. For two-and-a-half hours, Schilinski manipulates the film\u2019s soundscape, camera placement, and chronology to further add confusion to her mischievous jigsaw puzzle. When it clicks, it clicks: Schilinski confirms that she\u2019s a major filmmaker to watch.<\/p>\n<p>Sound of Falling<em>\u00a0is out in UK cinemas in early 2026<\/em><\/p>\n<h1><strong>3. <em>ONE BATTLE AFTER ANOTHER<\/em><span>\u00a0<\/span>(PAUL THOMAS ANDERSON)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"feOQFKv2Lw4\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>Both epic in its jaw-dropping action and delightful in its goofy sense of humour, <a href=\"https:\/\/www.dazeddigital.com\/paul-thomas-anderson\">Paul Thomas Anderson<\/a>\u2019s loose Pynchon adaptation packs so much into its 161-minute running time that no one can agree on a highlight. Is it Leonardo DiCaprio yelling down a phone in his dressing gown? Chase Infiniti staring down Sean Penn? Or Benicio del Toro\u2019s quip about \u201ca few small beers\u201d? Demonstrating the power of political activism and the messiness of family relationships, Anderson\u2019s action-comedy is what happens when an auteur is granted creative freedom, a proper budget, and an eclectic cast willing to take risks.<\/p>\n<p><em>Read our interview with Paul Thomas Anderson\u00a0<a href=\"https:\/\/www.dazeddigital.com\/film-tv\/article\/68720\/1\/paul-thomas-anderson-microsoft-word-prince-charles-one-battle-after-another\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.dazeddigital.com\/film-tv\/article\/68720\/1\/paul-thomas-anderson-microsoft-word-prince-charles-one-battle-after-another&amp;source=gmail&amp;ust=1765038551719000&amp;usg=AOvVaw2mQ70EEjsKVZw-vlpfLCai\">here<\/a><\/em><\/p>\n<h1><strong>2.<span>\u00a0<\/span><em>NO OTHER CHOICE<span>\u00a0<\/span><\/em>(PARK CHAN-WOOK)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"WG8_CBw2U1A\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>Sleek and hysterical, Park\u2019s black comedy follows a Korean paper expert (Lee Byung-hun from<span>\u00a0<\/span><em>Squid Game<\/em>) who plans to murder his competitors to secure a dream job. After planning the film for 15 years, Park shoots the madcap thriller with exhilarating dynamism and many mind-boggling angles that feel like they\u2019ve never been attempted in a film before.<\/p>\n<p>Beneath the ostentatious cinematography, the knowingly absurd story is also a sly comment on gender roles and the worst-case scenario for a man refusing to ask his wife for help \u2013 he reluctantly becomes a serial killer. Whereas Lee is terrifying in<span>\u00a0<\/span><em>Squid Game<\/em>, his deadpan frustration in<span>\u00a0<\/span><em>No Other Choice<\/em><span>\u00a0<\/span>is oddly humanising. He\u2019s such an incompetent assassin, you can\u2019t help but cheer him on.<\/p>\n<p>No Other Choice<em>\u00a0is out in UK cinemas on January 23, 2026<\/em><\/p>\n<h1><strong>1.<span>\u00a0<\/span><em>MARTY SUPREME<span>\u00a0<\/span><\/em>(JOSH SAFDIE)<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"s9gSuKaKcqM\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><a href=\"https:\/\/www.dazeddigital.com\/timothee-chalamet\">Timoth\u00e9e Chalamet<\/a> is a comedic talent. We always sensed it from his media appearances,<span>\u00a0<\/span><em>SNL<\/em>, and that video of him as a school kid rapping about mathematics. However, in <a href=\"https:\/\/www.dazeddigital.com\/josh-safdie\">Josh Safdie<\/a>\u2019s globetrotting, 1950s-set period drama, Chalamet is an absolute riot as Marty Mauser, a ping pong show-off who\u2019s driven by lust, greed, and a fiery passion for a ridiculous sport. A compulsive liar with a mean streak, Marty makes an enemy in every room he enters, and is lucky if he can exit without a black eye. For two and a half hours, it\u2019s compelling and hilarious \u2013 and then the magic trick is when, towards the end, Chalamet breaks your heart.<\/p>\n<p>Lensed by Darius Khondji, scored by Daniel Lopatin, and co-written with Ronald Bronstein, Safdie\u2019s follow-up to<span>\u00a0<\/span><em>Uncut Gems<\/em><span>\u00a0<\/span>is simultaneously gorgeous and teeming with spontaneity in its zany screwball sequences. The eclectic cast includes Gwyneth Paltrow, Philippe Petit (the highwire artist from<span>\u00a0<\/span><em>Man on Wire<\/em>), and Tyler, the Creator. However, the other standout is Odessa A\u2019zion as a secret lover whose raw emotions counter Marty\u2019s denial about his destructive nature. Behold, a film that rewards repeat viewings with a large, laughing crowd.<\/p>\n<p>Marty Supreme\u00a0<em>is out in UK cinemas on December 26<\/em><\/p>\n<\/div>\n<div class=\"article-series header article-series tags\"><span class=\"heading\">More on these topics:<\/span><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/film-tv\">Film &amp; TV<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/dazed-review-2025\">Dazed Review 2025<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/lists\">Lists<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/feature\">Feature<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/paul-thomas-anderson\">Paul Thomas Anderson<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/josh-safdie\">Josh Safdie<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/julia-ducournau\">julia ducournau<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/josh-oconnor\">Josh O\u2019Connor<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/yorgos-lanthimos\">Yorgos Lanthimos<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/emma-stone\">Emma Stone<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/asap-rocky\">ASAP Rocky<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/harris-dickinson\">Harris Dickinson<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/timothee-chalamet\">Timoth\u00e9e Chalamet<\/a><\/div>\n<\/div>\n<p> Source URL: https:\/\/www.dazeddigital.com\/film-tv\/article\/69240\/1\/the-20-best-films-of-2025-marty-supreme-one-battle-after-another-pta<\/p>\n","protected":false},"excerpt":{"rendered":"<p>To have enjoyed your 2025, you must have lived under a rock \u2013 and by rock, I mean the rooftop of a cinema that has bad phone reception. In a year with fascist world leaders, escalating violence, and numerous ongoing wars on a planet being destroyed by manmade climate change, going to the movies is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":980558,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[76],"class_list":["post-980557","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-politics","tag-dazeddigital-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/980557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=980557"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/980557\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/media\/980558"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=980557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=980557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=980557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}