{"id":685923,"date":"2025-11-13T14:42:41","date_gmt":"2025-11-13T11:42:41","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=685923"},"modified":"2025-11-13T14:42:41","modified_gmt":"2025-11-13T11:42:41","slug":"15-of-the-most-iconic-producer-tags-of-all-time","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=685923","title":{"rendered":"15 of the most iconic producer tags of all time"},"content":{"rendered":"<article class=\"main-article standard \">\n<div class=\"article-main-content article-wrapper has-media-but-its-an-image\" data-status=\"loaded\" data-primary-article=\"true\" data-url=\"\/music\/article\/69070\/1\/15-of-the-most-iconic-producer-tags-of-all-time\" data-article-id=\"69070\">\n<header class=\"article-header has-landscape-image no-media\">\n<div class=\"wrapper dg-max-width\">\n<div class=\"inner\">\n<figure class=\"main-img has-figcaption\" data-img-aspect-ratio-type=\"landscape\" data-img-aspect-ratio=\"1.78\" data-template=\"Standard Article\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Editorial Grid\" class=\"img\" height=\"1080\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1430674-2.jpg\" width=\"1920\" title=\"1430674-2\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"inner\"><span class=\"credit\">Illustration Harvey Wood (Credits clockwise from top left: Wraith 9 YouTube still; DJ Smokey YouTube still; Photo by Taylor Hill\/Getty Images; Ableton promotional video; Photo by GEOFFROY VAN DER HASSELT\/AFP via Getty Images; Photo by <span class=\"nowrap\">Kara Durrette\/Getty)<\/span><\/span><\/span><\/figcaption><\/figure>\n<aside class=\"meta\">\n<div class=\"inner\"><span class=\"month\">November<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"13\">13,<\/span>\u00a0<br \/>\n<span class=\"year\">2025<\/span><\/div>\n<\/aside>\n<div class=\"titles\">\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - music\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/lists\">Lists<\/a><\/div>\n<\/div>\n<h1 class=\"title\"><span>15 of the most iconic producer tags of <span class=\"nowrap\">all time<\/span><\/span><\/h1>\n<div class=\"standfirst\">\n<h2>From Pharrell\u2019s legendary four-count drop, to EsDeeKid producer Wraith 9\u2019s \u2018OK\u2019 soundbyte, we break down some of the best producer signatures in the history <span class=\"nowrap\">of music<\/span><\/h2>\n<\/div>\n<p><span class=\"month\">November<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"13\">13,<\/span>\u00a0<br \/>\n<span class=\"year\">2025<\/span><\/div>\n<\/div>\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - music\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/lists\">Lists<\/a><\/div>\n<\/div>\n<div class=\"providers\">\n<div class=\"contributors\"><span class=\"contributor\" data-contributor-role=\"Text\"><span class=\"contributor-role\">Text<\/span><a class=\"contributor-name\" href=\"https:\/\/www.dazeddigital.com\/user\/solomonpacemccarrick\">Solomon Pace-McCarrick<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"article-body-container\">\n<aside class=\"primary\">\n<div class=\"sticky bottom\">\n<div class=\"read-more\"><span class=\"read-more-header\">Read More<\/span><\/p>\n<div class=\"read-more-items\">\n<div class=\"read-more-item vertical-life-culture\">\n<div class=\"read-more-item-link\"><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/68983\/1\/so-excited-to-catch-up-culture-friendship-recaps-friends\" class=\"article-list-item-image\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Sorry, Baby (Film still)\" class=\"img\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1429729-16.jpg\" title=\"1429729-16\"><\/span><\/span><\/a><\/p>\n<div class=\"read-more-item-content\"><a class=\"category\" href=\"https:\/\/www.dazeddigital.com\/life-culture\">Life &amp; Culture<\/a><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/68983\/1\/so-excited-to-catch-up-culture-friendship-recaps-friends\"><span class=\"title\">Are we caught in a culture of never-ending catch-ups?<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"read-more-item vertical-film-tv\">\n<div class=\"read-more-item-link\"><a href=\"https:\/\/www.dazeddigital.com\/film-tv\/article\/69061\/1\/short-form-40-years-music-videos-ads-moving-image-mack-book-jonathan-glazer\" class=\"article-list-item-image\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Simon Cooper, Volkswagen, Angel\u2019s Day Off (2006)\" class=\"img\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1430569-16.jpg\" title=\"1430569-16\"><\/span><\/span><\/a><\/p>\n<div class=\"read-more-item-content\"><a class=\"category\" href=\"https:\/\/www.dazeddigital.com\/film-tv\">Film &amp; TV<\/a><a href=\"https:\/\/www.dazeddigital.com\/film-tv\/article\/69061\/1\/short-form-40-years-music-videos-ads-moving-image-mack-book-jonathan-glazer\"><span class=\"title\">This book goes deep on cult music videos and iconic ads<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"read-more-item vertical-fashion\">\n<div class=\"read-more-item-link\"><a href=\"https:\/\/www.dazeddigital.com\/fashion\/article\/24335\/1\/vivienne-westwood-s-top-ten-political-moments\" class=\"article-list-item-image\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Westwood at thatcher for Tatler\u2019s April 1989 cover\" class=\"img\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1117327-11.jpg\" title=\"1117327-11\"><\/span><\/span><\/a><\/p>\n<div class=\"read-more-item-content\"><a class=\"category\" href=\"https:\/\/www.dazeddigital.com\/fashion\">Fashion<\/a><a href=\"https:\/\/www.dazeddigital.com\/fashion\/article\/24335\/1\/vivienne-westwood-s-top-ten-political-moments\"><span class=\"title\">Vivienne Westwood\u2019s top ten political moments<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/aside>\n<div class=\"article-body wrapper\">\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Hip-hop manages to reinvent itself for every new generation yet, strangely enough, one of its most enduring traits is the producer tag. Even as a swarm of 18-year-olds moshed to masked scouse rapper EsDeeKid in London last week \u2013 an artist whose Liverpudlian-rage-rap fricatives would likely have hip-hop\u2019s Bronx forefathers scratching their heads \u2013 producer Wraith 9\u2019s signature \u201cOK!\u201d beat tag played on just about every song in the set, symbolically continuing over 40 years of history within the genre.<\/span><\/p>\n<p><span>Perhaps harking back to hip-hop\u2019s distant roots in Jamaican sound systems, where DJs would cut one-off \u2018dubplates\u2019 with vocalists to give them the edge during soundclashes, some of the first examples of producer tags arrived in the 1980s. Here, producers like Kool DJ Red Alert and DJ Kid Capri would introduce themselves on their records, providing some much-needed exposure to match the MCs who would frequently drop their own names during their verses.<\/span><\/p>\n<p><span>However, the trend truly became ubiquitous in the late 2000s, partly because the digital era of music and online file sharing created a renewed need for producers to watermark their instrumentals as a safeguard against artists using them without credit. Often found in the crest of the beat drop or the apex of the chorus, producer tags soon took all manner of forms \u2013 a baby\u2019s voice, a rapper\u2019s co-sign<\/span><span>, Tony Selzer\u2019s father; each adding branding and identity to a producer\u2019s career. Perhaps the best example of this is when Ye (FKA Kanye West) specifically requested Metro Boomin\u2019s beat tag on \u201cFather Stretch My Heads Pt. 1\u201d, defining a crucial turning point in the Atlanta producer\u2019s career.<\/span><\/p>\n<p><span>Today, producer tags are almost like hip-hop\u2019s Easter Eggs, hidden in plain sight in some of the 21st century\u2019s biggest hits. Just listen to the likes of Destiny Child\u2019s \u201cSay My Name\u201d or Bobby Shmurda\u2019s \u201cHot N***a\u201d \u2013 you might not remember it, but both of these feature a producer shout-out before even the vocals themselves come in. Elsewhere, accompanying the diffusion of hip-hop production techniques throughout mainstream music as a whole, producer tags have also cropped up in pop hits like Lady Gaga \u201cJust Dance\u201d, Pitbull\u2019s \u201cRain Over Me\u201c and even K-pop nine-piece TWICE\u2019s \u201cI Can\u2019t Stop Me\u201d.<\/span><\/p>\n<p><span>Below, in honour of the trends\u2019 rich history and in particular order, we break down 15 of the most iconic producer tags of all time.<\/span><\/p>\n<h1><span>WRAITH 9<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"hmdzniMJOZs\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/hmdzniMJOZs\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag: <\/strong><span>\ud83c\udd97<\/span><\/p>\n<p><span>An instrumental producer in EsDeeKid\u2019s recent meteoric rise, Wraith 9\u2019s signature \u201cOK\u201d and gasp beat tags have opened 2025 bangers such as \u201cLV Sandals\u201d and \u201cPhantom\u201d. Drenched in murky reverb, these tags are also representative of Wraith 9\u2019s era-defining production as a whole, which sits somewhere between <em>Conglomerate<\/em>-esque rage rap distortion and the fragile melodies of Drain Gang producer Whitearmour.<\/span><\/p>\n<h1><span>PHARRELL<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"GtUVQei3nX4\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong> The four-count drop<\/p>\n<p><span>While not a producer tag in the traditional sense, the four-count beat drop is widely recognised as a Pharrell trademark, opening pretty much every one of his songs \u2013 including \u201cHappy\u201d, \u201cDrop It Like It\u2019s Hot\u201d, Britney Spears\u2019 \u201cBoys\u201d, \u201cTokyo Drift\u201d and stretching all the way back to his earlier productions as part of hip-hop duo Neptunes. In a previous interview, Pharrell has explained that the signature was initially unintentional, and that he only started to embrace the four-count beat drop as his own producer tag after a friend pointed it out to him.<\/span><\/p>\n<h1><span>DJ SMOKEY<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"xYiDQkYxZ4o\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong> A general obsession with nukes<\/p>\n<p><span>In the hands of producer wunderkind and meme connoisseur DJ Smokey, the producer tag is not just a means of gaining exposure, but an artistic tool in its own right. Having played an often-overlooked role in the early careers of Yung Lean and Lil Peep, there\u2019s a cartoonish humour that pervades all of the Ontario-born and Memphis-inspired beatmaker\u2019s creations. 2016 mixtape <\/span><em><span>Evil Wayz <\/span><\/em><span>features multiple N64 video game soundbytes and Smokey announcing that he will \u201cbreak your neck if you disrespect women\u201d, while his later releases feature an absurd fascination with nuclear weapons, frequently describing his music as \u201cNuke radio\u201d and warning listeners of the effects of nuclear fallout.<\/span><\/p>\n<p><span>Further cementing DJ Smokey\u2019s status as producer tag goat is his recent appearance on Srillex\u2019s <\/span><em><span>Fuck U Skrillex You Think Ur Andy Warhol but Ur Not!! &lt;3<\/span><\/em><span>, n<\/span><span>arrating key moments on the project with lines like \u201cthis drop is fucked beyond repair\u201d, and frequent collaborations with fellow meme-obsessed Canadian collective Shadow Wizard Money Gang. We\u2019ll let you go down that rabbit hole in your own time.<\/span><\/p>\n<h1><span>MUSTARD<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"H58vbez_m4E\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong> \u201c<em>Mustard on the beat, ho!\u201d<\/em><\/p>\n<p><span>Perhaps the most recognisable producer tag of all, LA hitmaker Mustard\u2019s signature \u201cMustard on the beat, ho!\u201d soundbyte most notably appeared on Kendrick Lamar\u2019s record-shattering \u201cNot Like Us\u201d diss track last year, but actually first appeared on Y.G.\u2019s West Coast classic \u201cI\u2019m Good\u201d back in 2011. Other Mustard trademarks include the bouncy \u201cHey!\u201d adlib, and\u2026. \u201cMUSSTAAAAARD!\u201d on <\/span><em><span>GNX<\/span><\/em><span>\u2019s \u201cTV Off\u201d.<\/span><\/p>\n<h1><span>M1ONTHEBEAT<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"znQriFAMBRs\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong><span>Tag:<\/span><\/strong><span>\u00a0<\/span><em><span>\u201cM1 on the beat\u201d<\/span><\/em><\/p>\n<p><span>London-based producer M1ontheBeat has been responsible for some of drill music\u2019s most important records, from Headie One\u2019s \u201cGolden Boot\u201d to the Drake-featuring \u201cOnly You\u201d to Digga D\u2019s \u201cWoi\u201d, and his \u201cM1 on the beat\u201d producer tag has been there through it all. So much so that it\u2019s not a stretch to say that this tag is itself an indispensable part of drill history.<\/span><\/p>\n<h1><span>STEEL BANGLEZ<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"iU7cDCmEiUw\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong> \u201c<em>Steel. Bangles.\u201d<\/em><\/p>\n<p><span>If you heard this tag in the mid 2010s, you knew it was going to be a UK rap classic. A frequent collaborator of Mist, MoStack and late Punjabi rap legend Sidhu Moose Wala, east London producer Steel Banglez\u2019 signature beat tag has appeared on beats spanning UK rap, drill and, most recently, a collaboration with none other than Nas.<\/span><\/p>\n<h1><span>TONY SELTZER<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"xbvdbx79zZQ\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong>\u00a0<em>\u201cEy Tony!\u201d<\/em><\/p>\n<p><span>An honorary member of New York\u2019s 10k Global record label, Tony Seltzer\u2019s erudite sampling formed a big part of MIKE\u2019s <\/span><em><span>Pinball <\/span><\/em><span>album series\u2019 cult appeal. Delivered with a thick Italian-American accent, his signature \u201cEy Tony!\u201d beat tag was a staple of these releases and, in this 2024 podcast interview, Seltzer explained that the soundbyte was actually recorded by his own father. \u201cI was looking through <\/span><em><span>Sopranos <\/span><\/em><span>episodes for a \u2018Hey Tony!\u2019 and I couldn\u2019t find the right thing,\u201d he recalls. \u201cEventually I gave up and told my dad, \u2018Can you just scream hey Tony?\u2019 He did it first take.\u201d<\/span><\/p>\n<h1><span>METRO BOOMIN\u2019\u00a0<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"_MIsk8VoNhM\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong>\u00a0<em>\u201cIf young Metro don\u2019t trust you I\u2019m gon\u2019 shoot you\u201d<\/em><\/p>\n<p><span>St. Louis\u2019 Metro Boomin\u2019 is one of the most important producers of our time. His early collaborations with Future, Young Thug and Migos played a pivotal role in Atlanta trap music\u2019s entry into the mainstream and, last year, he was instrumental in the Kendrick-Drake beef \u2013 producing Kendrick and Future-featuring track \u201cNot Like Us\u201d, which was essentially the rap beef equivalent of the shooting of Archduke Franz Ferdinand in 1914. Through all of this, Boomin\u2019 has sported various producer tags, but one rises above the rest: Future\u2019s deadpan delivery of the line, \u201cIf young Metro don\u2019t trust you I\u2019m gon\u2019 shoot you\u201d, which first appeared Uncle Murda and Future\u2019s 2015 single \u201cRight Now\u201d.<\/span><\/p>\n<h1><span>THE ALCHEMIST<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"PhqKMb01r_Q\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong>\u00a0\u00a0<em>\u201cA-a-a-a-alchemist\u201d<\/em><\/p>\n<p><span>This one\u2019s evolved over time. True to his distinctly human approach to beatmaking, legendary hip-hop producer the Alchemist\u2019s initial beat tag involved the stuttered drop of a rapper saying his name (see \u201cHold You Down\u201d above), but, over time, it evolved into something more subtle. In later hits like \u201c<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=TDpsE5f9fh4&amp;list=RDTDpsE5f9fh4&amp;start_radio=1\"><span>89 Earthquake<\/span><\/a><span>\u201d with Larry June or \u201c<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=npB20xj5LV8&amp;list=RDnpB20xj5LV8&amp;start_radio=1\"><span>All Alone<\/span><\/a><span>\u201d with Domo Genesis, Alchemist incorporates a stuttered drop of the track itself, a small nod to raw and beautifully imperfect approach to production.<\/span><\/p>\n<h1><span>KENNY BEATS<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"-pypV-JPU1k\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong>\u00a0<em>\u201cWoah Kenny!\u201d<\/em><\/p>\n<p><span>While a distinguished producer in his own right, it was Kenny Beats\u2019 \u201cThe Cave\u201d YouTube series that propelled his \u201cWoah Kenny!\u201d producer tag to new heights. Appearing often unannounced before his bombastic 808-laden drops in sessions featuring Key!, Zack Fox, Vince Staples and dozens more, the soundbyte was responsible for many lovable moments in the series. Case in point: Vince Staples pressing Kenny for including the tag during <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=F3GoyamxXt8&amp;list=PLOa7rvaTYe0Y0PR-agSDLG8XfldqZVVQj&amp;index=40\"><span>this classic episode<\/span><\/a><span> from 2019. \u201cIf that\u2019s how you feel that\u2019s craaazy,\u201d Staples sighs before proceeding to call Kenny the police for three minutes straight.<\/span><\/p>\n<h1><span>RED ONE<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"2Abk1jAONjw\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong>\u00a0<em>\u201cRed One!\u201d<\/em><\/p>\n<p><span>Can you believe Lady Gaga wasn\u2019t saying \u201cRed wine!\u201d?! Childhood ruined. Instead, this tag belongs to three-time Grammy award-winning Swedish-Moroccan hitmaker Red One, who, instead of using a pre-recorded soundbyte, has his star-studded shout him out themselves \u2013 including on Nicki Minaj\u2019s \u201cStarships\u201d, Lady Gaga\u2019s \u201cJust Dance\u201d, Pitbull\u2019s \u201cRain Over Me\u201d and countless others.<\/span><\/p>\n<h1><span>LINDGREN<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"CM4CkVFmTds\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:\u00a0<\/strong><em>\u201cLi-li-lindgren\u201d<\/em><\/p>\n<p><span>While perhaps less immediately recognisable than the other tags on this list, Grammy-award winning LA producer Lindgren\u2019s tag has likely reached more ears than any other. This is because Lindgren has worked with the likes of Dua Lipa, Twice, Huntr\/x and BTS \u2013 some of the biggest artists of the 21st century. Most notably, the tag appears at the start of Twice\u2019s 2020 hit \u201cI Can\u2019t Stop Me\u201d, illustrating just how far beat tags have travelled since their humble hip-hop roots.<\/span><\/p>\n<h1><span>JULS<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"A3hx1xqYxl4\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong>\u00a0<em>\u201cJuls, baby\u201d<\/em><\/p>\n<p><span>Speaking of the global proliferation of producer tags, Grammy-nominated Ghanaian-British producer\u2019s silky-smooth \u201cJulz, baby\u201d soundbyte can be heard in afrobeat classics like Mr Eazy\u2019s \u201cBankulize\u201d, Burna Boy\u2019s \u201cGwarn\u201d and afrobashment crossover track \u201cLike Tu Danz feat. Pa Salieu, Ms. Banks and Kida Kudz\u201d.<\/span><\/p>\n<h1><span>SIR SPYRO<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"Oba9M3DaL68\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong>\u00a0<em>\u201cSounds of the sir!\u201d<\/em><\/p>\n<p><span>Grime\u2019s producer tags are worthy of a list in their own right \u2013 from Birmingham\u2019s accent-heavy \u201cPreditah!\u201d to K1\u2019s relatable \u201cYo, K1, I beg you send me this beat\u201d \u2013 but, in terms of pure quotability, we\u2019ve gone with East London producer and radio host Sir Spyro\u2019s self-recorded \u201cSounds of the sir!\u201d. Appearing on classics like \u201cTopper Top\u201d and the \u201cSide By Side\u201d instrumental, this tag has also taken on a life in its own right, being referenced in P Money\u2019s 2015 single \u201cSounds of the Sir\u201d and Stormzy\u2019s \u201cSounds of the Skeng\u201d.<\/span><\/p>\n<h1><span>GIRIBOY<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"FeDeDnwJlB0\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Tag:<\/strong><em>\u201cG-R-Boy\u201d<\/em><\/p>\n<p><span>The lore of K-hip-hop beat tags runs deep. There\u2019s GRAY\u2019s predictable \u201cGray!\u201d, Boycold\u2019s \u201cBoy, it\u2019s cold\u201d, Groovyroom\u2019s \u201cGroovy everywhere\u201d; the list goes on. But, despite likely being unfamiliar to most western readers, South Korean rapper-producer Giriboy\u2019s producer tag takes cake simply for spanning multiple evolutions in the K-hip-hop scene. The Seoul artist\u2019s melancholic pop-rap production was a driving force behind K-hip-hop\u2019s ascendance into the Korean mainstream in the mid-2010s, and he has remained relevant since, both as a producer in multiple seasons of South Korea\u2019s massively succesful <em>Show Me the Money\u00a0<\/em>TV series (essentially Korean rap\u2019s <em>X Factor<\/em>, but slightly more cool), and as CEO of WEDAPLUGG records.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<footer class=\"article-footer\">\n<div class=\"wrapper\">\n<div class=\"article-series\">\n<h4 class=\"heading\">More on these topics<\/h4>\n<\/div>\n<div class=\"article-series\"><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/lists\">Lists<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/rap\">rap<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/hip-hop\">hip hop<\/a><a class=\"series\" 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[&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":685924,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[76],"class_list":["post-685923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-politics","tag-dazeddigital-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/685923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=685923"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/685923\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/media\/685924"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=685923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=685923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=685923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}