{"id":684282,"date":"2025-11-13T13:02:28","date_gmt":"2025-11-13T10:02:28","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=684282"},"modified":"2025-11-13T13:02:28","modified_gmt":"2025-11-13T10:02:28","slug":"sam-gellaitry-is-your-favourite-producers-favourite-producer","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=684282","title":{"rendered":"Sam Gellaitry is your favourite producer\u2019s favourite producer"},"content":{"rendered":"<article class=\"main-article standard \">\n<div class=\"article-main-content article-wrapper has-media-but-its-an-image\" data-status=\"loaded\" data-primary-article=\"true\" data-url=\"\/music\/article\/69039\/1\/sam-gellaitry-favourite-producer-anywhere-here-is-fine-interview\" data-article-id=\"69039\">\n<header class=\"article-header has-portrait-image no-media\">\n<div class=\"wrapper dg-max-width\">\n<div class=\"inner\">\n<figure class=\"main-img has-figcaption\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.82\" data-template=\"Standard Article\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Sam Gellaitry Main Press_credit Dan Franco\" class=\"img\" height=\"2869\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1430385-4.jpeg\" width=\"2341\" title=\"1430385-4\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"inner\"><span class=\"credit\">Photography Dan Franco<\/span><\/span><\/figcaption><\/figure>\n<aside class=\"meta\">\n<div class=\"inner\"><span class=\"month\">November<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"7\">7,<\/span>\u00a0<br \/>\n<span class=\"year\">2025<\/span><\/div>\n<\/aside>\n<div class=\"titles\">\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - music\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/q-and-a\">Q+A<\/a><\/div>\n<\/div>\n<h1 class=\"title\"><span>Sam Gellaitry is your favourite producer\u2019s <span class=\"nowrap\">favourite producer<\/span><\/span><\/h1>\n<div class=\"standfirst\">\n<h2>To mark the release of his debut album, ANYWHERE HERE IS FINE, the Scottish wunderkind speaks to Dazed about his early experiences on the internet, working with his idols, and how his past relationships influenced <span class=\"nowrap\">the project<\/span><\/h2>\n<\/div>\n<p><span class=\"month\">November<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"7\">7,<\/span>\u00a0<br \/>\n<span class=\"year\">2025<\/span><\/div>\n<\/div>\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - music\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/q-and-a\">Q+A<\/a><\/div>\n<\/div>\n<div class=\"providers\">\n<div class=\"contributors\"><span class=\"contributor\" data-contributor-role=\"Text\"><span class=\"contributor-role\">Text<\/span><a class=\"contributor-name\" href=\"https:\/\/www.dazeddigital.com\/user\/NathanEvans\">Nathan Evans<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"article-body-container\">\n<aside class=\"primary\">\n<div class=\"sticky bottom\">\n<div class=\"read-more\"><span class=\"read-more-header\">Read More<\/span><\/p>\n<div class=\"read-more-items\">\n<div class=\"read-more-item vertical-life-culture\">\n<div class=\"read-more-item-link\"><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/69029\/1\/the-sexual-history-of-the-internet-mindy-seu\" class=\"article-list-item-image\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Mindy Seu\" class=\"img\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1430249-9.jpeg\" title=\"1430249-9\"><\/span><\/span><\/a><\/p>\n<div class=\"read-more-item-content\"><a class=\"category\" href=\"https:\/\/www.dazeddigital.com\/life-culture\">Life &amp; Culture<\/a><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/69029\/1\/the-sexual-history-of-the-internet-mindy-seu\"><span class=\"title\">Is your phone a sex toy? Mindy Seu says yes<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"read-more-item vertical-life-culture\">\n<div class=\"read-more-item-link\"><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/65480\/1\/future-beyond-work-ai-robot-take-our-jobs-whats-next-for-humanity-ubi-laziness\" class=\"article-list-item-image\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Office Space (1999) film still\" class=\"img\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1394973-2.jpg\" title=\"1394973-2\"><\/span><\/span><\/a><\/p>\n<div class=\"read-more-item-content\"><a class=\"category\" href=\"https:\/\/www.dazeddigital.com\/life-culture\">Life &amp; Culture<\/a><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/65480\/1\/future-beyond-work-ai-robot-take-our-jobs-whats-next-for-humanity-ubi-laziness\"><span class=\"title\">After work: If AI takes all our jobs, what\u2019s next for humanity?<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"read-more-item vertical-life-culture\">\n<div class=\"read-more-item-link\"><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/69035\/1\/they-said-it-was-more-cost-effective-meet-the-workers-replaced-by-ai\" class=\"article-list-item-image\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"0*fkFEd4EeGGlNhutJ\" class=\"img\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1430312-4.jpg\" title=\"1430312-4\"><\/span><\/span><\/a><\/p>\n<div class=\"read-more-item-content\"><a class=\"category\" href=\"https:\/\/www.dazeddigital.com\/life-culture\">Life &amp; Culture<\/a><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/69035\/1\/they-said-it-was-more-cost-effective-meet-the-workers-replaced-by-ai\"><span class=\"title\">\u2018They said it was more cost effective\u2019: The young workers replaced by AI<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/aside>\n<div class=\"article-body wrapper\">\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>\u201c<em>I don\u2019t recognise the man that I\u2019ve become, he\u2019s nothing like the boy I once was<\/em>,\u201d Sam Gellaitry sings solemnly on \u201cCLOUDS\u201d. Where many grow into the role of \u2018your favourite producer\u2019s favourite producer\u2019, the 28-year-old Soundcloud prodigy-turned funk synthpop star wore that mantle before even being allowed in clubs. \u201cI had a nice upbringing and stuff, lots of positive things,\u201d he says in a rich Scottish brogue, resting in Denver while on tour with Justice and KAYTRANADA. \u201cBeing in the industry growing up, that\u2019s where I experienced the veil drop, that everything is not what it seems.\u201d<\/span><\/p>\n<p><span>The son of a bandmate-turned-teacher ma and bagpipe-making pa, Gellaitry never paid attention in school, instead learning to produce from the age of 12. He had never been to a club night before he started getting booked for them. His early material flitted between corpulent house beats that sampled Michael Jackson, Beyonc\u00e9 and Ciara, and whomping future bass that didn\u2019t just suggest but toasted to an early love for the maximalist electronic of Rustie, Flying Lotus and Hudson Mohawke. Finding an online home in LA music collective Soulection, Soundcloud was his playground, where he would chuck out songs and have them accrue over a million plays regularly. There was a long period of time where trap titan Future\u2019s Soundcloud had a single liked track: Gellaitry\u2019s briskly shimmering \u201cGlacier\u201d.<\/span><\/p>\n<p><span>After a trilogy of elemental future bass EPs for XL and a jazz fusion-inspired mixtape in 2019, Gellaitry made a track that would take his intensely digital production to more vocal-driven ventures. \u201cAssumptions\u201d could soundtrack the sort of utopian party seen in <\/span><em><span>Interstellar 5555<\/span><\/em><span>, with its flared synth riff that trafficks ecstasy, a bassline that glides like a vintage George Duke jam and Gellaitry\u2019s own voice delivering the sweetest of hooks with just two lines. The song has been a part of the producer\u2019s existence for almost a decade, but has taken on a life of its own, achieving a special kind of sleeper hit status that countless astroturfed viral singles couldn\u2019t come close to maintaining.<\/span><\/p>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"e7QlrpLLwNg\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/e7QlrpLLwNg\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>This year in particular, \u201cAssumptions\u201d snowballed into a TikTok meme thanks to a blue-shirted ballroom dancer throwing his hips to the slowed-down version. Now, Gellaitry is enjoying <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=zP8daPqRimM\"><span>rooftop parties in Brooklyn<\/span><\/a><span>, modelling for Stone Island and working with PinkPantheress, salute and Toro y Moi. His debut album, <em data-start=\"201\" data-end=\"224\">ANYWHERE HERE IS FINE<\/em>, stretches the euphoria of \u201cAssumptions\u201d into a tribute to the iridescent, sweat-slick funk of 80s disco, the same sound that later shaped 90s and 00s French house. Like <em data-start=\"396\" data-end=\"420\">Random Access Memories<\/em>, it digs into the roots of his influences, pairing them with his candid, confrontational lyrics about old flames resurfacing, outside pressures on his relationships and even his own faith. He pulls it off with the precision of a handbrake turn.<\/span><\/p>\n<p>Below, Scottish producer wunderkind Sam Gellaitry speaks to Dazed about his early experiences on the internet, working with his idols, and how past relationships influenced his new album.\u00a0<\/p>\n<p><strong>Hi Sam! When you first started producing, what parts of the internet were you trawling?<\/strong><\/p>\n<p><span><strong>Sam Gellaitry:<\/strong> I was active in this French house scene on MySpace when I was 12. I used to send tracks to this guy called Louis La Roche on MSN. He was 18 at the time, but he was putting out songs like \u201c<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=Ay0l1ZhJgAs\"><span>Love<\/span><\/a><span>\u201d and everyone thought he was Thomas Bangalter.<\/span><\/p>\n<p><strong>Your brother was a producer as well, making happy hardcore. What reaction did you have to that sort of stuff as a kid?<\/strong><\/p>\n<p><span><strong>Sam Gellaitry: <\/strong>I never liked it, but now in hindsight, I love it. When I heard Hudson Mohawke, Rustie and SOPHIE, the sounds of the synths and arpeggios they use felt very happy hardcore to me. It\u2019s a heritage thing, it reminds me of Scotland.<\/span><span>What was interesting was that when my brother was in forums and stuff, they called it \u2018<\/span><a href=\"https:\/\/www.panmacmillan.com\/blogs\/literary\/graeme-armstrong-the-young-team-pcdj-rave-culture\"><span>PCDJ<\/span><\/a><span>\u2019, which you could link to PC Music. It\u2019s basically the most euphoric sounds ever. Meanwhile, I was using his software to chop up old disco samples.<\/span><\/p>\n<p><strong>How was working with your hero, Toro y Moi, on \u201cCURIOUS\u201d?<\/strong><\/p>\n<p><span><strong>Sam Gellaitry: <\/strong>We met in 2023 at Camp Flog Gnaw, and I grabbed his number. Then we DJed in London in 2024, at a listening party for [Toro\u2019s album] <\/span><em><span>Hole Erth<\/span><\/em><span>. Then, I called him one night and pitched the album to him, and I sent him \u201cCURIOUS\u201d, which had a space for him because I always had his voice in mind. I waited a while to get something back, which is totally fine, but as soon as he sent his verse, I had the track finished that night. I love how his output is all one sound for each project. I\u2019m happy it\u2019s only him as a feature, because he\u2019s a big reason why my album is pretty centred towards one sound.<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"eaead662-cac9-459c-8f90-b38d0111e401\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1430\/0\/1430386.jpeg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.82\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Sam Gellaitry_credit Dan Franco\" class=\"img\" height=\"2869\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1430386.jpeg\" width=\"2341\" title=\"1430386\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Dan Franco<\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>That track reminds me so much of [New Jersey garage-house DJ] Todd \u2018the God\u2019 Edwards, in how it fashions microsamples into a svelte groove.<\/strong><\/p>\n<p><span><strong>Sam Gellaitry: <\/strong>Todd Edwards was the first person to ever give me feedback on a song. It was the <\/span><a href=\"https:\/\/soundcloud.com\/unreleased-sam-g\/what-you-want-first-track\"><span>first track I ever made<\/span><\/a><span> and I messaged him on MySpace, saying, \u2018I am Sam, I\u2019m 12 years old from Scotland, I want to know what you think of this track. I also wondered how you felt about being a Christian and getting called Todd \u2018the God\u2019. Do you find it blasphemous?\u2019 In hindsight, he must have found that email so odd, but he replied. That meant a lot to me.<\/span><\/p>\n<p><strong>Relationships define the subject matter of this album. Were they all written from personal experiences?<\/strong><\/p>\n<p><span><strong>Sam Gellaitry: <\/strong>The story isn\u2019t necessarily a linear journey, because my experience of relationships in my life hasn\u2019t been linear. There\u2019s a lot of random prophecy in this album, where I\u2019ve written a song for this album that didn\u2019t come true until months after I wrote it. This album is alive with me, and it describes my past but is also defining my future in a way. I\u2019ve never had that with any project I\u2019ve made.<\/span><\/p>\n<p><span>\u201cSCAR\u201d was about my first relationship, but then there\u2019s \u201cA NEW VOID\u201d that comes after it, and that was a song that wasn\u2019t embedded in any truth, but it came true quite recently. It\u2019s really interesting, it\u2019s coming alive right in front of me.<\/span><\/p>\n<p><strong>The last two tracks put you under a robotic mask of vocoder. What was the significance behind adopting that for the finale?<\/strong><\/p>\n<p><span><strong>Sam Gellaitry: <\/strong>Well, obviously it\u2019s a reference to Daft Punk and how important they are to me. To have them at the end shows that. But those two songs are very linked, and my favourite conceptually. \u201cDON\u2019T TRY\u201d is an inner monologue of someone, who could be me, convincing themselves that they\u2019re not allowed to be emotionally present, and they have to be focused on work. Basically, to become robotic to be successful in the field I\u2019m in.<\/span><\/p>\n<p><span>Then the second song, \u201cYOU MIGHT FIND THE ONE\u201d, which is the solution of hope from the first track. The title of the tracks speak to each other &#8211; \u201cDon\u2019t try, you might find the one\u201d. It\u2019s the classic thing of, if you\u2019re not looking for a relationship, you might find it.<\/span><\/p>\n<p><strong>\u201cAssumptions\u201d has been a track that\u2019s been with you for almost a decade now. How does it feel, when you look at the amount of industry-backed internet hits, to have a sleeper hit come out of nowhere?<\/strong><\/p>\n<p><span><strong>Sam Gellaitry: <\/strong>It\u2019s honestly quite funny; it\u2019s just random how that song has a life of its own. Two or three years before \u201cAssumptions\u201d was in the situation it\u2019s in now, I was saying to people that I was gonna make <\/span><em><span>Assumptions: the Album<\/span><\/em><span>. An album around the 80s disco sound. It\u2019s a testament to that sound, it doesn\u2019t have any limits or time binding it. It can be the biggest thing in the world when Daft Punk made <\/span><em><span>Discovery<\/span><\/em><span> in 2001, it can be \u201cSay So\u201d by Doja Cat, it can be all these things, and people have an affinity for it. I think it\u2019s because it was when people were first exposed to consumer synths. It\u2019s the electronic expression of people.<\/span><\/p>\n<p><strong>Now you\u2019ve returned to where you began musically, will you travel along to the next step with your next project?<\/strong><\/p>\n<p><span><strong>Sam Gellaitry: <\/strong>I do think I want to follow the journey my musical past went through. So for the second album, a futuristic take on the beat scene of Flying Lotus, Hudson Mohawke, that sort of stuff.<\/span><\/p>\n<p><span>I sometimes try and make the stuff I used to do in that vein, but I was so hyperactive back then and really down to create chaos. Now that I\u2019m older, I like things more refined and intentional. But I\u2019ve never put a project out that felt painful; it\u2019s always been joyful. It\u2019s fun to expand.<\/span><\/p>\n<p><span><em>Sam Gellaitry\u2019s debut album,<\/em> ANYWHERE HERE IS FINE<em>, is out now<\/em><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<footer class=\"article-footer\">\n<div class=\"wrapper\">\n<div class=\"article-series\">\n<h4 class=\"heading\">More on these topics<\/h4>\n<\/div>\n<div class=\"article-series\"><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/q-and-a\">Q+A<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/house\">House<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/scotland\">Scotland<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/soul-music\">soul-music<\/a><\/div>\n<\/div>\n<\/footer>\n<div class=\"grid\">\n<div class=\"lava-lamp\">\n<div class=\"lava-lamp-text-container\">\n<h3 class=\"lava-lamp-subheading\">Expand your creative community and connect with 15,000 creatives from 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class=\"scard-latest__section\">\n<div class=\"card-latest__wrapper\"><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/68986\/1\/kelly-lee-owens-guide-to-a-good-night-out\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Kelly Lee Owens\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1429763-1.jpg\" title=\"1429763-1\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Kelly Lee Owens\u2019 guide to a good night out<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/68981\/1\/parcels-jules-crommelin-accor-tour-interview-2025\"><\/p>\n<div class=\"card-latest__img-wrapper\">\n<p class=\"optional-paragraph\">Accor<\/p>\n<p><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"First\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1429699-1.jpg\" title=\"1429699-1\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Parcels\u2019 Jules Crommelin: \u2018This isn\u2019t just a tour, it\u2019s life\u2019 <\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/68990\/1\/dazed-mix-jennifer-walton-nostalgic-demo-daughters\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Lead Image 16x9 \u2013 10\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1429764.jpg\" title=\"1429764\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Dazed Mix: Jennifer Walton<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<p> Source URL: https:\/\/www.dazeddigital.com\/music\/article\/69039\/1\/sam-gellaitry-favourite-producer-anywhere-here-is-fine-interview<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photography Dan Franco November\u00a0 7,\u00a0 2025 MusicQ+A Sam Gellaitry is your favourite producer\u2019s favourite producer To mark the release of his debut album, ANYWHERE HERE IS FINE, the Scottish wunderkind speaks to Dazed about his early experiences on the internet, working with his idols, and how his past relationships influenced the project November\u00a0 7,\u00a0 2025 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":684283,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[76],"class_list":["post-684282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-politics","tag-dazeddigital-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/684282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=684282"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/684282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/media\/684283"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=684282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=684282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=684282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}