{"id":683961,"date":"2025-11-13T12:48:06","date_gmt":"2025-11-13T09:48:06","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=683961"},"modified":"2025-11-13T12:48:06","modified_gmt":"2025-11-13T09:48:06","slug":"5-artists-speak-on-the-future-of-latin-club","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=683961","title":{"rendered":"5 artists speak on the future of \u2018Latin Club\u2019"},"content":{"rendered":"<article class=\"main-article standard \">\n<div class=\"article-main-content article-wrapper has-media-but-its-an-image\" data-status=\"loaded\" data-primary-article=\"true\" data-url=\"\/music\/article\/69049\/1\/five-artists-speak-on-the-future-of-latin-club-electronic-music\" data-article-id=\"69049\">\n<header class=\"article-header has-square-image no-media\">\n<div class=\"wrapper dg-max-width\">\n<div class=\"inner\">\n<figure class=\"main-img no-figcaption\" data-img-aspect-ratio-type=\"square\" data-img-aspect-ratio=\"1\" data-template=\"Standard Article\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"square\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"a0332204057_16\" class=\"img\" height=\"700\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1430560-4.jpg\" width=\"700\" title=\"1430560-4\"><\/span><\/span><\/figure>\n<aside class=\"meta\">\n<div class=\"inner\"><span class=\"month\">November<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"11\">11,<\/span>\u00a0<br \/>\n<span class=\"year\">2025<\/span><\/div>\n<\/aside>\n<div class=\"titles\">\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - music\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/scene-and-spotted\">Scene And Spotted<\/a><\/div>\n<\/div>\n<h1 class=\"title\"><span>5 artists speak on the future of <span class=\"nowrap\">\u2018Latin Club\u2019<\/span><\/span><\/h1>\n<div class=\"standfirst\">\n<h2>From Venezuela to Brazil, five DJs and producers reflect on the future of the all-in-one tag for Latin American <span class=\"nowrap\">electronic music<\/span><\/h2>\n<\/div>\n<p><span class=\"month\">November<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"11\">11,<\/span>\u00a0<br \/>\n<span class=\"year\">2025<\/span><\/div>\n<\/div>\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - music\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/scene-and-spotted\">Scene And Spotted<\/a><\/div>\n<\/div>\n<div class=\"providers\">\n<div class=\"contributors\"><span class=\"contributor\" data-contributor-role=\"Text\"><span class=\"contributor-role\">Text<\/span><a class=\"contributor-name\" href=\"https:\/\/www.dazeddigital.com\/user\/FelipeMaia\">Felipe Maia<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"article-body-container\">\n<aside class=\"primary\">\n<div class=\"sticky bottom\">\n<div class=\"read-more\"><span class=\"read-more-header\">Read More<\/span><\/p>\n<div class=\"read-more-items\">\n<div class=\"read-more-item vertical-life-culture\">\n<div class=\"read-more-item-link\"><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/69045\/1\/chloe-kelly-a-lot-of-people-that-don-t-like-confidence-in-a-woman\" class=\"article-list-item-image\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Chloe Kelly\" class=\"img\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1430438-1.jpg\" title=\"1430438-1\"><\/span><\/span><\/a><\/p>\n<div class=\"read-more-item-content\"><a class=\"category\" href=\"https:\/\/www.dazeddigital.com\/life-culture\">Life &amp; Culture<\/a><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/69045\/1\/chloe-kelly-a-lot-of-people-that-don-t-like-confidence-in-a-woman\"><span class=\"title\">Chloe Kelly: \u2018A lot of people don\u2019t like confidence in a woman\u2019<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"read-more-item vertical-life-culture\">\n<div class=\"read-more-item-link\"><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/69029\/1\/the-sexual-history-of-the-internet-mindy-seu\" class=\"article-list-item-image\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Mindy Seu\" class=\"img\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1430249-4.jpeg\" title=\"1430249-4\"><\/span><\/span><\/a><\/p>\n<div class=\"read-more-item-content\"><a class=\"category\" href=\"https:\/\/www.dazeddigital.com\/life-culture\">Life &amp; Culture<\/a><a href=\"https:\/\/www.dazeddigital.com\/life-culture\/article\/69029\/1\/the-sexual-history-of-the-internet-mindy-seu\"><span class=\"title\">Is your phone a sex toy? Mindy Seu says yes<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"read-more-item vertical-art-photography\">\n<div class=\"read-more-item-link\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/article\/68886\/1\/tag-club-chengdu-queer-china-clubbing-techno-photography-portraits\" class=\"article-list-item-image\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Julien Tell, .TAG\" class=\"img\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1428052-2.jpg\" title=\"1428052-2\"><\/span><\/span><\/a><\/p>\n<div class=\"read-more-item-content\"><a class=\"category\" href=\"https:\/\/www.dazeddigital.com\/art-photography\">Art &amp; Photography<\/a><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/article\/68886\/1\/tag-club-chengdu-queer-china-clubbing-techno-photography-portraits\"><span class=\"title\">Final photos from Chengdu\u2019s queer club in the sky<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/aside>\n<div class=\"article-body wrapper\">\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>If you\u2019ve been to the club recently, you\u2019ve heard it at least once. Deconstructed reggaeton drums, baile funk vocal shots, guaracha flaring horns, raptor house frantic kicks, dembow sped-up percussions. These sounds are ubiquitous in today\u2019s electronic music landscape, and one umbrella category melds them all together: Latin club. Encompassing big cities like S\u00e3o Paulo and Bogot\u00e1 and diaspora hubs like Miami, New York and London, this term draws from music genres that have always been the club music in Latin America \u2013 and only now, under new iterations, have gained the attention of the Global North.<\/span><\/p>\n<p><span>The Latin club idea evokes a fragmented, rich and diverse soundscape. Centuries of domination, violence and population displacement have fundamentally shaped not only the region\u2019s name, but its music \u2013 an element that runs like blood through the open veins of Latin America, paraphrasing renowned writer Eduardo Galeano. In the club, this translates to artists navigating aesthetic choices as complex as power structures: from language barriers to racial prejudice to the region\u2019s widespread income inequality and historical repression of dissident cultural manifestations. It\u2019s an intricate scenario that presents a range of contrasting possibilities.<\/span><\/p>\n<p><span>There\u2019s no denying how the Latin club wave has, in the past few years, facilitated meaningful connections in the region. Artists from Mexico, Venezuela, Brazil, among others, now collaborate and support each other\u2019s work through labels and party collectives like Mamba Negra, ALGOL, Putivuelta, Hiedra and Ritmica Paraiso, to name a few. The term also pushes back against a narrow canonisation of so-called legitimate club music: from remixing the latest Bad Bunny to obscure edits of cumbia, there\u2019s a wide sonic catalogue on the table. For artists breaking into international circuits, Latin club has ultimately provided an entry point and shared identity that consolidates business and negotiations with festivals, venues and agencies.<\/span><\/p>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"3C5GD09Ruq0\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/3C5GD09Ruq0\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>However, the category is also reductive. Latin club fails to embrace the full diversity of electronic music across places as different as Rio, Caracas and Santiago \u2013 it\u2019s like quicksand that appears solid from a distance but liquefies under pressure. The term can flatten the multitude of Latin American club-oriented sounds into one tag, erasing distinctions and local contexts, ethnicities and identities. And, while it provides a place for some artists in the European festival and big venue circuit, it also enables tokenism: once the big venue or the major summer festival fills up the Latin slot, the job is done.<\/span><\/p>\n<p><span>In the face of so many limitations, the question looms: what now? Last month, I stopped by Bogot\u00e1 Music Market, a conference-slash-festival that brought together, for a couple of days, some of the most compelling electronic music acts in Latin America. Between one DJ set and another, we asked artists about the past and present of Latin club. Among different opinions, one thing is for sure: from the northern tip of Mexico to the southern ice barrier of Argentina, from the coastline of Peru to the easternmost point of Brazil, and all over the Caribbean, the electronic music from Latin America is here to stay.<\/span><\/p>\n<h1><strong>2AT<\/strong><\/h1>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"media-soundcloudtrack\" data-id=\"2090774106\">\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Hailing from Bogota\u2019s punk scene, 2AT is one of the masterminds behind Muakk. Founded in 2022, the label and collective has built an impressive catalogue of hard, fast-paced drums from across Latin America. From Mexican producer Nick DGO\u2019s tribaltek-laced jams to Aleroj&#8217;s hi-nrg guaracha, Muakk has become known as a maelstrom of Latin club tools. Some of the most cutting-edge of them are signed by 2AT himself.<\/span><\/p>\n<p><span>\u201cI believe we\u2019ll branch out \u2018Latin club\u2019 to a wide range of genres,\u201d he says. \u201cWe come from an era where techno and rave inspired freedom, but I see projects now exploring the counterpart \u2013 ambient and musical experiences outside the club. We\u2019ll see more links with visual arts, less focused on weekends, slower tempo and calmer music \u2013 everything is cyclical.\u201d<\/span><\/p>\n<h1><strong>BABATR<\/strong><\/h1>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"media-soundcloudtrack\" data-id=\"2008284763\">\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>He\u2019s a staple of electronic music far beyond Latin America\u2019s borders. As one of the creators of Raptor House \u2013 the feverish Venezuelan dancefloor phenomenon \u2013 Babatr spent years as a Caracas secret gem. He played parties and clubs in his hometown, certain his music could reach more ears and move more bodies. Those days have finally arrived. In recent years, clubs and festivals worldwide have discovered Babatr\u2019s genre-busting, powerful sets and productions, a music-making that conveys the energy of Latin America with an indispensable goal \u2013 to make the dancefloor move.<\/span><\/p>\n<p><span>\u201cWe\u2019re still opening spaces for us: people like me, Wost, Badsista, we can\u2019t move a mountain by ourselves, and we need to support different genres and styles,\u201d he says. \u201dOne day I\u2019ll stop playing, I will have my days off. So we need to collab, make new connections. Today, they know we exist, we exist for them \u2013 Europe and the US. But how many years have passed without us existing? The struggle is just beginning.\u201d<\/span><\/p>\n<h1><strong>DJEIZZA<\/strong><\/h1>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"media-soundcloudtrack\" data-id=\"2175449988\">\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Against all odds and the menace parents usually sense from electronic music, Djeizza got her first support to be a DJ from her dad: \u201cHe\u2019s a musician,\u201d she says. \u201cSo when I was 15 years old, he asked me: \u2018Don\u2019t you want a DJ controller?\u2019\u201d Djeizza declined at first, but her dad was right. A couple of years later, she began playing parties in her hometown in the south of Brazil and eventually moved to S\u00e3o Paulo to pursue a music career. Now an up-and-coming name in S\u00e3o Paulo, she\u2019s known for sets that blend baile funk percussion with hardgroove and Latin-fueled techno.<\/span><\/p>\n<p><span>\u201cI\u2019m afraid this is a roller coaster, and eventually we\u2019ll hit a low after being in the spotlight,\u201d she says. \u201cBut I hope we keep on bringing the Brazilian flavour to the scene, the Brazilian sounds we want to show to the world. I also believe we have a sense of unity in Latin America; I mean, my achievement of playing abroad for the first time in my career is also a collective achievement\u201d<\/span><\/p>\n<h1><strong>NICO PARGA<\/strong><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"8uS1b_gz2T8\"><span class=\"preserve-aspect-ratio\"><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>One of the new wave of guaracha&#8217;s most popular acts, Nico Parga commands both the dancefloor and the studio like few of his generation. Tracks like \u201cMultiverso Brasileiro\u201d showcase his skill at blending aleteo\u2019s blaring horns with the bouncy kicks of Dutch-through-Latin American house (also known as noia dance in Brazil), a talent he doesn\u2019t spare while DJing, whether in small rooms or packed big venues.<\/span><\/p>\n<p><span>\u201cI have always tried to show that I am Latino. That is, wherever I go, I show the flavour of Latin America, and I try to show that in every track I produce, whether it\u2019s guaracha, whether it\u2019s tech house, or whether it\u2019s afro. We have lots of good producers here today, but there\u2019s also lots of criticism towards our music,\u2019 he says. \u201cI see afrolatin is now on the rise, tech-house too, Dutch. I believe we\u2019re still on the verge of something big.\u201d<\/span><\/p>\n<h1><strong>WOST<\/strong><\/h1>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"media-soundcloudtrack\" data-id=\"1890753588\">\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>If Latin club has a defining act, it\u2019s Wost. Born in Venezuela and based in Colombia, the DJ and producer has become a go-to name for those in search of elating sounds with ever-precise and off-kilter drumworks. His productions run a wide gamut of Latin sounds with a knack for intensive percussion and infectious build-ups. One career-making move: handing a USB stick of his productions to Verraco, head of Tratratrax, back when Wost was just a SoundCloud name \u2013 the kind of go-getter verve that separates good producers from great artists.<\/span><\/p>\n<p><span>\u201cWe all know how reductive \u2018Latin club\u2019 can be, but I can\u2019t deny it helped me, so we need to use it responsibly: I released a sample pack titled \u2018Latin Club Edits\u2019, but I made sure to add a manifest to the zip, a text file explaining that \u2018Latin club\u2019 is an umbrella category,\u201d he says. \u201cI believe we experienced a boom around 2022 and now it\u2019s a bit low tide. If we want to avoid becoming a fad, we must work as a community, supporting ourselves with our own codes.\u201d<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<footer class=\"article-footer\">\n<div class=\"wrapper\">\n<div class=\"article-series\">\n<h4 class=\"heading\">More on these topics<\/h4>\n<\/div>\n<div class=\"article-series\"><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/scene-and-spotted\">Scene And Spotted<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/playlist\">Playlist<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/latin-america\">Latin America<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/brazil\">Brazil<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/clubbing\">clubbing<\/a><\/div>\n<\/div>\n<\/footer>\n<div class=\"grid\">\n<div class=\"lava-lamp\">\n<div class=\"lava-lamp-text-container\">\n<h3 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class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Kelly Lee Owens\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1429763.jpg\" title=\"1429763\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Kelly Lee Owens\u2019 guide to a good night out<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/68981\/1\/parcels-jules-crommelin-accor-tour-interview-2025\"><\/p>\n<div class=\"card-latest__img-wrapper\">\n<p class=\"optional-paragraph\">Accor<\/p>\n<p><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"First\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2025\/11\/1429699.jpg\" title=\"1429699\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Parcels\u2019 Jules Crommelin: \u2018This isn\u2019t just a tour, it\u2019s life\u2019 <\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<p> Source URL: https:\/\/www.dazeddigital.com\/music\/article\/69049\/1\/five-artists-speak-on-the-future-of-latin-club-electronic-music<\/p>\n","protected":false},"excerpt":{"rendered":"<p>November\u00a0 11,\u00a0 2025 MusicScene And Spotted 5 artists speak on the future of \u2018Latin Club\u2019 From Venezuela to Brazil, five DJs and producers reflect on the future of the all-in-one tag for Latin American electronic music November\u00a0 11,\u00a0 2025 MusicScene And Spotted TextFelipe Maia Read More Life &amp; CultureChloe Kelly: \u2018A lot of people don\u2019t 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