\u201cBorracho Otra Vez\u201d with Ana Mena<\/h2>\n\n\n\t\u201cBorracho\u201d is a song that was one of the first ones I chose for the album. It felt very straight to the point. I loved what the chorus said and the typical repetition of \u201cborracho\u201d (drunk) \u2014 that \u201csorry if I call you again, but I\u2019m drunk again,\u201d which is very much something a drunk person would repeat\u2026 so I felt it was a very strong chorus. It\u2019s a song that originally started out sounding very Post Malone, very low-energy, but [producer] Manu Lara said: \u201cNo, no, let\u2019s go all the way up; this needs to be a song you scream at a festival,\u201d which I loved. And I loved the crossed harmony he added in the chorus.<\/p>\n
\n\tThis song is also like two songs in one, which is a beautiful thing to mention. [The other] is called \u201cVoy a Recordarte M\u00e1s Tiempo del Que Te Conoc\u00ed\u201d (\u201cI\u2019m Going to Remember You Longer Than I Knew You\u201d), and I love that line. I was missing a part C within the song, and fortunately we were the same composers, so I added it. It\u2019s that break you hear at the end that says that beautiful line, which ties in perfectly with \u201csorry if I call you again\u201d: \u201cThe only thing I want to know is if you think about me the way I think about you\/ And after that, I\u2019m going to remember you longer than I knew you.\u201d<\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cPreguntas Que Me Hago\u201d<\/h2>\n\n\n\tIs the most special song on the album for me. I think it\u2019s one of the most honest songs I\u2019ve ever written in my life. Everything written there is real. It was a moment when I went out with someone where everything clicked, everything worked, everything was perfect. The only thing was that she lived very, very, very, very far away. So you\u2019re sitting there, and in your mind you\u2019re trying to find a way to make it work. It\u2019s ridiculous no matter how you look at it: her job and mine don\u2019t match, this woman lives on the other side of the planet, and you\u2019re trying to figure out how the heck you can make it work. And those are the questions you ask yourself.<\/p>\n
\n\tI think the chorus always has to be the synthesis of what you\u2019re saying, and the synthesis is that \u2014 \u201cI\u2019m terrified I won\u2019t find someone like you.\u201d I think it\u2019s a very beautiful song, and it has a lot of soul. I wrote it in Madrid \u2014 it just came out, like vomiting, super fast \u2014 with a songwriter named Pablo Luis Cebri\u00e1n Valera, a prominent figure in Spain. Pablo and I connected very quickly. That was the first song we made together\u2026 It\u2019s a song that I love to sing, that carries so much power in its interpretation.<\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cSuperpoder\u201d<\/h2>\n\n\n\tAnother of the most personal tracks in the album, is the song that allowed me to have a relationship with my girlfriend, [Chilean actress Isidora Vives]. We were at a house in Chile as friends; she was my friend, we had been friends for a while and talking about the kinds of things friends talk about, and I started to like her. I had my guitar with me at that moment, and I remember she said to me: \u201cCan you write a song right now?\u201d And I had never done that before, never in my life had I written a song on the spot. But in that moment, I was trying to win over this woman, so I wrote \u201cSuperpoder\u201d right in front of her in 10 minutes, with that line that I find so beautiful: \u201cIf I could have a superpower, I\u2019d want you to love me.\u201d I remember finishing it \u2014 it was a song that was obviously saying to my friend that she should stop being my friend and become my girlfriend \u2014 and she asked me: \u201cAnd who is this song for?\u201d And I said: \u201cPlease, woman, for the love of God, it\u2019s so obvious and evident that this song is for you!\u201d It was through that song that we became a couple. <\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cp0rn0graf\u00eda\u201d<\/h2>\n\n\n\tThat\u2019s a song I came up with one day while I was in the shower. I was in Miami at a horrible hotel, on tour, and I remember I had to rush to the studio. I had a show the next day, and I decided to do some sessions because I love writing. So I spoke with two of my best friends who are producers of almost everything I\u2019ve done, Orlando Vitto and Renzo Bravo, and I told them, \u201cLet\u2019s write this song.\u201d We called [Colombian songwriter] Valentina Rico, another great collaborator, and I came to them with this melody [and the lyric] \u201ctu boca con la m\u00eda, como pornograf\u00eda\u201d (your mouth with mine, like pornography).<\/p>\n
\n\tI don\u2019t have many sexual songs, but this one had that vibe, and everything was so clear to me, and it came out intensely too. Right away, I felt, \u201cThis song is going to be important.\u201d This song had everything I wanted people to know would be in my new album: it had a new sound, I was talking about things, my vocal performance had improved a lot. So this was a great first single, and this song has been one of the most successful ones, the ones with the best numbers. I felt this song was different because of how people received it, and it\u2019s a song I love performing live.<\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cPerd\u00f3name Por Esta Canci\u00f3n\u201d<\/h2>\n\n\n\t\u201cPerd\u00f3name Por Esta Canci\u00f3n\u201d (which means \u201cForgive Me For This Song\u201d) is a song that comes straight from the soul, and it\u2019s very legacy \u2014 a very beautiful ballad. This song was originally going to be part of an album I wanted to create with Cami at some point, a project that didn\u2019t come to fruition due to scheduling conflicts, and this song, which I absolutely loved, was left behind. It\u2019s a very human song that literally talks about asking forgiveness from someone with whom you no longer have any kind of contact because things didn\u2019t work out. And so, it\u2019s a song that kind of breaks the fourth wall in itself, like: \u201cI thought the song I was going to write for you would be a love song because we were together, but no, this is a song that talks about how things didn\u2019t work out, and I\u2019m so sorry\u2026 And every time you hear this song, remember that I did love you and that I truly regret that things didn\u2019t work out.\u201d<\/p>\n
\n\tThis is a song that went through many different productions, many modifications. I tried everything with this song, and it ended up exactly like it was in the demo. I wrote it with Raquel Sof\u00eda, with whom I\u2019ve written countless songs in my repertoire. <\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/lasso-album-objetos-fragiles-ambientes-hostiles-essential-tracks\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/11\/Lasso-cr-Bryan-Flores-billboard-1800.jpg?w=1024″] In his new studio album, Objetos Fr\u00e1giles en Ambientes Hostiles, Venezuelan singer\/songwriter Lasso delves into themes such as love, heartbreak and the contradictions of human relationships through 11 tracks that showcase an artistic evolution within his pop sound. Released on Friday (Nov. 6) by Lasso Party under exclusive license from Interscope Records, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-2242640","post","type-post","status-publish","format-standard","hentry","category-politics"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2242640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2242640"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2242640\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2242640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2242640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2242640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\u201cBorracho\u201d is a song that was one of the first ones I chose for the album. It felt very straight to the point. I loved what the chorus said and the typical repetition of \u201cborracho\u201d (drunk) \u2014 that \u201csorry if I call you again, but I\u2019m drunk again,\u201d which is very much something a drunk person would repeat\u2026 so I felt it was a very strong chorus. It\u2019s a song that originally started out sounding very Post Malone, very low-energy, but [producer] Manu Lara said: \u201cNo, no, let\u2019s go all the way up; this needs to be a song you scream at a festival,\u201d which I loved. And I loved the crossed harmony he added in the chorus.<\/p>\n
\n\tThis song is also like two songs in one, which is a beautiful thing to mention. [The other] is called \u201cVoy a Recordarte M\u00e1s Tiempo del Que Te Conoc\u00ed\u201d (\u201cI\u2019m Going to Remember You Longer Than I Knew You\u201d), and I love that line. I was missing a part C within the song, and fortunately we were the same composers, so I added it. It\u2019s that break you hear at the end that says that beautiful line, which ties in perfectly with \u201csorry if I call you again\u201d: \u201cThe only thing I want to know is if you think about me the way I think about you\/ And after that, I\u2019m going to remember you longer than I knew you.\u201d<\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tIs the most special song on the album for me. I think it\u2019s one of the most honest songs I\u2019ve ever written in my life. Everything written there is real. It was a moment when I went out with someone where everything clicked, everything worked, everything was perfect. The only thing was that she lived very, very, very, very far away. So you\u2019re sitting there, and in your mind you\u2019re trying to find a way to make it work. It\u2019s ridiculous no matter how you look at it: her job and mine don\u2019t match, this woman lives on the other side of the planet, and you\u2019re trying to figure out how the heck you can make it work. And those are the questions you ask yourself.<\/p>\n \n\tI think the chorus always has to be the synthesis of what you\u2019re saying, and the synthesis is that \u2014 \u201cI\u2019m terrified I won\u2019t find someone like you.\u201d I think it\u2019s a very beautiful song, and it has a lot of soul. I wrote it in Madrid \u2014 it just came out, like vomiting, super fast \u2014 with a songwriter named Pablo Luis Cebri\u00e1n Valera, a prominent figure in Spain. Pablo and I connected very quickly. That was the first song we made together\u2026 It\u2019s a song that I love to sing, that carries so much power in its interpretation.<\/p>\n Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tAnother of the most personal tracks in the album, is the song that allowed me to have a relationship with my girlfriend, [Chilean actress Isidora Vives]. We were at a house in Chile as friends; she was my friend, we had been friends for a while and talking about the kinds of things friends talk about, and I started to like her. I had my guitar with me at that moment, and I remember she said to me: \u201cCan you write a song right now?\u201d And I had never done that before, never in my life had I written a song on the spot. But in that moment, I was trying to win over this woman, so I wrote \u201cSuperpoder\u201d right in front of her in 10 minutes, with that line that I find so beautiful: \u201cIf I could have a superpower, I\u2019d want you to love me.\u201d I remember finishing it \u2014 it was a song that was obviously saying to my friend that she should stop being my friend and become my girlfriend \u2014 and she asked me: \u201cAnd who is this song for?\u201d And I said: \u201cPlease, woman, for the love of God, it\u2019s so obvious and evident that this song is for you!\u201d It was through that song that we became a couple. <\/p>\n Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tThat\u2019s a song I came up with one day while I was in the shower. I was in Miami at a horrible hotel, on tour, and I remember I had to rush to the studio. I had a show the next day, and I decided to do some sessions because I love writing. So I spoke with two of my best friends who are producers of almost everything I\u2019ve done, Orlando Vitto and Renzo Bravo, and I told them, \u201cLet\u2019s write this song.\u201d We called [Colombian songwriter] Valentina Rico, another great collaborator, and I came to them with this melody [and the lyric] \u201ctu boca con la m\u00eda, como pornograf\u00eda\u201d (your mouth with mine, like pornography).<\/p>\n \n\tI don\u2019t have many sexual songs, but this one had that vibe, and everything was so clear to me, and it came out intensely too. Right away, I felt, \u201cThis song is going to be important.\u201d This song had everything I wanted people to know would be in my new album: it had a new sound, I was talking about things, my vocal performance had improved a lot. So this was a great first single, and this song has been one of the most successful ones, the ones with the best numbers. I felt this song was different because of how people received it, and it\u2019s a song I love performing live.<\/p>\n Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\t\u201cPerd\u00f3name Por Esta Canci\u00f3n\u201d (which means \u201cForgive Me For This Song\u201d) is a song that comes straight from the soul, and it\u2019s very legacy \u2014 a very beautiful ballad. This song was originally going to be part of an album I wanted to create with Cami at some point, a project that didn\u2019t come to fruition due to scheduling conflicts, and this song, which I absolutely loved, was left behind. It\u2019s a very human song that literally talks about asking forgiveness from someone with whom you no longer have any kind of contact because things didn\u2019t work out. And so, it\u2019s a song that kind of breaks the fourth wall in itself, like: \u201cI thought the song I was going to write for you would be a love song because we were together, but no, this is a song that talks about how things didn\u2019t work out, and I\u2019m so sorry\u2026 And every time you hear this song, remember that I did love you and that I truly regret that things didn\u2019t work out.\u201d<\/p>\n \n\tThis is a song that went through many different productions, many modifications. I tried everything with this song, and it ended up exactly like it was in the demo. I wrote it with Raquel Sof\u00eda, with whom I\u2019ve written countless songs in my repertoire. <\/p>\n Listen to it here<\/em><\/strong><\/p>\n <\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [analyse_source url=”https:\/\/www.billboard.com\/lists\/lasso-album-objetos-fragiles-ambientes-hostiles-essential-tracks\/”]<\/p>\n","protected":false},"excerpt":{"rendered":" [analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/11\/Lasso-cr-Bryan-Flores-billboard-1800.jpg?w=1024″] In his new studio album, Objetos Fr\u00e1giles en Ambientes Hostiles, Venezuelan singer\/songwriter Lasso delves into themes such as love, heartbreak and the contradictions of human relationships through 11 tracks that showcase an artistic evolution within his pop sound. Released on Friday (Nov. 6) by Lasso Party under exclusive license from Interscope Records, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-2242640","post","type-post","status-publish","format-standard","hentry","category-politics"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2242640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2242640"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2242640\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2242640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2242640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2242640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\u201cPreguntas Que Me Hago\u201d<\/h2>\n
\u201cSuperpoder\u201d<\/h2>\n
\u201cp0rn0graf\u00eda\u201d<\/h2>\n
\u201cPerd\u00f3name Por Esta Canci\u00f3n\u201d<\/h2>\n