{"id":2202664,"date":"2026-10-16T16:03:52","date_gmt":"2026-10-16T13:03:52","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2202664"},"modified":"2026-10-16T16:03:52","modified_gmt":"2026-10-16T13:03:52","slug":"francesco-bonami-named-artistic-director-of-vast-russian-art-complex","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2202664","title":{"rendered":"Francesco Bonami Named Artistic Director of Vast Russian Art Complex"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/10\/GettyImages-948287516.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrancesco Bonami, a widely regarded curator whose achievements include curating the 2003 edition of the Venice Biennale, has been named artistic director of the GES-2 House of Culture, the Moscow art space sited across a river from the Kremlin.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOpened in 2021, not long before Russia\u2019s invasion of Ukraine, the 440,000-square-foot GES-2 House of Culture is run by the V-A-C Foundation, which was established by the Russian-Israeli billionaire collector Leonid Mikhelson. The owner of one of the largest natural gas providers in Russia not managed by the state, Mikhelson became one the first individuals to be sanctioned in the UK shortly after the war\u2019s onset. He appeared on the <em>ARTnews<\/em> Top 200 Collectors list between 2013 and 2021.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tEven before the conflict began, the GES-2 House of Culture faced controversy. Teresa Iarocci Mavica, the museum\u2019s cofounder, resigned at the end of 2021 for reasons that were unclear at the time. Some speculated that Mikhelson was personally unhappy with a monumental Urs Fischer sculpture sited outside the museum. Others drew attention to the fact that Mavica had personally toured Vladimir Putin around the cultural complex, whose official reasoning was that the V-A-C\u2019s Venice space required greater attention ahead of the 2022 Biennale.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShortly after Russia\u2019s invasion of Ukraine, Ragnar Kjartansson canceled performances of a new work staged at GES-2, saying, \u201cIt is not possible to have this work continue as this horror begins.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMavica, an Italian curator who gained Russian citizenship in 2019, was replaced by Alisa Prudnikova, the founder of the Ural Industrial Biennial of Contemporary Art. Prudnikova will now step aside for Bonami to take up the mantle, though she will continue to do curatorial work for the museum.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBonami, who was born in Italy and holds US citizenship, is well-known internationally. In 1993, he organized the Venice Biennale\u2019s \u201cAperto\u201d section for emerging artists; a decade later, he organized the art festival\u2019s entire main exhibition. He previously served in high-ranking posts at the Fondazione Sandretto Re Rebaudengo and the Museum of Contemporary Art Chicago, and has done editions of Manifesta, the Whitney Biennial, and the SITE Santa Fe International. (He previously wrote a column called \u201cAsk a Curator\u201d for <em>ARTnews<\/em>.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe has previously done work for the V-A-C Foundation, organizing such shows as 2024\u2019s \u201cSquare and Space: From Malevich to GES-2,\u201d which he organized with Zelfira Tregulova, director of the Tretyakov Gallery.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tResponding to the notion that Western curators should abstain from involvement in Russia\u2019s art scene, Bonami told <em>ARTnews<\/em> in 2024, \u201cSorry, but the ethics of curating is a bullshit concept that I don\u2019t indulge in. I could write a list of my colleagues who are collaborating with, to the say the least, ethically questionable people\u2014but this is not the point \u2026 Sanctions are economic, not cultural. To sanction culture is a white crime that kills people\u2019s souls.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOf his future work for GES-2, Bonami said in a statement, \u201cIn my understanding, the role of Artistic Director is to catalyse artistic energy. Our common goal is to search for the best projects for GES-2. My experience should help with this.\u201d<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/francesco-bonami-artistic-director-ges-2-house-of-culture-moscow-1234802581\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/10\/GettyImages-948287516.jpg?w=1024&#8243;] Francesco Bonami, a widely regarded curator whose achievements include curating the 2003 edition of the Venice Biennale, has been named artistic director of the GES-2 House of Culture, the Moscow art space sited across a river from the Kremlin. Opened in 2021, not long before Russia\u2019s invasion of Ukraine, the 440,000-square-foot GES-2 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-2202664","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2202664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2202664"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2202664\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2202664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2202664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2202664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}