{"id":2147740,"date":"2026-09-16T17:23:25","date_gmt":"2026-09-16T14:23:25","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2147740"},"modified":"2026-09-16T17:23:25","modified_gmt":"2026-09-16T14:23:25","slug":"an-iconic-iron-man-1-page-and-other-historic-comic-book-art-head-to-auction","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2147740","title":{"rendered":"An Iconic Iron Man #1 Page and Other Historic Comic Book Art Head to Auction"},"content":{"rendered":"<div data-cy=\"article-content\" class=\"jsx-3246540067 article-content page-0\">\n<section data-cy=\"article-subtitle\" class=\"article jsx-3932497636 article-section jsx-2044616299 news\" data-autopogo=\"true\">\n<section class=\"article-page\">\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Heritage Auctions has revealed a new lineup of classic comic book artwork included in the upcoming  Comic Art Signature Auction event, and there are truly some doozies. Among them is an iconic page from 1968&#8217;s Iron Man #1, originally owned by none other than Marvel Studios founding chairman David Maisel.<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">The art in question is the opening splash page from that issue, making it the very first piece of art from the very first solo Iron Man comic. The art was created by penciller Gene Colan and inker Johnny Craig. Check it out below:<\/p>\n<p><a href=\"https:\/\/assets-prd.ignimgs.com\/2026\/09\/16\/ha-1789575784616.jpg\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\"><\/p>\n<figure class=\"jsx-313219616\"><span><img decoding=\"async\" alt aria-hidden=\"true\" role=\"presentation\" class=\"progressive-image article-image article-image-full-size jsx-1809694635 jsx-2338608387\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/span><\/figure>\n<p><\/a><\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Unsurprisingly, owning a true piece of comic book history like this won&#8217;t come cheap. The page is <a href=\"https:\/\/comics.ha.com\/itm\/original-comic-art\/splash-pages\/gene-colan-and-johnny-craig-iron-man-1-splash-page-1-original-art-marvel-1968-\/a\/7470-94005.s\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">currently up for auction<\/a>, with the price as of the time of publish already reaching a whopping $6,750.<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">\u201cGene created two things,\u201d Maisel said in a press release. \u201cHe made the suit expressive and almost limber, and he was very cinematic in his art, and almost foreseeing the MCU at some point in time, almost 40 years later. The combination of it being the historic first page of the first issue, the big art of a Page 1 splash, the fun \u2018What a way to start out in your own mag\u2019 and Gene\u2019s art was something I couldn\u2019t say no to.\u201d<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">There are several other historic pages featured in this auction event. One is artist Jerry Robinson&#8217;s cover to <a href=\"https:\/\/comics.ha.com\/itm\/original-comic-art\/covers\/jerry-robinson-detective-comics-68-two-face-second-appearance-cover-original-art-dc-1942-\/a\/7470-94017.s\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">1942&#8217;s Detective Comics #68<\/a>. Not only is that issue the second appearance of Two-Face, the sheer fact that a piece of original art from the Golden Age has survived in such good shape is pretty notable. The same goes for Joe Shuster&#8217;s cover to <a href=\"https:\/\/comics.ha.com\/itm\/original-comic-art\/covers\/joe-shuster-action-comics-22-cover-glued-to-board-original-art-dc-1940-\/a\/7470-94021.s\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">1940&#8217;s Action Comics #22<\/a>.<\/p>\n<p><a href=\"https:\/\/assets-prd.ignimgs.com\/2026\/09\/16\/ha-1-1789577566479.jpg\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\"><\/p>\n<figure class=\"jsx-313219616\"><span><img decoding=\"async\" alt aria-hidden=\"true\" role=\"presentation\" class=\"progressive-image article-image article-image-full-size jsx-1809694635 jsx-2338608387\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/span><\/figure>\n<p><\/a><\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Other noteworthy listings include several pages from <a href=\"https:\/\/comics.ha.com\/c\/search\/results.zx?term=frank+miller+daredevil&amp;dept=1938&amp;auction_name=7470&amp;mode=live\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">Frank Miller&#8217;s seminal Daredevil run<\/a> from the 1980s and <a href=\"https:\/\/comics.ha.com\/c\/search\/results.zx?term=frank+miller+daredevil&amp;dept=1938&amp;auction_name=7470&amp;mode=live\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">Jim Lee&#8217;s cover to 1992&#8217;s X-Men #6<\/a> (which is currently bidding at an eye-watering $135,000). Clearly, collecting original comic art is not a hobby for the frugal.<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Would you like to bid on this Iron Man #1 page or any of the other art featured above? Let us know in the comments. <\/p>\n<p><button type=\"button\" style=\"display:none\" class=\"jsx-2228525885\"><\/button><span data-cy=\"slideshow-view-trigger\"><\/p>\n<div data-cy=\"slideshow-preview\" class=\"jsx-1711207865 slideshow-preview\">\n<h3 class=\"title5 jsx-62124236 jsx-1085005187\" data-cy=\"slideshow-preview-title\">The Top 15 Best Wolverine Comics<\/h3>\n<div data-cy=\"slideshow-images-container\" class=\"jsx-1711207865 images-container\"><button type=\"button\" data-cy=\"hero-image\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 hero-image\"><img decoding=\"async\" alt=\"Click through to see which books made the cut for the 15 best Wolverine comics of all time. \" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><span class=\"button-text jsx-729543028 button button--primary jsx-3027214138 jsx-4266531355 row-pagination-button next contained centered round large\" data-cy=\"paginate next\" title=\"Open Slideshow\"><span class=\"ign-icon right-chevron jsx-2750866048 jsx-2919720488\" role=\"presentation\" aria-hidden=\"true\" data-cy=\"right-chevron\" style=\"mask:url(https:\/\/kraken.ignimgs.com\/_next\/static\/media\/RightChevron.272be43c.svg?cors=1) no-repeat center center \/ contain;background:currentColor\"><\/span><\/span><\/button><\/p>\n<div data-cy=\"slideshow-images-list\" class=\"scrollbar jsx-2072772685 jsx-4243969252 images-list\"><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"15. Death of Wolverine&lt;br&gt;&lt;br&gt;\nCreative Team: Charles Soule &amp; Steve McNiven&lt;br&gt;&lt;br&gt;\nAs seen in: Death of Wolverine #1-4 (2014)&lt;br&gt;&lt;br&gt;\nWe have to hand it to Marvel. They actually had the courage to kill off arguably their most popular character in 2014 and actually let that death stick for several years. And while many of the books connected to Logan\u2019s death and eventual resurrection are better left forgotten, the core Death of Wolverine miniseries from 2014 is pretty great.&lt;br&gt;&lt;br&gt;\nIn Death of Wolverine, Logan is forced to confront his imminent mortality after his healing factor shorts out. And when Weapon X rears its head once more, the Ol\u2019 Canucklehead embarks on one last gauntlet of foes in order to settle all scores and ensure he leaves the Marvel Universe a better place than he found it.&lt;br&gt;&lt;br&gt;\nDeath of Wolverine handles Logan\u2019s emotional journey well, in part because writer Charles Soule is so sparing with his dialogue and narration. This series is very much fueled by Steve McNiven\u2019s gorgeous artwork, who manages to top even his legendary work in 2008\u2019s Old Man Logan. \n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/p>\n<div class=\"rounded jsx-412047461 overlay progressive-image jsx-2338608387 expand\" data-cy=\"slideshow-image-overlay\">\n<div data-cy=\"element-caption\" class=\"caption jsx-1762799490\">View 16 Images<\/div>\n<\/div>\n<p><\/button><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"14. Origin&lt;br&gt;&lt;br&gt;\nCreative Team: Paul Jenkins &amp; Andy Kubert&lt;br&gt;&lt;br&gt;\nAs seen in: Origin #1-6 (2001-2002)&lt;br&gt;&lt;br&gt;\nFor decades, Marvel had slowly been peeling back the layers of mystery surrounding Wolverine&apos;s life, but most answers only tended to dredge up more questions. It wasn&apos;t until 2001 that Marvel finally went all out and revealed to readers the earliest events of Logan&apos;s life.&lt;br&gt;&lt;br&gt;\nFor starters, Origin revealed that his real name wasn&apos;t Logan, but... well, if you don&apos;t know, there&apos;s no point in spoiling it. Origin paints a tragic picture of a young man whose pleasant family life is torn apart, forcing him to embrace the beast within. Origin shows just how far back many of Logan&apos;s defining characteristics extend, from his tendency toward doomed romance to his struggle to suppress his savage nature.&lt;br&gt;&lt;br&gt;\nAnd more than any other Wolverine story, this tale directly influenced 2009\u2019s X-Men Origins: Wolverine. Certain panels from Origin are mirrored almost exactly in the film. Consider Origin a healthy primer for Logan\u2019s cinematic journey.\n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/button><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"13. The Adamantium Men&lt;br&gt;&lt;br&gt;\nCreative Team: Jason Aaron &amp; Ron Garney&lt;br&gt;&lt;br&gt;\nAs seen in: Wolverine: Weapon X #1-6 (2009)&lt;br&gt;&lt;br&gt;\nJason Aaron has long since established himself as one of the greatest Wolverine writers of the modern era, with a years-long run that spans multiple volumes of Wolverine and books like Wolverine: Weapon X. But for our money, Aaron peaked with this early storyline that hit the stands just in time for 2009\u2019s X-Men Origins: Wolverine movie.&lt;br&gt;&lt;br&gt;\nIn The Adamantium Men, Logan faces off with a mercenary team created in his own image. A PMC called Blackguard gains access to Weapon X\u2019s files, allowing them to create a new breed of super-soldiers equal to Logan in every way - from enhanced senses and healing factors to unbreakable claws. It\u2019s up to Wolverine to prove that he\u2019s still the best there is at what he does and bring down Blackguard by any means necessary.&lt;br&gt;&lt;br&gt;\n\u201cThe Adamantium Men\u201d works well as a standalone story, but it\u2019s also a great stepping stone into Aaron\u2019s longer run with the character. We hope you survive the experience.\n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/button><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"12. Wounded Wolf&lt;br&gt;&lt;br&gt;\nCreative Team: Chris Claremont &amp; Barry Windsor-Smith&lt;br&gt;&lt;br&gt;\nAs seen in: Uncanny X-Men #205 (1986)&lt;br&gt;&lt;br&gt;\nLady Deathstrike is easily one of Wolverine\u2019s most compelling villains. Her hatred for Logan burns as bright as that of Sabretooth, but with the added touch that she believes Wolverine\u2019s very existence perverts the work of her father. Never has that rivalry been better explored than this classic Uncanny X-Men issue.&lt;br&gt;&lt;br&gt;\nIn \u201cWounded Wolf,\u201d Yuriko Oyama and her minions transform themselves into deadly cybernetic warriors and attack Logan, leaving him badly wounded and amnesic. It falls on young Katie Power to help our beloved X-Man regain his senses and turn the tables on his attackers. This issue is a great reminder that X-Men comics don\u2019t get much better than when Chris Claremont and Barry Windsor-Smith are working in tandem.\n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/button><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"11. Enemy of the State&lt;br&gt;&lt;br&gt;\nCreative Team: Mark Millar &amp; John Romita, Jr.&lt;br&gt;&lt;br&gt;\nAs seen in: Wolverine Vol. 3 #20-31 (2004-2005)&lt;br&gt;&lt;br&gt;\nIn the beginning of the new millennium Wolverine, along with his fellow X-Men, traded in traditional superhero spandex and epic battles for black leather and a more post-modern viewpoint on human\/mutant relations. But by 2004, the spandex and supervillains had returned. Mark Millar and John Romita, Jr. helped induct Wolverine back into the realm of bombastic superhero storytelling with &quot;Enemy of the State&quot;.&lt;br&gt;&lt;br&gt;\nIn this tale, Wolverine is brainwashed by HYDRA and The Hand to attack his fellow superheroes. Almost overnight, Wolverine becomes the most feared name in the superhero community. Millar&apos;s story allows an unrestrained Wolverine to test his skills against some of the finest the Marvel Universe has to offer. And when he inevitably breaks from HYDRA&apos;s control, Wolverine sets out to almost singlehandedly bring down their operation.&lt;br&gt;&lt;br&gt;\nThis is not the most realistic or grounded Wolverine tale by any stretch. However, it is a lot of fun and helps remind readers that, when he sets his mind to it, Wolverine really is the best there is at what he does.\n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/button><\/div>\n<\/div>\n<\/div>\n<p><\/span><\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">For more, learn <a class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" href=\"https:\/\/www.ign.com\/articles\/collectors-rejoice-the-marvel-masterworks-line-is-making-a-comeback-in-2026\">how the Marvel Masterworks line is making a comeback this year<\/a>, see our exclusive interview about <a class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" href=\"https:\/\/www.ign.com\/articles\/star-trek-last-starship-finale-preview-interview-kirk\">the upcoming finale of Star Trek: The Last Starship<\/a>, and brush up on <a class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" href=\"https:\/\/www.ign.com\/articles\/best-wolverine-comics-all-time\">the 15 best Wolverine comics<\/a>.<\/p>\n<div data-cy=\"accent-divider\" class=\"jsx-3449795453 divider jsx-2786329600\"><\/div>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\"><em>Jesse is a mild-mannered staff writer for IGN. Allow him to lend a machete to your intellectual thicket by<\/em><a href=\"https:\/\/bsky.app\/profile\/jschedeen.bsky.social\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\"><em> <\/em><u><em>following @jschedeen on BlueSky<\/em><\/u><\/a><em>.<\/em><\/p>\n<\/section>\n<\/section>\n<div class=\"jsx-2511205168 preferred-source\"><strong class=\"jsx-2511205168\">Get IGN&#8217;s Biggest Stories FIRST. Set Us as Your Source.<\/strong><a href=\"https:\/\/www.google.com\/preferences\/source?q=https:\/\/www.ign.com\" class=\"button-text jsx-729543028 button button--secondary jsx-3027214138 icon-button contained centered large\" title=\"Add Source\" aria-label=\"Add Source\" target=\"_blank\"><img decoding=\"async\" class=\"ign-icon icon-google jsx-2750866048 jsx-3701596282\" role=\"img\" aria-hidden=\"false\" data-cy=\"icon-google\" alt=\"Google\" loading=\"lazy\" src=\"https:\/\/kraken.ignimgs.com\/_next\/static\/media\/Google.9e99a9d7.svg?cors=0\"><span class=\"button-text jsx-729543028 large\">Add Source<\/span><\/a><\/div>\n<p><span class=\"stack jsx-1475529924\"><\/span><\/div>\n<section class=\"article-page\">\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Heritage Auctions has revealed a new lineup of classic comic book artwork included in the upcoming  Comic Art Signature Auction event, and there are truly some doozies. Among them is an iconic page from 1968&#8217;s Iron Man #1, originally owned by none other than Marvel Studios founding chairman David Maisel.<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">The art in question is the opening splash page from that issue, making it the very first piece of art from the very first solo Iron Man comic. The art was created by penciller Gene Colan and inker Johnny Craig. Check it out below:<\/p>\n<p><a href=\"https:\/\/assets-prd.ignimgs.com\/2026\/09\/16\/ha-1789575784616.jpg\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\"><\/p>\n<figure class=\"jsx-313219616\"><span><img decoding=\"async\" alt aria-hidden=\"true\" role=\"presentation\" class=\"progressive-image article-image article-image-full-size jsx-1809694635 jsx-2338608387\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/span><\/figure>\n<p><\/a><\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Unsurprisingly, owning a true piece of comic book history like this won&#8217;t come cheap. The page is <a href=\"https:\/\/comics.ha.com\/itm\/original-comic-art\/splash-pages\/gene-colan-and-johnny-craig-iron-man-1-splash-page-1-original-art-marvel-1968-\/a\/7470-94005.s\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">currently up for auction<\/a>, with the price as of the time of publish already reaching a whopping $6,750.<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">\u201cGene created two things,\u201d Maisel said in a press release. \u201cHe made the suit expressive and almost limber, and he was very cinematic in his art, and almost foreseeing the MCU at some point in time, almost 40 years later. The combination of it being the historic first page of the first issue, the big art of a Page 1 splash, the fun \u2018What a way to start out in your own mag\u2019 and Gene\u2019s art was something I couldn\u2019t say no to.\u201d<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">There are several other historic pages featured in this auction event. One is artist Jerry Robinson&#8217;s cover to <a href=\"https:\/\/comics.ha.com\/itm\/original-comic-art\/covers\/jerry-robinson-detective-comics-68-two-face-second-appearance-cover-original-art-dc-1942-\/a\/7470-94017.s\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">1942&#8217;s Detective Comics #68<\/a>. Not only is that issue the second appearance of Two-Face, the sheer fact that a piece of original art from the Golden Age has survived in such good shape is pretty notable. The same goes for Joe Shuster&#8217;s cover to <a href=\"https:\/\/comics.ha.com\/itm\/original-comic-art\/covers\/joe-shuster-action-comics-22-cover-glued-to-board-original-art-dc-1940-\/a\/7470-94021.s\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">1940&#8217;s Action Comics #22<\/a>.<\/p>\n<p><a href=\"https:\/\/assets-prd.ignimgs.com\/2026\/09\/16\/ha-1-1789577566479.jpg\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\"><\/p>\n<figure class=\"jsx-313219616\"><span><img decoding=\"async\" alt aria-hidden=\"true\" role=\"presentation\" class=\"progressive-image article-image article-image-full-size jsx-1809694635 jsx-2338608387\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/span><\/figure>\n<p><\/a><\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Other noteworthy listings include several pages from <a href=\"https:\/\/comics.ha.com\/c\/search\/results.zx?term=frank+miller+daredevil&amp;dept=1938&amp;auction_name=7470&amp;mode=live\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">Frank Miller&#8217;s seminal Daredevil run<\/a> from the 1980s and <a href=\"https:\/\/comics.ha.com\/c\/search\/results.zx?term=frank+miller+daredevil&amp;dept=1938&amp;auction_name=7470&amp;mode=live\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\">Jim Lee&#8217;s cover to 1992&#8217;s X-Men #6<\/a> (which is currently bidding at an eye-watering $135,000). Clearly, collecting original comic art is not a hobby for the frugal.<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Would you like to bid on this Iron Man #1 page or any of the other art featured above? Let us know in the comments. <\/p>\n<p><button type=\"button\" style=\"display:none\" class=\"jsx-2228525885\"><\/button><span data-cy=\"slideshow-view-trigger\"><\/p>\n<div data-cy=\"slideshow-preview\" class=\"jsx-1711207865 slideshow-preview\">\n<h3 class=\"title5 jsx-62124236 jsx-1085005187\" data-cy=\"slideshow-preview-title\">The Top 15 Best Wolverine Comics<\/h3>\n<div data-cy=\"slideshow-images-container\" class=\"jsx-1711207865 images-container\"><button type=\"button\" data-cy=\"hero-image\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 hero-image\"><img decoding=\"async\" alt=\"Click through to see which books made the cut for the 15 best Wolverine comics of all time. \" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><span class=\"button-text jsx-729543028 button button--primary jsx-3027214138 jsx-4266531355 row-pagination-button next contained centered round large\" data-cy=\"paginate next\" title=\"Open Slideshow\"><span class=\"ign-icon right-chevron jsx-2750866048 jsx-2919720488\" role=\"presentation\" aria-hidden=\"true\" data-cy=\"right-chevron\" style=\"mask:url(https:\/\/kraken.ignimgs.com\/_next\/static\/media\/RightChevron.272be43c.svg?cors=1) no-repeat center center \/ contain;background:currentColor\"><\/span><\/span><\/button><\/p>\n<div data-cy=\"slideshow-images-list\" class=\"scrollbar jsx-2072772685 jsx-4243969252 images-list\"><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"15. Death of Wolverine&lt;br&gt;&lt;br&gt;\nCreative Team: Charles Soule &amp; Steve McNiven&lt;br&gt;&lt;br&gt;\nAs seen in: Death of Wolverine #1-4 (2014)&lt;br&gt;&lt;br&gt;\nWe have to hand it to Marvel. They actually had the courage to kill off arguably their most popular character in 2014 and actually let that death stick for several years. And while many of the books connected to Logan\u2019s death and eventual resurrection are better left forgotten, the core Death of Wolverine miniseries from 2014 is pretty great.&lt;br&gt;&lt;br&gt;\nIn Death of Wolverine, Logan is forced to confront his imminent mortality after his healing factor shorts out. And when Weapon X rears its head once more, the Ol\u2019 Canucklehead embarks on one last gauntlet of foes in order to settle all scores and ensure he leaves the Marvel Universe a better place than he found it.&lt;br&gt;&lt;br&gt;\nDeath of Wolverine handles Logan\u2019s emotional journey well, in part because writer Charles Soule is so sparing with his dialogue and narration. This series is very much fueled by Steve McNiven\u2019s gorgeous artwork, who manages to top even his legendary work in 2008\u2019s Old Man Logan. \n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/p>\n<div class=\"rounded jsx-412047461 overlay progressive-image jsx-2338608387 expand\" data-cy=\"slideshow-image-overlay\">\n<div data-cy=\"element-caption\" class=\"caption jsx-1762799490\">View 16 Images<\/div>\n<\/div>\n<p><\/button><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"14. Origin&lt;br&gt;&lt;br&gt;\nCreative Team: Paul Jenkins &amp; Andy Kubert&lt;br&gt;&lt;br&gt;\nAs seen in: Origin #1-6 (2001-2002)&lt;br&gt;&lt;br&gt;\nFor decades, Marvel had slowly been peeling back the layers of mystery surrounding Wolverine&apos;s life, but most answers only tended to dredge up more questions. It wasn&apos;t until 2001 that Marvel finally went all out and revealed to readers the earliest events of Logan&apos;s life.&lt;br&gt;&lt;br&gt;\nFor starters, Origin revealed that his real name wasn&apos;t Logan, but... well, if you don&apos;t know, there&apos;s no point in spoiling it. Origin paints a tragic picture of a young man whose pleasant family life is torn apart, forcing him to embrace the beast within. Origin shows just how far back many of Logan&apos;s defining characteristics extend, from his tendency toward doomed romance to his struggle to suppress his savage nature.&lt;br&gt;&lt;br&gt;\nAnd more than any other Wolverine story, this tale directly influenced 2009\u2019s X-Men Origins: Wolverine. Certain panels from Origin are mirrored almost exactly in the film. Consider Origin a healthy primer for Logan\u2019s cinematic journey.\n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/button><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"13. The Adamantium Men&lt;br&gt;&lt;br&gt;\nCreative Team: Jason Aaron &amp; Ron Garney&lt;br&gt;&lt;br&gt;\nAs seen in: Wolverine: Weapon X #1-6 (2009)&lt;br&gt;&lt;br&gt;\nJason Aaron has long since established himself as one of the greatest Wolverine writers of the modern era, with a years-long run that spans multiple volumes of Wolverine and books like Wolverine: Weapon X. But for our money, Aaron peaked with this early storyline that hit the stands just in time for 2009\u2019s X-Men Origins: Wolverine movie.&lt;br&gt;&lt;br&gt;\nIn The Adamantium Men, Logan faces off with a mercenary team created in his own image. A PMC called Blackguard gains access to Weapon X\u2019s files, allowing them to create a new breed of super-soldiers equal to Logan in every way - from enhanced senses and healing factors to unbreakable claws. It\u2019s up to Wolverine to prove that he\u2019s still the best there is at what he does and bring down Blackguard by any means necessary.&lt;br&gt;&lt;br&gt;\n\u201cThe Adamantium Men\u201d works well as a standalone story, but it\u2019s also a great stepping stone into Aaron\u2019s longer run with the character. We hope you survive the experience.\n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/button><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"12. Wounded Wolf&lt;br&gt;&lt;br&gt;\nCreative Team: Chris Claremont &amp; Barry Windsor-Smith&lt;br&gt;&lt;br&gt;\nAs seen in: Uncanny X-Men #205 (1986)&lt;br&gt;&lt;br&gt;\nLady Deathstrike is easily one of Wolverine\u2019s most compelling villains. Her hatred for Logan burns as bright as that of Sabretooth, but with the added touch that she believes Wolverine\u2019s very existence perverts the work of her father. Never has that rivalry been better explored than this classic Uncanny X-Men issue.&lt;br&gt;&lt;br&gt;\nIn \u201cWounded Wolf,\u201d Yuriko Oyama and her minions transform themselves into deadly cybernetic warriors and attack Logan, leaving him badly wounded and amnesic. It falls on young Katie Power to help our beloved X-Man regain his senses and turn the tables on his attackers. This issue is a great reminder that X-Men comics don\u2019t get much better than when Chris Claremont and Barry Windsor-Smith are working in tandem.\n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/button><button data-cy=\"gallery-image\" type=\"button\" aria-label=\"Open Slideshow\" class=\"jsx-1711207865 gallery-image\"><img decoding=\"async\" alt=\"11. Enemy of the State&lt;br&gt;&lt;br&gt;\nCreative Team: Mark Millar &amp; John Romita, Jr.&lt;br&gt;&lt;br&gt;\nAs seen in: Wolverine Vol. 3 #20-31 (2004-2005)&lt;br&gt;&lt;br&gt;\nIn the beginning of the new millennium Wolverine, along with his fellow X-Men, traded in traditional superhero spandex and epic battles for black leather and a more post-modern viewpoint on human\/mutant relations. But by 2004, the spandex and supervillains had returned. Mark Millar and John Romita, Jr. helped induct Wolverine back into the realm of bombastic superhero storytelling with &quot;Enemy of the State&quot;.&lt;br&gt;&lt;br&gt;\nIn this tale, Wolverine is brainwashed by HYDRA and The Hand to attack his fellow superheroes. Almost overnight, Wolverine becomes the most feared name in the superhero community. Millar&apos;s story allows an unrestrained Wolverine to test his skills against some of the finest the Marvel Universe has to offer. And when he inevitably breaks from HYDRA&apos;s control, Wolverine sets out to almost singlehandedly bring down their operation.&lt;br&gt;&lt;br&gt;\nThis is not the most realistic or grounded Wolverine tale by any stretch. However, it is a lot of fun and helps remind readers that, when he sets his mind to it, Wolverine really is the best there is at what he does.\n\" class=\"progressive-image jsx-2896921488 image aspect-ratio aspect-ratio-16-9 jsx-2605834259 jsx-2338608387 hover-opacity\" loading=\"lazy\" src=\"image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"><\/button><\/div>\n<\/div>\n<\/div>\n<p><\/span><\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">For more, learn <a class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" href=\"https:\/\/www.ign.com\/articles\/collectors-rejoice-the-marvel-masterworks-line-is-making-a-comeback-in-2026\">how the Marvel Masterworks line is making a comeback this year<\/a>, see our exclusive interview about <a class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" href=\"https:\/\/www.ign.com\/articles\/star-trek-last-starship-finale-preview-interview-kirk\">the upcoming finale of Star Trek: The Last Starship<\/a>, and brush up on <a class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" href=\"https:\/\/www.ign.com\/articles\/best-wolverine-comics-all-time\">the 15 best Wolverine comics<\/a>.<\/p>\n<div data-cy=\"accent-divider\" class=\"jsx-3449795453 divider jsx-2786329600\"><\/div>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\"><em>Jesse is a mild-mannered staff writer for IGN. Allow him to lend a machete to your intellectual thicket by<\/em><a href=\"https:\/\/bsky.app\/profile\/jschedeen.bsky.social\" class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" target=\"_blank\" rel=\"noopener noreferrer\"><em> <\/em><u><em>following @jschedeen on BlueSky<\/em><\/u><\/a><em>.<\/em><\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Heritage Auctions has revealed a new lineup of classic comic book artwork included in the upcoming Comic Art Signature Auction event, and there are truly some doozies. Among them is an iconic page from 1968&#8217;s Iron Man #1, originally owned by none other than Marvel Studios founding chairman David Maisel. The art in question is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,243],"class_list":["post-2147740","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-ign-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2147740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2147740"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2147740\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2147740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2147740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2147740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}