{"id":2129172,"date":"2026-09-04T23:53:49","date_gmt":"2026-09-04T20:53:49","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2129172"},"modified":"2026-09-04T23:53:49","modified_gmt":"2026-09-04T20:53:49","slug":"kehinde-wiley-responds-to-the-trump-administration-with-a-t-shirt","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2129172","title":{"rendered":"Kehinde Wiley Responds to the Trump Administration With a T-shirt"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/06\/GettyImages-1354018958.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tKehinde Wiley\u2019s artwork at the US Embassy in the Dominican Republic continues to cause a stir. Erin Scavino, director of Art in Embassies in a podcast interview with Sean Spicer, called the painting <em>Young Artists After Siamesas 1960<\/em> (2013) \u201caesthetically terrifying\u201d last week, but now in an unearthed radio interview from April, US ambassador Leah Campos described the painting as a lesbian picnic, according to the <em>New York Times<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn the interview conducted in Spanish, Campos said that she saw a \u201chuge painting of a picnic in a park with flowers and some lesbians.\u201d She wrongfully contends in the interview that the Biden administration wanted being \u201cthat ideology here to the Dominican people.\u201d The painting was commissioned during the Obama administration by the State Department in 2013.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWiley hasn\u2019t come out publicly to address the controversy around his painting, but on his official e-commerce Instagram, he posted a black T-shirt retailing for $120 with the words \u201caesthetically terrifying,\u201d which he borrowed from Scavino, who describes his work as such. \u201cA response. A reclamation. A reminder that art has never needed permission to be beautiful, provocative, or powerful,\u201d Wiley\u2019s post reads.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Trump administration has been slowly changing artwork in its embassies to reflect \u201cAmerican patriotism and the beauty of our great country\u201d as Campos put it in an Instagram post in August when describing the swap of Wiley\u2019s painting for an image of the American flag accompanied by the Twisted Sister\u2019s song We\u2019re Not Gonna Take It.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAt the John F. Kennedy Center for the Performing Arts in Washington, D.C., the same act is taking place as workers began to disassemble Joel Shapiro\u2019s monumental 24-foot-tall sculpture <em>Blue<\/em>. The American sculptor gave the center the work as a gift in 2019. The <em>New York Times<\/em> reported that Shapiro\u2019s work was \u201ctargeted for elimination after President Trump\u2019s takeover of the center.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn December, the center\u2019s board, led by Trump and filled with his allies, voted to inscribe his name on the building\u2019s facade, triggering an ongoing legal struggle with the federal court system.<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/kehinde-wiley-responds-donald-trump-terrifying-tshirt-1234797278\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/06\/GettyImages-1354018958.jpg?w=1024&#8243;] Kehinde Wiley\u2019s artwork at the US Embassy in the Dominican Republic continues to cause a stir. Erin Scavino, director of Art in Embassies in a podcast interview with Sean Spicer, called the painting Young Artists After Siamesas 1960 (2013) \u201caesthetically terrifying\u201d last week, but now in an unearthed radio interview from April, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-2129172","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2129172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2129172"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2129172\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2129172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2129172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2129172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}