{"id":2117368,"date":"2026-08-28T22:30:00","date_gmt":"2026-08-28T19:30:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2117368"},"modified":"2026-08-28T22:30:00","modified_gmt":"2026-08-28T19:30:00","slug":"michael-jacksons-top-50-hit-songs-on-the-billboard-hot-100","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2117368","title":{"rendered":"Michael Jackson\u2019s Top 50 Hit Songs on the Billboard Hot 100"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.billboard.com\/wp-content\/uploads\/media\/michael-jackson-1986-performance-jkal-kevin-billboard-1548.jpg?w=1024&#8243;]<\/p>\n<div class=\"\n\t\t\t\ta-content lrv-a-floated-parent lrv-a-glue-parent a-font-body-m\n\t\t\t\tu-font-size-19 u-max-width-690 lrv-u-margin-lr-auto pmc_list pmc-paywall\n\t\t\t\"><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn a career that spanned almost all 50 years of his life, Michael Jackson became a mainstay on the <em>Billboard<\/em> charts, evolving from a child star into a global phenomenon and an undisputed legend.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHis dominance on the Billboard Hot 100 reflects his record-breaking career: As a solo artist, 13 of his singles reached No. 1 \u2013 tied with Drake for the most by a male artist in history \u2013 and an additional four songs by the Jackson 5, with Michael on lead vocals, topped the chart.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJackson first gained major recognition as the lead singer of family band the Jackson 5 with his siblings Jackie, Jermaine, Marlon and Tito, who notched massive hits for Motown off the bat. By age 12, the earliest instance of Jackson\u2019s record-shattering capabilities emerged: The Jackson 5 became the first act to have their first four Hot 100 entries all reach No. 1. Parallel to his siblings\u2019 success, Michael scored solo hits \u2013 including Hot 100 champ \u201cBen\u201d \u2013 through the 1970s.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAlthough 1979\u2019s Quincy Jones-produced<em> Off the Wall<\/em> was his fifth album, its bold creative direction positioned a then-21-year-old Michael as a fully-formed artist who would soon claim\u00a0the King of Pop crown. The follow-up, 1982\u2019s <em>Thriller<\/em>, is widely considered the best-selling album of all time and spent an astonishing 37 weeks atop the Billboard 200 \u2013 a record for an album by a single artist. In another first, th album\u2019s seven singles all reached the top 10 of the Billboard Hot 100, with two, the immortal \u201cBillie Jean\u201d and \u201cBeat It,\u201d topping the chart.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile <em>Thriller<\/em> showed Jackson at unprecedented commercial heights, the superstar continued to make Hot 100 history with subsequent projects. 1987\u2019s <em>Bad <\/em>produced\u00a0a record five No. 1 singles, a mark unmatched by any album until 2011, and \u201cYou Are Not Alone\u201d in 1995, became the first song to ever debut at No. 1 on the Hot 100. Though his chart power had waned at the time of his death in 2009, posthumous releases with his musical descendants still generate buzz collaborations: 2014\u2019s \u201cLove Never Felt So Good (with Justin Timberlake) and a featured credit on Drake\u2019s 2018 track \u201cDon\u2019t Matter to Me,\u201d which samples an unreleased Jackson song, both reached No. 9.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTo review Jackson\u2019s more than half-century of Hot 100 impact, here\u2019s a review of the late icon\u2019s 50 biggest hits on the Hot 100. For a wider scope of his influence, the list comprises his solo catalog as well as material by the Jackson 5 and The Jacksons.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><em>Michael Jackson\u2019s Biggest Hot 100 Hits ranking is based on weekly performance on the Hot 100 (from its inception on Aug. 4, 1958, through Aug. 29, 2026). Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower spots earning the least. Due to changes in chart methodology over the years, eras are weighted differently to account for chart turnover rates during various periods.<\/em><\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cLookin\u2019 Through the Windows\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 16<br \/><strong>Peak Date:<\/strong> Aug. 26, 1972<br \/><strong>Weeks on Chart:<\/strong> 10<\/p>\n<p>Jackson\u2019s <em>Billboard<\/em> chart history began with a streak of extraordinary success, as the Jackson 5\u2019s first 20 entries on what\u2019s now known as Hot R&amp;B\/Hip-Hop Songs all reached the top 10. This song marked the 10th top 10 in-a-row for the act on Hot R&amp;B\/Hip-Hop Songs, reaching No. 5 in 1972. On the Billboard Hot 100, the track peaked at No. 16. The title cut from the group\u2019s fifth studio album illustrated the maturation of Michael, then 13, from boy soprano to the tenor who would subsequently reign as the King of Pop.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cTorture\u201d (The Jacksons)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 17<br \/><strong>Peak Date:<\/strong> Sept. 29, 1984<br \/><strong>Weeks on Chart:<\/strong> 12\u00a0<\/p>\n<p>The Jacksons\u2019 1984 <em>Victory<\/em> album spawned multiple hits, including this funky rock number, which peaked at No. 17 on the Hot 100. While it was the second single from <em>Victory<\/em>, it yielded the first music video produced for the album. Ironically, though Michael and Jermaine Jackson share lead duties on the song, neither appears in the clip, which was choreographed by Paula Abdul.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cGet It Together\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 28<br \/><strong>Peak Date:<\/strong> Oct. 6, 1973<br \/><strong>Weeks on Chart:<\/strong> 13<\/p>\n<p>In 1973, Michael and his brothers weren\u2019t begging girls to stick around just yet. In fact, the Jackson 5\u2019s funk-flavored pop single \u201cGet It Together\u201d featured sweet vocals delivering a not-so-sweet message: \u201cGet up off your high horse, girl.\u201d The band wasn\u2019t messing around in its lyrics or on the charts. Although the song peaked at No. 28 on the Hot 100, it was a No. 2 smash for the group on <em>Billboard<\/em>\u2018s R&amp;B songs chart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cYou Rock My World\u201d<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-you-rock-my-world-music-video-still-2001-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-you-rock-my-world-music-video-still-2001-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 10<br \/><strong>Peak Date:<\/strong> Sept. 22, 2001<br \/><strong>Weeks on Chart:<\/strong> 20<\/p>\n<p>The lead single from Jackson\u2019s 2001 studio album <em>Invincible<\/em> peaked at No. 10 on the Hot 100. Co-produced by Jackson and Rodney Jerkins, the song was ushered in by an unsurprisingly lavish music video directed by Paul Hunter. The clip features Chris Tucker as Jackson\u2019s comic foil, along with turns from Michael Madsen and Marlon Brando.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cHeartbreak Hotel\u201d (The Jacksons)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 22<br \/><strong>Peak Date:<\/strong> Feb. 14, 1981<br \/><strong>Weeks on Chart:<\/strong> 16<\/p>\n<p>\u201cHeartbreak Hotel\u201d was released June 17, 1980, and was the second single off the Jacksons\u2019 <em>Triumph<\/em> album. It peaked at No. 22 on the Hot 100. \u201cOne time Michael called me into a Hollywood studio to play a solo on a song that turned out to be \u2018Heartbreak Hotel,\u2019 \u201d says Paul Jackson Jr., his longtime guitarist. \u201cI asked him what kind of solo he wanted. The solo I played on the record is what he sang to me note for note.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cCorner of the Sky\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 18<br \/><strong>Peak Date:<\/strong> Dec. 16, 1972<br \/><strong>Weeks on Chart:<\/strong> 12<\/p>\n<p>The Jackson 5 lent its soulful pop to the 1970s musical <em>Pippin<\/em> in the form of the track \u201cCorner of the Sky.\u201d In line with the musical\u2019s plot, \u201cCorner\u201d is about seeking out happiness in life (\u201cBut I won\u2019t rest\/ \u2018Til I know I have it all\u201d). The song, which also appeared on the Jackson 5\u2019s 1973 album <em>Skywriter<\/em>, hit No. 18 on the Hot 100 and No. 9 on <em>Billboard<\/em>\u2018s R&amp;B songs chart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cLittle Bitty Pretty One\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 13<br \/><strong>Peak Date:<\/strong> May 27, 1972<br \/><strong>Weeks on Chart:<\/strong> 9<\/p>\n<p>Few songs show off artists\u2019 vocal chops as well as this one, and the Jackson 5 reinforced their timeless family harmonies on this well-loved doo-wop classic. Thurston Harris introduced the song to pop audiences in 1957 and it has since been recorded by a wide range of acts, including the Allman Brothers, Huey Lewis &amp; the News and Aaron Carter. The Jackson 5\u2019s version reached No. 8 on the R&amp;B songs chart and No. 13 on the Hot 100 in 1972.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cI Wanna Be Where You Are\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 16<br \/><strong>Peak Date:<\/strong> July 15, 1972<br \/><strong>Weeks on Chart:<\/strong> 11<\/p>\n<p>\u201cI Wanna Be Where You Are\u201d was released May 2, 1972, and appears on the album <em>Got to Be There<\/em>. It was Jackson\u2019s third consecutive top 40 pop hit in the beginning of his solo career with Motown. The single peaked at No. 16 on the Hot 100 and would become one of Jackson\u2019s most covered songs, with Marvin Gaye, the Fugees and Jason Weaver also recording their own renditions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cButterflies\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 14<br \/><strong>Peak Date:<\/strong> Jan. 26, 2002<br \/><strong>Weeks on Chart:<\/strong> 20<\/p>\n<p>The last studio album released in Jackson\u2019s lifetime, 2001\u2019s <em>Invincible<\/em>\u00a0served as the long-awaited follow-up to 1991\u2019s <em>Dangerous<\/em>. It featured three neo-soul-styled tracks, including \u201cButterflies.\u201d With the help of British duo Floetry on backing vocals, the single peaked at No. 14 on the Hot 100.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cI Am Love (Parts I &amp; II)\u201d [The Jackson 5]<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 15<br \/><strong>Peak Date:<\/strong> March 22, 1975<br \/><strong>Weeks on Chart:<\/strong> 14<\/p>\n<p>1975\u2019s \u201cI Am Love\u201d by the Jackson 5 was part soulful ballad (led by Jermaine) and part Michael-fronted, danceable funk\/rock. But no matter the musical style, the message was the same: the brothers weren\u2019t letting their loves get away. The song was the Jackson 5\u2019s last top 20 hit with Motown, reaching No. 15 on the Hot 100 in 1975. It also went to No. 5 on <em>Billboard<\/em>\u2018s R&amp;B songs chart.<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cLovely One\u201d (The Jacksons)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 12<br \/><strong>Peak Date:<\/strong> Nov. 15, 1980<br \/><strong>Weeks on Chart:<\/strong> 18<\/p>\n<p>Once the Jackson 5 grew up and parted ways with Motown, they became the Jacksons \u2014 and they knew all about the growing pains that come with young romance. The 1980 funk song \u201cLovely One\u201d sees Michael, backed by brothers Jackie, Tito, Randy and Marlon, confronting a skeptical lover and trying to prove his dedication. The track peaked at No. 12 on the Hot 100 but hit No. 2 on <em>Billboard<\/em>\u2018s R&amp;B songs chart and No. 1 on the Dance Club Songs chart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cAnother Part of Me\u201d<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-another-part-of-me-1988-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-another-part-of-me-1988-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 11<br \/><strong>Peak Date:<\/strong> Sept. 10, 1988<br \/><strong>Weeks on Chart:<\/strong> 13<\/p>\n<p>Released as the sixth single from Jackson\u2019s <em>Bad<\/em> album in summer 1988, the synth-backed, uptempo hit was actually first heard nearly two years earlier, in the most unlikely of places. On Sept. 12, 1986, visitors at the Epcot theme park at the Walt Disney World resort in Orlando, Fla. got the first public taste of the song, one of two new compositions recorded for Jackson\u2019s star turn in the 3D film <em>Captain EO<\/em>, which premiered that day in the park. The song ultimately reached No. 11 on the Hot 100. By 1998, all of the <em>Captain EO<\/em> attractions had ended their runs at the assorted Disney Parks throughout the world. The company was moved, however, to return the show to its parks in 2010, starting with Disneyland\u2019s version.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cP.Y.T. (Pretty Young Thing)\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 10<br \/><strong>Peak Date:<\/strong> Nov. 26, 1983<br \/><strong>Weeks on Chart:<\/strong> 16<\/p>\n<p>\u201cP.Y.T. (Pretty Young Thing)\u201d was released Sept. 19, 1983, as the sixth single from the <em>Thriller<\/em> album and features Janet Jackson and LaToya Jackson on backup vocals. The single peaked at No. 10 on the Hot 100, becoming the sixth consecutive top 10 song from the album. \u201cP.Y.T.\u201d has been sampled by many artists, including Monica on \u201cAll Eyez on Me\u201d and Kanye West on \u201cGood Life.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cSugar Daddy\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 10<br \/><strong>Peak Date:<\/strong> Jan. 22, 1972<br \/><strong>Weeks on Chart:<\/strong> 10<\/p>\n<p>Written and produced by The Corporation, a Motown collective assembled specifically for cranking out Jackson hits, \u201cSugar Daddy\u201d peaked at No. 3 on <em>Billboard<\/em>\u2018s R&amp;B songs chart. Older brothers Tito and Jermaine backed up Michael on the poppy, organ-filled ditty, which featured multiple food-related entendres (\u201cI\u2019ve got your lollipop \/ Well, my flavor\u2019s long lastin\u2019, girl\u201d). It was included as a new track on the group\u2019s 1971 <em>Greatest Hits<\/em> album.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cIn the Closet\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 6<br \/><strong>Peak Date:<\/strong> May 30, 1992<br \/><strong>Weeks on Chart:<\/strong> 20<\/p>\n<p>When the public first got a listen of \u201cIn the Closet\u201d on Jackson\u2019s 1991 <em>Dangerous<\/em> album, people immediately began to wonder who his female duet partner was on the song. She was billed only as \u201cMystery Girl\u201d in the set\u2019s liner notes and some began to assume \u2014 perhaps because of her whispery, come-hither vibe \u2014 that it was Madonna. As it turns out, the mysterious woman was revealed to be, of all people, Princess Stephanie of Monaco. But folks weren\u2019t far off in their theories: \u201cIn the Closet\u201d was initially conceived as a collaboration between the King and Queen of Pop. The pair, however, couldn\u2019t come to an agreement on the song\u2019s direction and the singers parted ways.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cOff the Wall\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 10<br \/><strong>Peak Date:<\/strong> April 12, 1980<br \/><strong>Weeks on Chart:<\/strong> 17<\/p>\n<p>When the title track to his fifth studio album debuted on the Hot 100 dated Feb. 16, 1980, Jackson was following up back-to-back No. 1s for the first time in his solo career. The single could not match the success of the album\u2019s previous singles, but managed to land the album\u2019s third top 10 peak, reaching No. 10 in April 1980.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cShe\u2019s Out of My Life\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 10<br \/><strong>Peak Date:<\/strong> June 21, 1980<br \/><strong>Weeks on Chart:<\/strong> 16<\/p>\n<p>Quincy Jones used simple instrumentation to produce this ballad from <em>Off the Wall<\/em>. Over the lyrics \u201cI don\u2019t know whether to laugh or cry \/ I don\u2019t know whether to live or die,\u201d the song\u2019s tempo sounds nearly at a stand-still compared to his best-known dance jams. (Jackson is even heard crying at song\u2019s end). The cut peaked at No. 10 on the Hot 100 in 1980.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cScream\/Childhood\u201d (with Janet Jackson)<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-janet-jackson-scream-music-video-still-1995-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-janet-jackson-scream-music-video-still-1995-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 5<br \/><strong>Peak Date:<\/strong> June 17, 1995<br \/><strong>Weeks on Chart:<\/strong> 17<\/p>\n<p>The double A-side single was released as the lead off Jackson\u2019s 1995 set, <em>HIStory: Past, Present and Future, Book I<\/em>. \u201cScream\u201d was his first duet with sister Janet Jackson; the song is an effort to retaliate against the media\u2019s obsession with his personal life and it resulted in a memorable video directed by Mark Romanek. \u201cChildhood\u201d was solely written and composed by Michael. The single peaked at No. 5 on the Hot 100.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cWill You Be There\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 7<br \/><strong>Peak Date:<\/strong> Sept. 11, 1993<br \/><strong>Weeks on Chart:<\/strong> 20<\/p>\n<p>This gospel-tinged track became the seventh song to reach the Hot 100\u2019s top 40 from Jackson\u2019s <em>Dangerous<\/em> album, peaking at No. 7 in 1993. The song was truly a whale of a hit: doubling as the theme to the film <em>Free Willy<\/em>, it won the MTV Movie Award for best song in a movie in 1994. <em>American Idol<\/em> season nine finalist Michael Lynche introduced the song to a new generation with his faithful rendition.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cHuman Nature\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 7<br \/><strong>Peak Date:<\/strong> Sept. 17, 1983<br \/><strong>Weeks on Chart:<\/strong> 14<\/p>\n<p>As one of seven consecutive Hot 100 top 10s from Jackson\u2019s <em>Thriller<\/em> album, \u201cHuman Nature\u201d was the mellowest. It also spent the least amount of time on the chart of the set\u2019s seven singles (14 weeks), peaking at No. 7. Female R&amp;B trio SWV carried elements of the song to No. 2 in 1993 with its \u201cRight Here\u201d\/\u201dHuman Nature\u201d mash-up sampling Jackson\u2019s original recording.<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cSmooth Criminal\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 7<br \/><strong>Peak Date:<\/strong> Jan. 14, 1989<br \/><strong>Weeks on Chart:<\/strong> 15<\/p>\n<p>\u201cSmooth Criminal,\u201d like \u201cThriller,\u201d is one of Michael Jackson\u2019s songs whose memory in the public\u2019s collective consciousness is intrinsically tied to its music video. With \u201cSmooth Criminal,\u201d Jackson further lifted the art of music videos, serving as the centerpiece of his theatrical film <em>Moonwalker<\/em>, co-starring Joe Pesci. \u201cSmooth Criminal\u201d was the seventh and final single from Jackson\u2019s <em>Bad<\/em> album, peaking at No. 7 on the Hot 100 in January 1989.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cMama\u2019s Pearl\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 2<br \/><strong>Peak Date:<\/strong> Feb. 27, 1971<br \/><strong>Weeks on Chart:<\/strong> 10<\/p>\n<p>\u201cMama\u2019s Pearl\u201d features pretty mature lyrics for the young Michael: \u201cYou send cold chills up and down my spine \/ We kiss for thrills, then you draw the line,\u201d he belts over classic Motown string arrangements and plucky piano. Peaking at No. 2 on both the Hot 100 and <em>Billboard<\/em>\u2018s R&amp;B songs charts in 1971, the song was the second single from the group\u2019s <em>Third Album<\/em>.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cEnjoy Yourself\u201d (The Jacksons)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 6<br \/><strong>Peak Date:<\/strong> Feb. 19, 1977<br \/><strong>Weeks on Chart:<\/strong> 21<\/p>\n<p>The Jacksons\u2019 first single after their departure from Motown and subsequent name change from the Jackson 5, 1976\u2019s \u201cEnjoy Yourself\u201d featured jazzy, cheery horns and a funky guitar lick. Imploring the listener to \u201cenjoy yourself with me,\u201d the voice of the then-18-year-old Michael bridged the gap between his cutesy pre-adolescent falsetto and his more mature adult tone. Audiences clearly enjoyed the track \u2013 it hit No. 6 on the Hot 100 and No. 2 on <em>Billboard<\/em>\u2018s R&amp;B songs chart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cShake Your Body (Down To The Ground)\u201d [The Jacksons]<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 7<br \/><strong>Peak Date:<\/strong> May 19, 1979<br \/><strong>Weeks on Chart:<\/strong> 22<\/p>\n<p>In one of the most familiar hooks in dance music history, Michael Jackson implores listeners, \u201cLet\u2019s dance \/ Let\u2019s shout \/ Shake your body down to the ground.\u201d The track was produced, written, and performed by the talented brothers and ended up being their biggest dance record ever. The song was a mainstream success and charted at No. 3 on <em>Billboard<\/em>\u2018s R&amp;B songs chart, and No. 7 on the Hot 100.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cWanna Be Startin\u2019 Somethin&#8217;\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 5<br \/><strong>Peak Date:<\/strong> July 16, 1983<br \/><strong>Weeks on Chart:<\/strong> 15<\/p>\n<p>To say that 1983 was the year of Michael Jackson would be a gross understatement. Between January and December, he charted seven Hot 100 top 10 hits, six from <em>Thriller<\/em>. This single was the fourth released from the set and peaked at No. 5 on the Hot 100. The song returned to the chart in 2008 after Jackson reissued <em>Thriller<\/em> in an expanded 25th anniversary form, with a remix of this song by Akon. The redux peaked at No. 81.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cRemember the Time\u201d<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-remember-the-time-music-video-still-1991-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-remember-the-time-music-video-still-1991-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 3<br \/><strong>Peak Date:<\/strong> March 7, 1992<br \/><strong>Weeks on Chart:<\/strong> 20<\/p>\n<p>Partnered with producer Teddy Riley, Jackson\u2019s eighth studio album, 1991\u2019s <em>Dangerous,<\/em> marked the singer\u2019s leap into New Jack Swing. This single peaked at No. 3 on the Hot 100 in March 1992. Its video premiered not just on cable (BET and MTV), but the Fox network too. The star-studded clip includes appearances by actor\/comedian and Jackson\u2019s friend Eddie Murphy, supermodel Iman and NBA legend Earvin \u201cMagic\u201d Johnson.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cThriller\u201d<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-thriller-music-video-still-1984-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-thriller-music-video-still-1984-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 4<br \/><strong>Peak Date:<\/strong> March 3, 1984<br \/><strong>Weeks on Chart:<\/strong> 26<\/p>\n<p>\u201cThriller\u201d was the last of seven top 10 singles from the groundbreaking album of the same name, which leads with 34-times Platinum status, according to the RIAA, the highest certification among original studio albums. Written by Rod Temperton and featuring Vincent Price\u2019s iconic cameo, Jackson\u2019s zombie fest peaked at No. 4 on the Hot 100. \u201cAfter <em>Off the Wall<\/em>,\u201d producer Quincy Jones recalls, \u201cwe were kicking booty and fearless; ready to do anything. It was a very exciting time.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cState of Shock\u201d (The Jacksons)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 3<br \/><strong>Peak Date:<\/strong> Aug. 4, 1984<br \/><strong>Weeks on Chart:<\/strong> 15<\/p>\n<p>With lead vocals shared between Michael and The Rolling Stones\u2019 Mick Jagger, \u201cState of Shock\u201d was the first single from the Jacksons\u2019 much-anticipated 1984 reunion album, <em>Victory<\/em>. The single entered the Hot 100 at No. 30 on June 30 \u2014 at that point the second-highest entry of the year \u2014 and peaked at No. 3. \u201cState of Shock\u201d initially began as a duet between Jackson and Queen\u2019s Freddie Mercury when the two were collaborating on material in the early \u201980s. Though the Mercury version was never released, you can easily find demo recordings of it floating around the web.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cYou Are Not Alone\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (one week)<br \/><strong>Peak Date:<\/strong> Sept. 2, 1995<br \/><strong>Weeks on Chart:<\/strong> 20<\/p>\n<p>Written and co-produced by R. Kelly, \u201cYou Are Not Alone\u201d made history as the first song to enter the Hot 100 at No. 1, bowing atop the chart dated Sept. 2, 1995. The ballad became Jackson\u2019s last No. 1 and the 13th of his solo career, a sum that ties him with Drake for the most by a male artist in the chart\u2019s history.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cBen\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (one week)<br \/><strong>Peak Date:<\/strong> Oct. 14, 1972<br \/><strong>Weeks on Chart:<\/strong> 16<\/p>\n<p>Jackson scored his first No. 1 Hot 100 single as a solo artist with this love song to a trained rat. The title track to the 1972 hit movie spent one week at No. 1 in mid-October. In Fred Bronson\u2019s <em>The Billboard Book of Number 1 Hits<\/em>, the song\u2019s co-writer Don Black says, \u201cWhen Michael saw the song, he was anxious to do it. He [was] quite an animal lover \u2014 very sensitive. He enjoyed anything that crawls or flies.\u201d<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cNever Can Say Goodbye\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 2<br \/><strong>Peak Date:<\/strong> May 8, 1971<br \/><strong>Weeks on Chart:<\/strong> 12<\/p>\n<p>Not many 12-year-olds can maturely depict a romantic situation like Michael did in the Jackson 5\u2019s hit single, \u201cNever Can Say Goodbye.\u201d Michael describes a situation where he is incapable of leaving his partner, no matter how close he gets. \u201cThere\u2019s that same unhappy feeling \/ There\u2019s that anguish \/ There\u2019s that doubt,\u201d Michael expertly croons in the ballad. The song struck a chord with a relating crowd, charting at No. 1 on <em>Billboard<\/em>\u2018s R&amp;B songs chart and No. 2 on the Hot 100.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cRockin\u2019 Robin\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 2<br \/><strong>Peak Date:<\/strong> April 22, 1972<br \/><strong>Weeks on Chart:<\/strong> 13<\/p>\n<p>Michael Jackson\u2019s cover of \u201cRockin\u2019 Robin\u201d by Bobby Day reached No. 2 on the Hot 100 and <em>Billboard<\/em>\u2018s R&amp;B songs chart in 1972. 13-year-old Michael brings playfulness to the classic, with more advanced production including a bird-like melody. The star keenly reports on a popular local songbird, \u201cAll the little birdies on Jaybird street \/ Love to hear the robin go tweet, tweet, tweet\u201d \u2014 not dissimilar from the effect Jackson\u2019s singing had on his audience.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cDirty Diana\u201d<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-dirty-diana-1988-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-dirty-diana-1988-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (one week)<br \/><strong>Peak Date:<\/strong> July 2, 1988<br \/><strong>Weeks on Chart:<\/strong> 14<\/p>\n<p>In the world of stalky, creepy women in Michael Jackson\u2019s lyrics, \u201cDirty Diana\u201d is right up there with \u201cBillie Jean\u201d and Susie from \u201cBlood on the Dance Floor.\u201d The R&amp;B\/rock tune about a groupie gone all sorts of wrong features Steve Stevens on guitar and became the <em>Bad<\/em> album\u2019s fifth and final No. 1 on the Hot 100 in 1988. With the song\u2019s coronation, Jackson set a record that still stands for most Hot 100 No. 1s (five) from one album. (Katy Perry\u2019s <em>Teenage Dream<\/em> equaled the mark with five No. 1s in 2010-11.)<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cDon\u2019t Stop \u2019til You Get Enough\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (one week)<br \/><strong>Peak Date:<\/strong> Oct. 13, 1979<br \/><strong>Weeks on Chart:<\/strong> 21<\/p>\n<p>While Michael first topped the Hot 100 apart from the Jackson 5 with the ballad \u201cBen\u201d at age 14 in 1972, his second No. 1 and first on Epic Records set in motion his monumental rise to superstardom as a solo performer, while introducing fans to a more mature artist in both sound and lyrical content. This Michael Jackson song ushered in his <em>Off the Wall<\/em> album and became the first of the set\u2019s four Hot 100 top 10s.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cGot to Be There\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 4<br \/><strong>Peak Date:<\/strong> Dec. 11, 1971<br \/><strong>Weeks on Chart:<\/strong> 14<\/p>\n<p>Smartly capitalizing on the group\u2019s immense success, Motown Records released Michael\u2019s debut single while the Jackson 5 was still enjoying chart achievements with its third album. \u201cGot to Be There\u201d peaked at No. 4 on the Hot 100 dated Dec. 11, 1971, the same date as the debut of the Jackson 5\u2019s \u201cSugar Daddy,\u201d which would later peak at No. 10.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cBad\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (two weeks)<br \/><strong>Peak Date:<\/strong> Oct. 24, 1987<br \/><strong>Weeks on Chart:<\/strong> 14<\/p>\n<p>Although braggadocious at first listen, Jackson\u2019s \u201cBad\u201d was actually inspired by a real-life story about a boy who went off to a private boarding school and was murdered out of jealousy when he returned back home. The track was helmed by longtime producer Quincy Jones and released as the second single from the <em>Bad<\/em> album. The song peaked at No. 1 on the Hot 100, staying there for two weeks. Fun fact: It was the second title track from a Jackson album to reach No. 1, after \u201cBen.\u201d (\u201cOff the Wall\u201d reached No. 10, while \u201cThriller\u201d got to No. 4.)<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cI Just Can\u2019t Stop Loving You\u201d (with Siedah Garrett)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (one week)<br \/><strong>Peak Date:<\/strong> Sept. 19, 1987<br \/><strong>Weeks on Chart:<\/strong> 14<\/p>\n<p>Despite the majority of uptempo tracks on <em>Bad<\/em>, Epic introduced the follow-up album to <em>Thriller<\/em> with a sleek, sultry love song. This duet with Quincy Jones prot\u00e9g\u00e9 Siedah Garrett soared to No. 1 on the Hot 100 in its seventh week in September 1987. The cut scaled Adult Contemporary even more quickly, reaching the summit in four weeks to become Jackson\u2019s second of two career leaders on the list, following \u201cThe Girl Is Mine,\u201d with Paul McCartney, in 1982-83.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cBlack or White\u201d<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-black-and-white-music-video-still-1991-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-black-and-white-music-video-still-1991-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (seven weeks)<br \/><strong>Peak Date:<\/strong> Dec. 7, 1991<br \/><strong>Weeks on Chart:<\/strong> 20<\/p>\n<p>The pop music landscape was shifting in late 1991, with Nirvana introducing grunge and rap gaining a larger foothold. Jackson\u2019s appeal, however, proved impenetrable with the first single from <em>Dangerous<\/em>. Featuring guitarist Slash, \u201cBlack or White\u201d tallied seven weeks atop the Hot 100, matching \u201cBillie Jean\u201d for Jackson\u2019s longest reign. The song\u2019s video remains memorable for its pioneering use of morphing technology and subsequently deleted scenes of Jackson violently smashing car windows against a backdrop of racist graffiti.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cThe Way You Make Me Feel\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (one week)<br \/><strong>Peak Date:<\/strong> Jan. 23, 1988<br \/><strong>Weeks on Chart:<\/strong> 18<\/p>\n<p>The third single from <em>Bad<\/em> became the album\u2019s third consecutive Hot 100 No. 1 in January 1988, marking Jackson\u2019s only set to yield more than two toppers (Three more followed, making it the first album ever with five No. 1s). In 2005, veteran pop crooner Paul Anka stamped a lounge spin on the song on his jazz-inflected covers album, <em>Rock Swings<\/em>.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cThe Love You Save\/ I Found That Girl\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (two weeks)<br \/><strong>Peak Date:<\/strong> June 27, 1970<br \/><strong>Weeks on Chart:<\/strong> 13<\/p>\n<p>Jackson knew all about growing up too fast and trying to preserve youth. That\u2019s why it comes as no surprise that 1970\u2019s \u201cThe Love You Save,\u201d by the Jackson 5, finds him, along with brother Jermaine, warning a \u201cfast\u201d girl to slow down atop an uptempo production. \u201cThe Jackson 5 was the only group in history to have their first four singles go to [No. 1],\u201d Motown founder Berry Gordy wrote in the introduction to Jackson\u2019s 1988 autobiography <em>Moonwalk<\/em>. \u201cFor Michael, it was the inspiration to break all the rest [of the chart records]. And he did.\u201d<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cThe Girl Is Mine\u201d (with Paul McCartney)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 2<br \/><strong>Peak Date:<\/strong> Jan. 8, 1983<br \/><strong>Weeks on Chart:<\/strong> 18<\/p>\n<p>Surprising to some, \u201cThe Girl Is Mine\u201d was actually the first single from Michael Jackson\u2019s 1982 <em>Thriller<\/em> album \u2014 not \u201cBillie Jean\u201d or \u201cBeat It.\u201d A duet with McCartney, the song was released in October 1982 and quickly debuted on the Hot 100 at No. 45, eventually rising to No. 2. \u201cThe Girl Is Mine\u201d kicked off an incredible run of hits from the <em>Thriller<\/em> album; It was the first of seven straight Hot 100 top 10 hits from the release, the first album to yield such a streak.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cABC\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (two weeks)<br \/><strong>Peak Date:<\/strong> April 25, 1970<br \/><strong>Weeks on Chart:<\/strong> 13<\/p>\n<p>In somewhat of a case of chart fortune-telling, it was perhaps fitting that the Jackson 5\u2019s second Hot 100 No. 1 dislodged The Beatles\u2019 penultimate No. 1, \u201cLet It Be,\u201d from the top of the chart dated April 25, 1970, as arguably the most influential group in the history of pop music symbolically passed the baton to the format\u2019s future King. The Jackson 5\u2019s next leader, \u201cThe Love You Save\u201d (see No. 11), would likewise bump The Beatles\u2019 last No. 1, \u201cThe Long and Winding Road,\u201d from the summit in June 1970.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cI Want You Back\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (one week)<br \/><strong>Peak Date:<\/strong> Jan. 31, 1970<br \/><strong>Weeks on Chart:<\/strong> 19<\/p>\n<p>A new era in Motown\u2019s storied history \u2014 and one of the most impressive chart resumes in <em>Billboard<\/em>\u2018s archives \u2014 began rather unassumingly. Michael Jackson\u2019s six-decade tenancy on the <em>Billboard<\/em> charts began the week of Nov. 15, 1969, when the then-11-year-old and his four brothers entered the chart at No. 90 with \u201cI Want You Back.\u201d On Jan. 31, 1970, the song completed its journey to No. 1, giving Jackson a first stay in the chart\u2019s No. 1 penthouse. Over the next 25 years, he\u2019d become its most frequent guest.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cMan in the Mirror\u201d<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-man-in-the-mirror-music-video-still-1988-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-man-in-the-mirror-music-video-still-1988-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (two weeks)<br \/><strong>Peak Date:<\/strong> March 26, 1988<br \/><strong>Weeks on Chart:<\/strong> 17<\/p>\n<p>When \u201cMan in the Mirror\u201d reached No. 1 on the Hot 100 in 1988, Jackson became the first artist in the chart\u2019s history to pull four No. 1 songs from one album \u2014 in this case, <em>Bad<\/em>. After Jackson\u2019s death in 2009, \u201cMirror\u201d re-entered the U.K. singles chart at No. 11 and peaked at No. 2. \u201cI wrote the music, and [Siedah Garrett] wrote the words,\u201d co-writer Glen Ballard told <em>Billboard<\/em> in 2001. \u201cIt only took a couple of hours to write.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cDancing Machine\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 2<br \/><strong>Peak Date:<\/strong> May 18, 1974<br \/><strong>Weeks on Chart:<\/strong> 22<\/p>\n<p>The funky, early-disco title track from the group\u2019s 1974 album danced close to the top of the Hot 100, halting at No. 2 (stuck behind Ray Stevens\u2019 \u201cThe Streak.\u201d) \u201cDancing Machine\u201d was the final Hot 100 top 10 for the group on Motown Records, as the act departed the label for Epic in 1976, re-christened as The Jacksons.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cRock With You\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (four weeks)<br \/><strong>Peak Date:<\/strong> Jan. 19, 1980<br \/><strong>Weeks on Chart:<\/strong> 24<\/p>\n<p>Penned by British songwriter Rod Temperton of the R&amp;B group Heatwave, Jackson\u2019s third No. 1 spent four weeks in the Hot 100\u2019s top slot, the longest of any of his singles at the time. The track ranked at No. 4 on <em>Billboard<\/em>\u2018s top Hot 100 songs of 1980, helping Jackson earn Top Singles Artist honors that year.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cBeat It\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (three weeks)<br \/><strong>Peak Date:<\/strong> April 30, 1983<br \/><strong>Weeks on Chart:<\/strong> 25<\/p>\n<p>Jackson wasted little time in achieving his second Hot 100 No. 1 from <em>Thriller<\/em>, with only one week separating the last of seven weeks on top for \u201cBillie Jean\u201d and the first frame in charge for \u201cBeat It.\u201d Its rock credentials secured with Eddie Van Halen\u2019s scorching guitar work as its bridge, the dancefloor gem \u201cBeat It\u201d reached No. 14 on the Mainstream Rock Airplay chart and won Jackson a Grammy Award for best rock vocal performance, male.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cI\u2019ll Be There\u201d (The Jackson 5)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (five weeks)<br \/><strong>Peak Date:<\/strong> Oct. 17, 1970<br \/><strong>Weeks on Chart:<\/strong> 16<\/p>\n<p>This single was the last and longest-reigning (five weeks) of four consecutive Hot 100 No. 1s in 1970 for the brothers from Gary, Indiana. The group earned seven more Hot 100 top 10s by the end of its active recording career in 1989 but never again reached No. 1. Mariah Carey \u2014 who was seven months old when the Jackson 5\u2019s version of the song topped the Hot 100 \u2014 returned the composition to the chart\u2019s top spot when her version from MTV\u2019s <em>Unplugged<\/em> series led the list for two weeks in 1992.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cBillie Jean\u201d<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-billie-jean-music-video-still-1992-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2022\/04\/michael-jackson-billie-jean-music-video-still-1992-billboard-1548.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Michael Jackson\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (seven weeks)<br \/><strong>Peak Date:<\/strong> March 5, 1983<br \/><strong>Weeks on Chart:<\/strong> 24<\/p>\n<p>Jackson was already a superstar after earning three solo Hot 100 No. 1s \u2014 including two from <em>Off the Wall<\/em>, his first album for Epic \u2014 but \u201cBillie Jean\u201d propelled the singer to a true worldwide sensation. With seven weeks at No. 1, the song was instrumental in expanding <em>Thriller<\/em> to the masses, but its most iconic moment came after it exited the No. 1 spot. On May 16, 1983, the song was enshrined into pop immortality via Jackson\u2019s performance on the <em>Motown 25: Yesterday, Today, Forever\u00a0<\/em>special, where the superstar executed the moonwalk dance move to an audience of millions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>\u201cSay Say Say\u201d (with Paul McCartney)<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p><strong>Hot 100 Peak Position:<\/strong> No. 1 (six weeks)<br \/><strong>Peak Date:<\/strong> Dec. 10, 1983<br \/><strong>Weeks on Chart:<\/strong> 22<\/p>\n<p>After the success of Paul McCartney and Michael Jackson\u2019s \u201cThe Girl Is Mine\u201d duet, the former Beatle recruited the King of Pop for this collaboration on his 1983 album, <em>Pipes of Peace<\/em>. \u201cPaul and I shared the same idea of how a pop song should work and it was a real treat to work with him,\u201d Jackson wrote in <em>Moonwalk<\/em>. In addition to the two hit singles, Jackson and McCartney recorded a third duet, \u201cThe Man,\u201d also on <em>Pipes of Peace.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.billboard.com\/lists\/michael-jackson-top-hit-songs-billboard-hot-100\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.billboard.com\/wp-content\/uploads\/media\/michael-jackson-1986-performance-jkal-kevin-billboard-1548.jpg?w=1024&#8243;] In a career that spanned almost all 50 years of his life, Michael Jackson became a mainstay on the Billboard charts, evolving from a child star into a global phenomenon and an undisputed legend. His dominance on the Billboard Hot 100 reflects his record-breaking career: As a solo artist, 13 of his [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-2117368","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2117368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2117368"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2117368\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2117368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2117368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2117368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}