\u201cOld Stuff\u201d<\/h2>\n\nAlbum: \u00a0<\/strong>Fresh Horses<\/em> (1995)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u00a0\u201cRodeo\u201d<\/h2>\n\nAlbum: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cTwo of a Kind, Workin\u2019 On a Full House\u201d<\/h2>\n\nAlbum: \u00a0<\/strong>No Fences<\/em> (1990)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cThe Beaches of Cheyenne\u201d<\/h2>\n\nAlbum: <\/strong>Fresh Horses<\/em> (1995)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cTwo Pina Coladas\u201d<\/h2>\n\nAlbum: <\/strong>Sevens<\/em> (1997)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cPapa Loved Mama\u201d<\/h2>\n\nAlbum: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cThe River\u201d<\/h2>\n\nAlbum: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cThe Thunder Rolls\u201d<\/h2>\n\nAlbum: <\/strong>No Fences<\/em> (1990)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWe Bury the Hatchet\u201d<\/h2>\n\nAlbum: \u00a0<\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cMuch Too Young (To Feel This Damned Old)\u201d<\/h2>\n\nAlbum: <\/strong>Garth Brooks<\/em> (1989)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cUnanswered Prayers\u201d<\/h2>\n\nAlbum: <\/strong>No Fences<\/em> (1990)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cThat Summer\u201d<\/h2>\n\nAlbum: \u00a0<\/strong>The Chase<\/em> (1992)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cCallin\u2019 Baton Rouge\u201d<\/h2>\n\nAlbum: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cAin\u2019t Goin Down (Til the Sun Comes Up)\u201d<\/h2>\n\nAlbum: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cShameless\u201d<\/h2>\n\nAlbum: <\/strong>Ropin\u2019 The Wind<\/em> (1991) (Billy Joel cover)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cShout\u201d<\/h2>\n\nAlbum: <\/strong>Cover of Isley Brothers hit<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cFriends in Low Places\u201d<\/h2>\n\nAlbum: <\/strong>No Fences<\/em> (1990)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cThe Dance\u201d<\/h2>\n\nAlbum: \u00a0<\/strong>Garth Brooks<\/em> (1989)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cTen Feet Away\u201d<\/h2>\n\nAlbum: <\/strong>Keith Whitley cover<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cThe Red Strokes\u201d<\/h2>\n\nAlbum: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cShe\u2019s Every Woman\u201d<\/h2>\n\nAlbum: \u00a0<\/strong>Fresh Horses<\/em> (1995)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBelleau Wood\u201d<\/h2>\n\nAlbum: <\/strong>Sevens<\/em> (1997)<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u00a0\u201cStanding Outside the Fire\u201d<\/h2>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/garth-brooks-blame-it-all-on-my-roots-tour-opening-night\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/07\/1137877139-e1784151460489.jpg?w=1024″] Garth Brooks opened his Blame It All On My Roots tour in Indianapolis\u2019s Gainbridge Fieldhouse on Thursday (Aug. 20) night, taking fans back to his \u201890s heyday. Announced in July, the trek is a recreation of Brooks\u2019 1996-1998 massive world tour, down to the set design, lighting rig and famous spinning drum […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-2104030","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2104030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2104030"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2104030\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2104030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2104030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2104030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Album: \u00a0<\/strong>Fresh Horses<\/em> (1995)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: \u00a0<\/strong>No Fences<\/em> (1990)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Fresh Horses<\/em> (1995)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Sevens<\/em> (1997)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>No Fences<\/em> (1990)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: \u00a0<\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Garth Brooks<\/em> (1989)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>No Fences<\/em> (1990)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: \u00a0<\/strong>The Chase<\/em> (1992)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Ropin\u2019 The Wind<\/em> (1991) (Billy Joel cover)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Cover of Isley Brothers hit<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>No Fences<\/em> (1990)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: \u00a0<\/strong>Garth Brooks<\/em> (1989)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Keith Whitley cover<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Ropin\u2019 The Wind<\/em> (1991)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: \u00a0<\/strong>Fresh Horses<\/em> (1995)<\/p>\n<\/div>\n<\/article>\n<\/li>\n Album: <\/strong>Sevens<\/em> (1997)<\/p>\n<\/div>\n<\/article>\n<\/li>\n [analyse_source url=”https:\/\/www.billboard.com\/lists\/garth-brooks-blame-it-all-on-my-roots-tour-opening-night\/”]<\/p>\n","protected":false},"excerpt":{"rendered":" [analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/07\/1137877139-e1784151460489.jpg?w=1024″] Garth Brooks opened his Blame It All On My Roots tour in Indianapolis\u2019s Gainbridge Fieldhouse on Thursday (Aug. 20) night, taking fans back to his \u201890s heyday. Announced in July, the trek is a recreation of Brooks\u2019 1996-1998 massive world tour, down to the set design, lighting rig and famous spinning drum […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-2104030","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2104030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2104030"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2104030\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2104030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2104030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2104030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\u00a0\u201cRodeo\u201d<\/h2>\n
\u201cTwo of a Kind, Workin\u2019 On a Full House\u201d<\/h2>\n
\u201cThe Beaches of Cheyenne\u201d<\/h2>\n
\u201cTwo Pina Coladas\u201d<\/h2>\n
\u201cPapa Loved Mama\u201d<\/h2>\n
\u201cThe River\u201d<\/h2>\n
\u201cThe Thunder Rolls\u201d<\/h2>\n
\u201cWe Bury the Hatchet\u201d<\/h2>\n
\u201cMuch Too Young (To Feel This Damned Old)\u201d<\/h2>\n
\u201cUnanswered Prayers\u201d<\/h2>\n
\u201cThat Summer\u201d<\/h2>\n
\u201cCallin\u2019 Baton Rouge\u201d<\/h2>\n
\u201cAin\u2019t Goin Down (Til the Sun Comes Up)\u201d<\/h2>\n
\u201cShameless\u201d<\/h2>\n
\u201cShout\u201d<\/h2>\n
\u201cFriends in Low Places\u201d<\/h2>\n
\u201cThe Dance\u201d<\/h2>\n
\u201cTen Feet Away\u201d<\/h2>\n
\u201cThe Red Strokes\u201d<\/h2>\n
\u201cShe\u2019s Every Woman\u201d<\/h2>\n
\u201cBelleau Wood\u201d<\/h2>\n
\u00a0\u201cStanding Outside the Fire\u201d<\/h2>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n