{"id":2094709,"date":"2026-08-14T09:00:54","date_gmt":"2026-08-14T06:00:54","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2094709"},"modified":"2026-08-14T09:00:54","modified_gmt":"2026-08-14T06:00:54","slug":"jorja-smith-what-are-the-odds-review-embracing-catharsis-on-the-dancefloor","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2094709","title":{"rendered":"Jorja Smith \u2013 \u2018What Are The Odds\u2019 review: embracing catharsis on the dancefloor"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.nme.com\/wp-content\/uploads\/2026\/08\/Jorja-Smith-Credit-Press-Ivor-Lawson-Adamah.jpg&#8221;]<\/p>\n<article id=\"template-id-3332206\" class=\"post-3332206 tdb_templates type-tdb_templates status-publish post\">\n<div id=\"tdi_65\" class=\"tdc-zone\">\n<div class=\"tdc_zone tdi_66  wpb_row td-pb-row\">\n<div id=\"tdi_67\" class=\"tdc-row stretch_row_1400 td-stretch-content\">\n<div class=\"vc_row tdi_68  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_70  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_single_featured_image tdi_71 tdb-content-horiz-left td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_71\">\n<div class=\"tdb-block-inner td-fix-index\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"696\" height=\"442\" class=\"entry-thumb\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/08\/Jorja-Smith-Credit-Press-Ivor-Lawson-Adamah-696x442.jpg\" alt=\"Jorja Smith What Are The Odds Review\" title=\"Jorja Smith Credit Press Ivor Lawson-Adamah\"><figcaption class=\"tdb-caption-text\">Jorja Smith. Credit: Press Ivor Lawson-Adamah<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_72\" class=\"tdc-row stretch_row\">\n<div class=\"vc_row tdi_73  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_75  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_breadcrumbs tdi_76 td-pb-border-top td_block_template_2 tdb-breadcrumbs \" data-td-block-uid=\"tdi_76\">\n<div class=\"tdb-block-inner td-fix-index\"><span>Reviews<\/span><span>Album Reviews<\/span><\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_title tdi_77 tdb-single-title td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_77\">\n<div class=\"tdb-block-inner td-fix-index\">\n<h1 class=\"tdb-title-text\">Jorja Smith \u2013 \u2018What Are The Odds\u2019 review: embracing catharsis on the dancefloor<\/h1>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_subtitle tdi_78 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_78\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>Now nearing the end of her twenties, Smith uses dance as her source of refuge on album three<\/p>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_review_overall tdi_79 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_79\">\n<table class=\"td-review td-fix-index\">\n<tr class=\"td-review-footer rate_stars\">\n<td class=\"td-review-score\">\n<div class=\"td-review-overall\">\n<div class=\"td-review-final-score\">4<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<div class=\"td_block_wrap tdb_single_author tdi_80 td-pb-border-top td_block_template_2 tdb-post-meta\" data-td-block-uid=\"tdi_80\">\n<div class=\"tdb-block-inner td-fix-index\">\n<div class=\"tdb-author-name-wrap\"><span class=\"tdb-author-by\">By<\/span> Nicolas-Tyrell Scott<\/div>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_date tdi_81 td-pb-border-top td_block_template_2 tdb-post-meta\" data-td-block-uid=\"tdi_81\">\n<div class=\"tdb-block-inner td-fix-index\"><time class=\"entry-date updated td-module-date\" datetime=\"2026-08-14T10:00:54+01:00\">14th August 2026<\/time><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_82\" class=\"tdc-row\">\n<div class=\"vc_row tdi_83  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_85  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_single_content tdi_86 td-pb-border-top td_block_template_2 td-post-content tagdiv-type\" data-td-block-uid=\"tdi_86\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>Jorja Smith has never been afraid to be noisy. Among sombre and sobering offerings lie the exhilarating, elastic segments of the 29-year-old Walsall native\u2019s discography; the pulse of the two-step-infused \u2018On My Mind\u2019, the clubby \u2018Little Things\u2019 or the alt-leaning \u2018Go Go Go\u2019. Smith is as much R&amp;B as she is house, an equilibrium of sorts \u2013 once she acquaints herself with a genre, she\u2019s able to contort it to her will, translating it to her audience in a hue that makes sense to her.<\/p>\n<ul>\n<li><strong>READ MORE: Meet KatzPascale, the chamber music duo putting audiences in a trance<\/strong><\/li>\n<\/ul>\n<p>On \u2018What Are The Odds\u2019, however, the singer-songwriter clearly wants to dance. What happens when Smith embraces the noise? Perched alongside executive producer P2J, the pair worked across three immersive sessions to create an arresting, club-ready collaborative effort. There\u2019s a familiar tension amid the escapist synths though: the confrontation of emotions. The all-encompassing embrace of the challenging, difficult, soothing and harsh realities of a person that\u2019s lived, loved and wore her heart on her sleeve along the way.<\/p>\n<div class=\"td-a-ad id_inline_ad0 id_ad_content-horiz-center\"><span class=\"td-adspot-title\">Advertisement<\/span><\/div>\n<p>Smith has always been one to confront her realities in the booth, and \u2018What Are The Odds\u2019 is no different. \u2018What\u2019s Done Is Done\u2019 is cocky and confrontational as it taunts a guilty ex. <i>\u201cDo you think about me \/ Do you know it hurt me\u201d<\/i>, she hisses. Her hollow assertions a near-perfect match atop a moody, smoky blend of hip-hop and garage. Here, Smith flirts with rapping once again, but on the album\u2019s title track, she leans in fully, utilising a skill she\u2019s harnessed as a feature artist alongside Enny (\u2018Peng Black Girls\u2019) and AJ Tracey (\u2018Crush\u2019). <i>\u201cThat\u2019s a thing about a life up high \/ In the lights you can\u2019t see what\u2019s off\u201d<\/i>, she warns. It hints at the star\u2019s relationship with fame. Perhaps it explains her aloof relationship with hypervisibility, her retreat, away from London back home.<\/p>\n<iframe loading=\"lazy\" title=\"Jorja Smith - I Lied, You Lied\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/kvfVSrrFRuU?feature=oembed&amp;enablejsapi=1\" frameborder allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>\u2018What Are The Odds\u2019 is also flirtatious in its use of sonics, \u2018I Lied, You Lied\u2019 acting as an ode to P2J and Smith\u2019s first project together \u2018Little Things\u2019 \u2013 a single that formed the genesis of the pair\u2019s ideas for a holistic dance LP. Here, the singer embraces her mystery, an alluring meld of funky house, jazz, afro-house and R&amp;B prancing beneath Smith\u2019s runs. <i>\u201cYou won\u2019t figure me out,\u201d<\/i> she asserts. \u2018Dancing\u2019 leans further into percussion, a rumba tease ushered onto the dancefloor. <i>\u201cThe music feels like, la, la, la, la \/ Makes us move like la, la, la la\u201d<\/i>, it appears that Smith is ready to get lost, enchanted and mystified by each and every note. Soon joined by Wizkid, for \u2018Alive\u2019, P2J\u2019s afrobeats signature makes an appearance, something which feels equally as natural to Smith as it does to Wizkid.<\/p>\n<p>\u2018Young Heart\u2019 also exists in this eco-system, its name as a double-entendre of sorts. It both explores Smith\u2019s youthful approach to love, sometimes na\u00efve in calming her yearn to love and be loved, but also speaks to her sentience as someone still in their 20s, her ability to embrace the youthful sounds of the dancefloor. In 2026, afro-house \u2013 through the likes of Piano People, Dankie Sounds, GroupTherapy \u2013 is steering a new generation of ravers. Smith\u2019s ability to champion and harness such sounds speaks to her adaptability as an artist \u2013 and in this case, it works for her.<\/p>\n<p>\u2018What Are The Odds\u2019 is Smith at her most comfortable, loosely embodying her emotional state. All that she\u2019s been, and all that she will be \u2013 the mess, desire, regret and state of armour she\u2019s built across her ten years in the headlights. It\u2019s endearingly charming, brutally honest and ultimately fun. Now able to enjoy the catharsis that comes with perspective, Smith comes of age once again on this album, this time bold in her instincts and ability to laugh at herself along the way.<\/p>\n<h3><strong>Details<\/strong><\/h3>\n<div class=\"td-a-ad id_inline_ad1 id_ad_content-horiz-center\">\n<h5 class=\"taboola-mid-article-title\">Recommended<\/h5>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3782516 alignleft\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/08\/Jorja-Smith-What-Are-The-Odds-Cover.jpg\" alt=\"jorja smith what are the odds review\" width=\"400\" height=\"400\"><\/p>\n<ul>\n<li><strong>Record label:<\/strong> FAMM<\/li>\n<li><strong>Release date:<\/strong> August 21, 2026<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_tags tdi_87 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_87\">\n<div class=\"tdb-block-inner td-fix-index\">\n<ul class=\"tdb-tags\">\n<li><span>Related Topics<\/span><\/li>\n<li>Dance<\/li>\n<li>Jorja Smith<\/li>\n<li>R&amp;B<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_88\" class=\"tdc-row\">\n<div class=\"vc_row tdi_89  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_91  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"vc_row_inner tdi_93  vc_row vc_inner wpb_row td-pb-row\">\n<div class=\"vc_column_inner tdi_95  wpb_column vc_column_container tdc-inner-column td-pb-span12\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_wrapper td_block_wrap vc_raw_html tdi_97 \">\n<div class=\"td-fix-index\">\n<h3>More Stories<\/h3>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap td_flex_block_1 tdi_98 td-pb-border-top td_module_flex_1--card td_module_flex_1--card--highlight td_block_template_2 tdc-no-posts td_flex_block\" data-td-block-uid=\"tdi_98\">\n<div id=\"tdi_98\" class=\"td_block_inner td-mc1-wrap\">\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Lionel Richie hits out at Usher and Chris Brown\u2019s joint tour: \u201cWe didn\u2019t go to jail\u201d<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Massive Attack team up with Bohemian F.C. for new football shirt<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Erykah Badu and The Alchemist announce long-awaited joint album with soothing single \u2018Witch Doctor\u2019<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Watch Bj\u00f6rk play DJ set at solar eclipse rave in Iceland<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Festivals Blog<\/p>\n<h3 class=\"entry-title td-module-title\">Twenty One Pilots and Ashnikko conjured their own worlds on day two at Sziget Festival 2026<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Festivals Blog<\/p>\n<h3 class=\"entry-title td-module-title\">Sombr and Dijon ripped up the rulebook on day one at Sziget Festival 2026<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_99\" class=\"tdc-row\">\n<div class=\"vc_row tdi_100  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_102  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_wrapper td_block_wrap vc_raw_html tdi_104 \">\n<div class=\"td-fix-index\">\n<h3>You May Also Like<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span class=\"td-page-meta\"><\/span><span class=\"td-page-meta\"><span class=\"td-page-meta\"><\/span><\/span><span class=\"td-page-meta\"><\/span><span class=\"td-page-meta\"><span class=\"td-page-meta\"><\/span><span><\/span><\/span><span class=\"td-page-meta\"><\/span><\/article>\n<\/p>\n<div class=\"td_block_wrap tdb_single_content tdi_86 td-pb-border-top td_block_template_2 td-post-content tagdiv-type\" data-td-block-uid=\"tdi_86\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>Jorja Smith has never been afraid to be noisy. Among sombre and sobering offerings lie the exhilarating, elastic segments of the 29-year-old Walsall native\u2019s discography; the pulse of the two-step-infused \u2018On My Mind\u2019, the clubby \u2018Little Things\u2019 or the alt-leaning \u2018Go Go Go\u2019. Smith is as much R&amp;B as she is house, an equilibrium of sorts \u2013 once she acquaints herself with a genre, she\u2019s able to contort it to her will, translating it to her audience in a hue that makes sense to her.<\/p>\n<ul>\n<li><strong>READ MORE: Meet KatzPascale, the chamber music duo putting audiences in a trance<\/strong><\/li>\n<\/ul>\n<p>On \u2018What Are The Odds\u2019, however, the singer-songwriter clearly wants to dance. What happens when Smith embraces the noise? Perched alongside executive producer P2J, the pair worked across three immersive sessions to create an arresting, club-ready collaborative effort. There\u2019s a familiar tension amid the escapist synths though: the confrontation of emotions. The all-encompassing embrace of the challenging, difficult, soothing and harsh realities of a person that\u2019s lived, loved and wore her heart on her sleeve along the way.<\/p>\n<div class=\"td-a-ad id_inline_ad0 id_ad_content-horiz-center\"><span class=\"td-adspot-title\">Advertisement<\/span><\/div>\n<p>Smith has always been one to confront her realities in the booth, and \u2018What Are The Odds\u2019 is no different. \u2018What\u2019s Done Is Done\u2019 is cocky and confrontational as it taunts a guilty ex. <i>\u201cDo you think about me \/ Do you know it hurt me\u201d<\/i>, she hisses. Her hollow assertions a near-perfect match atop a moody, smoky blend of hip-hop and garage. Here, Smith flirts with rapping once again, but on the album\u2019s title track, she leans in fully, utilising a skill she\u2019s harnessed as a feature artist alongside Enny (\u2018Peng Black Girls\u2019) and AJ Tracey (\u2018Crush\u2019). <i>\u201cThat\u2019s a thing about a life up high \/ In the lights you can\u2019t see what\u2019s off\u201d<\/i>, she warns. It hints at the star\u2019s relationship with fame. Perhaps it explains her aloof relationship with hypervisibility, her retreat, away from London back home.<\/p>\n<iframe loading=\"lazy\" title=\"Jorja Smith - I Lied, You Lied\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/kvfVSrrFRuU?feature=oembed&amp;enablejsapi=1\" frameborder allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>\u2018What Are The Odds\u2019 is also flirtatious in its use of sonics, \u2018I Lied, You Lied\u2019 acting as an ode to P2J and Smith\u2019s first project together \u2018Little Things\u2019 \u2013 a single that formed the genesis of the pair\u2019s ideas for a holistic dance LP. Here, the singer embraces her mystery, an alluring meld of funky house, jazz, afro-house and R&amp;B prancing beneath Smith\u2019s runs. <i>\u201cYou won\u2019t figure me out,\u201d<\/i> she asserts. \u2018Dancing\u2019 leans further into percussion, a rumba tease ushered onto the dancefloor. <i>\u201cThe music feels like, la, la, la, la \/ Makes us move like la, la, la la\u201d<\/i>, it appears that Smith is ready to get lost, enchanted and mystified by each and every note. Soon joined by Wizkid, for \u2018Alive\u2019, P2J\u2019s afrobeats signature makes an appearance, something which feels equally as natural to Smith as it does to Wizkid.<\/p>\n<p>\u2018Young Heart\u2019 also exists in this eco-system, its name as a double-entendre of sorts. It both explores Smith\u2019s youthful approach to love, sometimes na\u00efve in calming her yearn to love and be loved, but also speaks to her sentience as someone still in their 20s, her ability to embrace the youthful sounds of the dancefloor. In 2026, afro-house \u2013 through the likes of Piano People, Dankie Sounds, GroupTherapy \u2013 is steering a new generation of ravers. Smith\u2019s ability to champion and harness such sounds speaks to her adaptability as an artist \u2013 and in this case, it works for her.<\/p>\n<p>\u2018What Are The Odds\u2019 is Smith at her most comfortable, loosely embodying her emotional state. All that she\u2019s been, and all that she will be \u2013 the mess, desire, regret and state of armour she\u2019s built across her ten years in the headlights. It\u2019s endearingly charming, brutally honest and ultimately fun. Now able to enjoy the catharsis that comes with perspective, Smith comes of age once again on this album, this time bold in her instincts and ability to laugh at herself along the way.<\/p>\n<h3><strong>Details<\/strong><\/h3>\n<div class=\"td-a-ad id_inline_ad1 id_ad_content-horiz-center\">\n<h5 class=\"taboola-mid-article-title\">Recommended<\/h5>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3782516 alignleft\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/08\/Jorja-Smith-What-Are-The-Odds-Cover.jpg\" alt=\"jorja smith what are the odds review\" width=\"400\" height=\"400\"><\/p>\n<ul>\n<li><strong>Record label:<\/strong> FAMM<\/li>\n<li><strong>Release date:<\/strong> August 21, 2026<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.nme.com\/reviews\/album\/jorja-smith-what-are-the-odds-review-3962552&#8243;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.nme.com\/wp-content\/uploads\/2026\/08\/Jorja-Smith-Credit-Press-Ivor-Lawson-Adamah.jpg&#8221;] Jorja Smith. Credit: Press Ivor Lawson-Adamah ReviewsAlbum Reviews Jorja Smith \u2013 \u2018What Are The Odds\u2019 review: embracing catharsis on the dancefloor Now nearing the end of her twenties, Smith uses dance as her source of refuge on album three 4 By Nicolas-Tyrell Scott 14th August 2026 Jorja Smith has never been afraid [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,78],"class_list":["post-2094709","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-nme-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2094709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2094709"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2094709\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2094709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2094709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2094709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}