{"id":2091941,"date":"2026-08-12T09:00:00","date_gmt":"2026-08-12T06:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2091941"},"modified":"2026-08-12T09:00:00","modified_gmt":"2026-08-12T06:00:00","slug":"zeitz-mocaa-names-elvira-dyangani-ose-as-next-artistic-director","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2091941","title":{"rendered":"Zeitz MOCAA Names Elvira Dyangani Ose as Next Artistic Director"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/08\/Elvira-Dyangani-Ose.-Photo-by-Ramiie-G-courtesy-of-Zeitz-MOCAA.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Zeitz Museum of Contemporary Art Africa in Cape Town, South Africa, announced Wednesday Elvira Dyangani Ose as its next artistic director. She will begin in the post on October 1.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn leading the museum\u2019s curatorial program, Dyangani Ose succeeds Koyo Kouoh, who served as executive director and chief curator of Zeitz MOCAA from 2019 until her death, at 57, in May 2025. (At the time of her death, Kouoh was also organizing the 2026 Venice Biennale, which opened posthumously in May; Dyangani Ose was also a member of the Biennale\u2019s Golden Lion jury that resigned en masse.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt is a privilege to join Zeitz MOCAA. I am thrilled to come on board at this moment to continue its journey as a leading African institution with global reach,\u201d Dyangani Ose said in a statement. \u201cI look forward to working alongside the museum\u2019s remarkable team, artists, supporters, and the local and global communities, building upon its extraordinary foundation by fostering meaningful collaborations and artistic exchanges across cultures and geographies.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDyangani Ose, who was selected after an international search, is currently the artistic director of the 2nd Public Art Abu Dhabi Biennial. From 2021 to 2026, she was director of MACBA Barcelona, stepping down ahead of the expiration of her contract after the museum\u2019s board of trustees ruled that the Abu Dhabi role conflicted with her MACBA job. She is currently a board member of the International Committee for Museums and Collections of Modern Art (CIMAM).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPrior to MACBA, she was the director and chief curator at The Showroom in London, senior curator at Creative Time in New York, and curator of international art at Tate in London. On the biennial circuit, she has served as curator of Sweden\u2019s Eighth Gothenburg International Biennial for Contemporary Art in 2015 and as artistic director of the 2nd Rencontres Picha \u2013 Lubumbashi Biennial in the Democratic Republic of the Congo in 2010.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA specialist in modern and contemporary art from Africa and its diaspora, she has curated solo shows for Bouchra Khalili (2023), Betye Saar (2016), Ibrahim El-Salahi (2013), and Carrie Mae Weems (2010), as well as co-curating the lauded \u201cProject a Black Planet: The Art and Culture of Panafrica,\u201d which debuted at the Art Institute of Chicago in 2024 before traveling internationally.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAs a curator at the Centro Atl\u00e1ntico de Arte Moderno in Las Palmas de Gran Canaria, Spain, she co-organized the 2006 exhibition \u201cOlvida Quien Soy \/ Erase from who I Am,\u201d which focused on 14 emerging South African artists and \u201cthe aesthetic strategies through which [they] defined themselves and their immediate surroundings, questioning the construction of new forms of aesthetic reflection grounded in diverse modes of self-representation,\u201d according to a release.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cDyangani Ose\u2019s appointment reflects who we are as an institution\u2014one rooted in Africa, while connected to the world,\u201d Zeitz MOCAA cofounder and cochair David Green said in a statement. \u201cShe will oversee the Museum\u2019s curatorial vision and direction, leading the institution through its next chapter as it approaches its second decade\u2014building on the late Koyo Kouoh\u2019s legacy, and honouring her extraordinary artistic vision and the institutional foundations she built.\u201d<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/zeitz-mocaa-elvira-dyangani-ose-artistic-director-1234794757\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/08\/Elvira-Dyangani-Ose.-Photo-by-Ramiie-G-courtesy-of-Zeitz-MOCAA.jpg?w=1024&#8243;] The Zeitz Museum of Contemporary Art Africa in Cape Town, South Africa, announced Wednesday Elvira Dyangani Ose as its next artistic director. She will begin in the post on October 1. In leading the museum\u2019s curatorial program, Dyangani Ose succeeds Koyo Kouoh, who served as executive director and chief curator of Zeitz [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-2091941","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2091941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2091941"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2091941\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2091941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2091941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2091941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}