{"id":2084077,"date":"2026-08-01T00:00:00","date_gmt":"2026-07-31T21:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2084077"},"modified":"2026-08-01T00:00:00","modified_gmt":"2026-07-31T21:00:00","slug":"video-astazi-despre-gellu-naum-cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist-scriitorul-care-a-a-studiat-la-sorbona-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-d","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2084077","title":{"rendered":"VIDEO Ast\u0103zi despre Gellu Naum &#8211; cel mai reprezentativ scriitor rom\u00e2n al curentului suprarealist &#8211; scriitorul care a a studiat la Sorbona, a tr\u0103it \u015fi mai ales, a iubit \u00eentr-o alt\u0103 dimensiune \u00een care dragostea a reprezentat scopul central al vie\u0163ii"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/zdvi.cname.ro\/_\/astazi-despre-gellu-naum&#8212;cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist&#8212;scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\/mediaPool\/uOcqabB.jpg&#8221;]<\/p>\n<div class=\"main-content detaliu-articol\"><a class=\"titlu-cat-list\" href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\">Timp Liber<\/a><\/p>\n<h1> VIDEO Ast\u0103zi despre Gellu Naum &#8211; cel mai reprezentativ scriitor rom\u00e2n al curentului suprarealist &#8211; scriitorul care a a studiat la Sorbona, a tr\u0103it \u015fi mai ales, a iubit \u00eentr-o alt\u0103 dimensiune \u00een care dragostea a reprezentat scopul central al vie\u0163ii<\/h1>\n<div class=\"date-articol clearfix\">\n<div class=\"distribuie-articol dropdown\">\n    Distribuie: \u00a0<br \/>\n    <em>|<\/em><\/div>\n<div class=\"autor-articol\"><a href=\"https:\/\/ziaruldevrancea.ro\/autor\/ziarul-de-vrancea\/\"><img decoding=\"async\" class=\"img-circle\" src=\"https:\/\/zdvi.cname.ro\/50_50\/articleAuthor\/ziarul-de-vrancea\/articleAuthor\/uMPfPxc.jpg\" alt><\/a><\/p>\n<h5><a href=\"https:\/\/ziaruldevrancea.ro\/autor\/ziarul-de-vrancea\/\">Ziarul de Vrancea<\/a><\/h5>\n<div class=\"grup-spatiere\"><span class=\"cu-spatiere\"> 1 aug 2026<\/span><span class=\"cu-spatiere\">4634 vizualiz\u0103ri<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"poza-mare\">\n<div class=\"poza-mare galerie-detaliu\">\n<div id=\"carousel-poza-mare\" class=\"carousel slide carusel-poza\" data-ride=\"carousel\" data-interval=\"0\">\n<div class=\"carousel-inner\" role=\"listbox\">\n<div class=\"item imagine-carusel active\"><a href class=\"openGallery\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/zdvi.cname.ro\/850_530\/astazi-despre-gellu-naum---cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist---scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\/article\/mediaPool\/uOcqabB.jpg\" alt><\/a><\/div>\n<div class=\"item imagine-carusel \"><a href class=\"openGallery\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/zdvi.cname.ro\/850_530\/astazi-despre-gellu-naum---cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist---scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\/article\/mediaPool\/ueMh0TP.jpg\" alt><\/a><\/div>\n<\/div>\n<\/div>\n<div id=\"carousel-poze-mici\" class=\"carousel slide carusel-mici\" data-ride=\"carousel\" data-interval=\"0\">\n<div class=\"carousel-inner\" role=\"listbox\">\n<div class=\"item active\">\n<ul class=\"navigare-carusel-imagini\">\n<li data-target=\"#carousel-poza-mare\" data-slide-to=\"0\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/zdvi.cname.ro\/_90\/astazi-despre-gellu-naum---cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist---scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\/article\/mediaPool\/uOcqabB.jpg\" alt><\/li>\n<li data-target=\"#carousel-poza-mare\" data-slide-to=\"1\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/zdvi.cname.ro\/_90\/astazi-despre-gellu-naum---cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist---scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\/article\/mediaPool\/ueMh0TP.jpg\" alt><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>Gellu Naum (n. 1 august 1915, Bucure\u0219ti, Rom\u00e2nia \u2013 d. 29 septembrie 2001, Bucure\u0219ti, Rom\u00e2nia) a fost un eseist, poet, prozator \u0219i dramaturg rom\u00e2n considerat cel mai important reprezentant rom\u00e2n al curentului suprarealist \u0219i unul dintre ultimii mari reprezentan\u021bi ai acestuia pe plan european.<\/p>\n<div class=\"video-embed\"><iframe loading=\"lazy\" frameborder height=\"560\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/rgzD71mw5fI\" width=\"100%\"><\/iframe><\/div>\n<p>S-a n\u0103scut la 1 august 1915 \u00een Bucure\u0219ti; a fost fiul poetului Andrei Naum, c\u0103zut \u00een luptele de la M\u0103r\u0103\u0219e\u0219ti \u0219i al so\u021biei acestuia, Maria Naum, n\u0103scut\u0103 Rosa Gluck. \u00cen 1926 intr\u0103 la liceul &#8220;Dimitrie Cantemir&#8221; din Bucure\u0219ti, unde \u00eencepe s\u0103 scrie versuri \u00een urma unui pariu.<\/p>\n<div class=\"video-embed\"><iframe loading=\"lazy\" frameborder height=\"560\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/nLks9YW7mwQ\" width=\"100%\"><\/iframe><\/div>\n<p>Debuteaz\u0103 cu dou\u0103 poezii publicate \u00een revista Cuv\u00e2ntul. \u00centre 1933 \u0219i 1937, Gellu Naum urmeaz\u0103 cursurile Universit\u0103\u021bii din Bucure\u0219ti, studiind filosofia. La 27 decembrie 1935, studentul Naum din anul III a fost perchezi\u021bionat \u0219i arestat pentru c\u0103 a fost surprins scriind &#8220;parole cu caracter subversiv&#8221; pe zidurile caselor din str\u0103zile Dr. Sergiu, Dr. Felix \u0219i Bd. Cuza.<\/p>\n<div class=\"video-embed\"><iframe loading=\"lazy\" frameborder height=\"560\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/V-0otHinjMQ\" width=\"100%\"><\/iframe><\/div>\n<p>La \u00eendemnul prietenului s\u0103u, pictorul Victor Brauner, Gellu pleac\u0103 \u00een 1938 la Paris, unde \u00ee\u0219i continu\u0103 studiile de filozofie la Sorbona, preg\u0103tind o tez\u0103 de doctorat despre Pierre Ab\u00e9lard (teolog \u0219i filozof scolastic francez). La Paris ia contact cu grupul suprarealist francez animat de Andr\u00e9 Breton.<\/p>\n<p>\u00centors \u00een \u021bar\u0103 \u00een 1939, va fi mobilizat \u0219i trimis pe frontul de R\u0103s\u0103rit.<\/p>\n<p>\u00cen 1941 se constituie grupul suprarealist rom\u00e2n (alc\u0103tuit din Gellu Naum, Gherasim Luca, Dolfi Trost, Virgil Teodorescu \u0219i Paul P\u0103un), a c\u0103rui activitate deosebit de intens\u0103 \u00eentre anii 1945 \u0219i 1947 \u00eel va face pe Andr\u00e9 Breton s\u0103 afirme: &#8220;Centrul lumii (suprarealiste) s-a mutat la Bucure\u0219ti&#8221;.<\/p>\n<p>Dup\u0103 1947, \u00een condi\u021biile impunerii Realismului socialist ca unic\u0103 form\u0103 permis\u0103 de exprimare \u00een literatur\u0103, grupul se destram\u0103. \u00cen 1948 \u0219i 1949, Gellu Naum scrie poemul cu tent\u0103 filozofic\u0103 \u0219i ezoteric\u0103 Calea \u0219arpelui, experien\u021b\u0103 care \u00eei va marca definitiv stilul. \u00cen anii 1950 \u0219i 1960, public\u0103 mai multe c\u0103r\u021bi de literatur\u0103 pentru copii (precum mult apreciata Carte cu Apolodor), dar \u0219i de literatur\u0103 proletcultist\u0103 (precum volumul Soarele calm sau &#8220;romanul pentru tineret&#8221; Tab\u0103ra din mun\u021bi), acestea din urm\u0103 nefiind prezente \u00een majoritatea bibliografiilor oficiale. Cu toate acestea, Gellu Naum a continuat s\u0103 scrie, pe ascuns, poeme suprarealiste (de exemplu, poemul din 1958 Heraclit). \u00cen aceast\u0103 perioad\u0103, el tr\u0103ie\u0219te mai mult din traducerile autorilor Ren\u00e9 Char, Denis Diderot, Samuel Beckett, Stendhal, Franz Kafka, Julien Gracq etc.<\/p>\n<p>Odat\u0103 cu perioada destinderii regimului, \u00eencepe s\u0103 publice poeziile de sertar \u00een 1968, cu volumul Athanor. Cu acest volum \u0219i cu urm\u0103toarele (Copacul-animal, Tat\u0103l meu obosit etc.), Gellu Naum reu\u0219e\u0219te s\u0103 st\u00e2rneasc\u0103 unele reac\u021bii printre critici, dar \u00eencepe s\u0103 fie recunoscut ca un scriitor important abia dup\u0103 publicarea romanului Zenobia (1985). \u00cen numai c\u00e2\u021biva ani, apar numeroase edi\u021bii traduse din poemele lui Gellu Naum. De asemenea, el este invitat s\u0103 \u021bin\u0103 lecturi publice \u00een Germania, Fran\u021ba, Olanda \u0219i Elve\u021bia.<\/p>\n<p>Opera sa este tradus\u0103 \u00een principalele limbi interna\u021bionale, fiind \u00eencununat\u0103 cu premii importante (Premiul special al Uniunii Scriitorilor din Rom\u00e2nia pentru \u00eentreaga activitate literar\u0103, 1986; Premiul european de poezie, M\u00fcnster, 1999; The American Romanian Academy Arts Award, 2002 \u0219.a.).<\/p>\n<p>Ca \u0219i Andr\u00e9 Breton, Gellu Naum a r\u0103mas p\u00e2n\u0103 la sf\u00e2r\u0219itul vie\u021bii credincios modului suprarealist de a tr\u0103i \u0219i de a scrie poezia, ceea ce dovede\u0219te c\u0103 pentru el alegerea suprarealismului nu a fost o op\u021biune conjunctural\u0103, ci expresia celei mai autentice afirm\u0103ri de sine.<\/p>\n<p>Poezii<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Libertatea de a dormi pe o frunte, Tipografia Steaua Artei, Bucure\u0219ti, 1937 (cu un desen de Victor Brauner; tiraj de 96 de exemplare)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Vasco de Gama, Institutul de Arte Grafice &#8220;Rotativa&#8221;, Bucure\u0219ti, 1940 (cu un desen de Jacques H\u00e9rold; tiraj de 150 de exemplare pe h\u00e2rtie velin\u0103)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Culoarul somnului, Bucure\u0219ti, 1944 (cu un portret de Victor Brauner)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Poem despre tinere\u021bea noastr\u0103, Editura S.N., Bucure\u0219ti, 1960 (ilustra\u021bii de Jules Perahim)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Soarele calm, Editura pentru Literatur\u0103, Bucure\u0219ti, 1961 (copert\u0103 \u0219i ilustra\u021bii de Jules Perahim)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Athanor, Editura pentru Literatur\u0103, Bucure\u0219ti, 1968<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Poeme alese, Editura Albatros, Bucure\u0219ti, 1970 (cu un portret de Victor Brauner)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Copacul-animal, Editura Eminescu, Bucure\u0219ti, 1971<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Tat\u0103l meu obosit. Pohem, Cartea Rom\u00e2neasc\u0103, Bucure\u0219ti, 1972<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Poeme alese, Cartea Rom\u00e2neasc\u0103, Bucure\u0219ti, 1974<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Descrierea turnului, Editura Albatros, Bucure\u0219ti, 1975 (\u00een acela\u0219i an, o edi\u021bie complet\u0103, \u00een afar\u0103 de comer\u021b a fost tip\u0103rit\u0103 la Editura Litera)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Partea cealalt\u0103, Cartea Rom\u00e2neasc\u0103, Bucure\u0219ti, 1980<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Malul albastru, Cartea Rom\u00e2neasc\u0103, Bucure\u0219ti, 1990<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Fa\u021ba \u0219i suprafa\u021ba urmat de Malul albastru. Poeme (1989-1993), Editura Litera, Bucure\u0219ti, 1994<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Focul negru, Editura Eminescu, Bucure\u0219ti, 1995<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Sora f\u00e2nt\u00e2n\u0103, Editura Eminescu, Bucure\u0219ti, 1995<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Copacul-animal urmat de Avantajul vertebrelor, Colec\u021bia Avangarda, Editura Dacia, Cluj-Napoca, 2000<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Ascet la baraca de tir, Editura Funda\u021biei Culturale Rom\u00e2ne, Bucure\u0219ti, 2000 (postfa\u021b\u0103 de Ioana P\u00e2rvulescu)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Calea \u0219earpelui, Editura Paralela 45, Pite\u0219ti, 2002 (postum; edi\u021bie \u00eengrijit\u0103 \u0219i prefa\u021bat\u0103 de Simona Popescu)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Despre identic \u0219i felurit. Antologie, Editura Polirom, Bucure\u0219ti, 2004 (postum; prefa\u021b\u0103 \u0219i not\u0103 de Simona Popescu)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Exactitatea umbrei, Editura Paralela 45, Pite\u0219ti, 2010 (postum, seria Premiul Eminescu)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0V\u00e2rsta semnului. 52 de poeme alese \u0219i rostite de Gellu Naum, Editura Casa Radio, Bucure\u0219ti, 2011 (postum; cu o prezentare de Simona Popescu \u0219i un documentar radiofonic de Anca Mateescu)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Opere I. Poezii, Editura Polirom, Bucure\u0219ti, 2011<\/p>\n<p>Proz\u0103 \u0219i eseu<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0L&#8217;image pr\u00e9sente \u00e0 l&#8217;esprit (Imaginea prezent\u0103 \u00een minte), Paris, 1939 (\u00een exemplar unic)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Medium, Tipografia Editura Modern\u0103, Bucure\u0219ti, 1945 (cu \u0219ase reproduceri fotografice)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Critica mizeriei, \u00een colaborare cu Paul P\u0103un \u0219i Virgil Teodorescu, Colec\u021bia suprarealist\u0103, Bucure\u0219ti, 1945<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Teribilul interzis, Atelierele Tipografiei &#8220;I.C. V\u0103c\u0103rescu&#8221;, Colec\u021bia suprarealist\u0103, Bucure\u0219ti, 1945 (cu un frontispiciu de Paul P\u0103un; tiraj de 300 de exemplare num\u0103rate pe h\u00e2rtie velin\u0103)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Spectrul longevit\u0103\u021bii. 122 de cadavre, \u00een colaborare cu Virgil Teodorescu, Colec\u021bia suprarealist\u0103, 1946<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Castelul orbilor, Atelierele Tipografiei &#8220;Bucovina&#8221;, Colec\u021bia suprarealist\u0103, Bucure\u0219ti, 1946 (tiraj de 300 de exemplare, dintre care 100 exemplare num\u0103rate pe h\u00e2rtie velin\u0103)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0L\u2019Infra-Noir (Infranegrul), \u00een colaborare cu Gherasim Luca, Paul P\u0103un, Virgil Teodorescu \u0219i Dolfi Trost, Colec\u021bia suprarealist\u0103, Bucure\u0219ti, 1947<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0\u00c9loge de Malombre. Cerne de l&#8217;amour absolu (Elogiul Malombrei), \u00een colaborare cu Gherasim Luca, Paul P\u0103un, Virgil Teodorescu \u0219i Dolfi Trost, Colec\u021bia Infra-Noir, 1947<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Filonul, Editura Tineretului, Bucure\u0219ti, 1952<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Tab\u0103ra din mun\u021bi, Editura Tineretului a C.C. al U.T.M., Bucure\u0219ti, 1953<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Poetiza\u021bi, poetiza\u021bi&#8230;, Editura Eminescu, Bucure\u0219ti, 1970<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Zenobia, Cartea Rom\u00e2neasc\u0103, Bucure\u0219ti, 1985, 1991, 2003<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0\u00centreb\u0103torul, Editura Eminescu, Bucure\u0219ti, 1996, 1999<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Despre interior-exterior. Gellu Naum \u00een dialog cu Sanda Ro\u0219escu, Editura Paralela 45, Pite\u0219ti, 2003 (postum)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Opere II. Proza, Polirom, 2012<\/p>\n<p>Teatru<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Insula. Ceasornic\u0103ria Taus. Poate Eleonora, Cartea Rom\u00e2neasc\u0103, Bucure\u0219ti, 1979<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Exact \u00een acela\u0219i timp. Teatru, Editura Palimpsest, Bucure\u0219ti, 2003 (postum; edi\u021bie \u00eengrijit\u0103 \u0219i prefa\u021bat\u0103 de Ion Cocora) da da&#8217;<\/p>\n<p>Literatur\u0103 pentru copii<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0A\u0219a-i Sanda, Bucure\u0219ti, 1956<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Kicsi Sari, Bucure\u0219ti, 1956<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Cel mai mare Gulliver, Bucure\u0219ti, 1958<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Cartea cu Apolodor, Bucure\u0219ti, 1959 (desene de Jules Perahim)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Das Buch von Apolodor (Cartea lui Apolodor), Editura Tineretului, Bucure\u0219ti, 1963 (tradus\u0103 \u00een german\u0103 de Franz Johannes Bulhardt)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0A doua carte cu Apolodor, Bucure\u0219ti, 1964<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Cartea cu Apolodor, Editura Ion Creang\u0103, Bucure\u0219ti, 1975<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0C\u0103r\u021bile cu Apolodor, Editura Ion Creang\u0103, Bucure\u0219ti, 1979<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Amedeu, cel mai cumsecade leu, poezii, Editura Ion Creang\u0103, Bucure\u0219ti, 1988 (desene de N. Nobilescu)<\/p>\n<p>Opere traduse \u00een alte limbi<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Das Buch von Apolodor , Editura Tineretului, Bucure\u0219ti, 1963 (traducere \u00een german\u0103 de Franz Johannes Bulhardt)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Zebeg\u00e9ny a pingvin, Ifj\u00fas\u00e1gi Kiad\u00f3, Bukarest, 1963 (traducere \u00een maghiar\u0103 de Erik Majt\u00e9nyi)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Zebeg\u00e9ny \u00fajabb kalandjai, Ifj\u00fas\u00e1gi Kiad\u00f3, Bukarest, 1965 (traducere \u00een maghiar\u0103 de Erik Majt\u00e9nyi )<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Gladi\u00e1tor az aut\u00f3buszban: versek, Albatrosz K\u00f6nyvkiad\u00f3, Bukarest, 1976 (traducere \u00een maghiar\u0103 de Balogh J\u00f3zsef)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Mon p\u00e8re fatigu\u00e9, Arcane 17, Paris, 1983 (traducere \u00een limba francez\u0103 de S\u00e9bastien Reichmann)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Der Pinguin Appolodor, Editura Ion Creang\u0103, Bucure\u0219ti, 1982 (traducere \u00een limba german\u0103 de Rolf Bossert);<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Z\u00e4hne von Worten zermalmt, Editura Kriterion, Bucure\u0219ti, 1983 (traducere \u00een limba german\u0103 de Anemone Latzina)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0My Tired Father, Editura Inkblot, Oakland, 1986 (traducere \u00een limba englez\u0103 de James Brook)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Zenobia, Wieser Verlag, Klagenfurt, [Salzburg], 1990 (traducere \u00een limba german\u0103 de Georg Aescht)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Partea cealalt\u0103 \/ L&#8217;autre c\u00f4t\u00e9, Cartea Rom\u00e2neasc\u0103, Bucure\u0219ti, 1991 (edi\u021bie bilingv\u0103, traducere \u00een limba francez\u0103 de Annie Bentoiu \u0219i Andr\u00e9e Fl\u00e9ury)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Zhnobia, Editura Forma, Atena, 1992 (traducere \u00een limba greac\u0103 de Victor Ivanovici)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Black Box, Wieser Verlag, Klagenfurt, Salzburg, 1993 (traducere \u00een limba german\u0103 de Oskar Pastior \u0219i Georg Aescht)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0The advantage of vertebre, San Francisco, 1993 (traducere \u00een limba englez\u0103 de James Brook \u0219i Sasha Vlad; edi\u021bie \u00een afara comer\u021bului)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Streiflicht \u2013 Eine Auswahl zeitgen\u00f6ssischer rum\u00e4nischer Lyrik (81 rum\u00e4nische Autoren), &#8211; &#8220;Lumina piezi\u0219\u0103&#8221;, antologie bilingv\u0103 cuprinz\u00e2nd 81 de autori rom\u00e2ni \u00een traducerea lui Christian W. Schenk, Dionysos Verlag 1994, ISBN 3980387119<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Zenobia, Maren Sell, Calman L\u00e9vy, Paris, 1995 (traducere \u00een limba francez\u0103 de Luba Jurgenson \u0219i S\u00e9bastien Reichmann)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0L&#8217;ekzakto de l&#8217;ombro, Eldonejo Bero, Berkeley, 1995 (traducere \u00een esperanto de Sasha Vlad \u0219i Ionel One\u021b)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Patro mia laca. L&#8217;avanta\u011do de l&#8217;vertebroj, Eldonejo Bero, Berkeley, 1995 (traducere \u00een esperanto de Sasha Vlad)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Zenobia, Northwestern University Press, Evanston, Illinois, 1995 (traducere \u00een limba englez\u0103 de James Brook \u0219i Sasha Vlad)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Rede auf dem Bahndamm an die Steine, Amman Verlag, Z\u00fcrich, 1998 (traducere \u00een limba german\u0103 de Oskar Pastior)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0My Tired Father, Green Integer K\u00f8benhavn &amp; Los Angeles, 1999<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Oskar Pastior entdeckt Gellu Naum, Europa Verlag, Hamburg-Wien, 2001<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Pentru Gellu Naum = For Gellu Naum, Editura Vinea \/ Editura Icare, Bucure\u0219ti, 2002 (edi\u021bie bilingv\u0103 coordonat\u0103 de Iulian T\u0103nase)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0La quinta essenza \/ A cincea esen\u021b\u0103. Antologie bilingv\u0103 rom\u00e2no-italian\u0103, selec\u021bie, traducere, eseu introductiv \u0219i biobibliografie de Geo Vasile, Editing Edizioni, Treviso, 2006, 312 p.<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Gramatica labirintului \/ La grammatica del labirinto. Antologie bilingv\u0103 rom\u00e2no-italian\u0103, selec\u021bie, traducere, postfa\u021b\u0103 \u0219i biobibliografie de Geo Vasile, Editura Ex Ponto, Constan\u021ba, 2008, 314 p.<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Vasco da Gama \u0219i alte poheme = Vasco da Gama and other pohems, Editura Humanitas, Bucure\u0219ti, 2007 (edi\u021bie bilingv\u0103; introducere \u0219i traducere \u00een limba englez\u0103 de Alistair Blyth)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0A sziget (Insula), revista J\u00e1t\u00e9kt\u00e9r, Cluj, nr. 1\/2017, p. 56-95. (traducere \u00een maghiar\u0103 de Bal\u00e1zs Imre J\u00f3zsef)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Zebeg\u00e9ny, a pingvin, Kriterion, Cluj, 2018 (ed. complet\u0103; traducere \u00een maghiar\u0103 de Bal\u00e1zs Imre J\u00f3zsef \u0219i Majt\u00e9nyi Erik) ISBN 9789732611791<\/p>\n<p>Majoritatea notelor bibliografice au fost extrase din antologia Literatura rom\u00e2n\u0103 de avangard\u0103, \u00eengrijit\u0103 de Gabriela Duda, Universitatea din Ploie\u0219ti, Editura Humanitas, 1997, ISBN 973-28-0730-X<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Pieta &#8211; Eine Auswahl rum\u00e4nischer Lyrik, Dionysos, Boppard, 2018, \u00een traducerea \u0219i selectarea lui Christian W. Schenk, ISBN 9781977075666;<\/p>\n<p>Traduceri<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0C\u0103pitanul Fracasse, Le Capitaine Fracasse de Theophile Gautier, Colec\u021bia Cutez\u0103torii, Editura Tineretului, 1967<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Notre-Dame de Paris, Victor Hugo<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Omul care r\u00e2de, Victor Hugo<\/p>\n<p>\u2022\u00a0\u00a0 \u00a020.000 de leghe sub m\u0103ri, Jules Verne<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Goana dup\u0103 meteor, Jules Verne<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0O c\u0103l\u0103torie spre centrul P\u0103m\u00e2ntului, Jules Verne<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Uimitoarea aventur\u0103 a misiunii Barsac, Jules Verne<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Contele de Monte-Cristo, Alexandre Dumas<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Ro\u0219u \u0219i negru, Stendhal<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Despre dragoste, Stendhal<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Koenigsmark, Pierre Beno\u00eet<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Atlantida, Pierre Beno\u00eet<\/p>\n<p>Premii \u0219i distinc\u021bii<\/p>\n<p>\u2022\u00a0\u00a0 \u00a01958 &#8211; Premiul Uniunii Scriitorilor pentru literatur\u0103 pentru copii, Bucure\u0219ti<\/p>\n<p>\u2022\u00a0\u00a0 \u00a01968 &#8211; Premiul Uniunii Scriitorilor pentru traduceri, Bucure\u0219ti<\/p>\n<p>\u2022\u00a0\u00a0 \u00a01975 &#8211; Premiul Uniunii Scriitorilor pentru poezie, Bucure\u0219ti<\/p>\n<p>\u2022\u00a0\u00a0 \u00a01986 &#8211; Premiul special al Uniunii Scriitorilor pentru \u00eentreaga activitate literar\u0103, Bucure\u0219ti<\/p>\n<p>\u2022\u00a0\u00a0 \u00a01992 &#8211; Premiul na\u021bional de poezie \u201eMihai Eminescu\u201d, Boto\u0219ani<\/p>\n<p>\u2022\u00a0\u00a0 \u00a01992 &#8211; Premiul Republicii Zair pentru poezie str\u0103in\u0103, Kinshasa<\/p>\n<p>\u2022\u00a0\u00a0 \u00a01995 &#8211; Premiul Funda\u021biei Culturale Rom\u00e2ne pentru excelen\u021b\u0103 artistic\u0103, Bucure\u0219ti<\/p>\n<p>\u2022\u00a0\u00a0 \u00a01997 &#8211; Premiul revistei Flac\u0103ra \u201eMagician al cuv\u00e2ntului\u201d, Bucure\u0219ti<\/p>\n<p>\u2022\u00a0\u00a0 \u00a01999 &#8211; Premiul european de poezie, M\u00fcnster<\/p>\n<p>\u2022\u00a0\u00a0 \u00a02002 &#8211; Titlul de \u201eCavaler al Literaturii\u201d acordat de Academia de \u0218tiin\u021be, Literatur\u0103 \u0219i Arte Oradea (ASLA)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a02002 &#8211; The American Romanian Academy Arts Award<\/p>\n<p>A fost distins cu Ordinul Steaua Republicii Socialiste Rom\u00e2nia clasa a III-a (1971) \u201epentru merite deosebite \u00een opera de construire a socialismului, cu prilejul anivers\u0103rii a 50 de ani de la constituirea Partidului Comunist Rom\u00e2n\u201d.[5]<\/p>\n<p>Note<\/p>\n<p>1.\u00a0\u00a0 \u00a0^ Autoritatea BnF, accesat \u00een 10 octombrie 2015<\/p>\n<p>2.\u00a0\u00a0 \u00a0^ a b Autoritatea BnF, accesat \u00een 10 octombrie 2015<\/p>\n<p>3.\u00a0\u00a0 \u00a0^ [Andre Breton declara, \u201eSuprarealismul s\u2013a mutat la Bucure\u0219ti.\u201d<\/p>\n<p>4.\u00a0\u00a0 \u00a0^ Avangarda rom\u00e2neasc\u0103 (II)<\/p>\n<p>5.\u00a0\u00a0 \u00a0^ Decretul nr. 138 din 20 aprilie 1971 al Consiliului de Stat al Republicii Socialiste Rom\u00e2nia privind conferirea unor ordine ale Republicii Socialiste Rom\u00e2nia, art. 12.<\/p>\n<p>Bibliografie<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Ion Pop, Gellu Naum: poezia contra literaturii, Cluj, Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103, 2001<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Simona Popescu, Salvarea speciei: (despre suprarealism \u0219i Gellu Naum), Bucure\u0219ti, Editura Funda\u021biei Culturale Rom\u00e2ne, 2000<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Simona Popescu, Clava: critific\u021biune cu Gellu Naum, Pite\u0219ti, Editura Paralela 45, 2004<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Vasile Spiridon, Gellu Naum (micromonografie), Bra\u0219ov, Editura Aula, 2005<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Alina Ologu, Gellu Naum: experimentul poetic, Constan\u021ba, Editura Pontica, 2007<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0***, Athanor. Caietele Funda\u021biei &#8220;Gellu Naum&#8221;, nr. 1\/2004, p. 68 \u0219i nr. 2\/2008, p. 144<\/p>\n<p>Leg\u0103turi externe<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Site-ul oficial<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Balogh Jozsef, Ghea\u021ba poetului Gellu Naum, Ziarul de Duminic\u0103, 26 februarie 2003.<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0[nefunc\u021bional\u0103 \u2013 Eugen Simion, Scriitori rom\u00e2ni de azi, vol. 2 arhiv\u0103]<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0[nefunc\u021bional\u0103 \u2013 Catalogue 130-N: Modern Art: Rarities of the Avant-Garde arhiv\u0103]<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Editura LiterNet Tat\u0103l meu obosit ISBN 973-8475-91-0<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Gellu Naum, o voce autentic\u0103 a suprarealismului rom\u00e2nesc, 29 septembrie 2012, Ziarul Lumina<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Expozi\u021bia Gellu Naum \u0219i suprarealismul rom\u00e2nesc \u2014 Institutul Cultural Rom\u00e2n \u201eMihai Eminescu\u201d la Chi\u0219in\u0103u (4 August 2015 &#8211; 24 August 2015)<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0Expozi\u021bia Gellu Naum \u0219i suprarealismul rom\u00e2nesc pe website-ul Info Prut<\/p>\n<p>Interviuri<\/p>\n<p>\u2022\u00a0\u00a0 \u00a0GELLU NAUM: Cronica unui interviu anuntat, Svetlana C\u00e2rstean, Observator cultural &#8211; num\u0103rul 88, octombrie 2001<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<hr>\n<div class=\"bloc-widget widget-rosu\">\n<p>\u00cen lipsa unui acord scris din partea Ziarului de Vrancea, pute\u0163i prelua maxim 500 de caractere din acest articol dac\u0103 preciza\u0163i sursa \u015fi insera\u0163i vizibil link-ul articolului:\u00a0<span>#insertcurrentlinkhere<\/span><\/p>\n<\/div>\n<div class=\"extra-articol listing-anunturi\">\n<h6>Anun\u021buri <span class=\"text-primary\">ZdV<\/span> Premium<\/h6>\n<div class=\"row\">\n<div class=\"col-lg-4 col-md-6 bloc-egal\"><a class=\"card-anunt\" 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href=\"https:\/\/ziaruldevrancea.ro\/autor\/camelia-marin\">Camelia Marin<\/a>,  8 aug 2026  <\/div>\n<\/div>\n<div class=\"grup-articol-listing\">\n<div class=\"cont-pils\"><a href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/horoscop-8-august-2026\"><img decoding=\"async\" src=\"https:\/\/zdvi.cname.ro\/180_135\/timp-liber\/horoscop-8-august-2026\/mediaPool\/uA8enxT.jpg\" class=\"img-responsive img-180\" alt><\/a><\/div>\n<h2><a class=\"link-titlu\" href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/horoscop-8-august-2026\">Horoscop 8 august 2026 <\/a><\/h2>\n<div class=\"date-post\"><a href=\"https:\/\/ziaruldevrancea.ro\/#comentarii\" class=\"pull-right\"> 4<\/a><a href=\"https:\/\/ziaruldevrancea.ro\/autor\/rodica-condurache\">Rodica Condurache<\/a>,  8 aug 2026  <\/div>\n<\/div>\n<div class=\"grup-articol-listing\">\n<div class=\"cont-pils\"><a href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/calendarul-zilei-de-8-august-edcizia-construirii-catedralei-mitropolitane-din-iasi-scoala-superioara-de-razboi-republica-de-la-ploiesti-si-personalitatile-nascute-in-aceasta-zi\"><img decoding=\"async\" src=\"https:\/\/zdvi.cname.ro\/180_135\/timp-liber\/calendarul-zilei-de-8-august-edcizia-construirii-catedralei-mitropolitane-din-iasi-scoala-superioara-de-razboi-republica-de-la-ploiesti-si-personalitatile-nascute-in-aceasta-zi\/mediaPool\/uDnSomR.png\" class=\"img-responsive img-180\" alt><\/a><\/div>\n<h2><a class=\"link-titlu\" href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/calendarul-zilei-de-8-august-edcizia-construirii-catedralei-mitropolitane-din-iasi-scoala-superioara-de-razboi-republica-de-la-ploiesti-si-personalitatile-nascute-in-aceasta-zi\">Calendarul zilei de 8 august: 200 de ani de decizia construirii Catedralei Mitropolitane din Ia\u0219i, \u0218coala Superioar\u0103 de R\u0103zboi, Rom\u00e2nia invitat\u0103 la Conferin\u021ba de Pace de la Paris, \u201eRepublica de la Ploie\u0219ti\u201d \u0219i personalit\u0103\u021bile n\u0103scute \u00een aceast\u0103 zi<\/a><\/h2>\n<div class=\"date-post\"><a href=\"https:\/\/ziaruldevrancea.ro\/autor\/rodica-condurache\">Rodica Condurache<\/a>,  8 aug 2026  <\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-lg-6 bloc-egal\">\n<div class=\"card articol-listing\">\n<h6>De acela\u0219i <a href=\"https:\/\/ziaruldevrancea.ro\/autor\/ziarul-de-vrancea\/\">autor<\/a><\/h6>\n<div class=\"grup-articol-listing\">\n<div class=\"cont-pils\"><a href=\"https:\/\/ziaruldevrancea.ro\/special\/sport\/astazi-despre-prima-campioana-olimpica-din-istoria-romaniei-la-saritura-in-lungime-unde-a-stabilit-un-record-mondial-laureata-cu-medalia-de-aur-la-j.o.-mexic-1968-viorica-viscopoleanu\"><img decoding=\"async\" src=\"https:\/\/zdvi.cname.ro\/180_135\/special\/sport\/astazi-despre-prima-campioana-olimpica-din-istoria-romaniei-la-saritura-in-lungime-unde-a-stabilit-un-record-mondial-laureata-cu-medalia-de-aur-la-j.o.-mexic-1968-viorica-viscopoleanu\/mediaPool\/uHbR1sY.jpg\" class=\"img-responsive img-180\" alt><\/a><\/div>\n<h2><a class=\"link-titlu\" href=\"https:\/\/ziaruldevrancea.ro\/special\/sport\/astazi-despre-prima-campioana-olimpica-din-istoria-romaniei-la-saritura-in-lungime-unde-a-stabilit-un-record-mondial-laureata-cu-medalia-de-aur-la-j.o.-mexic-1968-viorica-viscopoleanu\">Ast\u0103zi despre: Prima campioan\u0103 olimpic\u0103 din istoria Rom\u00e2niei la s\u0103ritura \u00een lungime, unde a stabilit un record mondial, laureat\u0103 cu medalia de aur la J.O. Mexic 1968: Viorica Viscopoleanu<\/a><\/h2>\n<div class=\"date-post\"><a href=\"https:\/\/ziaruldevrancea.ro\/autor\/ziarul-de-vrancea\">Ziarul de Vrancea<\/a>,  8 aug 2026  <\/div>\n<\/div>\n<div class=\"grup-articol-listing\">\n<div class=\"cont-pils\"><a href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-tatiana-stepa\"><img decoding=\"async\" src=\"https:\/\/zdvi.cname.ro\/180_135\/timp-liber\/astazi-despre-tatiana-stepa\/mediaPool\/u28q3ec.jpg\" class=\"img-responsive img-180\" alt><\/a><\/div>\n<h2><a class=\"link-titlu\" href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-tatiana-stepa\">VIDEO Ast\u0103zi despre: Artista care a luat \u00een glum\u0103 toate loviturile vie\u0163ii: Tatiana Stepa. A lucrat 11 ani \u00een mina Lupeni. A r\u00e2s mereu de moarte \u015fi, \u00een final, moartea a \u00eenvins-o. Avea 46 de ani<\/a><\/h2>\n<div class=\"date-post\"><a href=\"https:\/\/ziaruldevrancea.ro\/autor\/ziarul-de-vrancea\">Ziarul de Vrancea<\/a>,  7 aug 2026  <\/div>\n<\/div>\n<div class=\"grup-articol-listing\">\n<div class=\"cont-pils\"><a href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-sica-alexandrescu-regizorul-care-a-a-cladit-un-secol-de-teatru-romanesc-lansand-dramaturgi-si-formand-generatii-aurite-de-slujitori-ai-scenei.-lui-i-se-datoreaza-succesul-in-teatru-al-marelui-grigore-vasiliu-si-povestea-numelui-birlic\"><img decoding=\"async\" src=\"https:\/\/zdvi.cname.ro\/180_135\/timp-liber\/astazi-despre-sica-alexandrescu-regizorul-care-a-a-cladit-un-secol-de-teatru-romanesc-lansand-dramaturgi-si-formand-generatii-aurite-de-slujitori-ai-scenei.-lui-i-se-datoreaza-succesul-in-teatru-al-marelui-grigore-vasiliu-si-povestea-numelui-birlic\/mediaPool\/uN4nwW7.jpg\" class=\"img-responsive img-180\" alt><\/a><\/div>\n<h2><a class=\"link-titlu\" href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-sica-alexandrescu-regizorul-care-a-a-cladit-un-secol-de-teatru-romanesc-lansand-dramaturgi-si-formand-generatii-aurite-de-slujitori-ai-scenei.-lui-i-se-datoreaza-succesul-in-teatru-al-marelui-grigore-vasiliu-si-povestea-numelui-birlic\">Ast\u0103zi despre: Sic\u0103 Alexandrescu, regizorul care a cl\u0103dit un secol de teatru rom\u00e2nesc, lans\u00e2nd \u0219i form\u00e2nd genera\u0163ii aurite de slujitori ai scenei. Lui i se datoreaz\u0103 succesul \u00een teatru al Elvirei Popescu, a lui Grigore Vasiliu \u015fi povestea numelui \u201eBirlic\u201d<\/a><\/h2>\n<div class=\"date-post\"><a href=\"https:\/\/ziaruldevrancea.ro\/autor\/ziarul-de-vrancea\">Ziarul de Vrancea<\/a>,  6 aug 2026  <\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"extra-articol listing-anunturi\">\n<h6>Anun\u021buri <span class=\"text-primary\">ZdV<\/span> Premium<\/h6>\n<div class=\"row\">\n<div class=\"col-lg-4 col-md-6 bloc-egal\"><a class=\"card-anunt\" href=\"https:\/\/ziaruldevrancea.ro\/anunturi\/altele\/servicii\/caut-o-persoana-sau-o-familie-pentru-ingrijirea-unei-batrane\"><strong class=\"titlu\">Servicii<\/strong><span class=\"text-anunt\">Caut o persoan\u0103\u00a0sau o familie serioas\u0103&#8230;<\/span><span class=\"data-anunt\">04.08.2026  <\/span><\/a><\/div>\n<div class=\"col-lg-4 col-md-6 bloc-egal\"><a class=\"card-anunt\" href=\"https:\/\/ziaruldevrancea.ro\/anunturi\/imobiliare\/vanzari-ap-2-camere\/vand-apartament-2-camere-in-focsani-anunt-72825\"><strong class=\"titlu\">V\u00e2nz\u0103ri ap 2 camere<\/strong><span class=\"text-anunt\">V\u00e2nd apartament 2 camere, hol p\u0103trat,&#8230;<\/span><span class=\"data-anunt\">04.08.2026  <\/span><\/a><\/div>\n<div class=\"col-lg-4 col-md-6 bloc-egal\"><a class=\"card-anunt\" href=\"https:\/\/ziaruldevrancea.ro\/anunturi\/angajari\/oferte-angajari\/caut-femeie-pt-supraveghere-batrana-paralizata-focsani-fara-menaj-program-de-la-9la-17-de-luni-pana-vineri-salariu-2600\"><strong class=\"titlu\">Oferte<\/strong><span class=\"text-anunt\">Caut femeie pentru\u00a0supraveghere&#8230;<\/span><span class=\"data-anunt\">05.08.2026 , Vrancea , Foc\u0219ani<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"bloc-widget widget-albastru\">\n    Ziarul de Vrancea \u00a0nu este responsabil juridic pentru con\u0163inutul textelor din comentariile de mai jos. Responsabilitatea pentru mesajele dumneavoastra v\u0103 revine \u00een exclusivitate.\n<\/div>\n<div class=\"comentarii-articol\" id=\"comentarii\">\n<h3>Comentarii: <span class=\"text-primary\">0<\/span><\/h3>\n<p><a href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-gellu-naum---cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist---scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\" class=\"btn btn-success btn-adauga-com\" data-toggle=\"modal\" data-parent=\"0\" data-target=\"#commentModal\">Adaug\u0103 comentariu<\/a><\/p>\n<div class=\"loadMask comments-mask\"><img decoding=\"async\" src=\"https:\/\/zdvs.cname.ro\/images\/loader_40.gif\"><\/div>\n<div class=\"comenteaza-jos\">Trebuie s\u0103 fii <a href=\"https:\/\/ziaruldevrancea.ro\/account\">autentificat<\/a> pentru a putea <a href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-gellu-naum---cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist---scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\" class data-toggle=\"modal\" data-parent=\"0\" data-target=\"#commentModal\">posta un comentariu<\/a>.<\/div>\n<\/div>\n<div class=\"modal fade\" id=\"commentModal\" role=\"dialog\" aria-labelledby=\"commentModalLabel\">\n<div class=\"modal-dialog modal-lg\" role=\"document\">\n<div class=\"modal-content\">\n<div class=\"modal-header\">\n<h3 class=\"modal-title\" id=\"commentModalLabel\">Comenteaz\u0103<\/h3>\n<\/div>\n<div class=\"modal-body\">\n<div class=\"tabel tabel-full\">\n<div class=\"celula\">\n              Trebuie s\u0103 fii <a href=\"https:\/\/ziaruldevrancea.ro\/account\">autentificat<\/a> pentru a putea posta un comentariu.\n            <\/div>\n<\/div>\n<\/div>\n<div class=\"modal-footer\">\n<div id=\"commentPending\" class=\"formPending pull-left\"><img decoding=\"async\" src=\"https:\/\/zdvs.cname.ro\/images\/loader_40.gif\"> In curs de procesare&#8230;<\/div>\n<p><a href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-gellu-naum---cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist---scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\" class=\"btn btn-default\" data-dismiss=\"modal\">Anuleaz\u0103<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"modal fade\" id=\"commentReportModal\" role=\"dialog\" aria-labelledby=\"commentReportModalLabel\">\n<div class=\"modal-dialog modal-lg\" role=\"document\">\n<div class=\"modal-content\">\n<div class=\"modal-header\">\n<h3 class=\"modal-title\" id=\"commentReportModalLabel\">Raporteaza comentariu<\/h3>\n<\/div>\n<div class=\"modal-body\">\n<div class=\"tabel tabel-full\">\n<div class=\"celula\">\n              Trebuie s\u0103 fii <a href=\"https:\/\/ziaruldevrancea.ro\/account\">autentificat<\/a> pentru a putea raporta un comentariu.\n            <\/div>\n<\/div>\n<\/div>\n<div class=\"modal-footer\">\n<div id=\"commentReportPending\" class=\"formPending pull-left\"><img decoding=\"async\" src=\"https:\/\/zdvs.cname.ro\/images\/loader_40.gif\"> In curs de procesare&#8230;<\/div>\n<p><a href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-gellu-naum---cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist---scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\" class=\"btn btn-default\" data-dismiss=\"modal\">Anuleaz\u0103<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"modal fade\" id=\"commentLikeModal\" role=\"dialog\" aria-labelledby=\"commentLikeModalLabel\">\n<div class=\"modal-dialog modal-lg\" role=\"document\">\n<div class=\"modal-content\">\n<div class=\"modal-header\">\n<h3 class=\"modal-title\" id=\"commentReportModalLabel\">Apreciaza comentariu<\/h3>\n<\/div>\n<div class=\"modal-body\">\n<div class=\"tabel tabel-full\">\n<div class=\"celula\">\n            Trebuie s\u0103 fii <a href=\"https:\/\/ziaruldevrancea.ro\/account\">autentificat<\/a> pentru a putea aprecia un comentariu.\n          <\/div>\n<\/div>\n<\/div>\n<div class=\"modal-footer\"><a href=\"https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-gellu-naum---cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist---scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\" class=\"btn btn-default\" data-dismiss=\"modal\">Anuleaz\u0103<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"bloc-widget widget-rosu\"><span><small>Ziarul de Vrancea doreste ca acest site sa fie un spatiu al discutiilor civilizate, al comentariilor de bun simt. Din acest motiv, cei care posteaza comentarii la articole trebuie sa respecte urmatoarele reguli:<br \/>\n1. Sa se refere doar la articolul la care posteaza comentarii.<br \/>\n2. Sa foloseasca un limbaj civilizat, fara injurii, calomnii, comentarii antisemite, xenofobe sau rasiste.<br \/>\n3. Sunt interzise atacurile la adresa autorilor, daca acestea nu au legatura cu textul.<br \/>\n4. Username-ul sa nu fie nume de personalitati ale vietii publice sau parodieri ale acestora.<br \/>\nAutorul unui articol poate fi criticat pentru eventuale greseli, incoerenta, lipsa de documentare etc.<br \/>\nNerespectarea regulilor mentionate mai sus va duce la stergerea comentariilor, fara avertisment si fara explicatii.<br \/>\nAbaterile repetate vor avea drept consecinta interdictia accesului la aceasta facilitate a site-ului.<\/small><\/span><\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/ziaruldevrancea.ro\/timp-liber\/astazi-despre-gellu-naum&#8212;cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist&#8212;scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/zdvi.cname.ro\/_\/astazi-despre-gellu-naum&#8212;cel-mai-reprezentativ-scriitor-roman-al-curentului-suprarealist&#8212;scriitorul-care-a-trait-si-mai-ales-a-iubit-intr-o-alta-dimensiune-in-care-dragostea-a-reprezentat-scopul-central-al-vietii\/mediaPool\/uOcqabB.jpg&#8221;] Timp Liber VIDEO Ast\u0103zi despre Gellu Naum &#8211; cel mai reprezentativ scriitor rom\u00e2n al curentului suprarealist &#8211; scriitorul care a a studiat la Sorbona, a tr\u0103it \u015fi mai ales, a iubit \u00eentr-o alt\u0103 dimensiune \u00een care dragostea a reprezentat scopul central al vie\u0163ii Distribuie: \u00a0 | Ziarul de Vrancea 1 aug 20264634 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[89],"tags":[226,208],"class_list":["post-2084077","post","type-post","status-publish","format-standard","hentry","category-romania","tag-crawlmanager","tag-ziaruldevrancea-ro"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2084077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2084077"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2084077\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2084077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2084077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2084077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}