{"id":2078622,"date":"2026-08-05T08:00:56","date_gmt":"2026-08-05T05:00:56","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2078622"},"modified":"2026-08-05T08:00:56","modified_gmt":"2026-08-05T05:00:56","slug":"man-woman-chainsaw-cannonball-review-a-galley-smashing-direct-hit-of-a-debut","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2078622","title":{"rendered":"Man\/Woman\/Chainsaw \u2013 \u2018Cannonball\u2019 review: a galley-smashing direct hit of a debut"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.nme.com\/wp-content\/uploads\/2026\/06\/NMEAR_NME-MWC-THE-COVER-2026-3-CREDIT-PHOEBE-FOX@2000&#215;1270.jpg&#8221;]<\/p>\n<article id=\"template-id-3332206\" class=\"post-3332206 tdb_templates type-tdb_templates status-publish post\">\n<div id=\"tdi_65\" class=\"tdc-zone\">\n<div class=\"tdc_zone tdi_66  wpb_row td-pb-row\">\n<div id=\"tdi_67\" class=\"tdc-row stretch_row_1400 td-stretch-content\">\n<div class=\"vc_row tdi_68  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_70  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_single_featured_image tdi_71 tdb-content-horiz-left td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_71\">\n<div class=\"tdb-block-inner td-fix-index\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"696\" height=\"442\" class=\"entry-thumb\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/06\/NMEAR_NME-MWC-THE-COVER-2026-3-CREDIT-PHOEBE-FOX@2000x1270-696x442.jpg\" alt=\"Man\/Woman\/Chainsaw (2026), photo by Phoebe Fox\" title=\"NMEAR_NME-MWC-THE-COVER-2026-3-CREDIT-PHOEBE-FOX@2000x1270\"><figcaption class=\"tdb-caption-text\">Man\/Woman\/Chainsaw. Credit: Phoebe Fox for NME<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_72\" class=\"tdc-row stretch_row\">\n<div class=\"vc_row tdi_73  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_75  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_breadcrumbs tdi_76 td-pb-border-top td_block_template_2 tdb-breadcrumbs \" data-td-block-uid=\"tdi_76\">\n<div class=\"tdb-block-inner td-fix-index\"><span>Reviews<\/span><span>Album Reviews<\/span><\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_title tdi_77 tdb-single-title td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_77\">\n<div class=\"tdb-block-inner td-fix-index\">\n<h1 class=\"tdb-title-text\">Man\/Woman\/Chainsaw \u2013 \u2018Cannonball\u2019 review: a galley-smashing direct hit of a debut<\/h1>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_subtitle tdi_78 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_78\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>Arty South London upstarts evolve into an inescapable 12-legged beast on expansive album to make you dance, smile tremble and weep <\/p>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_review_overall tdi_79 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_79\">\n<table class=\"td-review td-fix-index\">\n<tr class=\"td-review-footer rate_stars\">\n<td class=\"td-review-score\">\n<div class=\"td-review-overall\">\n<div class=\"td-review-final-score\">4<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<div class=\"td_block_wrap tdb_single_author tdi_80 td-pb-border-top td_block_template_2 tdb-post-meta\" data-td-block-uid=\"tdi_80\">\n<div class=\"tdb-block-inner td-fix-index\">\n<div class=\"tdb-author-name-wrap\"><span class=\"tdb-author-by\">By<\/span> Andrew Trendell<\/div>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_date tdi_81 td-pb-border-top td_block_template_2 tdb-post-meta\" data-td-block-uid=\"tdi_81\">\n<div class=\"tdb-block-inner td-fix-index\"><time class=\"entry-date updated td-module-date\" datetime=\"2026-08-05T09:00:56+01:00\">5th August 2026<\/time><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_82\" class=\"tdc-row\">\n<div class=\"vc_row tdi_83  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_85  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_single_content tdi_86 td-pb-border-top td_block_template_2 td-post-content tagdiv-type\" data-td-block-uid=\"tdi_86\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p><em>BANG<\/em>! It\u2019s the crack of a snare that opens Man\/Woman\/Chainsaw\u2019s aptly titled debut \u2018Cannonball\u2019 on \u2018Only Girl\u2019: an explosion in the side of the galley before an ocean of sound floods in. It\u2019s a sea of shoegazey guitars and ascending violins, but buoyed by a dizzying dedication to pure pop melody. As guitarist Billy Ward told us in their recent <em>NME<\/em> cover story, this ain\u2019t \u201cweird for weird\u2019s sake\u201d. This South London six-piece aren\u2019t the abrasively wanky art-rock Brixton Windmill kids they may seem on paper. The song always comes first, and it comes with a vibe and joy.<\/p>\n<ul>\n<li><strong>READ MORE: Man\/Woman\/Chainsaw are finding the sweet spot between the weird and the wonderful<\/strong><\/li>\n<\/ul>\n<p>What\u2019s that on \u2018Canyons\u2019? A honey-drenched earworm vocal ballad intro worthy of Adele or Alicia Keys? Yup, but of course nothing is as it seems. It\u2019s pop but not as we know it, soon descending into jarring strings-assisted grunge assault akin to old-school dEUS, loaded with the grit and intensity of \u201c<em>the real thing<\/em>\u201d they\u2019re pining for. Hell, \u2018Still Angry\u2019 would be a Radio 1-friendly chart-topper for most pop girls had it not gone through M\/C\/W\u2019s delightfully demented rock mangle. You feel that balance too on the soulful and loungey \u2018Lighter\u2019, a jazz club lighters-up moment made more widescreen by a spectral post-rock bed, feeling the bliss of that sentiment of \u201c<em>the time that you gift to me is my favourite dream.\u201d\u00a0<\/em><\/p>\n<div class=\"td-a-ad id_inline_ad0 id_ad_content-horiz-center\"><span class=\"td-adspot-title\">Advertisement<\/span><\/div>\n<p>Formed when they were just 16 before spending the coming years loudly tussling for their sound in a converted vicarage and sweaty pub backrooms, the NME 100 alumni played over 100 gigs by the time they were only 19. Having seen them smash various spots on the showcase circuit, we can tell you Man\/Woman\/Chainsaw really bloom into what they\u2019re meant to be on the stage and on this record. With lead vocals shared by Ward, keys player Emmie-Mae Avery and bassist Vera Lepp\u00e4nen \u2013 plus thrilling left turns provided by violinist Clio Starwood, the earth-scorching guitar of Billy Doyle and Lola Cherry\u2019s purposeful rhythms \u2013 Man\/Woman\/Chainsaw are one 12-legged beast on the attack.<\/p>\n<iframe loading=\"lazy\" title=\"Man\/Woman\/Chainsaw - 'Nosedive' (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/5J3nZT--jBc?feature=oembed&amp;enablejsapi=1\" frameborder allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>For what they\u2019re truly capable of, look no further than the 6 Music-dominating bonafide banger \u2018Nosedive\u2019; a strutting mash-up of the cinematic tension of early Arcade Fire, bolstered by that pre-coming-up magic of LCD Soundsystem and the nerdy dancefloor clarion call of Los Campesinos. \u201c<em>Baby get me back over you\u201d<\/em> is going to make for a pretty blissed-out festival sing-along for what\u2019s left of the summer. Then there\u2019s \u2018Godddamn, Lizard Man!\u2019, an assured modern update of Nick Cave\u2019s vampyric gothic menace from \u2018Red Right Hand\u2019 for the modern age of super-creeps that warns of \u201c<em>a funny guy who\u2019ll greet you with a kiss<\/em>\u201d but who\u2019ll \u201c<em>suck your blood and hang you up to dry<\/em>\u201d.<\/p>\n<p>From the hell-bound tango of \u2018Flick Of The Wrist\u2019 to the slow-burning nightmare folk of \u2018Get Up And Dance\u2019 and the runaway desert rock of \u2018The Thing\u2019 to the trip-hop exorcism of closer \u2018Something Else To Give\u2019, \u2018Cannonball\u2019 comes on leaps and bounds from the raw ambition of debut EP \u2018Eazy Peasy\u2019 to create an album that leans into the experimental but never falls over into over-indulgence \u2013 just giddily playful while emotionally direct to make you to make you dance, smile tremble and weep. Here\u2019s a band for whom perfection is just around the corner as they fine-tune the engine to reach a cleaner and more regular lift-off, but for now enjoy one of the most accomplished debuts of the year and a surefire Mercury Prize 2027 nominee. This cannonball makes one hell of a splash.<\/p>\n<h3><strong>Details<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3810046 alignleft\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/08\/M_W_C_CANNONBALL_review.jpg\" alt=\"Man\/Woman\/Chainsaw \u2013 &apos;Cannonball\" width=\"400\" height=\"400\"><\/p>\n<ul>\n<li><strong>Release Date:<\/strong> August 7, 2026<\/li>\n<li><strong>Label:<\/strong> Fiction<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_tags tdi_87 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_87\">\n<div class=\"tdb-block-inner td-fix-index\">\n<ul class=\"tdb-tags\">\n<li><span>Related Topics<\/span><\/li>\n<li>Indie<\/li>\n<li>Man\/Woman\/Chainsaw<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_88\" class=\"tdc-row\">\n<div class=\"vc_row tdi_89  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_91  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"vc_row_inner tdi_93  vc_row vc_inner wpb_row td-pb-row\">\n<div class=\"vc_column_inner tdi_95  wpb_column vc_column_container tdc-inner-column td-pb-span12\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_wrapper td_block_wrap vc_raw_html tdi_97 \">\n<div class=\"td-fix-index\">\n<h3>More Stories<\/h3>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap td_flex_block_1 tdi_98 td-pb-border-top td_module_flex_1--card td_module_flex_1--card--highlight td_block_template_2 tdc-no-posts td_flex_block\" data-td-block-uid=\"tdi_98\">\n<div id=\"tdi_98\" class=\"td_block_inner td-mc1-wrap\">\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">The Bangles icon Susanna Hoffs announces new solo album \u2018The List\u2019 featuring Rufus Wainwright and more<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Comedian James Acaster launches new band The Wow! Scenario, sharing jazz driven single \u2018Zacuti\u2019 featuring BC Camplight<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Declan McKenna announces \u201clive and intimate\u201d UK warm-up shows ahead of Reading &amp; Leeds 2026<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Dove Ellis announces 2026 UK and Ireland tour<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Film News<\/p>\n<h3 class=\"entry-title td-module-title\">Gracie Abrams \u201cfeels lucky to be generally inspired\u201d by Paul Mescal for songwriting, and their romance \u201cheld a mirror\u201d up to her past relationships<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Wings Of Desire travel hours with 11-week-old baby to play festival stage that didn\u2019t exist: \u201cWe do not appreciate being gaslit\u201d<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_99\" class=\"tdc-row\">\n<div class=\"vc_row tdi_100  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_102  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_wrapper td_block_wrap vc_raw_html tdi_104 \">\n<div class=\"td-fix-index\">\n<h3>You May Also Like<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span class=\"td-page-meta\"><\/span><span class=\"td-page-meta\"><span class=\"td-page-meta\"><\/span><\/span><span class=\"td-page-meta\"><\/span><span class=\"td-page-meta\"><span class=\"td-page-meta\"><\/span><span><\/span><\/span><span class=\"td-page-meta\"><\/span><\/article>\n<\/p>\n<div class=\"td_block_wrap tdb_single_content tdi_86 td-pb-border-top td_block_template_2 td-post-content tagdiv-type\" data-td-block-uid=\"tdi_86\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p><em>BANG<\/em>! It\u2019s the crack of a snare that opens Man\/Woman\/Chainsaw\u2019s aptly titled debut \u2018Cannonball\u2019 on \u2018Only Girl\u2019: an explosion in the side of the galley before an ocean of sound floods in. It\u2019s a sea of shoegazey guitars and ascending violins, but buoyed by a dizzying dedication to pure pop melody. As guitarist Billy Ward told us in their recent <em>NME<\/em> cover story, this ain\u2019t \u201cweird for weird\u2019s sake\u201d. This South London six-piece aren\u2019t the abrasively wanky art-rock Brixton Windmill kids they may seem on paper. The song always comes first, and it comes with a vibe and joy.<\/p>\n<ul>\n<li><strong>READ MORE: Man\/Woman\/Chainsaw are finding the sweet spot between the weird and the wonderful<\/strong><\/li>\n<\/ul>\n<p>What\u2019s that on \u2018Canyons\u2019? A honey-drenched earworm vocal ballad intro worthy of Adele or Alicia Keys? Yup, but of course nothing is as it seems. It\u2019s pop but not as we know it, soon descending into jarring strings-assisted grunge assault akin to old-school dEUS, loaded with the grit and intensity of \u201c<em>the real thing<\/em>\u201d they\u2019re pining for. Hell, \u2018Still Angry\u2019 would be a Radio 1-friendly chart-topper for most pop girls had it not gone through M\/C\/W\u2019s delightfully demented rock mangle. You feel that balance too on the soulful and loungey \u2018Lighter\u2019, a jazz club lighters-up moment made more widescreen by a spectral post-rock bed, feeling the bliss of that sentiment of \u201c<em>the time that you gift to me is my favourite dream.\u201d\u00a0<\/em><\/p>\n<div class=\"td-a-ad id_inline_ad0 id_ad_content-horiz-center\"><span class=\"td-adspot-title\">Advertisement<\/span><\/div>\n<p>Formed when they were just 16 before spending the coming years loudly tussling for their sound in a converted vicarage and sweaty pub backrooms, the NME 100 alumni played over 100 gigs by the time they were only 19. Having seen them smash various spots on the showcase circuit, we can tell you Man\/Woman\/Chainsaw really bloom into what they\u2019re meant to be on the stage and on this record. With lead vocals shared by Ward, keys player Emmie-Mae Avery and bassist Vera Lepp\u00e4nen \u2013 plus thrilling left turns provided by violinist Clio Starwood, the earth-scorching guitar of Billy Doyle and Lola Cherry\u2019s purposeful rhythms \u2013 Man\/Woman\/Chainsaw are one 12-legged beast on the attack.<\/p>\n<iframe loading=\"lazy\" title=\"Man\/Woman\/Chainsaw - 'Nosedive' (Official Video)\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/5J3nZT--jBc?feature=oembed&amp;enablejsapi=1\" frameborder allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p>For what they\u2019re truly capable of, look no further than the 6 Music-dominating bonafide banger \u2018Nosedive\u2019; a strutting mash-up of the cinematic tension of early Arcade Fire, bolstered by that pre-coming-up magic of LCD Soundsystem and the nerdy dancefloor clarion call of Los Campesinos. \u201c<em>Baby get me back over you\u201d<\/em> is going to make for a pretty blissed-out festival sing-along for what\u2019s left of the summer. Then there\u2019s \u2018Godddamn, Lizard Man!\u2019, an assured modern update of Nick Cave\u2019s vampyric gothic menace from \u2018Red Right Hand\u2019 for the modern age of super-creeps that warns of \u201c<em>a funny guy who\u2019ll greet you with a kiss<\/em>\u201d but who\u2019ll \u201c<em>suck your blood and hang you up to dry<\/em>\u201d.<\/p>\n<p>From the hell-bound tango of \u2018Flick Of The Wrist\u2019 to the slow-burning nightmare folk of \u2018Get Up And Dance\u2019 and the runaway desert rock of \u2018The Thing\u2019 to the trip-hop exorcism of closer \u2018Something Else To Give\u2019, \u2018Cannonball\u2019 comes on leaps and bounds from the raw ambition of debut EP \u2018Eazy Peasy\u2019 to create an album that leans into the experimental but never falls over into over-indulgence \u2013 just giddily playful while emotionally direct to make you to make you dance, smile tremble and weep. Here\u2019s a band for whom perfection is just around the corner as they fine-tune the engine to reach a cleaner and more regular lift-off, but for now enjoy one of the most accomplished debuts of the year and a surefire Mercury Prize 2027 nominee. This cannonball makes one hell of a splash.<\/p>\n<h3><strong>Details<\/strong><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3810046 alignleft\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/08\/M_W_C_CANNONBALL_review.jpg\" alt=\"Man\/Woman\/Chainsaw \u2013 &apos;Cannonball\" width=\"400\" height=\"400\"><\/p>\n<ul>\n<li><strong>Release Date:<\/strong> August 7, 2026<\/li>\n<li><strong>Label:<\/strong> Fiction<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.nme.com\/reviews\/album\/man-woman-chainsaw-cannonball-album-review-3960551&#8243;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.nme.com\/wp-content\/uploads\/2026\/06\/NMEAR_NME-MWC-THE-COVER-2026-3-CREDIT-PHOEBE-FOX@2000&#215;1270.jpg&#8221;] Man\/Woman\/Chainsaw. Credit: Phoebe Fox for NME ReviewsAlbum Reviews Man\/Woman\/Chainsaw \u2013 \u2018Cannonball\u2019 review: a galley-smashing direct hit of a debut Arty South London upstarts evolve into an inescapable 12-legged beast on expansive album to make you dance, smile tremble and weep 4 By Andrew Trendell 5th August 2026 BANG! It\u2019s the crack of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,78],"class_list":["post-2078622","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-nme-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2078622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2078622"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2078622\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2078622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2078622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2078622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}