{"id":2076591,"date":"2026-08-03T14:00:00","date_gmt":"2026-08-03T11:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2076591"},"modified":"2026-08-03T14:00:00","modified_gmt":"2026-08-03T11:00:00","slug":"nada-miami-names-135-exhibitors-for-upcoming-edition-in-december","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2076591","title":{"rendered":"NADA Miami Names 135 Exhibitors for Upcoming Edition in December"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/07\/BFA_52641_7611714.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe New Art Dealers Alliance has named the 135 galleries that will take part in the upcoming 2026 edition of NADA Miami, scheduled to run December 1\u20135 at its longtime home, the Ice Palace Studios.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe fair\u2019s 24th edition will bring together exhibitors from 63 cities in 27 countries, with 45 of them participating for the first time. Galleries making their debut at NADA Miami including Pietro Alexander (of New York), Clauda (Prague), Forgotten Lands (Christiansted, St. Croix), Real Tinsel (Milwaukee), and Slip House (New York).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNADA Miami will also feature 59 of the organization\u2019s members, including April April, Chozick Family Art Gallery, Embajada, Gattopardo, Hesse Flatow, Kates-Ferri Projects, Misako &amp; Rosen, Tyler Park Presents, and Proxyco. Other galleries taking part include Ceysson &amp; B\u00e9n\u00e9ti\u00e8re, De Boer, Tara Downs, Gladwell Projects, and Piedras.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe NADA Projects section will feature 25 exhibitors, including Blah Blah Gallery (of Philadelphia), Knell (Los Angeles), Picture Theory (New York), and Southside Contemporary (Richmond).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAdditionally, a portion of the fair\u2019s ticket sales will go toward the ninth annual NADA Acquisition Gift for PAMM, which funds the acquisition of an artwork at the fair by the P\u00e9rez Art Museum Miami. Artists whose work the museum has previously acquired at NADA Miami include Danielle De Jesus, Camila Falquez, Nikita Gale, and Kenny Rivero.<strong> \u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cNADA\u2019s fairs are the most visible expression of a peer community that runs year-round,\u201d NADA executive director Heather Hubbs said in a statement. \u201cThe floor in Miami is an incredible way to experience this community firsthand, through a dynamic selection of presentations from galleries working at the forefront of contemporary art.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe full exhibitor list follows below. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Galleries<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<th>Gallery<\/th>\n<th>Location(s)<\/th>\n<\/tr>\n<tr>\n<td>839<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>ABRA<\/td>\n<td>Caracas<\/td>\n<\/tr>\n<tr>\n<td>ABRI MARS<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Affinity Gallery<\/td>\n<td>Lagos<\/td>\n<\/tr>\n<tr>\n<td>AKIINOUE<\/td>\n<td>Tokyo<\/td>\n<\/tr>\n<tr>\n<td>Pietro Alexander<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Althuis Hofland Fine Arts<\/td>\n<td>Amsterdam<\/td>\n<\/tr>\n<tr>\n<td>Alzueta Gallery<\/td>\n<td>Paris; Barcelona; Madrid; Casavells<\/td>\n<\/tr>\n<tr>\n<td>Amanita<\/td>\n<td>New York; Rome<\/td>\n<\/tr>\n<tr>\n<td>Alice Amati<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>april april<\/td>\n<td>Pittsburgh<\/td>\n<\/tr>\n<tr>\n<td>Bill Arning Exhibitions<\/td>\n<td>Old Chatham<\/td>\n<\/tr>\n<tr>\n<td>Baert Gallery<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Baker-Hall<\/td>\n<td>Miami<\/td>\n<\/tr>\n<tr>\n<td>Hannah Barry Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Blue Velvet<\/td>\n<td>Zurich; Madrid<\/td>\n<\/tr>\n<tr>\n<td>Burnaway<\/td>\n<td>Atlanta<\/td>\n<\/tr>\n<tr>\n<td>Calvaresi<\/td>\n<td>Buenos Aires<\/td>\n<\/tr>\n<tr>\n<td>Cassina Projects<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>CASTLE<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Ceysson &amp; B\u00e9n\u00e9ti\u00e8re<\/td>\n<td>Paris; Saint-\u00c9tienne; Lyon; Geneva; New York; Tokyo; La Chaulme; Koerich; Pouzilhac<\/td>\n<\/tr>\n<tr>\n<td>CH64 Gallery<\/td>\n<td>Tbilisi<\/td>\n<\/tr>\n<tr>\n<td>CHART<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Chilli<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Chozick Family Art Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Cob<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Creative Growth<\/td>\n<td>Oakland<\/td>\n<\/tr>\n<tr>\n<td>The Cuban Art Hub<\/td>\n<td>Havana<\/td>\n<\/tr>\n<tr>\n<td>de boer<\/td>\n<td>Los Angeles; Antwerp<\/td>\n<\/tr>\n<tr>\n<td>DIMIN<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Dio Horia Gallery<\/td>\n<td>Athens<\/td>\n<\/tr>\n<tr>\n<td>Dot Fiftyone Gallery<\/td>\n<td>Miami<\/td>\n<\/tr>\n<tr>\n<td>Tara Downs<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>ELLEPHANT<\/td>\n<td>Montreal<\/td>\n<\/tr>\n<tr>\n<td>EMBAJADA<\/td>\n<td>San Juan<\/td>\n<\/tr>\n<tr>\n<td>Entrance<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Deanna Evans Projects<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Feia<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Fernberger<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Patricia Fleming Gallery<\/td>\n<td>Glasgow<\/td>\n<\/tr>\n<tr>\n<td>FLOHAUS Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>FORGOTTEN LANDS<\/td>\n<td>Christiansted; New York<\/td>\n<\/tr>\n<tr>\n<td>Fragment<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Gattopardo<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Geary<\/td>\n<td>Salisbury<\/td>\n<\/tr>\n<tr>\n<td>Asya Geisberg Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Gladwell Projects<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Gratin<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>The Green Gallery<\/td>\n<td>Milwaukee<\/td>\n<\/tr>\n<tr>\n<td>Halsey McKay Gallery<\/td>\n<td>East Hampton; New York<\/td>\n<\/tr>\n<tr>\n<td>Hawkins Headquarters<\/td>\n<td>Atlanta<\/td>\n<\/tr>\n<tr>\n<td>Timothy Hawkinson Gallery<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>HESSE FLATOW<\/td>\n<td>New York; Amagansett<\/td>\n<\/tr>\n<tr>\n<td>HeyThereProjects<\/td>\n<td>Joshua Tree<\/td>\n<\/tr>\n<tr>\n<td>The Hole<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>House of Seiko<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Jarvis Art<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>JDJ<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Kates-Ferri Projects<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>KDR<\/td>\n<td>Miami<\/td>\n<\/tr>\n<tr>\n<td>Eli Kerr<\/td>\n<td>Montreal<\/td>\n<\/tr>\n<tr>\n<td>Kevin Kramer Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>GALLERY KTO<\/td>\n<td>Tokyo<\/td>\n<\/tr>\n<tr>\n<td>Kutlesa<\/td>\n<td>New York; Goldau<\/td>\n<\/tr>\n<tr>\n<td>LA BIBI GALLERY<\/td>\n<td>Palma de Mallorca; Mexico City<\/td>\n<\/tr>\n<tr>\n<td>La Loma<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>LaMontagne Gallery<\/td>\n<td>Boston<\/td>\n<\/tr>\n<tr>\n<td>LAURA<\/td>\n<td>Houston<\/td>\n<\/tr>\n<tr>\n<td>M. LeBlanc<\/td>\n<td>Chicago<\/td>\n<\/tr>\n<tr>\n<td>Galerie Christian Lethert<\/td>\n<td>Cologne<\/td>\n<\/tr>\n<tr>\n<td>Linse Gallery<\/td>\n<td>Buenos Aires<\/td>\n<\/tr>\n<tr>\n<td>The Locker Room<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Main Projects<\/td>\n<td>Richmond<\/td>\n<\/tr>\n<tr>\n<td>Management<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Marrow<\/td>\n<td>San Francisco<\/td>\n<\/tr>\n<tr>\n<td>Martha\u2019s<\/td>\n<td>Austin<\/td>\n<\/tr>\n<tr>\n<td>MISAKO &amp; ROSEN<\/td>\n<td>Tokyo<\/td>\n<\/tr>\n<tr>\n<td>Charles Moffett<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Morgan Lehman Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>mueve (galer\u00eda)<\/td>\n<td>Lima<\/td>\n<\/tr>\n<tr>\n<td>Megan Mulrooney<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>New Discretions<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Oolong Gallery<\/td>\n<td>New York; San Diego<\/td>\n<\/tr>\n<tr>\n<td>Opa Projects<\/td>\n<td>Miami<\/td>\n<\/tr>\n<tr>\n<td>Tyler Park Presents<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Patel Brown<\/td>\n<td>Toronto<\/td>\n<\/tr>\n<tr>\n<td>PIEDRAS<\/td>\n<td>Buenos Aires<\/td>\n<\/tr>\n<tr>\n<td>Playlist<\/td>\n<td>San Francisco; Busan<\/td>\n<\/tr>\n<tr>\n<td>Polina Berlin Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>PRIMARY<\/td>\n<td>Miami<\/td>\n<\/tr>\n<tr>\n<td>Pang\u00e9e<\/td>\n<td>Montreal<\/td>\n<\/tr>\n<tr>\n<td>Proxyco Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>ANDREW RAFACZ<\/td>\n<td>Chicago<\/td>\n<\/tr>\n<tr>\n<td>Refus\u00e9s<\/td>\n<td>London; New York<\/td>\n<\/tr>\n<tr>\n<td>Rivalry Projects<\/td>\n<td>Buffalo<\/td>\n<\/tr>\n<tr>\n<td>Diane Rosenstein Gallery<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Roland Ross<\/td>\n<td>Margate<\/td>\n<\/tr>\n<tr>\n<td>ROMANCE<\/td>\n<td>Pittsburgh<\/td>\n<\/tr>\n<tr>\n<td>Scroll<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Chris Sharp Gallery<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Sheet Cake Gallery<\/td>\n<td>Memphis<\/td>\n<\/tr>\n<tr>\n<td>Shrine<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>SITUATIONS<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Slip House<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Sorry We\u2019re Closed<\/td>\n<td>Brussels<\/td>\n<\/tr>\n<tr>\n<td>Tappeto Volante Projects<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>TINNEY<\/td>\n<td>Nashville<\/td>\n<\/tr>\n<tr>\n<td>Twelve Gates Arts<\/td>\n<td>Philadelphia<\/td>\n<\/tr>\n<tr>\n<td>Whaam!<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>The Why Not Gallery<\/td>\n<td>Tbilisi<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>NADA Projects<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<th>NADA Project<\/th>\n<th>Location(s)<\/th>\n<\/tr>\n<tr>\n<td>ai. gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Blah Blah Gallery<\/td>\n<td>Philadelphia<\/td>\n<\/tr>\n<tr>\n<td>Bleu Acier<\/td>\n<td>Tampa; Belmont<\/td>\n<\/tr>\n<tr>\n<td>Gallery Bogart<\/td>\n<td>Kansas City<\/td>\n<\/tr>\n<tr>\n<td>Ceibo Gallery<\/td>\n<td>Miami<\/td>\n<\/tr>\n<tr>\n<td>Clauda<\/td>\n<td>Prague<\/td>\n<\/tr>\n<tr>\n<td>Concordia Studio<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>dmincubator<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>EY Projects<\/td>\n<td>Shanghai<\/td>\n<\/tr>\n<tr>\n<td>TATSURO KISHIMOTO<\/td>\n<td>Tokyo<\/td>\n<\/tr>\n<tr>\n<td>KNELL<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>The Living Room<\/td>\n<td>Miami<\/td>\n<\/tr>\n<tr>\n<td>Mahara+Co<\/td>\n<td>Miami<\/td>\n<\/tr>\n<tr>\n<td>Miriam<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Oolite Arts<\/td>\n<td>Miami Beach<\/td>\n<\/tr>\n<tr>\n<td>Open Studio<\/td>\n<td>New York; Miami<\/td>\n<\/tr>\n<tr>\n<td>Picture Theory<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Dominique Porter Gallery<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Real Tinsel<\/td>\n<td>Milwaukee<\/td>\n<\/tr>\n<tr>\n<td>Satchel Projects LLC<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Savage Wonder<\/td>\n<td>Beacon; New York<\/td>\n<\/tr>\n<tr>\n<td>Southside Contemporary<\/td>\n<td>Richmond<\/td>\n<\/tr>\n<tr>\n<td>Twelve Ten Gallery<\/td>\n<td>Chicago<\/td>\n<\/tr>\n<tr>\n<td>VESPER TZU<\/td>\n<td>Lima<\/td>\n<\/tr>\n<tr>\n<td>Voltz Clarke Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/market\/nada-miami-2026-exhibitor-list-1234794118\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/07\/BFA_52641_7611714.jpg?w=1024&#8243;] The New Art Dealers Alliance has named the 135 galleries that will take part in the upcoming 2026 edition of NADA Miami, scheduled to run December 1\u20135 at its longtime home, the Ice Palace Studios. The fair\u2019s 24th edition will bring together exhibitors from 63 cities in 27 countries, with 45 of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-2076591","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2076591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2076591"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2076591\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2076591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2076591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2076591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}