{"id":2075316,"date":"2026-08-03T15:00:00","date_gmt":"2026-08-03T12:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2075316"},"modified":"2026-08-03T15:00:00","modified_gmt":"2026-08-03T12:00:00","slug":"michelle-grabner-donates-2000-plus-artworks-to-kohler-arts-center","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2075316","title":{"rendered":"Michelle Grabner Donates 2,000-Plus Artworks to Kohler Arts Center"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/08\/ex.gra_.2026.5010-jpeg-only.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tArtist Michelle Grabner will donate more than 2,000 artworks to the John Michael Kohler Arts Center (JMKAC) in Sheboygan, Wisconsin, making the institution the most comprehensive repository of her work.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tComprising 700 paintings, 200 sculptures, and 1,200 prints, Grabner\u2019s gift spans the arc of her career, so far, with pieces made in the early 1990s to ones made in the past few years. Her gift also includes 300 works from her personal art collection, amassed via a combination of trades, gifts, and purchases, as well as her teaching materials and syllabi from her three-decade tenure at the School of the Art Institute of Chicago.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGrabner was born in Wisconsin in 1962, and she said growing up she was aware of the work being done at the JMKAC, which between 1972 and 2016 was led by Ruth DeYoung Kohler II. \u201cRuth was doing some amazing things there,\u201d Grabner said, but when she was starting out as an artist in the 1980s, \u201cwhat Ruth was doing was not what was compelling me.\u201d Instead, she was looking to the art scenes in New York and Chicago, and \u201cI wasn\u2019t appreciating what was in my own backyard.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBeginning with DeYoung Kohler, JMKAC, Grabner said, has \u201can exceptional history of taking on artists\u2019 environments that they collect, and they collect in mass, where the truth of an artist\u2019s arc, their life, can be represented. They don\u2019t just need the best Michelle Grabner. They have the resources to take on the full arc of the work, including archives, and that is exceptional.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/08\/ex.gra_.2026.5006-jpeg-only.jpg?w=400\" alt=\"A circular painting of a rough-hewn gingham pattern in red, white and pink with some green marks. \" height=\"1195\" width=\"1200\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Michelle Grabner, <em>untitled<\/em>, 2023.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo Matthew Herrmann\/\u00a92026 Michelle Grabner\/Courtesy the artist and Norr Cohan, New York<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat opportunity was exciting to Grabner as most museums are often focused on acquiring a single representative work from a specific moment in her career as opposed to having a more in-depth approach, especially for a mid-career artist like herself. Her work is held in a number of institutional collections, including the Art Institute of Chicago, the Walker Art Center, the Dallas Museum of Art, the Smithsonian American Art Museum, and the Victoria and Albert Museum, London. But now, the JMKAC \u201cwill become the principal institutional home for Grabner\u2019s work and teaching archives,\u201d as a press release put it. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe breadth of the gift grew out of several conversations with the JMKAC team, including executive director Amy Horst and chief curator Jodi Throckmorton. \u201cThe Arts Center was trying to think about how they could support me in this gift, and I said, \u2018You would be supporting me by taking on my material mass,\u201d she said, noting that she told them, \u201cWhat you are giving me is an opportunity not to spend the last part of my life being an administrator of my own work.\u201d \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShe continued, \u201cI don\u2019t have to worry about that. I can keep making work. I can keep making opportunities for other artists. I can keep that momentum going instead of arresting myself to thinking about, what is the value of these works? Where should they go?\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/08\/ap.gra_.2022.0007-jpeg-only.jpg?w=400\" alt=\"A sculpture in porcelain of a janitor&apos;s cart and yellow folding caution sign. \" height=\"1584\" width=\"1200\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Michelle Grabner, <em>Patterns and Practicalities (continuation)<\/em>, 2020\u201321.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Courtesy John Michael Kohler Arts Center<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThat Grabner is a Wisconsin artist with international significance makes this gift especially meaningful\u2014it ensures that a practice with global reach remains rooted in the place that shaped it,\u201d Throckmorton said in a statement, noting that the gift, which will now be accessible to the public, \u201callows us to work directly with Grabner to shape how her legacy is presented\u2014how the work is shown, contextualized, and understood for years to come.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThough she still maintains a residence in Chicago, Grabner moved back to Milwaukee in 2015 and soon entered the Kohler orbit. She was invited to participate in Kohler Co.\u2019s three-month Arts\/Industry residency in 2017, curated an exhibition at the JMKAC in 2018, and in 2021 was commissioned to make a functional washroom for the JMKAC\u2019s Art Preserve. In 2025, she participated in the Kohler MakerSpace residency program, where she made work in vitreous china. She currently serves as a curator for the Kohler Co.\u2019s Arts\/Industry Collection.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGrabner said that her time as an Arts\/Industry fellow was especially impactful on her practice. \u201cIt\u2019s an exceptional residency\u2014a super labor-intensive residency,\u201d she said, noting it gets artists \u201cto start thinking about both the idea that any variation from a Kohler line of products is a problem, but for artists, variation is interesting, so that works against it. It\u2019s interesting to measure oneself against kind of industrial processes of sameness and efficiency [since] artists often talk about originality or variation in our work, so to deal with that on a daily basis while you\u2019re working your ass off [is] exciting, quite draining, but also intellectually fascinating.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/08\/ex.gra_.2026.5005-jpeg-only.jpg?w=400\" alt=\"20 steel ham tins and silver leaf with natural tarnishing. The are displayed on the floor and half open. \" height=\"900\" width=\"1200\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Michelle Grabner, <em>untitled<\/em>, 2023.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo Matthew Herrmann\/\u00a92026 Michelle Grabner\/Courtesy the artist and Norr Cohan, New York<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGrabner received her MFA from Northwestern University in 1990 and, since 1996, she has taught at the School of the Art Institute of Chicago (SAIC), where she is now chair of the Department of Painting and Sculpture. She sees the gift of her teaching materials as complementary to the JMKAC\u2019s recent acquisition of the Roger Brown Study Collection, a semiprivate home museum made up of some 2,000 artworks by Chicago Imagists and other artists. Brown, who died in 1997, was a predecessor of Grabner\u2019s on the SAIC faculty. The JMKAC collection also includes substantial holdings of the work of Barbara Rossi and Ray Yoshida, both of whom Grabner taught alongside at SAIC.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTaken together, her gift and the JMKAC\u2019s existing holdings of SAIC faculty, Grabner said, in a way shows the trajectory of the school\u2019s Painting and Drawing Department and \u201chow it was marked not only in pedagogy but also in aesthetic shifts in Chicago and what the sources of those artists were.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThis gift is so much more than the transfer of a remarkable body of work. It is an expression of trust built over years of relationship,\u201d Horst said in a statement. \u201cAt the Arts Center, we\u2019ve always believed that lasting partnerships with artists are at the heart of our mission and seeing that commitment returned in such a profound way is deeply moving. To be chosen as the permanent home for an artist\u2019s life\u2019s work is an honor and a reflection of our mission.\u201d<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/michelle-grabner-kohler-arts-center-donation-1234794155\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/08\/ex.gra_.2026.5010-jpeg-only.jpg?w=1024&#8243;] Artist Michelle Grabner will donate more than 2,000 artworks to the John Michael Kohler Arts Center (JMKAC) in Sheboygan, Wisconsin, making the institution the most comprehensive repository of her work. Comprising 700 paintings, 200 sculptures, and 1,200 prints, Grabner\u2019s gift spans the arc of her career, so far, with pieces made in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-2075316","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2075316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2075316"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2075316\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2075316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2075316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2075316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}