{"id":2061793,"date":"2026-07-25T18:58:15","date_gmt":"2026-07-25T15:58:15","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2061793"},"modified":"2026-07-25T18:58:15","modified_gmt":"2026-07-25T15:58:15","slug":"smokey-robinson-and-gladys-knight-7-highlights-from-their-hollywood-bowl-show","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2061793","title":{"rendered":"Smokey Robinson and Gladys Knight: 7 Highlights From Their Hollywood Bowl Show"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/07\/P10G1XL-e1785002269257.jpg?w=1024&#8243;]<\/p>\n<div class=\"\n\t\t\t\ta-content lrv-a-floated-parent lrv-a-glue-parent a-font-body-m\n\t\t\t\tu-font-size-19 u-max-width-690 lrv-u-margin-lr-auto pmc_list pmc-paywall\n\t\t\t\"><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt would be a clich\u00e9 to call Smokey Robinson and Gladys Knight \u201cnational treasures,\u201d but both most certainly are. Both have been music royalty longer than many of the fans at their Hollywood Bowl concert on Friday (July 24) have been alive. Robinson and his band, The Miracles, first cracked the top 10 on the Billboard Hot 100 in January 1961 with \u201cShop Around.\u201d Knight and her group, The Pips, first cracked the top 10 on that chart five months later with the doo-wop-shaded \u201cEvery Beat of My Heart.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRobinson, 86, and Knight, 82, both have musical legacies that are strong and secure. (Both of their groups ranked in the top 20 on <em>Billboard<\/em>\u2018s list \u201cThe 50 Best R&amp;B Groups of All Time: Staff\u00a0Picks,\u201d which was published last month.)\u00a0The only question now is: How are they in concert in 2026?<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-display-inline-block lrv-u-width-100p lrv-u-margin-t-2 u-margin-t-26@mobile-max u-margin-b-0.875@mobile-max u-margin-b-150@tablet u-border-t-12 lrv-u-padding-t-025 u-padding-b-1.313 lrv-u-padding-b-125@mobile-max lrv-u-border-color-black injected-single-story lrv-u-border-b-1\">\n<div class>\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-a-unstyle-link lrv-u-whitespace-nowrap u-font-weight-700 lrv-u-display-inline-block u-line-height-18px a-font-accent u-letter-spacing-0225 u-font-size-16 lrv-u-color-black lrv-u-text-transform-uppercase u-article-badge-underline a-article-esp u-display-inline-flex lrv-u-margin-b-1@mobile-max u-margin-b-075\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3>\n<\/div>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between lrv-u-padding-tb-050@desktop a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card \">\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\"><img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/06\/Best-RB-All-Time-staff-picks-hero-billboard-1800.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"From left: Michael Jackson, Beyonce, Sly Stone, Diana Ross. Illustration by Vanessa Morsse.\" height width><\/div>\n<\/div>\n<div class=\"o-card__content \">\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tThe 50 Best R&amp;B Groups of All Time (Complete List): Staff\u00a0Picks\u00a0\t\t<\/p>\n<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRobinson hasn\u2019t lost a step. He sang well, moved well and was a master showman. He is duly recognized as one of our greatest songwriters, but he may be under-recognized as a live performer. He was spry and agile throughout his headlining set. He was also personable, speaking warmly about Knight, who he said he\u2019s known since they were teenagers (\u201cone of the greatest voices of our time\u201d) and doing a spot-on and very funny impression of Stevie Wonder\u2019s head-turning mannerisms (by way of introducing \u201cThe Tears of a Clown,\u201d which the two music legends cowrote with Henry Cosby). That song, Robinson\u2019s only No. 1 Hot 100 hit as a performer, may be the most ebullient-sounding song ever written about a heartbroken man.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMy only criticism of Robinson\u2019s set: An audience participation bit on \u201cCruisin\u2019\u201d (which side of the house can sing louder?) that was tedious and endless. For this tired exercise, he left out such gems as \u201cShop Around,\u201d \u201cMickey\u2019s Monkey\u201d and \u201cMore Love\u201d?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tKnight still has moments where she can summon the fire and passion that have made her such a beloved singer for so many years. But many of her songs were truncated and re-arranged to better suit her current capabilities. She relied heavily on her three back-up singers, who even took lead parts on occasion. She didn\u2019t introduce them, or any of her six musicians, or speak to the audience in any meaningful way beyond banalities like \u201cyou\u2019re so beautiful.\u201d She never mentioned Robinson. Knight has been one of my favorite singers since I first got into music. She is truly a one-of-a-kind singer, capable of both thrilling firepower and conversational ease, often in the same song. But she barely got through this show, and only by leaning heavily on her backup singers. Artists need to know when it\u2019s time to bow out gracefully.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHere are seven highlights from Robinson and Knight\u2019s opening night performance at the Hollywood Bowl on Friday (July 24). It was the first of two nights of their show, dubbed \u201cJust the Two of Us.\u201d And no, they didn\u2019t perform together or include that 1981 Grover Washington Jr.\/Bill Withers collab in either of their individual sets. (A missed opportunity.)<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Interpolations Freshen Knight\u2019s Songs<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tKnight performed \u201cThe Nitty Gritty,\u201d her 1969 hit with the Pips, in a medley with The Jacksons\u2019 1978 smash \u201cShake Your Body (Down to the Ground).\u201d This gave us a new way of hearing the song. She later incorporated a bit of Luther Vandross\u2019 1981 classic \u201cNever Too Much\u201d into another song.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Knight\u2019s Gospel Segment<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tKnight and her backup singers performed back-to-back songs by gospel stars: \u201cStand\u201d (a 1996 song by Donnie McClurkin) and \u201cTake Me to the King\u201d (a Kirk Franklin composition that Tamela Mann recorded in 2012).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGospel has long been a part of Knight\u2019s musical make-up. She won her two most recent Grammys in gospel categories, following two earlier wins in pop, two in R&amp;B and one in traditional R&amp;B.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>All Hail Jim Weatherly and Curtis Mayfield<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tKnight performed three songs by Jim Weatherly (\u201cNeither One of Us (Wants to Be the First to Say Goodbye),\u201d \u201cMidnight Train to Georgia\u201d and \u201cBest Thing That Ever Happened to Me\u201d) and two by Curtis Mayfield (\u201cOn and On\u201d and \u201cMake Yours a Happy Home,\u201d both from the 1974 <em>Claudine<\/em> soundtrack). Weatherly and Mayfield, who are both in the Songwriters Hall of Fame, played to different sides of Knight\u2019s musical personality \u2014 the pop side and the R&amp;B side, to oversimplify. Unfortunately, she didn\u2019t tell us about working with either of them or even mention any of the songwriters\u2019 names.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMidnight Train to Georgia,\u201d a true American classic, was the group\u2019s only No. 1 Hot 100 hit, though Knight landed another No. 1 on that chart as a featured vocalist on Dionne &amp; Friends\u2019 \u201cThat\u2019s What Friends Are For\u201d (which she also included in the set).<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>An Extended Ovation for \u201cOoh Baby Baby\u201d<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhat\u2019s Robinson\u2019s most beloved song? There\u2019s no shortage of strong candidates: \u201cMy Girl,\u201d \u201cThe Tracks of My Tears,\u201d \u201cYou\u2019ve Really Got a Hold on Me.\u201d But based on Friday night\u2019s show the answer is \u201cOoh Baby Baby,\u201d the exquisite Miracles\u2019 ballad which made the top 10 on the Hot 100 in 1965 (and which Linda Ronstadt brought back to the top 10 in 1979). The audience\u2019s applause lasted for several minutes, after which Robinson said \u201cIt\u2019s very hard to make me speechless. You just did.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Saluting an Album That Inspired a Radio Format<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRobinson played two songs from his 1975 album <em>A Quiet Storm<\/em>, which as he noted helped inspire a radio format. He sang the title track (which he co-wrote with Rose Jones) and \u201cThe Agony and the Ecstasy.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>The Temptations Segment<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile he was fronting The Miracles, Robinson took time to write several songs for The Temptations. He included three of those songs in a row in his set: \u201cThe Way You Do the Things You Do,\u201d \u201cGet Ready\u201d and \u201cMy Girl.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Finding Room for Other Writers<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRobinson has long been regarded as one of our greatest songwriters. He received the Songwriters Hall of Fame\u2019s top award, the Johnny Mercer Award, in 2005 and the Gershwin Prize for Popular Song in 2014. Given that, it\u2019s mind-boggling that he won his only competitive Grammy (best male R&amp;B vocal performance) for a song he didn\u2019t write \u2014 \u201cJust to See Her\u201d (which was written by Jimmy George and Louis Pardini). That great 1987 hit was in the set.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRobinson closed his show with another cover, of William DeVaughn\u2019s 1974 hit \u201cBe Thankful for What You Got\u201d (which DeVaughn wrote). Robinson locked into a groove on the song, giving it a harder edge than DeVaughn\u2019s mellow original recording. The song is the opening track on Robinson\u2019s 2025 album <em>What the World Needs Now<\/em>, which is comprised of inspirational songs.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Gladys Knight Setlist<\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cTaste of Bitter Love\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Nitty Gritty\u201d \/ \u201cShake Your Body (Down to the Ground)\u201d (The Jacksons cover)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMake Yours a Happy Home\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cEvery Beat of My Heart\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cLove Overboard\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cBest Thing That Ever Happened to Me\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIf I Were Your Woman\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cOh! What a Love I Have Found\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI\u2019ve Got to Use My Imagination\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cSave the Overtime (For Me)\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cOh My Love\u201d \/ \u201cNever Too Much\u201d (Luther Vandross cover)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cOn and On\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI Heard It Through the Grapevine\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cNeither One of Us (Wants to Be the First to Say Goodbye)\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThat\u2019s What Friends Are For\u201d (Dionne &amp; Friends cover)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cStand\u201d (Donnie McClurkin cover)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cTake Me to the King\u201d (Tamela Mann cover)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMidnight Train to Georgia\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><strong>Smokey Robinson Setlist<\/strong><\/h2>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cBeing With You\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI Second That Emotion\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cYou\u2019ve Really Got a Hold on Me\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cQuiet Storm\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Agony and the Ecstasy\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Way You Do the Things You Do\u201d (The Temptations cover)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cGet Ready\u201d (The Temptations cover)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMy Girl\u201d (The Temptations cover)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cGasms\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cOoo Baby Baby\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Tears of a Clown\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cJust to See Her\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Tracks of My Tears\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cCruisin\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cBe Thankful for What You Got\u201d (William DeVaughn cover)<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.billboard.com\/lists\/smokey-robinson-gladys-knight-2026-hollywood-bowl-recap\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/07\/P10G1XL-e1785002269257.jpg?w=1024&#8243;] It would be a clich\u00e9 to call Smokey Robinson and Gladys Knight \u201cnational treasures,\u201d but both most certainly are. Both have been music royalty longer than many of the fans at their Hollywood Bowl concert on Friday (July 24) have been alive. Robinson and his band, The Miracles, first cracked the top [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-2061793","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2061793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2061793"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2061793\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2061793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2061793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2061793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}