{"id":2052583,"date":"2026-07-20T13:00:00","date_gmt":"2026-07-20T10:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2052583"},"modified":"2026-07-20T13:00:00","modified_gmt":"2026-07-20T10:00:00","slug":"armory-show-names-nearly-230-galleries-for-2026-edition","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2052583","title":{"rendered":"Armory Show Names Nearly 230 Galleries for 2026 Edition"},"content":{"rendered":"

[analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/09\/DSC06505-1The-2025-Armory-Show-Photo-Christopher-Garcia-Valle.jpg?w=1024″]<\/p>\n

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\n\tWhen the Armory Show, one of New York\u2019s top fairs, relocated to the Javits Center in 2021, it also changed its date, moving from spring to the first week after Labor Day, which the fair touted at the time as a way to ring in the new season. Now, for its 2026 edition, the Armory Show has shifted back a few weeks to run September 24\u201327.<\/p>\n

\n\tThe change in dates will help alleviate the conflict between two important September fairs, which have both been owned by the same company since 2023, when Frieze acquired the Armory Show. Frieze Seoul will remain in the first week of the month (September 2\u20135 for this year). The date change, however, also means that there is now less breathing room until Frieze\u2019s next fair, its original iteration in London.<\/p>\n

\n\t\u201cFor Frieze, The Armory Show has a particular role: it sits at the heart of New York\u2019s fall season and gives audiences access to an extraordinary range of galleries from across the Americas and around the world,\u201d Kristell Chad\u00e9, Frieze\u2019s executive director of fairs, said in a statement. \u201cThe 2026 edition combines the breadth of the fair with a strong curatorial perspective, strengthening The Armory Show\u2019s place as a vital moment for galleries, collectors and institutions in New York.\u201d<\/p>\n

\n\tFor the upcoming Armory Show, the fair will have around 230 galleries, or roughly the same figures it had in 2025. This edition will also slightly rejigger its floor plan, with the south entrance to the fair focusing on galleries from the Americas and Caribbean, while the north entrance will highlight US-based enterprises, with a large contingent of New York\u2013based dealerships spread throughout.<\/p>\n

\n\tAmong the galleries that are set to participate are Victoria Miro, Templon, Mennour, Nara Roesler, Alison Jacques, Perrotin, Michael Rosenfeld Gallery, 303 Gallery, Sean Kelly, Hales, Southern Guild, Vielmetter Gallery, Secrist | Beach, Garth Greenan Gallery, K Contemporary, James Cope Gallery, Yossi Milo, and the newly rebranded Norr Cohan.<\/p>\n

\n\tIn addition to the main Galleries section, the fair will also feature two sections organized by outside curators: Platform and Focus. Platform, which is for large-scale works, will be by Jovanna Venegas, curator at SculptureCenter in New York; Focus, for solo and two-artist presentations, will be done by Mar\u00eda Elena Ortiz, curator at the Modern Art Museum of Fort Worth in Texas. Both sections will focus on highlighting artists with ties to the Caribbean.<\/p>\n

\n\tFocusing on \u201ctechnological forms emerging across the Caribbean,\u201d per a release, projects that will feature in Platform include Bony Ramirez (brought to the fair by New York gallery regularnormal), Jesus Hilario Reyes (Company), Curtis Talwst Santiago (Uffner & Liu), Lucia Hierro (Marc Straus Gallery), Zenobia Lee (Sea View), Margarita Cabrera (Jane Lombard Gallery), Mar\u00eda Magdalena Campos-Pons (Barbara Thumm), and Hew Locke (Cristea Roberts Gallery).<\/p>\n

\n\tFocus will include booths for Alba Triana (Casa Hoffmann), Gio Swaby and Kachelle Knowles (TERN Gallery), Sof\u00eda Del Mar Collins (Chozick Family Art Gallery), Ren\u00e9e Cox (Ethan Cohen Gallery), Simon Benjamin (PATRON), Lizania Cruz (ProxyCo), and Elliot and Erick Jim\u00e9nez (Spinello Projects).<\/p>\n

\n\tThe fair\u2019s other two sections have also been expanded, with Presents (for young galleries) now numbering 55 galleries and Solo (single-artist presentations) numbering 25 galleries.<\/p>\n

\n\tPresents will feature several first-time exhibitors, including Catinca Tabacaru, Circle Art Gallery, IRL Gallery, Lobster Club, Management, Rajiv Menon, Red Arrow, and The Fridge. They join returning exhibitors like 56 Henry, Alexander Berggruen, Hannah Traore Gallery, Hesse Flatow, JDJ, Kendra Jayne Patrick, k\u00f3, La Loma, Martha\u2019s, Rebecca Camacho, and Margot Samel, the winner of the fair\u2019s 2026 Gramercy International Prize.<\/p>\n

\n\tThe Solo section includes Asya Geisberg Gallery, Halsey McKay Gallery, parrasch heijnen, and What If The World. Additionally, nonprofit spaces will show at the fair, including Robert Blackburn Printmaking Workshop, Brandywine Workshop and Archives, Tierra del Sol Gallery, and El Museo del Barrio, which is the recipient of the Armory Spotlight booth.<\/p>\n

\n\t\u201cThe Armory Show has always reflected New York\u2019s openness: to artists, galleries and ideas from across the Americas and the wider world,\u201d Armory Show director Kyla McMillan said in a statement. \u201cThis year, that comes through in the breadth of the gallery list, the expansion of Presents and Solo, and the work of our curators, whose sections trace histories of movement, exchange and cultural connection through the Caribbean. Rooted in New York, the fair brings together ambitious presentations that define the conversations of the year ahead, remaining in constant dialogue with the geographies and communities shaping contemporary art today.\u201d<\/p>\n

\n\tThe full exhibitor list follows below.<\/p>\n

Galleries<\/strong><\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Exhibitor<\/th>\nLocation(s)<\/th>\n<\/tr>\n
193 Gallery<\/td>\nParis; Venice; Saint Tropez<\/td>\n<\/tr>\n
303 Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
ACA Galleries<\/td>\nNew York<\/td>\n<\/tr>\n
A Hug From The Art World<\/td>\nNew York<\/td>\n<\/tr>\n
Aicon Contemporary<\/td>\nNew York<\/td>\n<\/tr>\n
Aki Gallery<\/td>\nTaipei<\/td>\n<\/tr>\n
Albertz Benda<\/td>\nNew York; Los Angeles<\/td>\n<\/tr>\n
A Lighthouse Called Kanata<\/td>\nTokyo<\/td>\n<\/tr>\n
Alisan Fine Arts<\/td>\nHong Kong; New York<\/td>\n<\/tr>\n
Alzueta Gallery<\/td>\nBarcelona; Madrid; Paris; Casavells<\/td>\n<\/tr>\n
Anat Ebgi<\/td>\nLos Angeles; New York<\/td>\n<\/tr>\n
El Apartamento<\/td>\nMiami; Madrid; Havana<\/td>\n<\/tr>\n
Archeus \/ Post-Modern<\/td>\nLondon<\/td>\n<\/tr>\n
Jacob Arthur<\/td>\nMiami<\/td>\n<\/tr>\n
Galerie Bacqueville<\/td>\nLille<\/td>\n<\/tr>\n
Richard Beavers Gallery<\/td>\nBrooklyn<\/td>\n<\/tr>\n
Berggruen Gallery<\/td>\nSan Francisco<\/td>\n<\/tr>\n
Peter Blum Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Galerie Bernard Bouche<\/td>\nParis<\/td>\n<\/tr>\n
Brandt Gallery<\/td>\nAmsterdam<\/td>\n<\/tr>\n
Ben Brown Fine Arts<\/td>\nLondon; Hong Kong; New York; Venice<\/td>\n<\/tr>\n
Blouin Division<\/td>\nMontreal; Toronto<\/td>\n<\/tr>\n
Buchmann Galerie<\/td>\nBerlin<\/td>\n<\/tr>\n
Cadogan Gallery<\/td>\nLondon; Milan<\/td>\n<\/tr>\n
CARVALHO<\/td>\nNew York<\/td>\n<\/tr>\n
Everard Read<\/td>\nJohannesburg; Cape Town; London; Franschhoek<\/td>\n<\/tr>\n
NORR COHAN<\/td>\nNew York<\/td>\n<\/tr>\n
James Cope Gallery<\/td>\nDallas<\/td>\n<\/tr>\n
Gallery Dasun<\/td>\nGwacheon-Si<\/td>\n<\/tr>\n
DC Moore Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
De Buck Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Dimin<\/td>\nNew York<\/td>\n<\/tr>\n
Dirimart<\/td>\nIstanbul; London<\/td>\n<\/tr>\n
The Drawing Room<\/td>\nManila<\/td>\n<\/tr>\n
EBONY\/CURATED<\/td>\nCape Town; Franschhoek<\/td>\n<\/tr>\n
Derek Eller<\/td>\nNew York<\/td>\n<\/tr>\n
Max Estrella<\/td>\nMadrid<\/td>\n<\/tr>\n
EM<\/td>\nSeoul<\/td>\n<\/tr>\n
Eric Firestone Gallery<\/td>\nEast Hampton; New York; West Palm Beach<\/td>\n<\/tr>\n
Galerie la Forest Divonne<\/td>\nParis; Brussels<\/td>\n<\/tr>\n
Galerie Forsblom<\/td>\nHelsinki<\/td>\n<\/tr>\n
Frestonian Gallery<\/td>\nLondon<\/td>\n<\/tr>\n
Galerie Thomas Fuchs<\/td>\nStuttgart<\/td>\n<\/tr>\n
Galleria Studio G7<\/td>\nBologna<\/td>\n<\/tr>\n
GAVLAK<\/td>\nWest Palm Beach<\/td>\n<\/tr>\n
Gazelli Art House<\/td>\nBaku; New York; London<\/td>\n<\/tr>\n
Goya Contemporary Gallery<\/td>\nBaltimore<\/td>\n<\/tr>\n
Gratin<\/td>\nNew York<\/td>\n<\/tr>\n
Garth Greenan Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Hales<\/td>\nLondon; New York<\/td>\n<\/tr>\n
Harper\u2019s<\/td>\nEast Hampton; New York; Bangkok<\/td>\n<\/tr>\n
Contemporary Heis<\/td>\nTokyo<\/td>\n<\/tr>\n
HOFA<\/td>\nLondon<\/td>\n<\/tr>\n
Rebecca Hossack Art Gallery<\/td>\nLondon; Miami<\/td>\n<\/tr>\n
Edwynn Houk Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Huxley-Parlour<\/td>\nLondon<\/td>\n<\/tr>\n
Lyndsey Ingram<\/td>\nLondon<\/td>\n<\/tr>\n
Alison Jacques<\/td>\nLondon<\/td>\n<\/tr>\n
Johyun Gallery<\/td>\nBusan; Seoul<\/td>\n<\/tr>\n
K Contemporary<\/td>\nDenver; Santa Fe<\/td>\n<\/tr>\n
Sean Kelly<\/td>\nNew York<\/td>\n<\/tr>\n
Olga Korper<\/td>\nToronto<\/td>\n<\/tr>\n
Locks Gallery<\/td>\nPhiladelphia<\/td>\n<\/tr>\n
Luce Gallery<\/td>\nTurin<\/td>\n<\/tr>\n
Galerie Ludorff<\/td>\nD\u00fcsseldorf<\/td>\n<\/tr>\n
Galerie Ron Mandos<\/td>\nAmsterdam<\/td>\n<\/tr>\n
Maruani Mercier<\/td>\nBrussels; Knokke<\/td>\n<\/tr>\n
Galerie Maximillian<\/td>\nAspen<\/td>\n<\/tr>\n
Miles McEnery Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Mennour<\/td>\nParis<\/td>\n<\/tr>\n
Nino Mier Gallery<\/td>\nNew York; Brussels<\/td>\n<\/tr>\n
Yossi Milo<\/td>\nNew York<\/td>\n<\/tr>\n
Galleria Massimo Minini<\/td>\nBrescia<\/td>\n<\/tr>\n
Francesca Minini<\/td>\nMilan<\/td>\n<\/tr>\n
Victoria Miro<\/td>\nLondon<\/td>\n<\/tr>\n
Nature Morte<\/td>\nNew Delhi; Mumbai<\/td>\n<\/tr>\n
Nazarian \/ Curcio<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Carolina Nitsch<\/td>\nNew York<\/td>\n<\/tr>\n
Galleria Lorcan O\u2019Neill<\/td>\nRome<\/td>\n<\/tr>\n
P420<\/td>\nBologna<\/td>\n<\/tr>\n
Pablo\u2019s Birthday<\/td>\nVerbier; New York<\/td>\n<\/tr>\n
Two Palms<\/td>\nNew York<\/td>\n<\/tr>\n
Paragon<\/td>\nLondon<\/td>\n<\/tr>\n
Patrick Mikhail<\/td>\nMontreal<\/td>\n<\/tr>\n
Perrotin<\/td>\nNew York; Los Angeles; Paris; London; Hong Kong; Seoul; Tokyo; Shanghai; Dubai; Las Vegas<\/td>\n<\/tr>\n
Pi Artworks<\/td>\nLondon<\/td>\n<\/tr>\n
Poligrafa Obra Grafica<\/td>\nBarcelona<\/td>\n<\/tr>\n
Praxis<\/td>\nNew York; Buenos Aires<\/td>\n<\/tr>\n
Yancey Richardson Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Cristea Roberts Gallery<\/td>\nLondon<\/td>\n<\/tr>\n
Nicolas Robert<\/td>\nMontreal<\/td>\n<\/tr>\n
Nara Roesler<\/td>\nNew York; Sao Paolo; Rio de Janeiro<\/td>\n<\/tr>\n
Michael Rosenfeld Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Gallery Rosenfeld<\/td>\nLondon<\/td>\n<\/tr>\n
Rukaj Gallery<\/td>\nToronto<\/td>\n<\/tr>\n
RX&SLAG<\/td>\nParis; New York<\/td>\n<\/tr>\n
Sea View<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Secci<\/td>\nMilan<\/td>\n<\/tr>\n
Secrist I Beach<\/td>\nChicago<\/td>\n<\/tr>\n
SHRINE<\/td>\nNew York<\/td>\n<\/tr>\n
Bruce Silverstein Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Fredric Snitzer Gallery<\/td>\nMiami<\/td>\n<\/tr>\n
Sorry We\u2019re Closed<\/td>\nBrussels<\/td>\n<\/tr>\n
Southern Guild<\/td>\nNew York; Cape Town<\/td>\n<\/tr>\n
Marc Straus Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Suppoment Gallery<\/td>\nSeoul<\/td>\n<\/tr>\n
Hollis Taggart<\/td>\nNew York<\/td>\n<\/tr>\n
Tang Contemporary Art<\/td>\nBangkok; Beijing; Hong Kong; Seoul; Singapore<\/td>\n<\/tr>\n
Templon<\/td>\nParis; Brussels; New York<\/td>\n<\/tr>\n
Van de Weghe<\/td>\nNew York<\/td>\n<\/tr>\n
Vielmetter Los Angeles<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Vigo Gallery<\/td>\nLondon<\/td>\n<\/tr>\n
Olivier Waltman<\/td>\nParis<\/td>\n<\/tr>\n
Tanya Weddemire Gallery<\/td>\nBrooklyn<\/td>\n<\/tr>\n
Wetterling Gallery<\/td>\nStockholm<\/td>\n<\/tr>\n
Whitestone Gallery<\/td>\nSingapore; Karuizawa; Hong Kong; Tokyo; Taipei; Seoul; Beijing<\/td>\n<\/tr>\n
Zidoun-Bossuyt Gallery<\/td>\nLuxembourg; Dubai; Paris<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

Solo<\/strong><\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Exhibitor<\/th>\nLocation(s)<\/th>\n<\/tr>\n
Albuquerque Contempor\u00e2nea<\/td>\nBelo Horizonte<\/td>\n<\/tr>\n
Galeria Raquel Arnaud<\/td>\nS\u00e3o Paulo<\/td>\n<\/tr>\n
BANK<\/td>\nShanghai; New York<\/td>\n<\/tr>\n
Bar\u00f3 Galeria<\/td>\nPalma De Mallorca; Paris; Abu Dhabi<\/td>\n<\/tr>\n
Catharine Clark Gallery<\/td>\nSan Francisco<\/td>\n<\/tr>\n
Dep Art Gallery<\/td>\nMilan; Ceglie Messapica<\/td>\n<\/tr>\n
DURAZZO<\/td>\nParis<\/td>\n<\/tr>\n
Asya Geisberg Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Graham Modern and Contemporary<\/td>\nJohannesburg<\/td>\n<\/tr>\n
Halsey Mckay Gallery<\/td>\nEast Hampton<\/td>\n<\/tr>\n
Leila Heller Gallery<\/td>\nDubai; New York<\/td>\n<\/tr>\n
rodolphe janssen<\/td>\nBrussels<\/td>\n<\/tr>\n
Galeria MaPa<\/td>\nS\u00e3o Paulo<\/td>\n<\/tr>\n
Newchild<\/td>\nAntwerp<\/td>\n<\/tr>\n
Parrasch Heijnen<\/td>\nLos Angeles<\/td>\n<\/tr>\n
PENTIMENTI<\/td>\nPhiladelphia<\/td>\n<\/tr>\n
PSM<\/td>\nBerlin<\/td>\n<\/tr>\n
Ronchini<\/td>\nLondon<\/td>\n<\/tr>\n
Seven Sisters<\/td>\nHouston<\/td>\n<\/tr>\n
Tandem Press<\/td>\nMadison<\/td>\n<\/tr>\n
What If The World<\/td>\nCape Town<\/td>\n<\/tr>\n
Gallery Yam<\/td>\nMexico City; San Miguel De Allende<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

Focus<\/strong><\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Exhibitor<\/th>\nLocation(s)<\/th>\n<\/tr>\n
Casa Hoffmann<\/td>\nBogota<\/td>\n<\/tr>\n
Studio\/Chapple<\/td>\nLondon<\/td>\n<\/tr>\n
Galerie Hugues Charbonneau<\/td>\nMontreal<\/td>\n<\/tr>\n
Chozick Family Art Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Ethan Cohen Gallery<\/td>\nNew York; Beacon<\/td>\n<\/tr>\n
Henrique Faria<\/td>\nNew York<\/td>\n<\/tr>\n
Fridman<\/td>\nNew York<\/td>\n<\/tr>\n
Heliconia Projects<\/td>\nSanto Domingo<\/td>\n<\/tr>\n
Hidrante<\/td>\nBrooklyn; San Juan<\/td>\n<\/tr>\n
mimo<\/td>\nBrooklyn; San Juan<\/td>\n<\/tr>\n
Patron<\/td>\nChicago<\/td>\n<\/tr>\n
PerezPuig<\/td>\nSan Juan<\/td>\n<\/tr>\n
ProxyCo<\/td>\nNew York<\/td>\n<\/tr>\n
Galer\u00eda [SN]<\/td>\nBogota<\/td>\n<\/tr>\n
Mindy Solomon Gallery<\/td>\nMiami<\/td>\n<\/tr>\n
Spinello Projects<\/td>\nMiami<\/td>\n<\/tr>\n
TERN Gallery<\/td>\nNassau<\/td>\n<\/tr>\n
Tout-Monde Art Foundation<\/td>\nMiami; Caribbean<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

Presents<\/strong><\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Exhibitor<\/th>\nLocation(s)<\/th>\n<\/tr>\n
56 Henry<\/td>\nNew York<\/td>\n<\/tr>\n
Adegbola Gallery<\/td>\nLagos<\/td>\n<\/tr>\n
Albion Jeune<\/td>\nLondon<\/td>\n<\/tr>\n
Pietro Alexander<\/td>\nNew York<\/td>\n<\/tr>\n
Amanita<\/td>\nNew York<\/td>\n<\/tr>\n
Baert Gallery<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Alexander Berggruen<\/td>\nNew York<\/td>\n<\/tr>\n
Patel Brown<\/td>\nToronto<\/td>\n<\/tr>\n
Rebecca Camacho Presents<\/td>\nSan Francisco<\/td>\n<\/tr>\n
Circle Art Gallery<\/td>\nNairobi<\/td>\n<\/tr>\n
Dr\u00f6ste Gallad\u00e9<\/td>\nD\u00fcsseldorf<\/td>\n<\/tr>\n
EDJI Gallery<\/td>\nBrussels<\/td>\n<\/tr>\n
Emblematic Art Gallery<\/td>\nBogota<\/td>\n<\/tr>\n
Enari Gallery<\/td>\nAmsterdam<\/td>\n<\/tr>\n
EUROPA<\/td>\nNew York<\/td>\n<\/tr>\n
KALINER<\/td>\nNew York<\/td>\n<\/tr>\n
The Fridge<\/td>\nNew York<\/td>\n<\/tr>\n
Gaep<\/td>\nBucharest<\/td>\n<\/tr>\n
Graham Modern and Contemporary<\/td>\nJohannesburg<\/td>\n<\/tr>\n
Hesse Flatow<\/td>\nNew York; Amagansett<\/td>\n<\/tr>\n
IRL Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
JDJ<\/td>\nNew York<\/td>\n<\/tr>\n
JO-HS<\/td>\nNew York; Mexico City<\/td>\n<\/tr>\n
Kates-Ferri Projects<\/td>\nNew York<\/td>\n<\/tr>\n
Massey Klein<\/td>\nNew York<\/td>\n<\/tr>\n
Galerie Noah Klink<\/td>\nBerlin<\/td>\n<\/tr>\n
k\u00f3<\/td>\nLagos<\/td>\n<\/tr>\n
La Loma Projects<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Lobster Club<\/td>\nNew York<\/td>\n<\/tr>\n
Management<\/td>\nNew York<\/td>\n<\/tr>\n
Marinaro<\/td>\nNew York<\/td>\n<\/tr>\n
Marrow<\/td>\nSan Francisco<\/td>\n<\/tr>\n
Martha\u2019s<\/td>\nAustin<\/td>\n<\/tr>\n
Rajiv Menon<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Mrs.<\/td>\nNew York<\/td>\n<\/tr>\n
Megan Mulrooney<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Ochi<\/td>\nLos Angeles; Ketchum<\/td>\n<\/tr>\n
Pang\u00e9e<\/td>\nMontreal<\/td>\n<\/tr>\n
Kendra Jayne Patrick<\/td>\nBern<\/td>\n<\/tr>\n
The Pit<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Praise Shadows<\/td>\nBoston<\/td>\n<\/tr>\n
Red Arrow<\/td>\nNashville<\/td>\n<\/tr>\n
Andrew Reed Gallery<\/td>\nMiami<\/td>\n<\/tr>\n
re.riddle<\/td>\nSan Francisco<\/td>\n<\/tr>\n
Reservoir<\/td>\nCape Town<\/td>\n<\/tr>\n
Margot Samel<\/td>\nNew York<\/td>\n<\/tr>\n
Sim Smith<\/td>\nLondon<\/td>\n<\/tr>\n
smoke the moon<\/td>\nSanta Fe<\/td>\n<\/tr>\n
Superposition Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Catinca Tabacaru<\/td>\nHarare; Bucharest<\/td>\n<\/tr>\n
Hannah Traore Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Veta by Fer Franc\u00e9s<\/td>\nMadrid<\/td>\n<\/tr>\n
Tappeto Volante Projects<\/td>\nNew York<\/td>\n<\/tr>\n
Wolfgang Gallery<\/td>\nAtlanta<\/td>\n<\/tr>\n
Yiwei Gallery<\/td>\nLos Angeles<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

Platform<\/strong><\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Exhibitor<\/th>\nLocation(s)<\/th>\n<\/tr>\n
193 Gallery<\/td>\nParis; Venice; Saint Tropez<\/td>\n<\/tr>\n
AIRIE Foundation<\/td>\nMiami<\/td>\n<\/tr>\n
Collectio<\/td>\nSantiago<\/td>\n<\/tr>\n
Company<\/td>\nNew York; Los Angeles<\/td>\n<\/tr>\n
Gladwell Projects<\/td>\nNew York<\/td>\n<\/tr>\n
Hesse Flatow<\/td>\nNew York; Amagansett<\/td>\n<\/tr>\n
Southern Guild<\/td>\nNew York; Cape Town<\/td>\n<\/tr>\n
Jane Lombard<\/td>\nNew York<\/td>\n<\/tr>\n
regularnormal<\/td>\nNew York<\/td>\n<\/tr>\n
Cristea Roberts Gallery<\/td>\nLondon<\/td>\n<\/tr>\n
Sea View<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Marc Straus Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Barbara Thumm<\/td>\nBerlin<\/td>\n<\/tr>\n
Uffner & Liu<\/td>\nNew York<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

Not for Profit<\/strong><\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n
Exhibitor<\/th>\nLocation(s)<\/th>\n<\/tr>\n
El Museo del Barrio<\/td>\nNew York<\/td>\n<\/tr>\n
Robert Blackburn Printmaking Workshop<\/td>\nNew York<\/td>\n<\/tr>\n
Brandywine Workshop and Archives<\/td>\nPhiladelphia<\/td>\n<\/tr>\n
Brodsky Center at PAFA<\/td>\nPhiladelphia<\/td>\n<\/tr>\n
Lower East Side Printshop<\/td>\nNew York<\/td>\n<\/tr>\n
Tamarind Institute<\/td>\nAlbuquerque<\/td>\n<\/tr>\n
Tierra del Sol Gallery<\/td>\nLos Angeles<\/td>\n<\/tr>\n
LeRoy Neiman Center for Print Studies<\/td>\nNew York<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<\/div>\n<\/div>\n

[analyse_source url=”https:\/\/www.artnews.com\/art-news\/market\/armory-show-2026-new-dates-exhibitor-list-1234792648\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"

[analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/09\/DSC06505-1The-2025-Armory-Show-Photo-Christopher-Garcia-Valle.jpg?w=1024″] When the Armory Show, one of New York\u2019s top fairs, relocated to the Javits Center in 2021, it also changed its date, moving from spring to the first week after Labor Day, which the fair touted at the time as a way to ring in the new season. Now, for its 2026 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-2052583","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2052583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2052583"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2052583\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2052583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2052583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2052583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}