{"id":2035257,"date":"2026-07-09T16:00:00","date_gmt":"2026-07-09T13:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2035257"},"modified":"2026-07-09T16:00:00","modified_gmt":"2026-07-09T13:00:00","slug":"the-30-best-latin-songs-of-2026-so-far-ranked-staff-picks","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2035257","title":{"rendered":"The 30 Best Latin Songs of 2026 (So Far), Ranked: Staff\u00a0Picks"},"content":{"rendered":"
\n\tFrom seductive afrobeats to melancholic rancheras to even a new World Cup anthem, the scope of Latin music so far in 2026 so far has been stunning. <\/p>\n
\n\tThough Bad Bunny continues to dominate the Hot Latin Songs chart with his 2025 \u201cDTMF\u201d spending more than 65 weeks at No. 1, a wave of new bangers are also holding strong on the chart. Among them are Jay Wheeler\u2019s \u201cDe Lejitos\u201d and Omar Courtz\u2019s \u201cKOKO,\u201d which have held strong in the top 10 for weeks.\u00a0<\/p>\n
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\t\t\t\t\tThe 26 Best Latin Albums of 2026 (So Far), Ranked: Staff\u00a0Picks\t\t<\/p>\n<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n\tFor its Best Latin Songs of the Year So Far list, the Billboard<\/em> Latin and Billboard Espa\u00f1ol <\/em>editors selected songs that are making waves on the Billboard<\/em> charts, such as those by Wheeler and Courtz, as well as the bilingual \u201cDai Dai\u201d by Shakira and Burna Boy \u2014\u00a0which made history as the first official World Cup song to reach No. 1 on the Billboard Global Excl. U.S. chart since it launched in 2020.\u00a0<\/p>\n
\n\tIt also features a handful of songs that have created a social media craze, such as Corridos del Rey\u2019s ultra-powerful \u201cAyer Hable con Dios\u201d and \u201cDichavate\u201d by Ya Ice Dilan, Rey Tony and Helabusador, which has people around the world \u2014 including Maluma, Ryan Castro, and Bad Gyal \u2014 connecting with Cuban reparto music.\u00a0<\/p>\n
\n\tMoreover, M\u00fasica Mexicana<\/em> continues to be a strong force in 2026, with Eslab\u00f3n Armado, L\u00ednea Personal, Banda MS, Grupo Firme, Eden M\u00fa\u00f1oz and even Bruno Mars singing a mariachi song, making the cut.<\/p>\n
\n\tThese are the Latin songs our staff has returned to most in 2026 up to now \u2014 the ones that sparked debate, inspired repeat listens and left a lasting impression. See our picks, ranked, below.<\/p>\n
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Grupo Firme & Octavio Cuadras, \u201cMatcha Latte\u201d<\/h2>\n\n\t\t\t\t\tImage Credit: Courtesy of FONO\t\t\t\t<\/figcaption><\/figure>\n
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\n\t\u201cMatcha Latte\u201d is a mix where love and risk come together in this story that describes two worlds that can come to coexist. As it unfolds, the chemistry between the two artists also merges, with a foundation of tololoche, accordion and brass instruments, honoring regional Mexican music. Reverent, catchy and full of attitude, the \u201cmatcha latte\u201d is a popular drink that has recently gone viral, and here it represents fresh energy that balances street essence with personal inspirations. \u2014 INGRID FAJARDO<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Bad Gyal, \u201cMas Cara\u201d<\/h2>\n
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\n\tThe Spanish star set out to explore new sounds and collaborators for her second album, M\u00e1s Cara<\/em>, and this is confirmed by this LP-opening title track. The song features synth touches and pads with Jamaican and dancehall influences, giving it a vintage-yet-elegant urban vibe. The track, with its futuristic and energetic style, immediately captures the listener\u2019s attention and reveals the guiding thread of the Catalan artist\u2019s new musical era, which she has described as \u201cmore elevated\u201d due to its avant-garde and stylish nature. This new phase also reflects her taste for Latin rhythms such as merengue, bachata and Haitian kompa, while still staying true to her roots in trap, reggaet\u00f3n and electronic music. \u2014\u00a0NATALIA CANO<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Bruses, \u201cRatera\u201d<\/h2>\n
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\n\tFew songs this year (so far) capture the chaos of living paycheck to paycheck \u2014 and still choosing the party \u2014 with as much wit as Bruses does on \u201cRatera.\u201d The Tijuana-born singer turns a night of bad decisions, rent anxiety and romantic delusion into an electro-pop gem, one powered as much by sharp storytelling as by her campy delivery. She moves through the song like a goth-pop anti-heroine, tossing off lines about caguamas<\/em>, blocked numbers and stolen wages with a mix of bitterness, absurdity and irresistible humor. Then comes the chorus \u2014 \u201cTodo fue una confusi\u00f3n<\/em>\u2026\u201d \u2014 where distorted guitars crash into the synths and the song briefly tips into punkier territory. Sticky, strange and painfully relatable, \u201cRatera\u201d lingers like the kind of mistake you know you\u2019ll probably make again. \u2014 ISABELA RAYGOZA<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Banda MS, \u201c\u00c9cheme Otro Consejo\u201d<\/h2>\n
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\n\tThis song is a heartfelt tribute to the most important man in a child\u2019s world: Dad. A tender letter set to music, its lyrics overflow with the love and gratitude a child feels for their father. In this banda ballad, vocalist Alan Ram\u00edrez delivers each line with deep emotion, guiding us to a touching realization: as children grow, fathers ask their kids to stop growing; but when the roles reverse, it\u2019s the child who pleads with their father to stop growing up. \u2014 I.F.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\u00a0A.CHAL, \u201cCHOLOGANTE\u201d<\/h2>\n\n\t\t\t\t\tImage Credit: courtesy of A.Chal\/YouTube (video screenshot)\t\t\t\t<\/figcaption><\/figure>\n
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\n\tA.CHAL turns \u201cChologante\u201d into something larger than a flex track: a celebration of Andean pride, sensuality and self-invention. The song\u2019s infectious guitar melody doesn\u2019t just evoke tradition; it shimmers with a kind of high-altitude euphoria, while its pulse mixes chicha (Peruvian cumbia) with a cool, clubby strut. What elevates it even further is the music video, where the artist \u2014 shirtless, long-haired and flanked by a pared-down band, a towering soundsystem and a motorcycle \u2014 moves through the staggering heights of the Peruvian highlands like a figure suspended between the past and the future. \u201cDesde la Puna\/ Hasta la Luna<\/em>,\u201d he sings, and that line says it all: \u201cChologante\u201d feels grounded in Indigenous memory while reaching for something mythic. \u2014 I.R.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Luis Fonsi & Feid, \u201cCambiar\u00e9\u201d<\/h2>\n
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\n\tEarlier this year, Luis Fonsi and Feid surprised us with an unexpected salsa collaboration that reconnected the former with his tropical roots and showcased the latter\u2019s versatility. In \u201cCambiar\u00e9,\u201d the Puerto Rican pop singer-songwriter and the Colombian urban star sing about regretting a mistake that led to a breakup and promise to change for an ex. Co-written by both artists alongside Andr\u00e9s Torres and Mauricio Rengifo \u2014 who also co-produced along with Marcos S\u00e1nchez \u2014 the track\u2019s fresh, infectious sound earned Fonsi his first No. 1 on\u00a0Billboard<\/em>\u2019s Latin Airplay chart since 2021 this past April. \u201cIt\u2019s a song that\u2019s a bit different from what I usually do, but it celebrates our rhythm, our flavor and our culture,\u201d he told\u00a0Billboard\u00a0<\/em>then. \u2014 SIGAL RATNER-ARIAS<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Ozuna, \u201cUna Aventura\u201d<\/h2>\n
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\n\tAfter navigating into Latin and Afrobeats fusions, Ozuna returns to the sugary reggaet\u00f3n sound that made him a household name in the late 2010s. \u201cUna Aventura,\u201d spearheaded by Ozuna, Henry Calder\u00f3n, and Johan Jos\u00e9 Francisco, narrates the story of a man who\u2019s very much in love with his girl, but she\u2019s looking for an adventure outside the relationship. Sonically, it\u2019s a melodic reggaet\u00f3n track powered by the Puerto Rican artist\u2019s high-pitched vocals. \u201cUna Aventura\u201d became Ozuna\u2019s 38th No. 1 Billboard<\/em>\u2019s\u00a0Latin Airplay\u00a0chart this June, becoming the artist with the second-most No. 1s in Latin Airplay history, following J Balvin with 40. \u201cIt was the song that marked the beginning of this new musical chapter for me in 2026, and I felt from the start that it was special,\u201d he previously said to Billboard<\/em>. \u2014 JESSICA ROIZ<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Emyl Rusev, Juliana & Juan Duque, \u201cAs\u00ed De Rico\u201d<\/h2>\n\n\t\t\t\t\tImage Credit: Courtesy of Emyl Rusev\/YouTube (video screenshot)\t\t\t\t<\/figcaption><\/figure>\n
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\n\t\u201cAs\u00ed de Rico (Va uno a ver y ve Remizzz),\u201d artist Emyl Rusev\u2019s collaboration with Juliana and Juan Duque, brings together three artists from Colombia as they sing about pride, legacy the Colombian identity that people from the country carry within, and the references that define the country\u2019s culture. \u201cNadie nos quita lo bailao y tampoco lo bonito (nobody can take our dances nor our beauty)\u201d is one of the verses in the song, which then breaks out into a fun, catchy chorus, where Latin pop and urban music, primarily reggaet\u00f3n, collide. A defining event for the song was the 2026 FIFA World Cup, which helped amplify the song\u2019s visibility, especially on social media. Fans of the Colombian soccer team made the song go viral on social media by performing a dance imitating Rusev\u2019s moves. \u2014 CATA BALZANO<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\u00a0Trueno, \u201cEstilo Sudaka\u201d<\/h2>\n
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\n\tTrueno is returning to his roots with \u201cEstilo Sudaka,\u201d a song that celebrates Latin American identity with the Argentinian artist\u2019s signature hip-hop sounds. With strong lyricism, hard-hitting beats and references to the realities of the lifestyle and spirit of South American people, the artist uses the song as a stethoscope to the voices, struggles and lifestyle that define Latin America\u2019s urban culture and the creatives who keep it alive. The song appropriates the word \u201csudaka,\u201d a term that has historically been used as a derogatory reference toward South Americans in Spain. In \u201cSudaka,\u201d Trueno reclaims the word as a symbol of pride, resilience and cultural belonging while reinforcing his status as one of the leading figures in the new wave of Latin American hip-hop. \u2014 C.B.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
\n\tThe California-based band, known for modernizing regional Mexican music alongside Peso Pluma through emotional narratives and youthful vulnerability, blends their traditional sierre\u00f1o <\/em>influences into a pop-norte\u00f1o ballad featuring one of the genre\u2019s rising stars, Diego Mill\u00e1n, leader of the project Calle 24. The result is an energetic track that fuses sierre\u00f1o<\/em> and trap, combined with deeply confessional lyrics about possessive love, in an upbeat style reminiscent of the musician born in Chihuahua. The song is part of Eslab\u00f3n Armado\u2019s ninth album, Nocturno<\/em>, and stays true to the essence of the LP \u2014 a journey through requintos, corridos and even urban sounds. \u2014 N.C.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Young Miko, \u201cBIAF\u201d<\/h2>\n
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\n\t\u201cBIAF\u201d \u2014 part of her Do Not Disturb: Late Checkout<\/em> deluxe album \u2014 finds Young Miko experimenting with velvety club rhythms and chill lo-fi beats, steering her away from her urban and trap sound. As indicated by its title (an acronym for \u201cBaby I\u2019m a Freak\u201d), the Puerto Rican artist is flirty, seductive and unfiltered on the track, singing in one of its verses: \u201cMirror, mirror on the wall, I\u2019m the most fr\u0435aky of them all\/ Delicious in ev\u0435ry pose, whoever tries me gets hooked.\u201d The Puerto Rican act performed the head-bopping tune at the 2026 Billboard Latin Women in Music awards, where she was honored with the Unstoppable Award. \u2014 J.R.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Grupo Frontera & Alejandro Fern\u00e1ndez, \u201cCada Vez Me Gusta M\u00e1s\u201d<\/h2>\n\n\t\t\t\t\tImage Credit: Abelardo Baez\t\t\t\t<\/figcaption><\/figure>\n
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\n\tThe Texan band takes their successful norte\u00f1o cumbia to the next level alongside regional Mexican music superstar Alejandro Fern\u00e1ndez with an intense song set to mariachi rhythms that gradually adopts the distinctive style of the group originally from Edinburg, resulting in an emotional norte\u00f1o ballad. The powerful vocals of \u201cEl Potrillo\u201d bring emotion, while Adelaido \u201cPayo\u201d Sol\u00eds III adds heartfelt sentiment to this track that immediately resonates. The first single from the Con Dolor \u2013 Grupo Frontera<\/em> EP, it was produced by Mexican-American Edgar Barrera, the mastermind behind many of the recent hits in regional Mexican music, who turns this song into yet another gem of contemporary music. \u2014N.C.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Quevedo & Nueva L\u00ednea, \u201cAl Golpito\u201d<\/h2>\n
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\n\tFor his latest album El Baifo<\/em>, Quevedo opted for a more tropical sound that\u2019s rooted in the soundscape of his hometown Isla Canarias in Spain \u2014 \u201cAl Golpito\u201d is the best example. In collaboration with the local all-female group Nueva L\u00ednea, the track is a savory mid-tempo merengue that picks up speed when the four singers step in towards the middle of the tune. In the lyrics, Quevedo manifests having the girl of his dreams, resulting in the chorus: \u201clas cosas buenas siempre lleg\u00e1n al golpit<\/em>o,\u201d which loosely translates to \u201cgood things take time.\u201d \u201cAl Golpito\u201d reached No. 1 on the Spain Songs part of Billboard\u2019s<\/em> Hits of the World charts. \u2014 J.R.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
\n\tEd\u00e9n Mu\u00f1oz and Cristian Castro craft an unforgettable musical tapestry here that interlaces the heartfelt emotion of pop ballads with the rich soul of regional Mexican music. The song unfolds the bittersweet story of lovers who pour every ounce of themselves into a relationship, yet somehow fail to recognize a sincere heart right in front of them. The accordion breathes life into the melody, wrapping gracefully around trumpet arrangements and subtle percussion. Mu\u00f1oz\u2019s gentle, slightly raspy vocals lend a raw intimacy, while Castro\u2019s unmistakable voice soars effortlessly, delivering breathtaking high notes that echo with longing and passion.\u00a0\u2014 I.F.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Fonseca & Juanes, \u201cAntes que el tiempo se vaya\u201d<\/h2>\n\n\t\t\t\t\tImage Credit: Courtesy of Fonseca\/YouTube (video screenshot)\t\t\t\t<\/figcaption><\/figure>\n
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\n\tFor the title track of his latest album,\u00a0Antes Que El Tiempo Se Vaya<\/em>, Fonseca enlisted his friend and fellow countryman Juanes, getting the Colombian rocker to sing merengue for the first time. However, the song \u2014 which approaches nostalgia for the passage of time with a sense of joy \u2014 is not a pure merengue; true to Fonseca\u2019s signature \u201ctropipop\u201d style, it incorporates accordion, woodwinds, brasses and even an electric guitar solo by Juanes. \u201cBefore time slips away\/ I want you to know you\u2019re the best thing in my life\/ With you by my side, I feel nothing can go wrong\/ With you, no problem lasts longer than a day\/ My medicine,\u201d goes part of the infectious chorus, which has made us both dance and reflect. \u2014 S.R.A.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
\n\tOn \u201cLa Buena,\u201d Car\u00edn Le\u00f3n makes devotion sound mischievous, lusty and fully convincing. Over a sturdy regional Mexican backbone \u2014 accordion riffs, tololoche thump and that unmistakable nasal drawl \u2014 Le\u00f3n plays the reformed troublemaker who\u2019s finally met the woman worth cleaning up for. The lyrics are full of smirk and temptation, but the song\u2019s appeal lies in how naturally he sells the transformation, balancing cheeky one-liners with real surrender. It\u2019s flirtatious, funny and deeply Sonoran at heart: a love song for the bad boy who swears, this time, he means it. \u2014 I.R.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Ana Tijoux & DJ Dacel, \u201cVinos y Vinilos\u201d<\/h2>\n
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\n\tThe iconic Chilean rapper Ana Tijoux reunites with DJ Dacel \u2014 one of the most renowned producers and beatmakers in the Chilean music scene \u2014 on \u201cVinos y Vinilos,\u201d the first single from the 97<\/em> EP, which pays tribute to the year they met and began a long friendship and a productive musical relationship. This track from the EP \u2014 recorded between Santiago and Barcelona \u2014 blends rap, samples and introspective atmospheres, with polished touches by Dacel. The song revives classic elements of rap, incorporating sensitive and contemporary sounds, while its lyrics mention many of Ana\u2019s biggest musical influences, including D\u2019Angelo, Nas\u2019 Illmatic<\/em> album, Slum Village, A Tribe Called Quest and Black Star. \u2014 N.C.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Rawayana & Manuel Turizo, \u201cIngl\u00e9s en Miami\u201d<\/h2>\n
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\n\tFor their first collaboration, Rawayana and Manuel Turizo created \u201cIngl\u00e9s en Miami\u201d (English in Miami). The very saucy and witty merengue song tells the story of a girl who travels often from Venezuela to Miami to learn how to speak English \u2014 but instead, she ends up meeting a Miami boy, and does everything besides study, like going to the clubs and having sleepless beach nights. \u201cIngl\u00e9s en Miami\u201d earned the Venezuelan group its first Billboard <\/em>No. 1 hit when it topped the Latin Airplay chart this May. \u2014 J.R.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Kany Garc\u00eda, \u201cA La Ni\u00f1a Que Fui\u201d<\/h2>\n\n\t\t\t\t\tImage Credit: Courtesy of Kany Garcia\/YouTube (video screenshot)\t\t\t\t<\/figcaption><\/figure>\n
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\n\tAs a love letter to her inner child, this is undoubtedly one of the most emotional songs on Kany Garc\u00eda\u2019s latest album,\u00a0Puerta Abierta<\/em>. Co-written by the Puerto Rican singer-songwriter and Venezuelan composer Sara Schell, this simple-yet-powerful acoustic pop track infused with flamenco talks about putting up a front and pretending to be OK to go out and face life. \u201cSo she disguises herself in the costume of a strongwoman, which she only takes off when she gets home\/ Without anyone seeing her, weeping over her sorrow she dances barefoot\/ She laughs to herself, having no idea how much is still left to do \/ Oh, she rises,\u201d Garc\u00eda sings with her signature sensitivity. While moving from the very first verses, the final chorus \u2014 which features about twenty friends and acquaintances of the artist who are navigating hardships, ranging from divorce to raising children with disabilities or battling serious illness \u2014 is especially luminous. \u2014 S.R.A.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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CA7RIEL y Paco Amoroso, \u201cSoy Incre\u00edble\u201d<\/h2>\n
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\n\tNot every standout on FREE SPIRITS<\/em> arrives with the same spectacle as its more headline-grabbing songs, and that\u2019s exactly what makes \u201cSoy Incre\u00edble\u201d such a thrill. This deep cut opens like a ray of sunshine, bathing CA7RIEL y Paco Amoroso\u2019s chaos in glossy synth-pop and electric-guitar flourishes that feel pulled from a more innocent, more euphoric era. On paper, it plays like a cheeky self-love anthem \u2014 \u201cpara celebrar lo perfecto que soy, incre\u00edble<\/em>\u201d \u2014 but beneath the wink there\u2019s something more tender: a fear of loneliness, a need for reassurance, a desire to be wanted. That emotional undercurrent gives the song its staying power, even as the chorus sticks instantly. Few tracks this year feel this buoyant, catchy and quietly revealing all at once. \u2014 I.R.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
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Carlos Vives, \u201cTe Dedico\u201d<\/h2>\n
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\n\tCarlos Vives\u2019 artistry has always been about honoring Colombian tradition and embracing the contemporary sounds so evident in \u201cTe Dedico.\u201d The song \u2014 a heartfelt track that blends Vives\u2019 signature vallenato with tropical rhythms and modern pop elements \u2014 is an anthem centered on love, gratitude and expressing true love to the one you love, putting the Santa Marta native\u2019s ability to transform his emotions into impactful stories on full display; something he has always been known for. \u201cTe Dedico\u201d is the first single and opening track from Vives\u2019 2026 album El \u00daltimo Disco Vol. 1<\/em>. The song reached No. 1 on Billboard\u2019s<\/em> Latin Airplay and Tropical Airplay charts, becoming the artist\u2019s 17th No. 1 on the former.\u00a0\u2014 C.B.<\/em><\/p>\n
Listen to it here<\/em><\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n
\n\t\u201cKOKO\u201d has without a doubt become Omar Courtz\u2019s standout track on his 2026 album Por Si Ma\u00f1ana No Estoy<\/em>. Powered by a fusion of sultry afrobeats, ethereal hues of crashing ocean waves and futuristic beat drops, the track \u2013\u00a0produced by Colombian hitmaker Sky Rompiendo \u2014\u00a0vividly paints a canvas of the ideal date night in Puerto Rico. Backed by Courtz\u2019s smooth and lustful vocals, where he\u2019s singing about conquering the girl he likes, \u201cKOKO\u201d peaked at No. 8 on the Hot Latin Songs chart in July. \u2014 J.R. <\/em><\/p>\n
![\"From](\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/06\/Best-Latin-Albums-of-2026-so-far-billboard-1800.jpg?w=237&h=147&crop=1\")
<\/div>\n<\/div>\n![\"Grupo](\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/07\/octavio-cuadras-grupo-firme-cr-press-billboard-embed.png?w=300\")
![\"A.Chal](\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/07\/achal-chologante-video-screenshot-embed.png?w=300\")
![\"Emyl](\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/07\/emyl-juliana-juan-duque-asi-de-rico-video-screenshot-embed.png?w=300\")
![\"Grupo](\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/05\/grupo-frontera-alejandro-fernandez-cr-abelardo-baez-press-billboard-1800.jpg?w=300\")
![\"Fonseca](\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/07\/fonseca-juanes-video-screenshot-embed.png?w=300\")
![\"Kany](\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/07\/kany-garcia-a-la-nina-que-fui-video-screenshot-embed.png?w=300\")
![\"Omar](\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/omar-courtz-cr-pulpiprod-press-billboard-1800.jpg?w=300\")