{"id":2033717,"date":"2026-07-08T19:49:45","date_gmt":"2026-07-08T16:49:45","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2033717"},"modified":"2026-07-08T19:49:45","modified_gmt":"2026-07-08T16:49:45","slug":"artissima-announces-180-exhibitors-participating-in-fall-2026-art-fair","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2033717","title":{"rendered":"Artissima Announces 180 Exhibitors Participating in Fall 2026 Art Fair"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/11\/Artissima24-Oval-Interni-Balconata-IC-051.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen the long-running contemporary art fair Artissima opens its 33rd edition in late October, 180 galleries from 35 countries will welcome visitors to the Oval, a vast former Olympic speed skating facility that has hosted the fair since 2010.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLuigi Fassi returns as director for the fifth year running. He has organized this year\u2019s 180 galleries (a handful more than the 176 that participated last year) into several distinct sections: new entries (33 galleries are participating for the first time, but this sector highlights 17 of those that are considered to be emerging), monologue\/dialogue (experimental galleries featuring one or two artists), art editions (nonprofits showing prints and multiples), present future and back to the future (single-artist presentations dedicated to, respectively, emerging artists and pioneers of contemporary art), and disegni (monographic booths featuring drawing).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe full exhibitor list, broken down into sections, is below.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Main Section<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<th>Exhibitor<\/th>\n<th>Location(s)<\/th>\n<\/tr>\n<tr>\n<td>1\/9UNOSUNOVE<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>193 Gallery<\/td>\n<td>Paris, Saint-Tropez, Venice<\/td>\n<\/tr>\n<tr>\n<td>A Arte Invernizzi<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>A Gentil Carioca<\/td>\n<td>Rio de Janeiro, S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td>Luis Adelantado<\/td>\n<td>Valencia<\/td>\n<\/tr>\n<tr>\n<td>Alice Amati<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Annex14<\/td>\n<td>Zurich, Zollikofen<\/td>\n<\/tr>\n<tr>\n<td>Rolando Anselmi<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>Apalazzogallery<\/td>\n<td>Brescia<\/td>\n<\/tr>\n<tr>\n<td>Alfonso Artiaco<\/td>\n<td>Naples<\/td>\n<\/tr>\n<tr>\n<td>Artnoble<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Artopia<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Enrico Astuni<\/td>\n<td>Bologna<\/td>\n<\/tr>\n<tr>\n<td>Piero Atchugarry<\/td>\n<td>Miami, Pueblo Garz\u00f3n<\/td>\n<\/tr>\n<tr>\n<td>Av17<\/td>\n<td>Vilnius<\/td>\n<\/tr>\n<tr>\n<td>Marina Bastianello<\/td>\n<td>Venice, Mestre<\/td>\n<\/tr>\n<tr>\n<td>Biasutti &amp; Biasutti<\/td>\n<td>Turin<\/td>\n<\/tr>\n<tr>\n<td>Bliss<\/td>\n<td>Warsaw<\/td>\n<\/tr>\n<tr>\n<td>Thomas Brambilla<\/td>\n<td>Bergamo<\/td>\n<\/tr>\n<tr>\n<td>Bremond Capela<\/td>\n<td>Paris<\/td>\n<\/tr>\n<tr>\n<td>Car Gallery<\/td>\n<td>Bologna<\/td>\n<\/tr>\n<tr>\n<td>Cardelli &amp; Fontana<\/td>\n<td>Sarzana<\/td>\n<\/tr>\n<tr>\n<td>Gian Marco Casini<\/td>\n<td>Livorno<\/td>\n<\/tr>\n<tr>\n<td>ChertL\u00fcdde<\/td>\n<td>Berlin<\/td>\n<\/tr>\n<tr>\n<td>Ciaccia Levi<\/td>\n<td>Paris, Turin<\/td>\n<\/tr>\n<tr>\n<td>Clima<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Collica &amp; Partners<\/td>\n<td>San Gregorio di Catania<\/td>\n<\/tr>\n<tr>\n<td>Continua<\/td>\n<td>San Gimignano, Beijing, Les Moulins, Havana, Rome, S\u00e3o Paulo, Paris<\/td>\n<\/tr>\n<tr>\n<td>Raffaella Cortese<\/td>\n<td>Milan, Albisola Superiore<\/td>\n<\/tr>\n<tr>\n<td>Guido Costa Projects<\/td>\n<td>Turin<\/td>\n<\/tr>\n<tr>\n<td>Thomas Dane<\/td>\n<td>London, Naples<\/td>\n<\/tr>\n<tr>\n<td>Monica De Cardenas<\/td>\n<td>Milan, Zuoz<\/td>\n<\/tr>\n<tr>\n<td>De\u2019 Foscherari<\/td>\n<td>Bologna<\/td>\n<\/tr>\n<tr>\n<td>Dep Art<\/td>\n<td>Milan, Ceglie Messapica<\/td>\n<\/tr>\n<tr>\n<td>Ex Elettrofonica<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>Frittelli<\/td>\n<td>Florence, Milan<\/td>\n<\/tr>\n<tr>\n<td>Fuocherello<\/td>\n<td>Volvera<\/td>\n<\/tr>\n<tr>\n<td>Fuoricampo<\/td>\n<td>Siena<\/td>\n<\/tr>\n<tr>\n<td>Galerist<\/td>\n<td>Istanbul<\/td>\n<\/tr>\n<tr>\n<td>Gramma_Epsilon<\/td>\n<td>Athens<\/td>\n<\/tr>\n<tr>\n<td>Herald St<\/td>\n<td>London, Bologna<\/td>\n<\/tr>\n<tr>\n<td>Antonia Jannone Disegni Di Architettura<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Jousse Entreprise<\/td>\n<td>Paris<\/td>\n<\/tr>\n<tr>\n<td>Sylvia Kouvali<\/td>\n<td>London, Piraeus<\/td>\n<\/tr>\n<tr>\n<td>Labs Contemporary Art<\/td>\n<td>Bologna<\/td>\n<\/tr>\n<tr>\n<td>ML FINE ART <\/td>\n<td>MATTEO LAMPERTICO<\/td>\n<\/tr>\n<tr>\n<td>Laveronica<\/td>\n<td>Modica<\/td>\n<\/tr>\n<tr>\n<td>Layr<\/td>\n<td>Vienna<\/td>\n<\/tr>\n<tr>\n<td>Luce Gallery<\/td>\n<td>Turin<\/td>\n<\/tr>\n<tr>\n<td>Lunetta11<\/td>\n<td>Mombarcaro<\/td>\n<\/tr>\n<tr>\n<td>Galleria D\u2019Arte Maggiore G.A.M.<\/td>\n<td>Bologna, Venice, Paris<\/td>\n<\/tr>\n<tr>\n<td>Maki Fine Arts<\/td>\n<td>Tokyo<\/td>\n<\/tr>\n<tr>\n<td>Primo Marella<\/td>\n<td>Milan, Lugano<\/td>\n<\/tr>\n<tr>\n<td>Mat\u00e8ria<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>Matta<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Mazzoleni<\/td>\n<td>London, Turin, Milan<\/td>\n<\/tr>\n<tr>\n<td>Mazzoli<\/td>\n<td>Modena, Berlin<\/td>\n<\/tr>\n<tr>\n<td>Me Vannucci<\/td>\n<td>Pistoia<\/td>\n<\/tr>\n<tr>\n<td>Meessen<\/td>\n<td>Brussels<\/td>\n<\/tr>\n<tr>\n<td>Meno Parkas<\/td>\n<td>Kaunas<\/td>\n<\/tr>\n<tr>\n<td>Ani Moln\u00e1r<\/td>\n<td>Budapest<\/td>\n<\/tr>\n<tr>\n<td>Monitor<\/td>\n<td>Rome, Pereto, Lisbon<\/td>\n<\/tr>\n<tr>\n<td>Mor Charpentier<\/td>\n<td>Paris, Bogot\u00e1<\/td>\n<\/tr>\n<tr>\n<td>Ncontemporary<\/td>\n<td>Milan, Venice<\/td>\n<\/tr>\n<tr>\n<td>Franco Noero<\/td>\n<td>Turin<\/td>\n<\/tr>\n<tr>\n<td>Nome<\/td>\n<td>Turin<\/td>\n<\/tr>\n<tr>\n<td>P420<\/td>\n<td>Bologna<\/td>\n<\/tr>\n<tr>\n<td>P74<\/td>\n<td>Ljubljana<\/td>\n<\/tr>\n<tr>\n<td>Alberta Pane<\/td>\n<td>Paris, Venice<\/td>\n<\/tr>\n<tr>\n<td>Giorgio Persano<\/td>\n<td>Turin<\/td>\n<\/tr>\n<tr>\n<td>Pinksummer<\/td>\n<td>Genoa<\/td>\n<\/tr>\n<tr>\n<td>Prometeo<\/td>\n<td>Milan, Lucca<\/td>\n<\/tr>\n<tr>\n<td>Repetto<\/td>\n<td>Lugano<\/td>\n<\/tr>\n<tr>\n<td>Ribot<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Romero Paprocki<\/td>\n<td>Paris, Milan<\/td>\n<\/tr>\n<tr>\n<td>Ronchini<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Rossi &amp; Rossi<\/td>\n<td>Hong Kong<\/td>\n<\/tr>\n<tr>\n<td>Lia Rumma<\/td>\n<td>Milan, Naples<\/td>\n<\/tr>\n<tr>\n<td>Sandwich<\/td>\n<td>Bucharest<\/td>\n<\/tr>\n<tr>\n<td>Side 2<\/td>\n<td>Tokyo<\/td>\n<\/tr>\n<tr>\n<td>Sies + H\u00f6ke<\/td>\n<td>D\u00fcsseldorf<\/td>\n<\/tr>\n<tr>\n<td>Sim\u00f3ndi<\/td>\n<td>Turin<\/td>\n<\/tr>\n<tr>\n<td>Soci\u00e9t\u00e9 Interludio<\/td>\n<td>Cambiano<\/td>\n<\/tr>\n<tr>\n<td>Soup<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Spazioa<\/td>\n<td>Pistoia<\/td>\n<\/tr>\n<tr>\n<td>Studio G7<\/td>\n<td>Bologna<\/td>\n<\/tr>\n<tr>\n<td>Studio Sales Di Norberto Ruggeri<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>Studio Trisorio<\/td>\n<td>Naples<\/td>\n<\/tr>\n<tr>\n<td>Tornabuoni Arte<\/td>\n<td>Florence, Milan, Rome, Forte dei Marmi, Paris, Crans-Montana<\/td>\n<\/tr>\n<tr>\n<td>Traffic<\/td>\n<td>Bergamo<\/td>\n<\/tr>\n<tr>\n<td>Trotoar<\/td>\n<td>Zagreb<\/td>\n<\/tr>\n<tr>\n<td>Tucci Russo<\/td>\n<td>Torre Pellice, Turin<\/td>\n<\/tr>\n<tr>\n<td>Una<\/td>\n<td>Piacenza, Milan<\/td>\n<\/tr>\n<tr>\n<td>Vangar<\/td>\n<td>Valencia<\/td>\n<\/tr>\n<tr>\n<td>Verve<\/td>\n<td>S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td>Vistamare<\/td>\n<td>Milan, Pescara<\/td>\n<\/tr>\n<tr>\n<td>Vohm<\/td>\n<td>Seoul<\/td>\n<\/tr>\n<tr>\n<td>Wentrup<\/td>\n<td>Berlin<\/td>\n<\/tr>\n<tr>\n<td>Whatiftheworld<\/td>\n<td>Cape Town<\/td>\n<\/tr>\n<tr>\n<td>Z2O Sara Zanin<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>Zaz\u00e0<\/td>\n<td>Milan, Naples<\/td>\n<\/tr>\n<tr>\n<td>Zilberman<\/td>\n<td>Istanbul, Berlin<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>New Entries <\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<th>Exhibitor<\/th>\n<th>Location(s)<\/th>\n<\/tr>\n<tr>\n<td>Apartamento<\/td>\n<td>Marseille<\/td>\n<\/tr>\n<tr>\n<td>Aspekty<\/td>\n<td>Warsaw<\/td>\n<\/tr>\n<tr>\n<td>Biju<\/td>\n<td>Cluj-Napoca<\/td>\n<\/tr>\n<tr>\n<td>Brugger<\/td>\n<td>Klaus<\/td>\n<\/tr>\n<tr>\n<td>Ceravento<\/td>\n<td>Pescara<\/td>\n<\/tr>\n<tr>\n<td>Clauda<\/td>\n<td>Prague<\/td>\n<\/tr>\n<tr>\n<td>Iah<\/td>\n<td>Seoul<\/td>\n<\/tr>\n<tr>\n<td>Kim? Gallery<\/td>\n<td>Riga<\/td>\n<\/tr>\n<tr>\n<td>Lutni\u021ba<\/td>\n<td>Chi\u0219in\u0103u<\/td>\n<\/tr>\n<tr>\n<td>Marli Matsumoto<\/td>\n<td>S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td>Saskia Neuman<\/td>\n<td>Stockholm<\/td>\n<\/tr>\n<tr>\n<td>Night Caf\u00e9<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Orma<\/td>\n<td>Milan, Sorrento<\/td>\n<\/tr>\n<tr>\n<td>Andrew Reed<\/td>\n<td>Miami<\/td>\n<\/tr>\n<tr>\n<td>Ss Space Space<\/td>\n<td>New Taipei City<\/td>\n<\/tr>\n<tr>\n<td>Whoispola<\/td>\n<td>Warsaw<\/td>\n<\/tr>\n<tr>\n<td>Mandy Zhang Art<\/td>\n<td>London<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Monologue\/Dialogue<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<th>Exhibitor<\/th>\n<th>Location(s)<\/th>\n<\/tr>\n<tr>\n<td>10 &amp; Zero Uno<\/td>\n<td>Venice<\/td>\n<\/tr>\n<tr>\n<td>Galeria 111<\/td>\n<td>Lisbon<\/td>\n<\/tr>\n<tr>\n<td>1301Pe<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>22,48 m2<\/td>\n<td>Romainville<\/td>\n<\/tr>\n<tr>\n<td>A Sud<\/td>\n<td>Pescara<\/td>\n<\/tr>\n<tr>\n<td>Acappella<\/td>\n<td>Naples<\/td>\n<\/tr>\n<tr>\n<td>Ada<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>Francesca Antonini<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>Atm<\/td>\n<td>Gij\u00f3n<\/td>\n<\/tr>\n<tr>\n<td>Balcony<\/td>\n<td>Lisbon<\/td>\n<\/tr>\n<tr>\n<td>Banda Municipal<\/td>\n<td>Mexico City<\/td>\n<\/tr>\n<tr>\n<td>Umberto Benappi<\/td>\n<td>Turin<\/td>\n<\/tr>\n<tr>\n<td>Boccanera<\/td>\n<td>Trento, Milan<\/td>\n<\/tr>\n<tr>\n<td>Castiglioni<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Clivio<\/td>\n<td>Milan, Parma<\/td>\n<\/tr>\n<tr>\n<td>Colli<\/td>\n<td>Foligno<\/td>\n<\/tr>\n<tr>\n<td>Fleur &amp; Wouter<\/td>\n<td>Amsterdam<\/td>\n<\/tr>\n<tr>\n<td>Cristina Guerra<\/td>\n<td>Lisbon<\/td>\n<\/tr>\n<tr>\n<td>Martin Janda<\/td>\n<td>Vienna<\/td>\n<\/tr>\n<tr>\n<td>KodlContemporary<\/td>\n<td>Prague<\/td>\n<\/tr>\n<tr>\n<td>Gilda Lavia<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>Lehmann<\/td>\n<td>Porto<\/td>\n<\/tr>\n<tr>\n<td>Lohaus<\/td>\n<td>Munich<\/td>\n<\/tr>\n<tr>\n<td>\u00d6ktem Aykut<\/td>\n<td>Istanbul<\/td>\n<\/tr>\n<tr>\n<td>Reservoir<\/td>\n<td>Cape Town<\/td>\n<\/tr>\n<tr>\n<td>Rosa Santos<\/td>\n<td>Valencia, Madrid<\/td>\n<\/tr>\n<tr>\n<td>Federica Schiavo<\/td>\n<td>Rome<\/td>\n<\/tr>\n<tr>\n<td>Martina Simeti<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Smac<\/td>\n<td>Cape Town, Stellenbosch<\/td>\n<\/tr>\n<tr>\n<td>Soci\u00e9t\u00e9 Interludio<\/td>\n<td>Cambiano<\/td>\n<\/tr>\n<tr>\n<td>Luisa Strina<\/td>\n<td>S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td>The Address<\/td>\n<td>Brescia<\/td>\n<\/tr>\n<tr>\n<td>Triangolo<\/td>\n<td>Cremona<\/td>\n<\/tr>\n<tr>\n<td>Ufo<\/td>\n<td>Krakow<\/td>\n<\/tr>\n<tr>\n<td>Maximillian William<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Wizard<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Zero\u2026<\/td>\n<td>Milan<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Art Editions<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<th>Exhibitor<\/th>\n<th>Location(s)<\/th>\n<\/tr>\n<tr>\n<td>Colophonarte<\/td>\n<td>Belluno<\/td>\n<\/tr>\n<tr>\n<td>Dreiviertel<\/td>\n<td>Bern<\/td>\n<\/tr>\n<tr>\n<td>L\u2019Arengario<\/td>\n<td>Cellatica<\/td>\n<\/tr>\n<tr>\n<td>Martincigh<\/td>\n<td>Udine<\/td>\n<\/tr>\n<tr>\n<td>Danilo Montanari<\/td>\n<td>Ravenna<\/td>\n<\/tr>\n<tr>\n<td>Studio Bruno Tonini<\/td>\n<td>Gussago<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Present Future<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<th>Artist<\/th>\n<th>Gallery, Location(s)<\/th>\n<\/tr>\n<tr>\n<td>C. Mae Bloom<\/td>\n<td>Hannah Berry, London<\/td>\n<\/tr>\n<tr>\n<td>Juliana Frontin<\/td>\n<td>Yehudi Hollander-Pappi, S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td>Palabijik Gamze<\/td>\n<td>Von &amp; Von, Nuremberg<\/td>\n<\/tr>\n<tr>\n<td>Che-Yu Hsu<\/td>\n<td>Vanguard Gallery, Shanghai<\/td>\n<\/tr>\n<tr>\n<td>Yun Hu, <\/td>\n<td>A+ Works of Art, Kuala Lumpur<\/td>\n<\/tr>\n<tr>\n<td>Matisse Mesnil<\/td>\n<td>Romero Paprocki, Paris and Milan<\/td>\n<\/tr>\n<tr>\n<td>Mary-Audrey Ramirez<\/td>\n<td>Management, New York<\/td>\n<\/tr>\n<tr>\n<td>Gabriel Ribeiro<\/td>\n<td>Foco, Lisbon<\/td>\n<\/tr>\n<tr>\n<td>Emma Scarafiotti<\/td>\n<td>Secci, Milan and Pietrasanta<\/td>\n<\/tr>\n<tr>\n<td>Scott Young<\/td>\n<td>Tina, London<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Back to the Future<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<th>Artist<\/th>\n<th>Exhibitor, Location(s)<\/th>\n<\/tr>\n<tr>\n<td>Michel Auder<\/td>\n<td>Fonti, Naples<\/td>\n<\/tr>\n<tr>\n<td>Lenora de Barros<\/td>\n<td>Lombard-Kargl, Vienna<\/td>\n<\/tr>\n<tr>\n<td>Romany Eveleigh<\/td>\n<td>Richard Saltoun, London, Rome, and New York<\/td>\n<\/tr>\n<tr>\n<td>\u00c2ngela Ferreira<\/td>\n<td>Cristina Guerra, Lisbon<\/td>\n<\/tr>\n<tr>\n<td>Vadim Fishkin<\/td>\n<td>Gregor Podnar, Vienna<\/td>\n<\/tr>\n<tr>\n<td>Nadia Gould<\/td>\n<td>Diefirma, New York<\/td>\n<\/tr>\n<tr>\n<td>Cathy Josefowicz<\/td>\n<td>Eastcontemporary &amp; Import Export, Milan, Warsaw, and London<\/td>\n<\/tr>\n<tr>\n<td>Rosa Panaro<\/td>\n<td>Tiziana di Caro, Naples<\/td>\n<\/tr>\n<tr>\n<td>Mariuccia Secol<\/td>\n<td>Gisela Clement &amp; Monopol, Bonn, and Warsaw<\/td>\n<\/tr>\n<tr>\n<td>Luigi Zuccheri<\/td>\n<td>Lovay, Geneva<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Disegni<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<th>Artist <\/th>\n<th>Exhibitor, Location(s)<\/th>\n<\/tr>\n<tr>\n<td>Marco Di Giovanni<\/td>\n<td>Il Chiostro Arte e Archivi, Saronno<\/td>\n<\/tr>\n<tr>\n<td>Flavio Favelli<\/td>\n<td>Studio Sales di Norberto Ruggeri, Rome<\/td>\n<\/tr>\n<tr>\n<td>Makiko Furuichi<\/td>\n<td>Les Filles du Calvaire, Paris<\/td>\n<\/tr>\n<tr>\n<td>Maggi Hambling<\/td>\n<td>Thomas Brambilla, Bergamo<\/td>\n<\/tr>\n<tr>\n<td>Tirdad Hashemi<\/td>\n<td>Isabelle, Dubai<\/td>\n<\/tr>\n<tr>\n<td>Susanna Inglada<\/td>\n<td>Maurits van de Laar, The Hague<\/td>\n<\/tr>\n<tr>\n<td>Khaled Jarada<\/td>\n<td>P420, Bologna<\/td>\n<\/tr>\n<tr>\n<td>Meiro Koizumi<\/td>\n<td>Annet Gelink, Amsterdam<\/td>\n<\/tr>\n<tr>\n<td>Giorgina Starr<\/td>\n<td>Alma Pearl, London<\/td>\n<\/tr>\n<tr>\n<td>Katarzyna Wiesiolek<\/td>\n<td>Szydlowsky, Warsaw<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/artissima-art-fair-2026-exhibitors-turin-1234791579\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/11\/Artissima24-Oval-Interni-Balconata-IC-051.jpg?w=1024&#8243;] When the long-running contemporary art fair Artissima opens its 33rd edition in late October, 180 galleries from 35 countries will welcome visitors to the Oval, a vast former Olympic speed skating facility that has hosted the fair since 2010. Luigi Fassi returns as director for the fifth year running. He has organized [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-2033717","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2033717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2033717"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2033717\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2033717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2033717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2033717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}