{"id":2024266,"date":"2026-07-01T10:00:24","date_gmt":"2026-07-01T07:00:24","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2024266"},"modified":"2026-07-01T10:00:24","modified_gmt":"2026-07-01T07:00:24","slug":"phillip-guston-lush-and-forlorn","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2024266","title":{"rendered":"Phillip Guston, Lush and Forlorn"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;]<\/p>\n<p><main class=\"gh-main\"><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Phillip Guston, Lush and Forlorn<\/h1>\n<p class=\"gh-article-excerpt is-body\">Also, the Guggenheim Museum union authorizes a strike and new findings on human DNA in cave art.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-07-01\">July 1, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>What makes Phillip Guston great? In the words of <em>Hyperallergic<\/em> critic John Yau, it\u2019s his \u201crefusal to separate himself from the crumbling world he dwells in.\u201d The late artist\u2019s current exhibition at Hauser &amp; Wirth in New York, featuring drawings and paintings spanning the mid-\u201960s and \u201970s, brings to light lesser-known sides of his practice, such as the influence of poetry and the immense contributions of his wife, the poet Musa McKim.\u00a0<\/p>\n<p>In news, unionized workers at the Guggenheim Museum in Manhattan have voted to authorize a strike as contract negotiations enter their sixth month, with the shock and pain of last year\u2019s layoffs still fresh.<\/p>\n<p>Also today: Scholar Sarah Bond on human DNA in cave art, Natalie Haddad interviews Jack Halberstam, and ballroom Icon Andre Mizrahi Clark\u2019s words of wisdom: \u201cI want people to look at me and say, \u2018Well, bitch, if he could do it, I know I still could do it.\u2019\u201d<\/p>\n<p><em>\u2014Valentina Di Liscia, senior editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/philip-guston.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tPhilip Guston\u2019s Lines of Poetry<br \/>\n\t\t<\/h3>\n<p>\n\t\tPhilip Guston loved poets. In 1968, after he and his wife, the artist and poet Musa McKim, and their teenage daughter moved to Woodstock, New York, he began to radically shift his work from abstraction to a cartoonish world of people and things. This change coincided with his beginning to collaborate with a close circle of poet friends, particularly Clark Coolidge, who lived nearby.\n      <\/p>\n<p><em>Life With P. &#8211; Philip Guston: Paintings and Drawings 1964\u20131978<\/em> at Hauser and Wirth brings together work from this time when he pared down his drawings to a line or two and began again. Drawing, particularly the bare line, was central to Guston\u2019s practice. This period of questioning resonated with Coolidge, who wanted to move beyond his early poems, which were sonic and decidedly non-descriptive, without giving up his love for sound. While the exhibition focuses on the transformation that Guston\u2019s work underwent, it calls attention to the principal support he got from McKim as his lifelong partner, inspiration, and a poet in her own right. | John Yau\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/nick-cave-bob-faust.jpeg\" alt=\"CTA Image\" data-image-dimensions=\"1200x628\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Nick Cave &amp; Bob Faust guest edit the inaugural Art Issue of Different Leaf<\/strong><\/b><\/p>\n<p><span>The beloved indie cannabis mag is relaunching with an expanded purview\u2014covering the intersecton of art, music, fashion, and the culture of cannabis. Its first-ever Art Issue, guest edited by world-renowned artists and creative partners Cave and Faust, comes in three limited editions and is available for preorder now.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/cave-painting.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<ul>\n<li>Deep in the ancient caves of Spain and Portugal, new research proves for the first time that DNA can survive for millennia within the paint applied to rock walls, opening a future pathway to recovering the identities of ancient artists from thousands of years ago.\u00a0<\/li>\n<li>Negotiations for the second contract with the Guggenheim Museum in New York City are entering their sixth month, with an emphasis on job security after abrupt layoffs last year. Unionized staff across several departments have voted to authorize a strike if necessary.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"interviews\">Interviews<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/andre-clark.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe Ballroom Icon Who Paved a New Way<br \/>\n\t\t<\/h3>\n<p>\n\t\tAmid all of the kitty-kat meow of today\u2019s Vogue Fem performers, Andre Mizrahi Clark has the stern, calm energy of a lion tipping on its toes.  | Ridikkuluz\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"queer-elders\">Queer Elders <\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/jack-halberstam.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tJack Halberstam\u2019s Trans Theory at a Slant<br \/>\n\t\t<\/h3>\n<p>\n\t\tHyperallergic spoke with the scholar about transness, architecture, and how we can make a better world by first unmaking it. | Natalie Haddad\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/Akiko-Stehrenberger.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tAkiko Stehrenberger\u2019s Explosive Movie Poster Art<br \/>\n\t\t<\/h3>\n<p>\n\t\tStehrenberger\u2019s ability to capture the essence of a film in a single image has made her one of the most sought-after poster designers in the industry. | Denise Zubizarreta\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Phillip Guston, Lush and Forlorn<\/h1>\n<p class=\"gh-article-excerpt is-body\">Also, the Guggenheim Museum union authorizes a strike and new findings on human DNA in cave art.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-07-01\">July 1, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>What makes Phillip Guston great? In the words of <em>Hyperallergic<\/em> critic John Yau, it\u2019s his \u201crefusal to separate himself from the crumbling world he dwells in.\u201d The late artist\u2019s current exhibition at Hauser &amp; Wirth in New York, featuring drawings and paintings spanning the mid-\u201960s and \u201970s, brings to light lesser-known sides of his practice, such as the influence of poetry and the immense contributions of his wife, the poet Musa McKim.\u00a0<\/p>\n<p>In news, unionized workers at the Guggenheim Museum in Manhattan have voted to authorize a strike as contract negotiations enter their sixth month, with the shock and pain of last year\u2019s layoffs still fresh.<\/p>\n<p>Also today: Scholar Sarah Bond on human DNA in cave art, Natalie Haddad interviews Jack Halberstam, and ballroom Icon Andre Mizrahi Clark\u2019s words of wisdom: \u201cI want people to look at me and say, \u2018Well, bitch, if he could do it, I know I still could do it.\u2019\u201d<\/p>\n<p><em>\u2014Valentina Di Liscia, senior editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/philip-guston.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tPhilip Guston\u2019s Lines of Poetry<br \/>\n\t\t<\/h3>\n<p>\n\t\tPhilip Guston loved poets. In 1968, after he and his wife, the artist and poet Musa McKim, and their teenage daughter moved to Woodstock, New York, he began to radically shift his work from abstraction to a cartoonish world of people and things. This change coincided with his beginning to collaborate with a close circle of poet friends, particularly Clark Coolidge, who lived nearby.\n      <\/p>\n<p><em>Life With P. &#8211; Philip Guston: Paintings and Drawings 1964\u20131978<\/em> at Hauser and Wirth brings together work from this time when he pared down his drawings to a line or two and began again. Drawing, particularly the bare line, was central to Guston\u2019s practice. This period of questioning resonated with Coolidge, who wanted to move beyond his early poems, which were sonic and decidedly non-descriptive, without giving up his love for sound. While the exhibition focuses on the transformation that Guston\u2019s work underwent, it calls attention to the principal support he got from McKim as his lifelong partner, inspiration, and a poet in her own right. | John Yau\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/nick-cave-bob-faust.jpeg\" alt=\"CTA Image\" data-image-dimensions=\"1200x628\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Nick Cave &amp; Bob Faust guest edit the inaugural Art Issue of Different Leaf<\/strong><\/b><\/p>\n<p><span>The beloved indie cannabis mag is relaunching with an expanded purview\u2014covering the intersecton of art, music, fashion, and the culture of cannabis. Its first-ever Art Issue, guest edited by world-renowned artists and creative partners Cave and Faust, comes in three limited editions and is available for preorder now.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/cave-painting.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<ul>\n<li>Deep in the ancient caves of Spain and Portugal, new research proves for the first time that DNA can survive for millennia within the paint applied to rock walls, opening a future pathway to recovering the identities of ancient artists from thousands of years ago.\u00a0<\/li>\n<li>Negotiations for the second contract with the Guggenheim Museum in New York City are entering their sixth month, with an emphasis on job security after abrupt layoffs last year. Unionized staff across several departments have voted to authorize a strike if necessary.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"interviews\">Interviews<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/andre-clark.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe Ballroom Icon Who Paved a New Way<br \/>\n\t\t<\/h3>\n<p>\n\t\tAmid all of the kitty-kat meow of today\u2019s Vogue Fem performers, Andre Mizrahi Clark has the stern, calm energy of a lion tipping on its toes.  | Ridikkuluz\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"queer-elders\">Queer Elders <\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/jack-halberstam.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tJack Halberstam\u2019s Trans Theory at a Slant<br \/>\n\t\t<\/h3>\n<p>\n\t\tHyperallergic spoke with the scholar about transness, architecture, and how we can make a better world by first unmaking it. | Natalie Haddad\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/Akiko-Stehrenberger.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tAkiko Stehrenberger\u2019s Explosive Movie Poster Art<br \/>\n\t\t<\/h3>\n<p>\n\t\tStehrenberger\u2019s ability to capture the essence of a film in a single image has made her one of the most sought-after poster designers in the industry. | Denise Zubizarreta\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<section class=\"gh-content gh-canvas is-body\">\n<p>What makes Phillip Guston great? In the words of <em>Hyperallergic<\/em> critic John Yau, it\u2019s his \u201crefusal to separate himself from the crumbling world he dwells in.\u201d The late artist\u2019s current exhibition at Hauser &amp; Wirth in New York, featuring drawings and paintings spanning the mid-\u201960s and \u201970s, brings to light lesser-known sides of his practice, such as the influence of poetry and the immense contributions of his wife, the poet Musa McKim.\u00a0<\/p>\n<p>In news, unionized workers at the Guggenheim Museum in Manhattan have voted to authorize a strike as contract negotiations enter their sixth month, with the shock and pain of last year\u2019s layoffs still fresh.<\/p>\n<p>Also today: Scholar Sarah Bond on human DNA in cave art, Natalie Haddad interviews Jack Halberstam, and ballroom Icon Andre Mizrahi Clark\u2019s words of wisdom: \u201cI want people to look at me and say, \u2018Well, bitch, if he could do it, I know I still could do it.\u2019\u201d<\/p>\n<p><em>\u2014Valentina Di Liscia, senior editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/philip-guston.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tPhilip Guston\u2019s Lines of Poetry<br \/>\n\t\t<\/h3>\n<p>\n\t\tPhilip Guston loved poets. In 1968, after he and his wife, the artist and poet Musa McKim, and their teenage daughter moved to Woodstock, New York, he began to radically shift his work from abstraction to a cartoonish world of people and things. This change coincided with his beginning to collaborate with a close circle of poet friends, particularly Clark Coolidge, who lived nearby.\n      <\/p>\n<p><em>Life With P. &#8211; Philip Guston: Paintings and Drawings 1964\u20131978<\/em> at Hauser and Wirth brings together work from this time when he pared down his drawings to a line or two and began again. Drawing, particularly the bare line, was central to Guston\u2019s practice. This period of questioning resonated with Coolidge, who wanted to move beyond his early poems, which were sonic and decidedly non-descriptive, without giving up his love for sound. While the exhibition focuses on the transformation that Guston\u2019s work underwent, it calls attention to the principal support he got from McKim as his lifelong partner, inspiration, and a poet in her own right. | John Yau\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/nick-cave-bob-faust.jpeg\" alt=\"CTA Image\" data-image-dimensions=\"1200x628\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Nick Cave &amp; Bob Faust guest edit the inaugural Art Issue of Different Leaf<\/strong><\/b><\/p>\n<p><span>The beloved indie cannabis mag is relaunching with an expanded purview\u2014covering the intersecton of art, music, fashion, and the culture of cannabis. Its first-ever Art Issue, guest edited by world-renowned artists and creative partners Cave and Faust, comes in three limited editions and is available for preorder now.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/cave-painting.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<ul>\n<li>Deep in the ancient caves of Spain and Portugal, new research proves for the first time that DNA can survive for millennia within the paint applied to rock walls, opening a future pathway to recovering the identities of ancient artists from thousands of years ago.\u00a0<\/li>\n<li>Negotiations for the second contract with the Guggenheim Museum in New York City are entering their sixth month, with an emphasis on job security after abrupt layoffs last year. Unionized staff across several departments have voted to authorize a strike if necessary.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"interviews\">Interviews<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/andre-clark.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe Ballroom Icon Who Paved a New Way<br \/>\n\t\t<\/h3>\n<p>\n\t\tAmid all of the kitty-kat meow of today\u2019s Vogue Fem performers, Andre Mizrahi Clark has the stern, calm energy of a lion tipping on its toes.  | Ridikkuluz\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"queer-elders\">Queer Elders <\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/jack-halberstam.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tJack Halberstam\u2019s Trans Theory at a Slant<br \/>\n\t\t<\/h3>\n<p>\n\t\tHyperallergic spoke with the scholar about transness, architecture, and how we can make a better world by first unmaking it. | Natalie Haddad\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/Akiko-Stehrenberger.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tAkiko Stehrenberger\u2019s Explosive Movie Poster Art<br \/>\n\t\t<\/h3>\n<p>\n\t\tStehrenberger\u2019s ability to capture the essence of a film in a single image has made her one of the most sought-after poster designers in the industry. | Denise Zubizarreta\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/06\/20251023_pdsoros_art_gallery-2.jpg\" alt=\"A $90,000 Graduate Fellowship for Immigrants &amp; Children of Immigrants in the Visual Arts\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">A $90,000 Graduate Fellowship for Immigrants &amp; Children of Immigrants in the Visual Arts<\/h3>\n<p class=\"gh-card-excerpt is-body\">The Paul &amp; Daisy Soros Fellowships for New Americans supports immigrants &amp; children of immigrants in MFA, MA, PhD &amp; other graduate programs.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Paul &amp; Daisy Soros Fellowships for New Americans<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/06\/2023_04-24_Rebirth-II-21.jpg\" alt=\"Pratt Manhattan Gallery Moves \u201cBeyond Digital\u201d in New Exhibition\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Pratt Manhattan Gallery Moves \u201cBeyond Digital\u201d in New Exhibition<\/h3>\n<p class=\"gh-card-excerpt is-body\">Exhibition of Pratt Digital Arts alumni explores technology, ecology, and emerging forms of intelligence.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Pratt Manhattan Gallery<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/06\/Irene-Perez-by-PD-Rearick.jpg\" alt=\"Cranbrook Academy of Art Reopens Applications for Fall 2026\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Cranbrook Academy of Art Reopens Applications for Fall 2026<\/h3>\n<p class=\"gh-card-excerpt is-body\">The art institution is accepting applications from June 22 through August 15 for artists and designers considering graduate study.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Cranbrook Academy of Art<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/06\/CorcIXD-HCDClass-Output-4.JPG\" alt=\"How the GW Corcoran Is Rethinking Interaction Design Education\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">How the GW Corcoran Is Rethinking Interaction Design Education<\/h3>\n<p class=\"gh-card-excerpt is-body\">The Interaction Design program at the George Washington University Corcoran School of Arts and Design is utilizing partnerships across DC to encourage its students to develop more inclusive design practices.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">George Washington University<\/span><\/footer>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/hyperallergic.com\/phillip-guston-lush-and-forlorn\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;] Daily Newsletter Phillip Guston, Lush and Forlorn Also, the Guggenheim Museum union authorizes a strike and new findings on human DNA in cave art. Hyperallergic July 1, 2026\u2014 3 min read What makes Phillip Guston great? In the words of Hyperallergic critic John Yau, it\u2019s his \u201crefusal to separate himself from the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,69],"class_list":["post-2024266","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-hyperallergic-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2024266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2024266"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2024266\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2024266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2024266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2024266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}