{"id":2019956,"date":"2026-06-29T10:00:05","date_gmt":"2026-06-29T07:00:05","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2019956"},"modified":"2026-06-29T10:00:05","modified_gmt":"2026-06-29T07:00:05","slug":"ed-woodhams-radical-public-art","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2019956","title":{"rendered":"Ed Woodham\u2019s Radical Public Art"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;]<\/p>\n<p><main class=\"gh-main\"><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Ed Woodham\u2019s Radical Public Art<\/h1>\n<p class=\"gh-article-excerpt is-body\">The artist and educator on queer creativity in the margins, dogs across art history, and a collective tarot-horoscope for Hyperallergic readers.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/secure.gravatar.com\/avatar\/4963dd3ebbdb72fe2da00ddb341aa1ecb4f3a13e44b8c588a159ec58503ad619?s=500&amp;d=blank&amp;r=g\" alt=\"Hyperallergic 2\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic 2<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-06-29\">June 29, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 4 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>As Pride month comes to an end, Ed Woodham is here to remind us that queer and trans artists deserve to be celebrated every day of the year. The artist and founder of Art in Odd Places has spent decades advocating for public art as just what it sounds like \u2014 a public good, not a private commodity.<\/p>\n<p>Editor-in-Chief Hakim Bishara spoke with Woodham about the costs of art-world success and why he has never sought it out. \u201cWhat I value about Pride is not the branding,\u201d he says. \u201cIt\u2019s the resistance. It\u2019s the refusal to be erased.\u201d Read on for the full interview, a candid and galvanizing testimonial to carry us into the dog days of summer.<\/p>\n<p>Speaking of which: Dog people, this one\u2019s for you. <em>The Dog\u2019s Gaze<\/em> is a new book tracing canine companions across art history, including some truly precious paintings of scruffy floofs and dignified pups (their scientific names) by the likes of Renoir and Carpaccio. Alisyn Amant brings us into the pages of this ode to our four-legged friends and the way their presence in art can completely shift our experience of it. Be still, my dog-loving heart.<\/p>\n<p><em>\u2014Lakshmi Rivera Amin, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/ed-woodham.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tEd Woodham in All the Odd Places<br \/>\n\t\t<\/h3>\n<p>\n\t\tJust when you\u2019re about to give up on this power-hungry, money-obsessed, star-fucking art world and its market-driven media, people like Ed Woodham come along and restore your faith in what art can do for society.\n      <\/p>\n<p>\nThe decades-long practice of the 69-year-old Atlanta-born artist, curator, and educator is thoroughly rooted in community. He\u2019s most known for leading Art in Odd Places, a public art group he originally co-founded as part of Atlanta\u2019s cultural programming for the 1996 Summer Olympics. In what follows, Woodham and I discuss his youth in Atlanta, his unflinching art activism, and his life as a badass queer elder. | Hakim Bishara\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/Wendi-Yan-1.png\" alt=\"CTA Image\" data-image-dimensions=\"2000x1125\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Open Call: The 7th VH AWARD for Media Artists Engaged with the Context of Asia<\/strong><\/b><\/p>\n<p><span>Supporting media artists with production grants, global exhibitions, and an expanded online residency with Ars Electronica.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/missan-harriman.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<ul>\n<li>Photographer and activist Misan Harriman said he will step down from his post as chair of London\u2019s Southbank Centre. The announcement comes weeks after a series of right-wing tabloids\u00a0scrutinized his response\u00a0to the April 29 attack in north London\u2019s Golders Green.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"art-tarotscope\">Art Tarotscope<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/summer-equinox.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tHyperallergic\u2019s Art Tarotscope for the Summer Solstice<br \/>\n\t\t<\/h3>\n<p>\n\t\tAmid global turmoil and rising temperatures, I\u2019ve seen creative friends hitting periods of stagnancy. What will help us return to a flow state? | AX Mina\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/dog-book-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tEvery Dog Has Its Artist<br \/>\n\t\t<\/h3>\n<p>\n\t\tA compassionate new book explores how canine companions across Western art history break down the emotional boundaries between species. | Alisyn Amant\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<h2 id=\"community\">Community<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/view-from-the-easel-6.26.26.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\tA View From the Easel: Kathleen MacKenzie<br \/>\n\t\t<\/h3>\n<p>\n\t\u201cThe privacy and silence reflect the intimacy and meditative spareness of my art.\u201d\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">Holey moley! I appreciate this piece (book excerpt\/lecture transcript) at least as much as anything else I&#8217;ve read on this site. Hyperallergic&#8217;s eclectic arts coverage scores another big win with this member. Thank you so much for doing what you&#8217;re doing for readers like me who are not artists, gallerists, collectors, curators, or critics but who want to be informed about art, that most vital and life-sustaining enterprise. And of course a big thank you to Mr. Kentridge.<\/div>\n<\/div>\n<p>Jozanne Rabyor on \u201cA Natural History of William Kentridge\u2019s Studio\u201d<\/p>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/neon-shop.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe New York Neon Shop That Became Legendary<br \/>\n\t\t<\/h3>\n<p>\n\t\tLet There Be Neon in Tribeca made a name for itself as an essential resource for artists, from Keith Haring to Laurie Anderson. | Aaron Short\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Ed Woodham\u2019s Radical Public Art<\/h1>\n<p class=\"gh-article-excerpt is-body\">The artist and educator on queer creativity in the margins, dogs across art history, and a collective tarot-horoscope for Hyperallergic readers.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/secure.gravatar.com\/avatar\/4963dd3ebbdb72fe2da00ddb341aa1ecb4f3a13e44b8c588a159ec58503ad619?s=500&amp;d=blank&amp;r=g\" alt=\"Hyperallergic 2\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic 2<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-06-29\">June 29, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 4 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>As Pride month comes to an end, Ed Woodham is here to remind us that queer and trans artists deserve to be celebrated every day of the year. The artist and founder of Art in Odd Places has spent decades advocating for public art as just what it sounds like \u2014 a public good, not a private commodity.<\/p>\n<p>Editor-in-Chief Hakim Bishara spoke with Woodham about the costs of art-world success and why he has never sought it out. \u201cWhat I value about Pride is not the branding,\u201d he says. \u201cIt\u2019s the resistance. It\u2019s the refusal to be erased.\u201d Read on for the full interview, a candid and galvanizing testimonial to carry us into the dog days of summer.<\/p>\n<p>Speaking of which: Dog people, this one\u2019s for you. <em>The Dog\u2019s Gaze<\/em> is a new book tracing canine companions across art history, including some truly precious paintings of scruffy floofs and dignified pups (their scientific names) by the likes of Renoir and Carpaccio. Alisyn Amant brings us into the pages of this ode to our four-legged friends and the way their presence in art can completely shift our experience of it. Be still, my dog-loving heart.<\/p>\n<p><em>\u2014Lakshmi Rivera Amin, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/ed-woodham.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tEd Woodham in All the Odd Places<br \/>\n\t\t<\/h3>\n<p>\n\t\tJust when you\u2019re about to give up on this power-hungry, money-obsessed, star-fucking art world and its market-driven media, people like Ed Woodham come along and restore your faith in what art can do for society.\n      <\/p>\n<p>\nThe decades-long practice of the 69-year-old Atlanta-born artist, curator, and educator is thoroughly rooted in community. He\u2019s most known for leading Art in Odd Places, a public art group he originally co-founded as part of Atlanta\u2019s cultural programming for the 1996 Summer Olympics. In what follows, Woodham and I discuss his youth in Atlanta, his unflinching art activism, and his life as a badass queer elder. | Hakim Bishara\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/Wendi-Yan-1.png\" alt=\"CTA Image\" data-image-dimensions=\"2000x1125\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Open Call: The 7th VH AWARD for Media Artists Engaged with the Context of Asia<\/strong><\/b><\/p>\n<p><span>Supporting media artists with production grants, global exhibitions, and an expanded online residency with Ars Electronica.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/missan-harriman.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<ul>\n<li>Photographer and activist Misan Harriman said he will step down from his post as chair of London\u2019s Southbank Centre. The announcement comes weeks after a series of right-wing tabloids\u00a0scrutinized his response\u00a0to the April 29 attack in north London\u2019s Golders Green.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"art-tarotscope\">Art Tarotscope<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/summer-equinox.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tHyperallergic\u2019s Art Tarotscope for the Summer Solstice<br \/>\n\t\t<\/h3>\n<p>\n\t\tAmid global turmoil and rising temperatures, I\u2019ve seen creative friends hitting periods of stagnancy. What will help us return to a flow state? | AX Mina\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/dog-book-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tEvery Dog Has Its Artist<br \/>\n\t\t<\/h3>\n<p>\n\t\tA compassionate new book explores how canine companions across Western art history break down the emotional boundaries between species. | Alisyn Amant\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<h2 id=\"community\">Community<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/view-from-the-easel-6.26.26.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\tA View From the Easel: Kathleen MacKenzie<br \/>\n\t\t<\/h3>\n<p>\n\t\u201cThe privacy and silence reflect the intimacy and meditative spareness of my art.\u201d\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">Holey moley! I appreciate this piece (book excerpt\/lecture transcript) at least as much as anything else I&#8217;ve read on this site. Hyperallergic&#8217;s eclectic arts coverage scores another big win with this member. Thank you so much for doing what you&#8217;re doing for readers like me who are not artists, gallerists, collectors, curators, or critics but who want to be informed about art, that most vital and life-sustaining enterprise. And of course a big thank you to Mr. Kentridge.<\/div>\n<\/div>\n<p>Jozanne Rabyor on \u201cA Natural History of William Kentridge\u2019s Studio\u201d<\/p>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/neon-shop.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe New York Neon Shop That Became Legendary<br \/>\n\t\t<\/h3>\n<p>\n\t\tLet There Be Neon in Tribeca made a name for itself as an essential resource for artists, from Keith Haring to Laurie Anderson. | Aaron Short\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<section class=\"gh-content gh-canvas is-body\">\n<p>As Pride month comes to an end, Ed Woodham is here to remind us that queer and trans artists deserve to be celebrated every day of the year. The artist and founder of Art in Odd Places has spent decades advocating for public art as just what it sounds like \u2014 a public good, not a private commodity.<\/p>\n<p>Editor-in-Chief Hakim Bishara spoke with Woodham about the costs of art-world success and why he has never sought it out. \u201cWhat I value about Pride is not the branding,\u201d he says. \u201cIt\u2019s the resistance. It\u2019s the refusal to be erased.\u201d Read on for the full interview, a candid and galvanizing testimonial to carry us into the dog days of summer.<\/p>\n<p>Speaking of which: Dog people, this one\u2019s for you. <em>The Dog\u2019s Gaze<\/em> is a new book tracing canine companions across art history, including some truly precious paintings of scruffy floofs and dignified pups (their scientific names) by the likes of Renoir and Carpaccio. Alisyn Amant brings us into the pages of this ode to our four-legged friends and the way their presence in art can completely shift our experience of it. Be still, my dog-loving heart.<\/p>\n<p><em>\u2014Lakshmi Rivera Amin, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/ed-woodham.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tEd Woodham in All the Odd Places<br \/>\n\t\t<\/h3>\n<p>\n\t\tJust when you\u2019re about to give up on this power-hungry, money-obsessed, star-fucking art world and its market-driven media, people like Ed Woodham come along and restore your faith in what art can do for society.\n      <\/p>\n<p>\nThe decades-long practice of the 69-year-old Atlanta-born artist, curator, and educator is thoroughly rooted in community. He\u2019s most known for leading Art in Odd Places, a public art group he originally co-founded as part of Atlanta\u2019s cultural programming for the 1996 Summer Olympics. In what follows, Woodham and I discuss his youth in Atlanta, his unflinching art activism, and his life as a badass queer elder. | Hakim Bishara\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/Wendi-Yan-1.png\" alt=\"CTA Image\" data-image-dimensions=\"2000x1125\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Open Call: The 7th VH AWARD for Media Artists Engaged with the Context of Asia<\/strong><\/b><\/p>\n<p><span>Supporting media artists with production grants, global exhibitions, and an expanded online residency with Ars Electronica.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/missan-harriman.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<ul>\n<li>Photographer and activist Misan Harriman said he will step down from his post as chair of London\u2019s Southbank Centre. The announcement comes weeks after a series of right-wing tabloids\u00a0scrutinized his response\u00a0to the April 29 attack in north London\u2019s Golders Green.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"art-tarotscope\">Art Tarotscope<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/summer-equinox.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tHyperallergic\u2019s Art Tarotscope for the Summer Solstice<br \/>\n\t\t<\/h3>\n<p>\n\t\tAmid global turmoil and rising temperatures, I\u2019ve seen creative friends hitting periods of stagnancy. What will help us return to a flow state? | AX Mina\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/dog-book-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tEvery Dog Has Its Artist<br \/>\n\t\t<\/h3>\n<p>\n\t\tA compassionate new book explores how canine companions across Western art history break down the emotional boundaries between species. | Alisyn Amant\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<h2 id=\"community\">Community<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/view-from-the-easel-6.26.26.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\tA View From the Easel: Kathleen MacKenzie<br \/>\n\t\t<\/h3>\n<p>\n\t\u201cThe privacy and silence reflect the intimacy and meditative spareness of my art.\u201d\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">Holey moley! I appreciate this piece (book excerpt\/lecture transcript) at least as much as anything else I&#8217;ve read on this site. Hyperallergic&#8217;s eclectic arts coverage scores another big win with this member. Thank you so much for doing what you&#8217;re doing for readers like me who are not artists, gallerists, collectors, curators, or critics but who want to be informed about art, that most vital and life-sustaining enterprise. And of course a big thank you to Mr. Kentridge.<\/div>\n<\/div>\n<p>Jozanne Rabyor on \u201cA Natural History of William Kentridge\u2019s Studio\u201d<\/p>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/neon-shop.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe New York Neon Shop That Became Legendary<br \/>\n\t\t<\/h3>\n<p>\n\t\tLet There Be Neon in Tribeca made a name for itself as an essential resource for artists, from Keith Haring to Laurie Anderson. | Aaron Short\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/06\/20251023_pdsoros_art_gallery-2.jpg\" alt=\"A $90,000 Graduate Fellowship for Immigrants &amp; Children of Immigrants in the Visual Arts\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">A $90,000 Graduate Fellowship for Immigrants &amp; Children of Immigrants in the Visual Arts<\/h3>\n<p class=\"gh-card-excerpt is-body\">The Paul &amp; Daisy Soros Fellowships for New Americans supports immigrants &amp; children of immigrants in MFA, MA, PhD &amp; other graduate programs.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Paul &amp; Daisy Soros Fellowships for New Americans<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/06\/2023_04-24_Rebirth-II-21.jpg\" alt=\"Pratt Manhattan Gallery Moves \u201cBeyond Digital\u201d in New Exhibition\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Pratt Manhattan Gallery Moves \u201cBeyond Digital\u201d in New Exhibition<\/h3>\n<p class=\"gh-card-excerpt is-body\">Exhibition of Pratt Digital Arts alumni explores technology, ecology, and emerging forms of intelligence.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Pratt Manhattan Gallery<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/06\/Irene-Perez-by-PD-Rearick.jpg\" alt=\"Cranbrook Academy of Art Reopens Applications for Fall 2026\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Cranbrook Academy of Art Reopens Applications for Fall 2026<\/h3>\n<p class=\"gh-card-excerpt is-body\">The art institution is accepting applications from June 22 through August 15 for artists and designers considering graduate study.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Cranbrook Academy of Art<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/06\/CorcIXD-HCDClass-Output-4.JPG\" alt=\"How the GW Corcoran Is Rethinking Interaction Design Education\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">How the GW Corcoran Is Rethinking Interaction Design Education<\/h3>\n<p class=\"gh-card-excerpt is-body\">The Interaction Design program at the George Washington University Corcoran School of Arts and Design is utilizing partnerships across DC to encourage its students to develop more inclusive design practices.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">George Washington University<\/span><\/footer>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/hyperallergic.com\/ed-woodhams-radical-public-art\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;] Daily Newsletter Ed Woodham\u2019s Radical Public Art The artist and educator on queer creativity in the margins, dogs across art history, and a collective tarot-horoscope for Hyperallergic readers. Hyperallergic 2 June 29, 2026\u2014 4 min read As Pride month comes to an end, Ed Woodham is here to remind us that queer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,69],"class_list":["post-2019956","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-hyperallergic-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2019956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2019956"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2019956\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2019956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2019956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2019956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}