[analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/Ryoichi-Kurokawa-Oscillating-Continuum-2-2013-Photo-courtesy-of-Studio-Ryoichi-Kurokawa-Takuro-Someya-Contemporary-Art.jpg?w=1024″]<\/p>\n
\n\tTokyo Gendai has named the 63 exhibitors that will participate in its upcoming fourth edition, which is scheduled to run September 11\u201313, with a VIP day on September 10, at the Pacifico Yokohama.<\/p>\n
\n\tAmong the galleries participating in the main Galleries section are Pace Gallery, Sadie Coles HQ, Ceysson & B\u00e9n\u00e9ti\u00e8re, Mizuma Art Gallery, A Lighthouse called Kanata, and Taka Ishii Gallery. The Eda (\u201cBranch\u201d) section will feature two exhibitors: Ippodo Gallery and Mizoe Art Gallery.<\/p>\n
\n\tNearly half of the exhibitors will take part in the Hana (\u201cFlower\u201d) section, for early- to mid-career artists, including Tokyo-based galleries AWASE Gallery, CON_, Gallery Common, Harukaito by Island, Maki Gallery, and Misa Shin Gallery, alongside Lett Thomas of Auckland, New Zeland; La Bibi Gallery of Mexico City and Palma de Mallorca, Spain; and W-Galer\u00eda of Buenos Aires and Pueblo Garz\u00f3n, Uruguay.<\/p>\n
\n\tThe Tane (\u201cSeed\u201d) section for \u201cpresentations with a focus on digital media, including NFTs, animation, film, AR, VR and gaming\u201d will return for a second time, with five exhibitors, including TAEX which will show a Marina Abramovi\u0107 avatar project.<\/p>\n
\n\tThe 2026 edition will also introduce a new section, called Miki (\u201cTrunk\u201d), which will focus on works on paper and photography. Participating dealers include Bangkok CityCity Gallery, Fabrik Projects, and Revolver Galeria. \u00a0<\/p>\n
\n\tThe exhibitor list is only slightly smaller than the 2025 edition, which had 66 galleries, or three more. The addition of two sectors, however, has resulted in a reconfiguration of the fair\u2019s makeup. Instead of 29 exhibitors in the main galleries sector, the 2026 will only have 17. Several high-profile international outfits are not returning for 2025, including Almine Rech, Galerie Eva Presenhuber, Gallery Baton, and Galerie Eigen + Art.<\/p>\n
\n\t\u201cFollowing three brilliant editions, we are pleased to return for Tokyo Gendai this September,\u201d Tokyo Gendai cofounder Magnus Renfrew said in a statement. \u201cThe positive response we have received over the past few years is an indicator of the very important role that Japan plays in the global cultural scene and art market. Tokyo Gendai was established to galvanize cross-cultural exchange, and to welcome international audiences to experience the breadth and the exceptional quality of contemporary art in Japan; we look forward to continuing in this mission with our dynamic fourth edition.\u201d<\/p>\n
\n\tThe full exhibitor list follows below.<\/p>\n
Galleries<\/strong><\/p>\n Hana (\u201cFlower\u201d)<\/strong><\/p>\n Eda (\u201cBranch\u201d)<\/strong><\/p>\n Miki (\u201cTrunk\u201d)<\/strong><\/p>\n Tane (\u201cSeed\u201d)<\/strong><\/p>\n [analyse_source url=”https:\/\/www.artnews.com\/art-news\/market\/tokyo-gendai-2026-exhibitor-list-1234790165\/”]<\/p>\n","protected":false},"excerpt":{"rendered":" [analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/Ryoichi-Kurokawa-Oscillating-Continuum-2-2013-Photo-courtesy-of-Studio-Ryoichi-Kurokawa-Takuro-Someya-Contemporary-Art.jpg?w=1024″] Tokyo Gendai has named the 63 exhibitors that will participate in its upcoming fourth edition, which is scheduled to run September 11\u201313, with a VIP day on September 10, at the Pacifico Yokohama. Among the galleries participating in the main Galleries section are Pace Gallery, Sadie Coles HQ, Ceysson & B\u00e9n\u00e9ti\u00e8re, Mizuma […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-2014073","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2014073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2014073"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2014073\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2014073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2014073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2014073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n\n
\n Gallery<\/th>\n Location(s)<\/th>\n<\/tr>\n \n A Lighthouse called Kanata<\/td>\n Tokyo<\/td>\n<\/tr>\n \n Ceysson & B\u00e9n\u00e9ti\u00e8re<\/td>\n Saint-Etienne; Luxembourg; Paris; Geneva; New York; Lyon; Pan\u00e9ry; Tokyo<\/td>\n<\/tr>\n \n GALLERY SIDE 2<\/td>\n Tokyo<\/td>\n<\/tr>\n \n Gana Art<\/td>\n Seoul; Los Angeles<\/td>\n<\/tr>\n \n Kaikai Kiki Gallery<\/td>\n Tokyo<\/td>\n<\/tr>\n \n KOSAKU KANECHIKA<\/td>\n Tokyo<\/td>\n<\/tr>\n \n KOTARO NUKAGA<\/td>\n Tokyo<\/td>\n<\/tr>\n \n Mizuma Art Gallery<\/td>\n Tokyo <\/td>\n<\/tr>\n \n NANZUKA<\/td>\n Tokyo; Shanghai<\/td>\n<\/tr>\n \n Pace Gallery<\/td>\n New York; Los Angeles; London; Geneva; Berlin; Seoul; Tokyo<\/td>\n<\/tr>\n \n Sadie Coles HQ<\/td>\n London<\/td>\n<\/tr>\n \n space Un<\/td>\n Tokyo<\/td>\n<\/tr>\n \n Sundaram Tagore Gallery<\/td>\n New York; Singapore; London<\/td>\n<\/tr>\n \n Taka Ishii Gallery<\/td>\n Tokyo; Kyoto; Maebashi<\/td>\n<\/tr>\n \n TARO NASU<\/td>\n Tokyo<\/td>\n<\/tr>\n \n The Page Gallery<\/td>\n Seoul<\/td>\n<\/tr>\n \n Upsilon Gallery<\/td>\n New York; London; MIlan<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n \n\n
\n Gallery<\/th>\n Location(s)<\/th>\n<\/tr>\n \n AAIE Center for Contemporary Art<\/td>\n Rome; Hong Kong<\/td>\n<\/tr>\n \n Art of Nature Contemporary<\/td>\n Hong Kong; Fuzhou<\/td>\n<\/tr>\n \n A2Z Art Gallery<\/td>\n Paris<\/td>\n<\/tr>\n \n AWASE gallery<\/td>\n Tokyo<\/td>\n<\/tr>\n \n CON_<\/td>\n Tokyo<\/td>\n<\/tr>\n \n Dom Art Gallery<\/td>\n Dubai<\/td>\n<\/tr>\n \n Gallery Common<\/td>\n Tokyo<\/td>\n<\/tr>\n \n GALLERY MONMA<\/td>\n Sapporo<\/td>\n<\/tr>\n \n GEEK\/ART<\/td>\n New Delhi; Tokyo<\/td>\n<\/tr>\n \n HARUKAITO by ISLAND<\/td>\n Tokyo; Atami<\/td>\n<\/tr>\n \n Jacob Arthur Gallery<\/td>\n Los Angeles<\/td>\n<\/tr>\n \n JD Malat Gallery<\/td>\n London; Dubai<\/td>\n<\/tr>\n \n Kamakura Gallery<\/td>\n Kamakura<\/td>\n<\/tr>\n \n LA BIBI GALLERY<\/td>\n Palma de Mallorca; Mexico City<\/td>\n<\/tr>\n \n Lett Thomas<\/td>\n Auckland<\/td>\n<\/tr>\n \n Lux Feminae<\/td>\n New York; London; Paris; Mexico City<\/td>\n<\/tr>\n \n MAKI Gallery<\/td>\n Tokyo<\/td>\n<\/tr>\n \n Marco Gallery<\/td>\n Osaka<\/td>\n<\/tr>\n \n MISA SHIN GALLERY<\/td>\n Tokyo<\/td>\n<\/tr>\n \n MtK Contemporary Art<\/td>\n Kyoto<\/td>\n<\/tr>\n \n NOGADA<\/td>\n Seoul<\/td>\n<\/tr>\n \n Nomadic Gallery<\/td>\n Tokyo<\/td>\n<\/tr>\n \n Sofi Gallery<\/td>\n Bergamo<\/td>\n<\/tr>\n \n STANDING PINE<\/td>\n Nagoya; Tokyo<\/td>\n<\/tr>\n \n Suppoment Gallery<\/td>\n Seoul<\/td>\n<\/tr>\n \n Verduyn Gallery<\/td>\n Moregem<\/td>\n<\/tr>\n \n W-Galer\u00eda<\/td>\n Buenos Aires; Pueblo Garz\u00f3n<\/td>\n<\/tr>\n \n Wada Fine Arts Y++<\/td>\n Tokyo<\/td>\n<\/tr>\n \n Yoshiaki Inoue Gallery<\/td>\n Osaka<\/td>\n<\/tr>\n \n YUMEKOUBOU GALLERY<\/td>\n Kyoto; Hong Kong; Paris<\/td>\n<\/tr>\n \n Yutaka Kikutake Gallery<\/td>\n Tokyo<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n \n\n
\n Exhibitor<\/th>\n Location(s)<\/th>\n<\/tr>\n \n Ippodo gallery Tokyo<\/td>\n Tokyo<\/td>\n<\/tr>\n \n MIZOE ART GALLERY<\/td>\n Tokyo; Fukuoka<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n \n\n
\n Exhibitor<\/th>\n Location(s)<\/th>\n<\/tr>\n \n BANGKOK CITYCITY GALLERY<\/td>\n Bangkok<\/td>\n<\/tr>\n \n Curatorial Gallery<\/td>\n London<\/td>\n<\/tr>\n \n Fabrik Projects<\/td>\n Los Angeles<\/td>\n<\/tr>\n \n form gallery<\/td>\n Dinard<\/td>\n<\/tr>\n \n John Szoke Gallery<\/td>\n New York<\/td>\n<\/tr>\n \n Revolver Galeria<\/td>\n Buenos Aires; Lima<\/td>\n<\/tr>\n \n The Tolman Collection<\/td>\n Tokyo<\/td>\n<\/tr>\n \n UP Gallery<\/td>\n Hsinchu<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n \n\n
\n Exhibitor<\/th>\n Location(s)<\/th>\n<\/tr>\n \n Chi-Wen<\/td>\n Taipei<\/td>\n<\/tr>\n \n Double Square Gallery<\/td>\n Taipei<\/td>\n<\/tr>\n \n Project Fulfill Art Space<\/td>\n Taipei<\/td>\n<\/tr>\n \n TAEX<\/td>\n London<\/td>\n<\/tr>\n \n Takuro Someya Contemporary Art<\/td>\n Tokyo<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<\/div>\n<\/div>\n