{"id":2012040,"date":"2026-06-25T14:46:41","date_gmt":"2026-06-25T11:46:41","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2012040"},"modified":"2026-06-25T14:46:41","modified_gmt":"2026-06-25T11:46:41","slug":"hayley-williams-live-in-manchester-paramore-star-balances-joy-and-rage-at-intimate-uk-show","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2012040","title":{"rendered":"Hayley Williams live in Manchester: Paramore star balances joy and rage at intimate UK show"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.nme.com\/wp-content\/uploads\/2026\/06\/hayley-williams-live-manchester-zachary-grey.jpg&#8221;]<\/p>\n<article id=\"template-id-3332206\" class=\"post-3332206 tdb_templates type-tdb_templates status-publish post\">\n<div id=\"tdi_65\" class=\"tdc-zone\">\n<div class=\"tdc_zone tdi_66  wpb_row td-pb-row\">\n<div id=\"tdi_67\" class=\"tdc-row stretch_row_1400 td-stretch-content\">\n<div class=\"vc_row tdi_68  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_70  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_single_featured_image tdi_71 tdb-content-horiz-left td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_71\">\n<div class=\"tdb-block-inner td-fix-index\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"696\" height=\"442\" class=\"entry-thumb\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/06\/hayley-williams-live-manchester-zachary-grey-696x442.jpg\" alt=\"Hayley Williams\" title=\"hayley-williams-live-manchester-zachary-grey\"><figcaption class=\"tdb-caption-text\">Hayley Williams credit: Zachary Gray <\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_72\" class=\"tdc-row stretch_row\">\n<div class=\"vc_row tdi_73  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_75  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_breadcrumbs tdi_76 td-pb-border-top td_block_template_2 tdb-breadcrumbs \" data-td-block-uid=\"tdi_76\">\n<div class=\"tdb-block-inner td-fix-index\"><span>Reviews<\/span><span>Live Reviews<\/span><\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_title tdi_77 tdb-single-title td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_77\">\n<div class=\"tdb-block-inner td-fix-index\">\n<h1 class=\"tdb-title-text\">Hayley Williams live in Manchester: Paramore star balances joy and rage at intimate UK show<\/h1>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_subtitle tdi_78 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_78\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>Manchester Academy, June 23, 2026: Swapping the arenas she\u2019s typically used to for much smaller venues, Williams puts community and connection front and centre <\/p>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_review_overall tdi_79 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_79\">\n<table class=\"td-review td-fix-index\">\n<tr class=\"td-review-footer rate_stars\">\n<td class=\"td-review-score\">\n<div class=\"td-review-overall\">\n<div class=\"td-review-final-score\">5<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<div class=\"td_block_wrap tdb_single_author tdi_80 td-pb-border-top td_block_template_2 tdb-post-meta\" data-td-block-uid=\"tdi_80\">\n<div class=\"tdb-block-inner td-fix-index\">\n<div class=\"tdb-author-name-wrap\"><span class=\"tdb-author-by\">By<\/span> Tilly Foulkes<\/div>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_date tdi_81 td-pb-border-top td_block_template_2 tdb-post-meta\" data-td-block-uid=\"tdi_81\">\n<div class=\"tdb-block-inner td-fix-index\"><time class=\"entry-date updated td-module-date\" datetime=\"2026-06-25T15:46:41+01:00\">25th June 2026<\/time><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_82\" class=\"tdc-row\">\n<div class=\"vc_row tdi_83  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_85  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_single_content tdi_86 td-pb-border-top td_block_template_2 td-post-content tagdiv-type\" data-td-block-uid=\"tdi_86\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>From mid-afternoon, a queue of brightly dressed people with expertly dyed, multi-coloured hair forms outside Manchester Academy. There\u2019s excitement in the sticky, hot air. Camaraderie and community, too \u2013 many of these people know each other, have done for years; though the last time they saw tonight\u2019s headliner, Hayley Williams, in a 3,000-capacity venue was probably around the time they last checked their MySpace friend list. Her last visit to the UK was opening up for Taylor Swift on her stadium tour with her band Paramore, who\u2019ve been playing arenas since 2010. Tonight is a rare treat, and it\u2019s going to be very, very special.<\/p>\n<ul>\n<li><strong>READ MORE:\u00a0Hayley Williams\u2019 surprise 17-song release is a bold choose-your-own-adventure through hope and heartache<\/strong><\/li>\n<\/ul>\n<p>Once on stage, Williams agrees. \u201cWow,\u201d she giggles, sitting at a grand piano. \u201cGetting to play rooms like this\u2026 now that\u2019s the real dream.\u201d She surveys the crowd before launching into \u2018Ego Death At A Bachelorette Party\u2019, the title track from her critically acclaimed third solo album, which she dedicates to her hometown of Nashville. This album sees Williams at her most vulnerable, and the intimate tour setting is a deliberate attempt to connect with fans she, too, has grown up with.<\/p>\n<div class=\"td-a-ad id_inline_ad0 id_ad_content-horiz-center\"><span class=\"td-adspot-title\">Advertisement<\/span><\/div>\n<p>Paramore cultivated a real community of fans outsider-ed by the outsiders; queer people, women, Black people, trans+ people \u2013 the list goes on \u2013 who were excluded by the white boy club of rock music. Williams became a surrogate older sister for a generation of teenagers who not only felt, but were, rejected by society around them. As she launches into \u2018Kill Me\u2019 (\u201c<em>Eldest daughters never miss their chances \/ To learn the hardest lessons again and again\u2026<\/em>\u201d), the room vibrates with empowered rage.<\/p>\n<p>She has consistently taken the brunt of a misogynistic scene, industry and world, and stood up against it: owning her failures, dissecting her heartbreaks and empowering us to do the same along the way. There\u2019s certainly a parasocial element to Williams\u2019 career, and this crowd contains an abundance of past Hayleys: \u2018Decode\u2019\u2019s red hair, checkerboard miniskirts and Vans, huge t-shirts with no trousers. By her on-stage confidence, it seems she has now embraced herself not as a symbol of those who\u2019ve been oppressed, but instead as an active, fiery voice against her \u2013 and anyone\u2019s \u2013 oppressors.<\/p>\n<figure id=\"attachment_3953250\" aria-describedby=\"caption-attachment-3953250\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3953250\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/06\/hayley-williams-credit-zachary-grey.jpg\" alt=\"Hayley Williams\" width=\"2000\" height=\"2999\"><figcaption id=\"caption-attachment-3953250\" class=\"wp-caption-text\">Hayley Williams credit: Zachary Gray<\/figcaption><\/figure>\n<p>While \u2018Ego Death At A Bachelorette Party\u2019 is indeed a deep exploration and acceptance of all the feelings life can bring, it\u2019s also an examination of where the personal and the political meet. The most special moments of the show include the ballad \u2018True Believer\u2019, in which the audience\u2019s pin-drop silence is broken by the clamouring call to arms \u201c<em>The south will not rise again \u2026. \u2019Til it\u2019s paid for every sin<\/em>\u201d.<\/p>\n<p>During \u2018Ice In My OJ\u2019 \u2013 a song about her teenage exploitation by the music industry \u2013 Williams screams \u201cFree Palestine!\u201d to huge whoops and cheers (during her North American tour, she instead screamed \u201cFuck ICE\u201d). Capitalism, corrupt politicians, and with the heatwave sweltering on outside (\u201cThis is the hottest show I\u2019ve played in a very long time,\u201d she shares), climate change are all topics of discussion on stage, by Williams and the brilliantly weird Water From Your Eyes, who played an electric and intense support slot.<\/p>\n<div class=\"td-a-ad id_inline_ad1 id_ad_content-horiz-center\">\n<h5 class=\"taboola-mid-article-title\">Recommended<\/h5>\n<\/div>\n<p>Despite the rage at the world outside, to us, Williams has mastered the balance of where you end and where the world\u2019s problems begin: how to do your bit without suffocating under despair. On stage, she\u2019s as jovial as ever, pointing finger guns at her band, adorning herself with devil horns, dancing around and chatting to fans in the crowd. Her voice commands the room without effort, and the crowd moves as one to her every cue. \u2018Hayley Williams At A Bachelorette Party\u2019, as this tour is called, feels like an old-school reunion with family you only see once every five years \u2013 and, to be honest, that\u2019s exactly what it is.<\/p>\n<h3><strong>Hayley Williams played:<\/strong><\/h3>\n<p>\u2018Mirtazapine\u2019<br \/>\n\u2018Showbiz\u2019<br \/>\n\u2018Disappearing Man\u2019<br \/>\n\u2018Zissou\u2019<br \/>\n\u2018Ice In My OJ\u2019<br \/>\n\u2018Hard\u2019<br \/>\n\u2018Kill Me\u2019<br \/>\n\u2018Blood Bros\u2019<br \/>\n\u2018Ego Death At A Bachelorette Party\u2019<br \/>\n\u2018Whim\u2019<br \/>\n\u2018Glum\u2019<br \/>\n\u2018Negative Self Talk\u2019<br \/>\n\u2018True Believer\u2019<br \/>\n\u2018Don\u2019t Let Me Be Misunderstood\u2019<br \/>\n\u2018Brotherly Hate\u2019<br \/>\n\u2018Love Me Different\u2019<br \/>\n\u2018Dream Girl In Shibuya\u2019<br \/>\n\u2018Good Ol\u2019 Days\u2019<br \/>\n\u2018Discovery Channel\u2019<br \/>\n\u2018I Won\u2019t Quit On You\u2019<br \/>\n\u2018Parachute\u2019<\/p>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_tags tdi_87 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_87\">\n<div class=\"tdb-block-inner td-fix-index\">\n<ul class=\"tdb-tags\">\n<li><span>Related Topics<\/span><\/li>\n<li>Hayley Williams<\/li>\n<li>Paramore<\/li>\n<li>Rock<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_88\" class=\"tdc-row\">\n<div class=\"vc_row tdi_89  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_91  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"vc_row_inner tdi_93  vc_row vc_inner wpb_row td-pb-row\">\n<div class=\"vc_column_inner tdi_95  wpb_column vc_column_container tdc-inner-column td-pb-span12\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_wrapper td_block_wrap vc_raw_html tdi_97 \">\n<div class=\"td-fix-index\">\n<h3>More Stories<\/h3>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap td_flex_block_1 tdi_98 td-pb-border-top td_module_flex_1--card td_module_flex_1--card--highlight td_block_template_2 tdc-no-posts td_flex_block\" data-td-block-uid=\"tdi_98\">\n<div id=\"tdi_98\" class=\"td_block_inner td-mc1-wrap\">\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">After the Taylor Swift T-shirt controversy, Metallica\u2019s Kirk Hammett says \u201cright now, songwriting and pop music is crap\u201d<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Watch Skunk Anansie bring out the umbrellas to join Garbage on stage for \u2018Only Happy When It Rains\u2019 at end of co-headline tour: \u201cThis&#8230;<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">The Offspring at Crystal Palace Park: see the full stage times for the full line-up<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Check out the epic orchestral parts being recorded for Muse\u2019s new album \u2018The Wow! Signal\u2019 at Abbey Road<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Signed speakers from Foals, Wolf Alice, Robert Plant up for grabs in Record Store Day x War Child prize draw<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Olivia Rodrigo talks inspiration behind all-female Daisy Chain festival and teases \u2018Landslide\u2019 duet with Stevie Nicks<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_99\" class=\"tdc-row\">\n<div class=\"vc_row tdi_100  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_102  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_wrapper td_block_wrap vc_raw_html tdi_104 \">\n<div class=\"td-fix-index\">\n<h3>You May Also Like<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span class=\"td-page-meta\"><\/span><span class=\"td-page-meta\"><span class=\"td-page-meta\"><\/span><\/span><span class=\"td-page-meta\"><\/span><span class=\"td-page-meta\"><span class=\"td-page-meta\"><\/span><span><\/span><\/span><span class=\"td-page-meta\"><\/span><\/article>\n<\/p>\n<div class=\"td_block_wrap tdb_single_content tdi_86 td-pb-border-top td_block_template_2 td-post-content tagdiv-type\" data-td-block-uid=\"tdi_86\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>From mid-afternoon, a queue of brightly dressed people with expertly dyed, multi-coloured hair forms outside Manchester Academy. There\u2019s excitement in the sticky, hot air. Camaraderie and community, too \u2013 many of these people know each other, have done for years; though the last time they saw tonight\u2019s headliner, Hayley Williams, in a 3,000-capacity venue was probably around the time they last checked their MySpace friend list. Her last visit to the UK was opening up for Taylor Swift on her stadium tour with her band Paramore, who\u2019ve been playing arenas since 2010. Tonight is a rare treat, and it\u2019s going to be very, very special.<\/p>\n<ul>\n<li><strong>READ MORE:\u00a0Hayley Williams\u2019 surprise 17-song release is a bold choose-your-own-adventure through hope and heartache<\/strong><\/li>\n<\/ul>\n<p>Once on stage, Williams agrees. \u201cWow,\u201d she giggles, sitting at a grand piano. \u201cGetting to play rooms like this\u2026 now that\u2019s the real dream.\u201d She surveys the crowd before launching into \u2018Ego Death At A Bachelorette Party\u2019, the title track from her critically acclaimed third solo album, which she dedicates to her hometown of Nashville. This album sees Williams at her most vulnerable, and the intimate tour setting is a deliberate attempt to connect with fans she, too, has grown up with.<\/p>\n<div class=\"td-a-ad id_inline_ad0 id_ad_content-horiz-center\"><span class=\"td-adspot-title\">Advertisement<\/span><\/div>\n<p>Paramore cultivated a real community of fans outsider-ed by the outsiders; queer people, women, Black people, trans+ people \u2013 the list goes on \u2013 who were excluded by the white boy club of rock music. Williams became a surrogate older sister for a generation of teenagers who not only felt, but were, rejected by society around them. As she launches into \u2018Kill Me\u2019 (\u201c<em>Eldest daughters never miss their chances \/ To learn the hardest lessons again and again\u2026<\/em>\u201d), the room vibrates with empowered rage.<\/p>\n<p>She has consistently taken the brunt of a misogynistic scene, industry and world, and stood up against it: owning her failures, dissecting her heartbreaks and empowering us to do the same along the way. There\u2019s certainly a parasocial element to Williams\u2019 career, and this crowd contains an abundance of past Hayleys: \u2018Decode\u2019\u2019s red hair, checkerboard miniskirts and Vans, huge t-shirts with no trousers. By her on-stage confidence, it seems she has now embraced herself not as a symbol of those who\u2019ve been oppressed, but instead as an active, fiery voice against her \u2013 and anyone\u2019s \u2013 oppressors.<\/p>\n<figure id=\"attachment_3953250\" aria-describedby=\"caption-attachment-3953250\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3953250\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/06\/hayley-williams-credit-zachary-grey.jpg\" alt=\"Hayley Williams\" width=\"2000\" height=\"2999\"><figcaption id=\"caption-attachment-3953250\" class=\"wp-caption-text\">Hayley Williams credit: Zachary Gray<\/figcaption><\/figure>\n<p>While \u2018Ego Death At A Bachelorette Party\u2019 is indeed a deep exploration and acceptance of all the feelings life can bring, it\u2019s also an examination of where the personal and the political meet. The most special moments of the show include the ballad \u2018True Believer\u2019, in which the audience\u2019s pin-drop silence is broken by the clamouring call to arms \u201c<em>The south will not rise again \u2026. \u2019Til it\u2019s paid for every sin<\/em>\u201d.<\/p>\n<p>During \u2018Ice In My OJ\u2019 \u2013 a song about her teenage exploitation by the music industry \u2013 Williams screams \u201cFree Palestine!\u201d to huge whoops and cheers (during her North American tour, she instead screamed \u201cFuck ICE\u201d). Capitalism, corrupt politicians, and with the heatwave sweltering on outside (\u201cThis is the hottest show I\u2019ve played in a very long time,\u201d she shares), climate change are all topics of discussion on stage, by Williams and the brilliantly weird Water From Your Eyes, who played an electric and intense support slot.<\/p>\n<div class=\"td-a-ad id_inline_ad1 id_ad_content-horiz-center\">\n<h5 class=\"taboola-mid-article-title\">Recommended<\/h5>\n<\/div>\n<p>Despite the rage at the world outside, to us, Williams has mastered the balance of where you end and where the world\u2019s problems begin: how to do your bit without suffocating under despair. On stage, she\u2019s as jovial as ever, pointing finger guns at her band, adorning herself with devil horns, dancing around and chatting to fans in the crowd. Her voice commands the room without effort, and the crowd moves as one to her every cue. \u2018Hayley Williams At A Bachelorette Party\u2019, as this tour is called, feels like an old-school reunion with family you only see once every five years \u2013 and, to be honest, that\u2019s exactly what it is.<\/p>\n<h3><strong>Hayley Williams played:<\/strong><\/h3>\n<p>\u2018Mirtazapine\u2019<br \/>\n\u2018Showbiz\u2019<br \/>\n\u2018Disappearing Man\u2019<br \/>\n\u2018Zissou\u2019<br \/>\n\u2018Ice In My OJ\u2019<br \/>\n\u2018Hard\u2019<br \/>\n\u2018Kill Me\u2019<br \/>\n\u2018Blood Bros\u2019<br \/>\n\u2018Ego Death At A Bachelorette Party\u2019<br \/>\n\u2018Whim\u2019<br \/>\n\u2018Glum\u2019<br \/>\n\u2018Negative Self Talk\u2019<br \/>\n\u2018True Believer\u2019<br \/>\n\u2018Don\u2019t Let Me Be Misunderstood\u2019<br \/>\n\u2018Brotherly Hate\u2019<br \/>\n\u2018Love Me Different\u2019<br \/>\n\u2018Dream Girl In Shibuya\u2019<br \/>\n\u2018Good Ol\u2019 Days\u2019<br \/>\n\u2018Discovery Channel\u2019<br \/>\n\u2018I Won\u2019t Quit On You\u2019<br \/>\n\u2018Parachute\u2019<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.nme.com\/reviews\/live\/hayley-williams-manchester-academy-live-review-setlist-photos-3952896&#8243;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.nme.com\/wp-content\/uploads\/2026\/06\/hayley-williams-live-manchester-zachary-grey.jpg&#8221;] Hayley Williams credit: Zachary Gray ReviewsLive Reviews Hayley Williams live in Manchester: Paramore star balances joy and rage at intimate UK show Manchester Academy, June 23, 2026: Swapping the arenas she\u2019s typically used to for much smaller venues, Williams puts community and connection front and centre 5 By Tilly Foulkes 25th June [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,78],"class_list":["post-2012040","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-nme-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2012040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2012040"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2012040\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2012040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2012040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2012040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}