{"id":2010891,"date":"2026-06-24T20:38:16","date_gmt":"2026-06-24T17:38:16","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=2010891"},"modified":"2026-06-24T20:38:16","modified_gmt":"2026-06-24T17:38:16","slug":"after-venice-florentina-holzingers-sea-world-is-coming-to-brooklyn","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=2010891","title":{"rendered":"After Venice, Florentina Holzinger\u2019s &#8216;Sea World&#8217; is Coming to Brooklyn"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/GettyImages-2275857797.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRing the alarm\u2014the most striking performance of this year\u2019s Venice Biennale is going on tour.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAn adapted version of Florentina Holzinger\u2019s\u00a0<em>Seaworld Venice<\/em>, created for the Austrian Pavilion, will be presented at Gropius Bau in Berlin in spring 2027, followed by a stop at Kunsthalle Wien in Vienna that fall, before concluding its run in March 2028 at Amant in Brooklyn. Nora\u2011Swantje Almes, Curator for Live Programs and Outreach at Gropius Bau, who organized its Venice presentation, will reportedly oversee this new iteration.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn the unlikely event you haven\u2019t heard (of) it, a refresher: Holzinger hung upside down inside a great bronze bell recovered from the Venetian lagoon and suspended above the pavilion. Assuming the role of a human clapper, Holzinger struck its lip again and again, sending a sonorous peal across the Biennale grounds. In an adjoining installation, nude collaborators floated inside a dunk tank flanked by port-a-potties; visitors were encouraged to use (the urine was filtered into the tank).\u00a0Elsewhere in the pavilion, a jet ski driven by a naked woman cut through the flooded pavilion as a massive rotating structure carried more performers through the air. <\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/GettyImages-2275857869.jpg?w=400\" alt=\"VENICE, ITALY - MAY 12: (EDITORIAL USE ONLY) (EDITOR&apos;S NOTE: Image contains partial nudity.) Visitors explore the Austrian Pavilion titled Seaworld Venice by the artist and Coreographer Florentina Holzinger during the 61st International Art Exhibition - La Biennale di Venezia at Giardini della Biennale on May 12, 2026 in Venice, Italy. La Biennale di Venezia presents its 61st International Art Exhibition, In Minor Keys, conceived by the late curator Koyo Kouoh and running from May 9 through November 22, 2026, across the Giardini, the Arsenale, and venues throughout Venice. Following her passing on May 10, 2025, the exhibition is being realized according to Kouoh\u2019s original vision and curatorial project. (Photo by Giuseppe Cottini\/Getty Images)\" height=\"683\" width=\"1024\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Visitors explore the Austrian Pavilion on May 12, 2026, at the Venice Biennale.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Getty Images<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpectacle, Holzinger seems to argue, is the last recourse for warning us about the imminent environmental apocalypse. <em>Seaworld Venice <\/em>riffed on Kevin Costner\u2019s 1995 sci-fi blockbuster\u00a0<em>Waterworld<\/em>, in which melting polar caps give way to a planet consumed by rising seas. Addressing the crowd outside the pavilion, Holzinger noted that the same fate awaits Venice, whether or not its visitors care. Even then, after days of heavy rain, polluted lagoon water lapped at the edges of the city.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA spokesperson for Amant told <em>ARTnews<\/em> that the exhibition will likely occupy three of the art space\u2019s four exhibition spaces, as well as its outdoor lot at 316 Ten Eyck Street in East Williamsburg, with intermittent art performances. The institution could not at this time confirm whether the jet skis and porta-potties will make an appearance: \u201cIf you saw the show in Venice, you know it\u2019s very site-responsive, so [Nora\u2011Swantje Almes] needs to figure out how to adapt it for Berlin after the Biennale closes in Venice this fall. After that, we\u2019ll have a better idea of how our own team can further adapt it for Brooklyn.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHolzinger, meanwhile, has kept busy. Just weeks after the Biennale\u2019s opening, she premiered\u00a0<em>Pfingstspiel<\/em>\u00a0(Pentecost Play) at Hermann Nitsch\u2019s castle in Prinzendorf an der Zaya, near Vienna. Created in collaboration with the Wiener Festwochen and the Nitsch Foundation, the nine-hour, one-off performance carried forward the spirit of\u00a0<em>Sea World Venice<\/em>. Divided into two parts, it featured Holzinger racing a black car across the grounds of the Vienna Skating Club, among other feats.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tReflecting on her place within Viennese Actionism\u2014the visceral performance movement pioneered by Nitsch\u2014Holzinger told\u00a0<em>The New York Times<\/em>: \u201cActionism was so graphic and violent and loud and noisy because there was a strong desire to break this blanket of silence. Conceptually, I can totally relate to this.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShe added: \u201cIt\u2019s important to be sometimes radical in statements, to use art as a power, as a tool, against things you\u2019re not OK with.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/after-venice-florentina-holzingers-sea-world-coming-brooklyn-1234790163\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/GettyImages-2275857797.jpg?w=1024&#8243;] Ring the alarm\u2014the most striking performance of this year\u2019s Venice Biennale is going on tour. An adapted version of Florentina Holzinger\u2019s\u00a0Seaworld Venice, created for the Austrian Pavilion, will be presented at Gropius Bau in Berlin in spring 2027, followed by a stop at Kunsthalle Wien in Vienna that fall, before concluding its [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-2010891","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2010891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2010891"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/2010891\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2010891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2010891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2010891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}