{"id":1992675,"date":"2026-06-16T10:02:00","date_gmt":"2026-06-16T07:02:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1992675"},"modified":"2026-06-16T10:02:00","modified_gmt":"2026-06-16T07:02:00","slug":"mystical-portraits-of-mexico-citys-queer-youth","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1992675","title":{"rendered":"Mystical portraits of Mexico City\u2019s queer youth"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/images-prod.dazeddigital.com\/1200\/0-216-2452-1634\/azure\/dazed-prod\/1440\/7\/1447212.jpg&#8221;]<\/p>\n<article class=\"main-article standard \">\n<div class=\"article-main-content article-wrapper has-media-but-its-an-image\" data-status=\"loaded\" data-primary-article=\"true\" data-url=\"\/art-photography\/article\/70454\/1\/cedar-dreams-kim-jakobsen-to-mexico-city-portraits-queer-clubs-photography\" data-article-id=\"70454\">\n<header class=\"article-header has-square-image no-media\">\n<div class=\"wrapper dg-max-width\">\n<div class=\"inner\">\n<figure class=\"main-img has-figcaption\" data-img-aspect-ratio-type=\"square\" data-img-aspect-ratio=\"0.99\" data-template=\"Standard Article\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"square\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"2470\" src=\"https:\/\/images-prod.dazeddigital.com\/1400\/azure\/dazed-prod\/1440\/7\/1447212.jpg\" width=\"2452\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"inner\"><span class=\"credit\">Photography Kim <span class=\"nowrap\">Jakobsen T\u00f4<\/span><\/span><\/span><\/figcaption><\/figure>\n<aside class=\"meta\">\n<div class=\"inner\"><time datetime=\"2026-06-16T10:02:00+00:00\" class=\"timestamp\" title=\"16 June 2026\"><span class=\"month\">June<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"16\">16,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/aside>\n<div class=\"titles\">\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - art-photography\" href=\"https:\/\/www.dazeddigital.com\/art-photography\">Art &amp; Photography<\/a><br \/>\n\/<br \/>\n<a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/lightbox\">Lightbox<\/a><\/div>\n<\/div>\n<div class=\"standard-tag-container\"><a class=\"standard-category\" href=\"https:\/\/www.dazeddigital.com\/art-photography\">Art &amp; Photography<\/a> \/<br \/>\n<a class=\"standard-series\" href=\"https:\/\/www.dazeddigital.com\/lightbox\">Lightbox<\/a><\/div>\n<h1 class=\"title\"><span>Mystical portraits of Mexico City\u2019s <span class=\"nowrap\">queer youth<\/span><\/span><\/h1>\n<div class=\"standfirst\">\n<h2>Moving between queer nightclubs in the city and ancient ceremonies in the mountains, photographer Kim Jakobsen T\u00f4\u2019s Cedar Dreams brings together his ethereal portraits from these two important dimensions of Mexico <span class=\"nowrap\">City\u2019s culture<\/span><\/h2>\n<\/div>\n<p><time datetime=\"2026-06-16T10:02:00+00:00\" class=\"timestamp\" title=\"16 June 2026\"><span class=\"month\">June<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"16\">16,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/div>\n<p><time datetime=\"2026-06-16T10:02:00+00:00\" class=\"timestamp\" title=\"16 June 2026\"><span class=\"month\">June<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"16\">16,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/p>\n<div class=\"providers\">\n<div class=\"contributors\"><span class=\"contributor\" data-contributor-role=\"Text\"><span class=\"contributor-role\">Text<\/span><a class=\"contributor-name\" href=\"https:\/\/www.dazeddigital.com\/user\/SofiaHallstrom\"><br \/>\nSofia Hallstr\u00f6m<br \/>\n<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"article-body-container\">\n<div class=\"article-body wrapper\">\n<div class=\"dazed-gallery has-14-images \">\n<div class=\"inner\">\n<header>\n<div class=\"info\"><span class=\"heading\">Kim Jakobsen T\u00f4, <span class=\"nowrap\">Cedar Dreams<\/span><\/span><\/div>\n<\/header>\n<div class=\"gallery\">\n<div class=\"gallery-thumbs\">\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/0\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1622\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-2434-1622\/azure\/dazed-prod\/1440\/7\/1447211.jpg\" width=\"2434\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/1\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"2000\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-3000-2000\/azure\/dazed-prod\/1440\/7\/1447213.jpg\" width=\"3000\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/2\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1634\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-216-2452-1634\/azure\/dazed-prod\/1440\/7\/1447212.jpg\" width=\"2452\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/3\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1621\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-623-2432-1621\/azure\/dazed-prod\/1440\/7\/1447216.jpg\" width=\"2432\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/4\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1662\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-2494-1662\/azure\/dazed-prod\/1440\/7\/1447215.jpg\" width=\"2494\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/5\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1634\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-2452-1634\/azure\/dazed-prod\/1440\/7\/1447214.jpg\" width=\"2452\"><\/span><\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"gallery-footer\">Gallery \/ 14 images<\/div>\n<\/div>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>\u201cI had one frame left on the roll,\u201d Norwegian-Vietnamese artist <a href=\"https:\/\/www.instagram.com\/kimjakobsento\/\">Kim Jakobsen T\u00f4<\/a> says about a photograph in <\/span><a href=\"https:\/\/queerstreetpress.com\/Cedar-Dreams\"><em><span>Cedar Dreams<\/span><\/em><\/a><span>, his debut monograph (published by Queer Street Press, London). Two naked figures share a chair, one seated in the lap of the other, their expressions composed, their gaze directed steadily at the lens. \u201cIt is really about preserving a single moment rather than working through possibilities. It is a very different way of making images digitally, where you can shoot endlessly and try everything.\u201d Resolved in soft, diffuse grayscale, the image holds a mutual trust and curiosity between photographer and subject.<\/span><\/p>\n<p><span>The camera Jakobsen T\u00f4 uses is central to understanding how these images came to exist. \u201cPeople go a bit quiet when you bring it out,\u201d he says of the Hasselblad 500 C\/M, an analogue, entirely mechanical camera in which the photographer holds the body at waist height and looks down into the viewfinder rather than raising it to the eye. \u201cThe sitter understands something else is going on. There is mutual respect, from my side, and also from theirs.\u201d This reciprocity defines the photographs throughout <\/span><em><span>Cedar Dreams<\/span><\/em><span>.<\/span><\/p>\n<p><span>Shot between 2021 and 2026 during the years Jakobsen T\u00f4 was living in Mexico City, the photographs move between portraits of friends, lovers, collaborators, and elders from the city\u2019s queer creative community, alongside members of Indigenous spiritual communities, among them Wix\u00e1rika and Rar\u00e1muri peoples. Interwoven with these are landscapes and quieter observations of local shop fronts in the Calle Marsella area, frayed market tarpaulin held behind metal gates, a vast quarry lake with figures gathered at its edge, and still lifes.<\/span><\/p>\n<p><span>There is something in Jakobsen T\u00f4\u2019s process that rhymes with the ceremonial world he has been welcomed into. \u201cI find it connects to something in the ceremonies I attend,\u201d he says, \u201cwhere everything is elemental and physical with fire, wood, the things directly in front of you. The camera has that same physicality.\u201d<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"76b2f7d9-9a2d-404b-ac76-b46a00fad71b\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/7\/1447218.jpg\" data-img-aspect-ratio-type=\"square\" data-img-aspect-ratio=\"1\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"square\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"2504\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/7\/1447218.jpg\" width=\"2514\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Kim <span class=\"nowrap\">Jakobsen T\u00f4<\/span><\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>The title itself also holds two registers. \u2018Cedar\u2019 refers to the sacred tree whose dried leaves are burned in the Four Tobacco ceremony, a Native American ritual in which smoke enables inner vision and connection with ancestry. And \u2018Dreams\u2019, as the Mexican writer Juan Pablo Ramos notes in the book\u2019s accompanying essay, alludes not only to the oneiric quality of the images but to \u201chope, longing and a visionary state in which ancient wisdom can be channelled\u201d.<\/span><\/p>\n<p><span>Jakobsen T\u00f4 did not begin photographing the spiritual communities he moved among until an elder gave him explicit permission, framing the project as something he could make a prayer about. &#8220;I never photograph as an outsider. That\u2019s always been important to me.\u201d Most of the portraits were made in his own apartment. With the queer creative community, the approach was more organic. \u201cIt\u2019s a contemporary community, and being photographed is part of life. You meet someone, you hang out, they come over on a Sunday, and you take some pictures.\u201d But even here, the work was built on years of accumulated trust. \u201cAll of my friends in Mexico City who are in the arts and the creative world became part of the project naturally as I was living there.\u201d<\/span><\/p>\n<p><span>Mexico City made the synthesis between Jakobsen T\u00f4&#8217;s spiritual life and queer life almost inevitable. \u201cIt was a very good place to merge my two main worlds because you feel the spirituality there when you enter the city.\u201d He was acutely aware of the pressure to keep these worlds separate, and to perform straightness in the mountains and leave his spiritual self at the door of the club. He resisted the idea when someone suggested the project might be two books: one queer and one spiritual. \u201cIt felt strange to separate things when, if it\u2019s a project of a city, it has those elements so present together, intertwining.\u201d<\/span><\/p>\n<p><span>The refusal was both personal and political. Moving between a queer nightclub in the city and a ceremony in the mountains, he felt how the demand to belong fully to one world or the other was its own kind of rupture. \u201cThe world is getting more and more polarised. It became unnatural to polarise myself into these categories. The book was a way of trying to merge two sides of myself into one.\u201d There is also a question of visibility, of queer people within spiritual communities who can feel profoundly alone. \u201cMexico is quite a macho country, and in certain communities you can feel that queerness doesn\u2019t necessarily fit in there.\u201d For Jakobsen T\u00f4, the book became an act of reclamation: \u201cto be able to claim my queerness wherever I am\u201d.<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"e86eb4e9-323b-482a-9769-b46a00faccac\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/7\/1447215.jpg\" data-img-aspect-ratio-type=\"square\" data-img-aspect-ratio=\"1\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"square\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"2494\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/7\/1447215.jpg\" width=\"2494\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Kim <span class=\"nowrap\">Jakobsen T\u00f4<\/span><\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Mexico City draws LGBTQ+ young people from across the country, many coming from deeply conservative states. In neighbourhoods like Ju\u00e1rez and Roma Norte, a loose ecology of artists, designers, photographers, musicians, and performers has produced a culture that is distinctly and unapologetically queer, visible in the zines and self-published books circulating through small galleries and club nights.<\/span><\/p>\n<p><span>The book is dedicated to a friend of the photographer who died. The closing poem, <\/span><em><span>Swallowing Rain<\/span><\/em><span> is by Diego Gerard Morrison, who was Jakobsen T\u00f4\u2019s neighbour and a poet, and whose writing was chosen because it spoke directly to this grief. \u201cHe writes about someone who is there, but not there. They appear, but they don\u2019t appear.\u201d For Jakobsen T\u00f4, the poem articulated something about friendship that continues after death. \u201cIt\u2019s about a friendship that continues when someone has gone. Either someone you know well, or a queer icon or spiritual leader you never met but who is part of your understanding of who you are.\u201d<\/span><\/p>\n<p><span>The book was edited over two days on the floor of a flat in Hoxton, every image printed and spread across the floor, the sequence rebuilt again and again. Davide Meneghello of Queer Street Press describes the process as \u201ca very sensitive approach, working through the sequence in a way that felt right, rather than trying to rationalise too much\u201d. For Queer Street Press editor Sean Burns, Jakobsen T\u00f4 is \u201cthe connection that runs through the whole book. He connected to all these people, and that&#8217;s the guide\u201d.<\/span><\/p>\n<p><em><span>Cedar Dreams<\/span><\/em><span> is published as queer visibility is under pressure worldwide, with frameworks of legal protection and cultural recognition built over decades being questioned and dismantled. Into this comes a book that is not polemical or defensive, nor is it organised around protest. It simply shows people in their fullness, their tenderness, and their ordinary extraordinary grace and says: we were here. For Jakobsen T\u00f4, \u201cthe book is an archive, not about the here and now, but an archive for the future\u201d.<\/span><\/p>\n<p>Cedar Dreams<em> is published by Queer Street Press and is available <a href=\"https:\/\/queerstreetpress.com\/Cedar-Dreams\">here<\/a>.\u00a0<\/em><\/p>\n<\/div>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! 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Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"article-body wrapper\">\n<div class=\"dazed-gallery has-14-images \">\n<div class=\"inner\">\n<header>\n<div class=\"info\"><span class=\"heading\">Kim Jakobsen T\u00f4, <span class=\"nowrap\">Cedar Dreams<\/span><\/span><\/div>\n<\/header>\n<div class=\"gallery\">\n<div class=\"gallery-thumbs\">\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/0\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1622\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-2434-1622\/azure\/dazed-prod\/1440\/7\/1447211.jpg\" width=\"2434\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/1\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"2000\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-3000-2000\/azure\/dazed-prod\/1440\/7\/1447213.jpg\" width=\"3000\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/2\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1634\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-216-2452-1634\/azure\/dazed-prod\/1440\/7\/1447212.jpg\" width=\"2452\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/3\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1621\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-623-2432-1621\/azure\/dazed-prod\/1440\/7\/1447216.jpg\" width=\"2432\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/4\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1662\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-2494-1662\/azure\/dazed-prod\/1440\/7\/1447215.jpg\" width=\"2494\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/37138\/5\/kim-jakobsen-to-cedar-dreams\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"1634\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-2452-1634\/azure\/dazed-prod\/1440\/7\/1447214.jpg\" width=\"2452\"><\/span><\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"gallery-footer\">Gallery \/ 14 images<\/div>\n<\/div>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>\u201cI had one frame left on the roll,\u201d Norwegian-Vietnamese artist <a href=\"https:\/\/www.instagram.com\/kimjakobsento\/\">Kim Jakobsen T\u00f4<\/a> says about a photograph in <\/span><a href=\"https:\/\/queerstreetpress.com\/Cedar-Dreams\"><em><span>Cedar Dreams<\/span><\/em><\/a><span>, his debut monograph (published by Queer Street Press, London). Two naked figures share a chair, one seated in the lap of the other, their expressions composed, their gaze directed steadily at the lens. \u201cIt is really about preserving a single moment rather than working through possibilities. It is a very different way of making images digitally, where you can shoot endlessly and try everything.\u201d Resolved in soft, diffuse grayscale, the image holds a mutual trust and curiosity between photographer and subject.<\/span><\/p>\n<p><span>The camera Jakobsen T\u00f4 uses is central to understanding how these images came to exist. \u201cPeople go a bit quiet when you bring it out,\u201d he says of the Hasselblad 500 C\/M, an analogue, entirely mechanical camera in which the photographer holds the body at waist height and looks down into the viewfinder rather than raising it to the eye. \u201cThe sitter understands something else is going on. There is mutual respect, from my side, and also from theirs.\u201d This reciprocity defines the photographs throughout <\/span><em><span>Cedar Dreams<\/span><\/em><span>.<\/span><\/p>\n<p><span>Shot between 2021 and 2026 during the years Jakobsen T\u00f4 was living in Mexico City, the photographs move between portraits of friends, lovers, collaborators, and elders from the city\u2019s queer creative community, alongside members of Indigenous spiritual communities, among them Wix\u00e1rika and Rar\u00e1muri peoples. Interwoven with these are landscapes and quieter observations of local shop fronts in the Calle Marsella area, frayed market tarpaulin held behind metal gates, a vast quarry lake with figures gathered at its edge, and still lifes.<\/span><\/p>\n<p><span>There is something in Jakobsen T\u00f4\u2019s process that rhymes with the ceremonial world he has been welcomed into. \u201cI find it connects to something in the ceremonies I attend,\u201d he says, \u201cwhere everything is elemental and physical with fire, wood, the things directly in front of you. The camera has that same physicality.\u201d<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"76b2f7d9-9a2d-404b-ac76-b46a00fad71b\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/7\/1447218.jpg\" data-img-aspect-ratio-type=\"square\" data-img-aspect-ratio=\"1\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"square\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"2504\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/7\/1447218.jpg\" width=\"2514\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Kim <span class=\"nowrap\">Jakobsen T\u00f4<\/span><\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>The title itself also holds two registers. \u2018Cedar\u2019 refers to the sacred tree whose dried leaves are burned in the Four Tobacco ceremony, a Native American ritual in which smoke enables inner vision and connection with ancestry. And \u2018Dreams\u2019, as the Mexican writer Juan Pablo Ramos notes in the book\u2019s accompanying essay, alludes not only to the oneiric quality of the images but to \u201chope, longing and a visionary state in which ancient wisdom can be channelled\u201d.<\/span><\/p>\n<p><span>Jakobsen T\u00f4 did not begin photographing the spiritual communities he moved among until an elder gave him explicit permission, framing the project as something he could make a prayer about. &#8220;I never photograph as an outsider. That\u2019s always been important to me.\u201d Most of the portraits were made in his own apartment. With the queer creative community, the approach was more organic. \u201cIt\u2019s a contemporary community, and being photographed is part of life. You meet someone, you hang out, they come over on a Sunday, and you take some pictures.\u201d But even here, the work was built on years of accumulated trust. \u201cAll of my friends in Mexico City who are in the arts and the creative world became part of the project naturally as I was living there.\u201d<\/span><\/p>\n<p><span>Mexico City made the synthesis between Jakobsen T\u00f4&#8217;s spiritual life and queer life almost inevitable. \u201cIt was a very good place to merge my two main worlds because you feel the spirituality there when you enter the city.\u201d He was acutely aware of the pressure to keep these worlds separate, and to perform straightness in the mountains and leave his spiritual self at the door of the club. He resisted the idea when someone suggested the project might be two books: one queer and one spiritual. \u201cIt felt strange to separate things when, if it\u2019s a project of a city, it has those elements so present together, intertwining.\u201d<\/span><\/p>\n<p><span>The refusal was both personal and political. Moving between a queer nightclub in the city and a ceremony in the mountains, he felt how the demand to belong fully to one world or the other was its own kind of rupture. \u201cThe world is getting more and more polarised. It became unnatural to polarise myself into these categories. The book was a way of trying to merge two sides of myself into one.\u201d There is also a question of visibility, of queer people within spiritual communities who can feel profoundly alone. \u201cMexico is quite a macho country, and in certain communities you can feel that queerness doesn\u2019t necessarily fit in there.\u201d For Jakobsen T\u00f4, the book became an act of reclamation: \u201cto be able to claim my queerness wherever I am\u201d.<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"e86eb4e9-323b-482a-9769-b46a00faccac\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/7\/1447215.jpg\" data-img-aspect-ratio-type=\"square\" data-img-aspect-ratio=\"1\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"square\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Kim Jakobsen T\u00f4, Cedar Dreams\" class=\"img\" height=\"2494\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/7\/1447215.jpg\" width=\"2494\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Kim <span class=\"nowrap\">Jakobsen T\u00f4<\/span><\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Mexico City draws LGBTQ+ young people from across the country, many coming from deeply conservative states. In neighbourhoods like Ju\u00e1rez and Roma Norte, a loose ecology of artists, designers, photographers, musicians, and performers has produced a culture that is distinctly and unapologetically queer, visible in the zines and self-published books circulating through small galleries and club nights.<\/span><\/p>\n<p><span>The book is dedicated to a friend of the photographer who died. The closing poem, <\/span><em><span>Swallowing Rain<\/span><\/em><span> is by Diego Gerard Morrison, who was Jakobsen T\u00f4\u2019s neighbour and a poet, and whose writing was chosen because it spoke directly to this grief. \u201cHe writes about someone who is there, but not there. They appear, but they don\u2019t appear.\u201d For Jakobsen T\u00f4, the poem articulated something about friendship that continues after death. \u201cIt\u2019s about a friendship that continues when someone has gone. Either someone you know well, or a queer icon or spiritual leader you never met but who is part of your understanding of who you are.\u201d<\/span><\/p>\n<p><span>The book was edited over two days on the floor of a flat in Hoxton, every image printed and spread across the floor, the sequence rebuilt again and again. Davide Meneghello of Queer Street Press describes the process as \u201ca very sensitive approach, working through the sequence in a way that felt right, rather than trying to rationalise too much\u201d. For Queer Street Press editor Sean Burns, Jakobsen T\u00f4 is \u201cthe connection that runs through the whole book. He connected to all these people, and that&#8217;s the guide\u201d.<\/span><\/p>\n<p><em><span>Cedar Dreams<\/span><\/em><span> is published as queer visibility is under pressure worldwide, with frameworks of legal protection and cultural recognition built over decades being questioned and dismantled. Into this comes a book that is not polemical or defensive, nor is it organised around protest. It simply shows people in their fullness, their tenderness, and their ordinary extraordinary grace and says: we were here. For Jakobsen T\u00f4, \u201cthe book is an archive, not about the here and now, but an archive for the future\u201d.<\/span><\/p>\n<p>Cedar Dreams<em> is published by Queer Street Press and is available <a href=\"https:\/\/queerstreetpress.com\/Cedar-Dreams\">here<\/a>.\u00a0<\/em><\/p>\n<\/div>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.dazeddigital.com\/art-photography\/article\/70454\/1\/cedar-dreams-kim-jakobsen-to-mexico-city-portraits-queer-clubs-photography&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/images-prod.dazeddigital.com\/1200\/0-216-2452-1634\/azure\/dazed-prod\/1440\/7\/1447212.jpg&#8221;] Photography Kim Jakobsen T\u00f4 June\u00a0 16,\u00a0 2026 Art &amp; Photography \/ Lightbox Art &amp; Photography \/ Lightbox Mystical portraits of Mexico City\u2019s queer youth Moving between queer nightclubs in the city and ancient ceremonies in the mountains, photographer Kim Jakobsen T\u00f4\u2019s Cedar Dreams brings together his ethereal portraits from these two important [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,76],"class_list":["post-1992675","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-dazeddigital-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1992675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1992675"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1992675\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1992675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1992675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1992675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}