{"id":1987029,"date":"2026-06-12T12:00:00","date_gmt":"2026-06-12T09:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1987029"},"modified":"2026-06-12T12:00:00","modified_gmt":"2026-06-12T09:00:00","slug":"mickalene-thomas-known-for-images-of-black-women-joins-jack-shainman","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1987029","title":{"rendered":"Mickalene Thomas, Known for Images of Black Women, Joins Jack Shainman"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/mickaelene-thomas-Portrait_of_Lili_2.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tArtist Mickalene Thomas, widely known for her boldly colorful, rhinestone-adorned portraits that lionize Black women, has joined New York\u2019s Jack Shainman Gallery. She will have a solo show at the gallery in January 2028.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe artist will maintain longstanding relationships with three of her existing galleries: Yancey Richardson in New York; Galerie Nathalie Obadia in Paris; and Baldwin Gallery in Aspen, Colorado. (Thomas has in the past also been represented by New York\u2013based Lehmann Maupin,Kavi Gupta and Rhona Hoffman both in Chicago, and Los Angeles\u2019s Susanne Vielmetter, as well as working on a project basis with New York-based L\u00e9vy Gorvy Dayan.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFor her work, dealing with concepts of race, queerness, femininity, and beauty, Thomas equally draws inspiration from art history, popular culture, and African textiles, among other sources. Since earning a Yale MFA in 2002, she has worked in many mediums, including painting, photography, collage, video, and installation.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI\u2019ve known Jack since the beginning of my career,\u201d the artist told\u00a0<em>ARTnews<\/em> in a recent interview. \u201cLife is really funny. He came by my studio early in my career, at the same time that Lehmann Maupin came by, and we had a really great meeting. I don\u2019t know why I didn\u2019t say yes, but the connection we made during that time was so deep and special that we became friends. He\u2019s been not only a great champion and advocate, I was treated as though I was one of his artists.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThomas\u2019s work appears in major institutional collections, including the Metropolitan Museum of Art, the Museum of Modern Art, the Studio Museum in Harlem, and the Whitney Museum, all in New York, as well as the Art Institute of Chicago, the National Gallery of Art and the Smithsonian American Art Museum in Washington, D.C., the San Francisco Museum of Modern Art, and the J. Paul Getty Museum in Los Angeles, among others. Her first major internationally touring exhibition, \u201cMickalene Thomas: All About Love\u201d opened at LA\u2019s Broad in 2024, co-organized with the Hayward Gallery, London, and in partnership with the Barnes Foundation, Philadelphia.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThomas was named one of <em>Time Magazine<\/em>\u2019s Most Influential People in 2025, the same year in which she was the subject of a solo show at the Grand Palais in Paris. She has also collaborated with luxury brands, with Dior tapping her to create the stage design that served as the backdrop for the house\u2019s haute couture show in Paris in January 2023.\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/Mickalene-thomas.png?w=400\" alt=\"A Black woman, artist Mickalene Thomas, poses for the camera, wearing stylish, colorful clothing and a pair of sunglasses.\" height=\"2000\" width=\"1440\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Mickalene Thomas.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">\u00a9 Lila Barth<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShainman founded his gallery with Claude Simard (1956\u20132014) in 1984 in Washington, D.C., soon moving to New York, where he has maintained a presence in the Chelsea neighborhood since 1997. In 2013, the gallery opened The School, a 30,000-square-foot former school building in Kinderhook, New York, and in 2025 he opened in a grand and roomy former bank facility in Tribeca.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cHis gallery spaces are the best in the Northeast,\u201d said Thomas. \u201cJack has a great eye. He\u2019s an innovator. He takes risks. He got the School, and now you have other galleries getting similar spaces. He thinks about how artists exhibit their work and how the space can challenge the artists to make groundbreaking works. It pushes us when you have a space that\u2019s architecturally demanding\u2014you want to scale up and play with the architecture. That\u2019s what excited me, too, it being Jack and it being the space.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJust last year, the gallery announced the representation of Faith Ringgold, and in recent years expanded its roster with artists including Ifeyinwa Joy Chiamonwu and Elizabeth Neel, as well as the estate of Emanoel Ara\u00fajo. Shainman regularly exhibits in top art fairs, including Frieze and Art Basel in their various locations and, in New York, the Armory Show.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShainman\u2019s stable lists some 40 artists, including heavy hitters like El Anatsui, Nick Cave, Barkley L. Hendricks, Kerry James Marshall, Hank Willis Thomas, and Lynette Yiadom-Boakye. Many of them had their first New York showing with the dealer. Five of his artists have represented their countries in the Venice Biennale, with two (Malick Sidibe and El Anatsui) winning Golden Lions. Artists he represents have won grants from the MacArthur Foundation, the Joan Mitchell Foundation, and the Ford Foundation, as well as Fulbright scholarships and other great honors.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThomas expressed great admiration for the roster. \u201cI\u2019m with Nick Cave, someone I\u2019ve looked up to for many years, a mentor! He\u2019s one of the people I called up to ask for advice about joining the gallery. He said, \u2018Come on, sister!&#8217;\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWe have known each other for decades, and I\u2019ve always respected her and admired her work,\u201d Shainman told <em>ARTnews<\/em>. \u201cShe is so extraordinary and singular. It took us a while to get there, but it\u2019s a really exciting thing. She brings a lot to the table. She fits the gallery\u2019s roster but brings her own perspective.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShainman went on, \u201cShe\u2019s never limited herself to being just a painter. Mickalene is such a renaissance woman. She\u2019s mostly focused on paintings but makes photos, videos, and sculpture\u2014the woman is incredible and very ambitious.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe dealer described her market as \u201cstrong and consistent.\u201d Thomas\u2019s auction high, set at Christie\u2019s New York in 2021 with <em>Racquel Reclining Wearing Purple Jumpsuit <\/em>(2016), is $1.8 million; it had a pre-sale high estimate of just $600,000. Some 13 works of hers have sold for north of a half-million dollars, all since 2019, according to data from analytics company ARTDAI. One mixed-medium work, <em>Untitled #10 <\/em>(2014), fetched $889,100 against a $90,000 high estimate at Phillips New York in 2021.<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/mickalene-thomas-joins-jack-shainman-gallery-1234788734\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/mickaelene-thomas-Portrait_of_Lili_2.jpg?w=1024&#8243;] Artist Mickalene Thomas, widely known for her boldly colorful, rhinestone-adorned portraits that lionize Black women, has joined New York\u2019s Jack Shainman Gallery. She will have a solo show at the gallery in January 2028. The artist will maintain longstanding relationships with three of her existing galleries: Yancey Richardson in New York; Galerie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1987029","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1987029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1987029"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1987029\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1987029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1987029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1987029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}