{"id":1986398,"date":"2026-06-11T09:00:00","date_gmt":"2026-06-11T06:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1986398"},"modified":"2026-06-11T09:00:00","modified_gmt":"2026-06-11T06:00:00","slug":"frieze-london-frieze-masters-name-nearly-300-galleries-for-2026-fairs","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1986398","title":{"rendered":"Frieze London, Frieze Masters Name Nearly 300 Galleries for 2026 Fairs"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/FLFM26-FIRST-DETAILS-PRESS-RELEASE-E-4.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNearly 300 galleries will participate in the upcoming editions of Frieze London and Frieze Masters, which will run in the Regent\u2019s Park from October 14 to October 18.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrieze London will have 172 exhibitors, while Frieze Masters will host 138. Eight galleries will have booths in both fairs including Hauser &amp; Wirth, Hales, Alison Jacques, Harlesden High Street, and Richard Saltoun Gallery.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWhat gives Frieze London and Frieze Masters their energy is the breadth of what comes together: galleries and artists from long-established centres alongside scenes gaining recognition further afield,\u201d Frieze\u2019s EMEA director Eva Langret said in a statement. \u201cAt Frieze London that range is also an argument for greater equity: for giving space, visibility and serious attention to artists and galleries whose work is advancing contemporary practice, wherever they are based.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrieze London will feature numerous blue-chip galleries including Gagosian, Hauser &amp; Wirth, Pace Gallery, David Zwirner, Thaddaeus Ropac, White Cube, Lisson, and Lehmann Maupin. London galleries at various levels of the market are also well-represented including Sadie Coles HQ, Victoria Miro, Maureen Paley, Thomas Dane Gallery, The Approach, Arcadia Missa, Carlos\/Ishikawa, Edel Assanti, Frith Street Gallery, Herald St, Pippy Houldsworth Gallery, and Timothy Taylor.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAs with past editions of Frieze London, the fair will put a spotlight on \u201cdiscovery,\u201d per a press release placing the work of emerging artists and younger galleries closer to the entrance. This year\u2019s iteration will open with two booths that were selected via proposals: M\u00e1rcia Falc\u00e3o at Fortes d\u2019Aloia &amp; Gabriel) and Agata Ingarden at Berthold Pott.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrieze London will once again host a number of curated sections, including the introduction of \u201cThe Code Universe,\u201d which is organized by Carol Yinghua Lu, director of the Inside-Out Art Museum in Beijing and co-curator of the 2027 Istanbul Biennial. Featuring artists like Carolyn Lazard (Trautwein Herleth), Selma Selman (acb Gallery), and Shinro Ohtake (greengrassi &amp; Take Ninagawa), the section will \u201cexamine how artists respond to societal transformation through the prism of mass culture, from everyday objects and consumer goods to the imagery and information flows of mass media,\u201d according to a release.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Code Universe\u201d will be joined by Artist-to-Artist, in which acclaimed artists select another artist as a way \u201cto champion the work of a peer they believe deserves greater attention,\u201d per a release. This year\u2019s nominators include Gala Porras-Kim, Ayoung Kim, Jeffrey Gibson, Firelei B\u00e1ez, Otobong Nkanga, and Yinka Shonibare.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Focus section, for galleries founded in the last 12 years, features enterprises 56 Henry, Franz Kaka, Ginny on Frederick, Heidi, Eli Kerr, King\u2019s Leap, Llano,Marfa\u2019, Nicoletti, Gallery Vacancy, Ehrlich Steinberg, Linseed, and Chemould CoLab.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrieze Masters will once again bring together antiquities, Old Masters, 20th-century art, and more. The main Galleries section will feature Ortuzar, Skarstedt, Axel Vervoordt, Galleria Continua, Marc Selwyn Fine Art, Vito Schnabel Gallery, Annely Juda Fine Art, Andrew Edlin Gallery, Athr, Berry Campbell, Ben Brown Fine Arts, Colnaghi, D Lan Galleries, Susan Sheehan Gallery, Lyndsey Ingram, and Waddington Custot.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe four-booth Reflections section, organized by Abby Bangser of Object &amp; Thing, will return for the second time. This year, it will draw on the architecture of Casa Luis Barrag\u00e1n in Mexico City and The Cosmic House in London. Ammann Gallery, Erskine, Hall &amp; Coe, Tristan Hoare and Side Gallery will participate.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCurated by two academics from the Courtauld Institute of Art, Devika Singh and Sofia Gotti, the Spotlight section, featuring solo presentations of 20th-century art, will be the largest to date.Among the artists included are Pacita Abad (Alison Jacques), Ernest Mancoba (Galerie Mikael Andersen), Fong Chung-Ray (Alisan Fine Arts), Adebisi Fabunmi (k\u00f3), and Emma Reyes (Cr\u00e8vecoeur).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrieze Masters will also debut a new section, titled \u201cQueering Modernism: Visual Languages of the 20th Century.\u201d Conceived of by Anke Kempkes, who recently curated \u201cQueer Modernism 1900\u20131950\u201d (2025) at the K20 Kunstsammlung Nordrhein-Westfalen in \u00a0D\u00fcsseldorf, the section will be spread throughout the fair and feature presentations like Claude Cahun and Judy Chicago at Alberta Pane Gallery, Lotte Laserstein and Glyn Philpot at Agnews, and Luis Fernando Zapata at Elvira Moreno Gallery.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDeutsche Bank will continue its longstanding support of the fair, serving as global lead partner for the 23rd year. Its VIP lounge will feature an installation curated by Studio Lenca that \u201cdraws on personal memory and lived experience of migration through the lens of an undocumented, mixed Indigenous Central American artist,\u201d according to a release.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cFrieze London and Frieze Masters are built around a shared idea: that contemporary practice and art history are most compelling in dialogue,\u201d Frieze\u2019s executive director of fairs Kristell Chad\u00e9 said in a statement, pointing to \u201cThe Code Universe\u201d and \u201cQueering Modernity\u201d sections. \u201c[B]oth fairs will reveal new perspectives and striking discoveries across generations, disciplines and geographies, from the artists and galleries defining what comes next, to the specialists and curators bringing new research and overlooked histories into view. Together in The Regent\u2019s Park, the two fairs make London the place where the international art world gathers each October.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Frieze London: Galleries<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Exhibitor<\/strong><\/td>\n<td><strong>Location(s)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>1 Mira Madrid\/2 Mira Archiv<\/td>\n<td>Madrid<\/td>\n<\/tr>\n<tr>\n<td>Adams and Ollman<\/td>\n<td>Portland<\/td>\n<\/tr>\n<tr>\n<td>Albarr\u00e1n Bourdais<\/td>\n<td>Madrid, Menorca<\/td>\n<\/tr>\n<tr>\n<td>Ames Yavuz<\/td>\n<td>London, Singapore, Sydney<\/td>\n<\/tr>\n<tr>\n<td>Apalazzogallery<\/td>\n<td>Brescia<\/td>\n<\/tr>\n<tr>\n<td>The Approach<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Arcadia Missa<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Athr<\/td>\n<td>Jeddah, AlUla, Riyadh<\/td>\n<\/tr>\n<tr>\n<td>Gallery Baton<\/td>\n<td>Seoul<\/td>\n<\/tr>\n<tr>\n<td>Livia Benavides<\/td>\n<td>Lima<\/td>\n<\/tr>\n<tr>\n<td>blank<\/td>\n<td>Cape Town<\/td>\n<\/tr>\n<tr>\n<td>Peter Blum Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>The Breeder<\/td>\n<td>Athens<\/td>\n<\/tr>\n<tr>\n<td>Matthew Brown<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Cecilia Brunson Projects<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Galerie Gisela Capitain<\/td>\n<td>Cologne, Naples<\/td>\n<\/tr>\n<tr>\n<td>Carbon 12<\/td>\n<td>Dubai<\/td>\n<\/tr>\n<tr>\n<td>Carlos\/Ishikawa<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Casa Tri\u00e2ngulo<\/td>\n<td>S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td>Casado Santapau<\/td>\n<td>Madrid<\/td>\n<\/tr>\n<tr>\n<td>Pedro Cera<\/td>\n<td>Lisbon, Madrid<\/td>\n<\/tr>\n<tr>\n<td>ChertLu\u0308dde<\/td>\n<td>Berlin<\/td>\n<\/tr>\n<tr>\n<td>Sadie Coles HQ<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Company Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Contemporary Fine Arts<\/td>\n<td>Berlin, Basel<\/td>\n<\/tr>\n<tr>\n<td>Pilar Corrias<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Galeria Vera Cort\u00eas<\/td>\n<td>Lisbon<\/td>\n<\/tr>\n<tr>\n<td>Corvi-Mora<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Thomas Dane Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Dastan<\/td>\n<td>Tehran, Toronto<\/td>\n<\/tr>\n<tr>\n<td>Don Gallery<\/td>\n<td>Shanghai<\/td>\n<\/tr>\n<tr>\n<td>Anat Ebgi<\/td>\n<td>Los Angeles, New York<\/td>\n<\/tr>\n<tr>\n<td>Edel Assanti<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Emalin<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Experimenter<\/td>\n<td>Kolkata, Mumbai<\/td>\n<\/tr>\n<tr>\n<td>Galeria Francisco Fino<\/td>\n<td>Lisbon<\/td>\n<\/tr>\n<tr>\n<td>Selma Feriani<\/td>\n<td>Tunis, London<\/td>\n<\/tr>\n<tr>\n<td>Fort Gansevoort<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Fortes D\u2019Aloia &amp; Gabriel<\/td>\n<td>S\u00e3o Paulo, Rio de Janeiro<\/td>\n<\/tr>\n<tr>\n<td>Carl Freedman Gallery<\/td>\n<td>Margate<\/td>\n<\/tr>\n<tr>\n<td>Frith Street Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>G Gallery<\/td>\n<td>Seoul<\/td>\n<\/tr>\n<tr>\n<td>Gagosian<\/td>\n<td>New York, Los Angeles, London, Paris,<br \/>Basel, Gstaad, Rome, Athens, Hong Kong<\/td>\n<\/tr>\n<tr>\n<td>Alexander Gray Associates<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Garth Greenan Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Grimm<\/td>\n<td>Amsterdam, London, New York<\/td>\n<\/tr>\n<tr>\n<td>Gypsum<\/td>\n<td>Cairo<\/td>\n<\/tr>\n<tr>\n<td>Hales<\/td>\n<td>New York, London<\/td>\n<\/tr>\n<tr>\n<td>Hauser &amp; Wirth<\/td>\n<td>London, Paris, Zurich, Basel, St. Moritz, New York, Los Angeles, Palo Alto, Somerset, Hong Kong, Monaco, Menorca<\/td>\n<\/tr>\n<tr>\n<td>Herald St<\/td>\n<td>London, Bologna<\/td>\n<\/tr>\n<tr>\n<td>Galerie Max Hetzler<\/td>\n<td>Berlin, Paris, London<\/td>\n<\/tr>\n<tr>\n<td>Hollybush Gardens<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Pippy Houldsworth Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Xavier Hufkens<\/td>\n<td>Brussels<\/td>\n<\/tr>\n<tr>\n<td>Ingleby<\/td>\n<td>Edinburgh<\/td>\n<\/tr>\n<tr>\n<td>Alison Jacques<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Jhaveri Contemporary<\/td>\n<td>Mumbai<\/td>\n<\/tr>\n<tr>\n<td>Johyun Gallery<\/td>\n<td>Busan, Seoul<\/td>\n<\/tr>\n<tr>\n<td>Kalfayan Galleries<\/td>\n<td>Athens<\/td>\n<\/tr>\n<tr>\n<td>Karma<\/td>\n<td>New York, Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Kerlin Gallery<\/td>\n<td>Dublin<\/td>\n<\/tr>\n<tr>\n<td>Galerie Krinzinger<\/td>\n<td>Vienna<\/td>\n<\/tr>\n<tr>\n<td>Kukje Gallery<\/td>\n<td>Seoul, Busan<\/td>\n<\/tr>\n<tr>\n<td>Lehmann Maupin<\/td>\n<td>London, New York, Hong Kong, Seoul <\/td>\n<\/tr>\n<tr>\n<td>Josh Lilley<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Lisson<\/td>\n<td>London, New York, Shanghai, Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Jane Lombard<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Kate MacGarry<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Maisterra<\/td>\n<td>Madrid<\/td>\n<\/tr>\n<tr>\n<td>Galleria Massimo Minini<\/td>\n<td>Brescia<\/td>\n<\/tr>\n<tr>\n<td>Francesca Minini<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Victoria Miro<\/td>\n<td>London, Venice<\/td>\n<\/tr>\n<tr>\n<td>Modern Art<\/td>\n<td>London, Paris<\/td>\n<\/tr>\n<tr>\n<td>The Modern Institute<\/td>\n<td>Glasgow<\/td>\n<\/tr>\n<tr>\n<td>mor charpentier<\/td>\n<td>Paris, Bogot\u00e1<\/td>\n<\/tr>\n<tr>\n<td>Taro Nasu<\/td>\n<td>Tokyo<\/td>\n<\/tr>\n<tr>\n<td>Nature Morte<\/td>\n<td>New Delhi, Mumbai<\/td>\n<\/tr>\n<tr>\n<td>Night Gallery<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Galleria Franco Noero<\/td>\n<td>Turin<\/td>\n<\/tr>\n<tr>\n<td>Galerie Nordenhake<\/td>\n<td>Berlin, Stockholm, Mexico City<\/td>\n<\/tr>\n<tr>\n<td>Olney Gleason<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>OMR<\/td>\n<td>Mexico City<\/td>\n<\/tr>\n<tr>\n<td>Galleria Lorcan O\u2019Neill<\/td>\n<td>Rome, Venice<\/td>\n<\/tr>\n<tr>\n<td>P420<\/td>\n<td>Bologna<\/td>\n<\/tr>\n<tr>\n<td>Pace Gallery<\/td>\n<td>New York, London, Los Angeles,<br \/>Geneva, Seoul, Tokyo, Berlin<\/td>\n<\/tr>\n<tr>\n<td>Maureen Paley<\/td>\n<td>London, Hove<\/td>\n<\/tr>\n<tr>\n<td>Perrotin<\/td>\n<td>Paris, New York, Hong Kong, Seoul, Tokyo, Shanghai, Los Angeles, London, Dubai<\/td>\n<\/tr>\n<tr>\n<td>The Pit<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>PM8 \/ Francisco Salas<\/td>\n<td>Vigo<\/td>\n<\/tr>\n<tr>\n<td>Galerie Poggi<\/td>\n<td>Paris<\/td>\n<\/tr>\n<tr>\n<td>Berthold Pott<\/td>\n<td>Cologne<\/td>\n<\/tr>\n<tr>\n<td>Project 88<\/td>\n<td>Mumbai<\/td>\n<\/tr>\n<tr>\n<td>Proyectos Ultravioleta<\/td>\n<td>Guatemala City<\/td>\n<\/tr>\n<tr>\n<td>Phillida Reid<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Nara Roesler<\/td>\n<td>S\u00e3o Paulo, Rio de Janeiro, New York<\/td>\n<\/tr>\n<tr>\n<td>Thaddaeus Ropac<\/td>\n<td>London, Paris, Pantin, Salzburg, Milan, Seoul<\/td>\n<\/tr>\n<tr>\n<td>Richard Saltoun Gallery<\/td>\n<td>London, Rome, New York<\/td>\n<\/tr>\n<tr>\n<td>Sargent\u2019s Daughters<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Esther Schipper<\/td>\n<td>Berlin, Paris, Seoul<\/td>\n<\/tr>\n<tr>\n<td>Seventeen<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Sfeir-Semler Gallery<\/td>\n<td>Hamburg, Beirut<\/td>\n<\/tr>\n<tr>\n<td>Sim\u00f5es de Assis<\/td>\n<td>S\u00e3o Paulo, Curitiba, Balne\u00e1rio Cambori\u00fa<\/td>\n<\/tr>\n<tr>\n<td>Soci\u00e9t\u00e9<\/td>\n<td>Berlin<\/td>\n<\/tr>\n<tr>\n<td>Soft Opening<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Southern Guild<\/td>\n<td>Cape Town, New York<\/td>\n<\/tr>\n<tr>\n<td>Spru\u0308th Magers<\/td>\n<td>Berlin, London, Los Angeles, New York<\/td>\n<\/tr>\n<tr>\n<td>Stevenson<\/td>\n<td>Cape Town<\/td>\n<\/tr>\n<tr>\n<td>Sullivan+Strumpf<\/td>\n<td>Sydney, Melbourne, Singapore<\/td>\n<\/tr>\n<tr>\n<td>The Sunday Painter<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Timothy Taylor<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Union Pacific<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Vadehra Art Gallery<\/td>\n<td>New Delhi<\/td>\n<\/tr>\n<tr>\n<td>VeneKlasen<\/td>\n<td>New York, London<\/td>\n<\/tr>\n<tr>\n<td>White Cube<\/td>\n<td>London, New York, Paris, Hong Kong, Seoul<\/td>\n<\/tr>\n<tr>\n<td>Amanda Wilkinson<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Galerie Jocelyn Wolff<\/td>\n<td>Paris<\/td>\n<\/tr>\n<tr>\n<td>David Zwirner<\/td>\n<td>New York, Los Angeles, London, Paris, Hong Kong<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Frieze London: Artist-to-Artist<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Exhibitor<\/strong><\/td>\n<td><strong>Location(s)<\/strong><\/td>\n<td><strong>Artist<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Alice Amati<\/td>\n<td>London<\/td>\n<td>Paul Robas, nominated by Louise Giovanelli<\/td>\n<\/tr>\n<tr>\n<td>Bolanle Contemporary<\/td>\n<td>London<\/td>\n<td>Eilen Itzel Mena, nominated by Firelei B\u00e1ez<\/td>\n<\/tr>\n<tr>\n<td>Cylinder<\/td>\n<td>Seoul<\/td>\n<td>Eusung Lee, nominated by<br \/>Ayoung Kim<\/td>\n<\/tr>\n<tr>\n<td>Blouin Division<\/td>\n<td>Toronto, Montreal<\/td>\n<td>Caroline Monnet, nominated by Jeffrey Gibson<\/td>\n<\/tr>\n<tr>\n<td>Embajada<\/td>\n<td>San Juan<\/td>\n<td>Jorge Gonzalez, nominated<br \/>by Gala Porras-Kim<\/td>\n<\/tr>\n<tr>\n<td>Goodman Gallery<\/td>\n<td>London, Cape Town,<br \/>Johannesburg, New York<\/td>\n<td>Unathi Mkonto, nominated by Yinka Shonibare<\/td>\n<\/tr>\n<tr>\n<td>Martins&amp;Montero<\/td>\n<td>S\u00e3o Paulo, Brussels<\/td>\n<td>Jota Momba\u00e7a, nominated by Otobong Nkanga<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Frieze London: Focus<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Exhibitor<\/strong><\/td>\n<td><strong>Location(s)<\/strong><\/td>\n<td><strong>Artist(s)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>243 Luz<\/td>\n<td>Margate, London<\/td>\n<td>I.W. Payne<\/td>\n<\/tr>\n<tr>\n<td>56 Henry<\/td>\n<td>New York<\/td>\n<td>Cynthia Talmadge<\/td>\n<\/tr>\n<tr>\n<td>a. Squire<\/td>\n<td>London<\/td>\n<td>Ryan Huggins<\/td>\n<\/tr>\n<tr>\n<td>Brunette Coleman<\/td>\n<td>London<\/td>\n<td>Zazou Roddam<\/td>\n<\/tr>\n<tr>\n<td>Bukia Vakhania<\/td>\n<td>Tbilisi, Berlin<\/td>\n<td>Tamo Jugeli<\/td>\n<\/tr>\n<tr>\n<td>Chemould CoLab<\/td>\n<td>Mumbai<\/td>\n<td>Jayeeta Chatterjee<\/td>\n<\/tr>\n<tr>\n<td>Clima<\/td>\n<td>Milan<\/td>\n<td>Justine Neuberger<\/td>\n<\/tr>\n<tr>\n<td>Crisis<\/td>\n<td>Lima, Madrid<\/td>\n<td>Andrea Canepa<\/td>\n<\/tr>\n<tr>\n<td>diez<\/td>\n<td>Amsterdam<\/td>\n<td>Jessica Wilson<\/td>\n<\/tr>\n<tr>\n<td>eastcontemporary<\/td>\n<td>Milan<\/td>\n<td>Anastasia Sosunova<\/td>\n<\/tr>\n<tr>\n<td>Rose Easton<\/td>\n<td>London<\/td>\n<td>Amanda Mostr\u00f6m<\/td>\n<\/tr>\n<tr>\n<td>Ehrlich Steinberg<\/td>\n<td>Los Angeles<\/td>\n<td>Ella Fleck<\/td>\n<\/tr>\n<tr>\n<td>Franz Kaka<\/td>\n<td>Toronto<\/td>\n<td>Katie Lyle<\/td>\n<\/tr>\n<tr>\n<td>Galerina<\/td>\n<td>London<\/td>\n<td>Ewa Poniatowska<\/td>\n<\/tr>\n<tr>\n<td>Gianni Manhattan<\/td>\n<td>Vienna<\/td>\n<td>Alex Macedo<\/td>\n<\/tr>\n<tr>\n<td>Ginny on Frederick<\/td>\n<td>London<\/td>\n<td>Okiki Akinfe<\/td>\n<\/tr>\n<tr>\n<td>Harlesden High Street<\/td>\n<td>London<\/td>\n<td>Marcus Jefferson<\/td>\n<\/tr>\n<tr>\n<td>Heidi<\/td>\n<td>Berlin, London<\/td>\n<td>Benjamin Lallier<\/td>\n<\/tr>\n<tr>\n<td>Eli Kerr<\/td>\n<td>Montr\u00e9al<\/td>\n<td>Simon S. Belleau<\/td>\n<\/tr>\n<tr>\n<td>King\u2019s Leap<\/td>\n<td>New York <\/td>\n<td>Isaiah Davis<\/td>\n<\/tr>\n<tr>\n<td>Galerie Noah Klink<\/td>\n<td>Berlin<\/td>\n<td>Josefine Reisch<\/td>\n<\/tr>\n<tr>\n<td>Linseed<\/td>\n<td>Shanghai<\/td>\n<td>Asami Shoji<\/td>\n<\/tr>\n<tr>\n<td>Llano<\/td>\n<td>Mexico City<\/td>\n<td>Giovanni Fabi\u00e1n Guerrero<\/td>\n<\/tr>\n<tr>\n<td>Marfa\u2019<\/td>\n<td>Beirut<\/td>\n<td>Ahmad Ghossein<\/td>\n<\/tr>\n<tr>\n<td>Nicoletti<\/td>\n<td>London<\/td>\n<td>Ana Viktoria Dzinic<\/td>\n<\/tr>\n<tr>\n<td>palace enterprise<\/td>\n<td>Copenhagen<\/td>\n<td>Adam Christensen, Magnus Andersen<\/td>\n<\/tr>\n<tr>\n<td>Public<\/td>\n<td>London<\/td>\n<td>Steph Huang<\/td>\n<\/tr>\n<tr>\n<td>Niru Ratnam<\/td>\n<td>London<\/td>\n<td>Laila Majid<\/td>\n<\/tr>\n<tr>\n<td>Selebe Yoon<\/td>\n<td>Dakar<\/td>\n<td>Ar\u00e9b\u00e9nor Bass\u00e9ne<\/td>\n<\/tr>\n<tr>\n<td>South Parade<\/td>\n<td>London<\/td>\n<td>Tom Hardwick-Allan<\/td>\n<\/tr>\n<tr>\n<td>Theta<\/td>\n<td>New York<\/td>\n<td>Maya Hewitt<\/td>\n<\/tr>\n<tr>\n<td>Gallery Vacancy<\/td>\n<td>Shanghai<\/td>\n<td>Sydney Shen<\/td>\n<\/tr>\n<tr>\n<td>Wsch\u00f3d<\/td>\n<td>Warsaw, New York<\/td>\n<td>Laurie Smith<\/td>\n<\/tr>\n<tr>\n<td>Xxijra Hii<\/td>\n<td>London<\/td>\n<td>Yuli Serfaty<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Frieze London: \u201cTHE CODE UNIVERSE\u201d<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Exhibitor<\/strong><\/td>\n<td><strong>Location(s)<\/strong><\/td>\n<td><strong>Artist<\/strong><\/td>\n<\/tr>\n<tr>\n<td>acb Gallery<\/td>\n<td>Budapest<\/td>\n<td>Selma Selman<\/td>\n<\/tr>\n<tr>\n<td>greengrassi<\/td>\n<td>London<\/td>\n<td>Shinro Ohtake<\/td>\n<\/tr>\n<tr>\n<td>Nonfrasa<\/td>\n<td>Bali<\/td>\n<td>Nyoman Darmawan<\/td>\n<\/tr>\n<tr>\n<td>Spurs Gallery<\/td>\n<td>Beijing<\/td>\n<td>Payne Zhu<\/td>\n<\/tr>\n<tr>\n<td>Take Ninagawa<\/td>\n<td>Tokyo<\/td>\n<td>Shinro Ohtake<\/td>\n<\/tr>\n<tr>\n<td>TINA<\/td>\n<td>London<\/td>\n<td>Karim Boumjimar<\/td>\n<\/tr>\n<tr>\n<td>Trautwein Herleth<\/td>\n<td>Berlin<\/td>\n<td>Carolyn Lazard<\/td>\n<\/tr>\n<tr>\n<td>Valentine<\/td>\n<td>Jakarta, Cologne, Tbilisi, Tokyo<\/td>\n<td>Oototol<\/td>\n<\/tr>\n<tr>\n<td>Voloshyn Gallery<\/td>\n<td>Miami, Kyiv<\/td>\n<td>Nikita Kadan<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Frieze London: Editions<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Exhibitor<\/strong><\/td>\n<td><strong>Location(s)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Borch Editions<\/td>\n<td>Copenhagen<\/td>\n<\/tr>\n<tr>\n<td>Knust Kunz Gallery Editions<\/td>\n<td>Munich<\/td>\n<\/tr>\n<tr>\n<td>Paragon<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Cristea Roberts Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>STPI<\/td>\n<td>Singapore<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Frieze Masters: Galleries<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Exhibitor<\/strong><\/td>\n<td><strong>Location(s)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>David Aaron<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Afridi<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Aicon Art<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>\u00c5mells Konsthandel<\/td>\n<td>Stockholm<\/td>\n<\/tr>\n<tr>\n<td>Archeus \/ Post-Modern<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>ArtAncient<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Athr<\/td>\n<td>Jeddah, AlUla, Riyadh<\/td>\n<\/tr>\n<tr>\n<td>Bailly Gallery<\/td>\n<td>Geneva, Paris<\/td>\n<\/tr>\n<tr>\n<td>Bastian<\/td>\n<td>Berlin<\/td>\n<\/tr>\n<tr>\n<td>Charles Beddington<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Benappi Fine Art<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Joost van den Bergh<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Berry Campbell<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Patrick Bourne &amp; Co.<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Bowman Sculpture<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Ben Brown Fine Arts<\/td>\n<td>London, Hong Kong, New York, Venice<\/td>\n<\/tr>\n<tr>\n<td>Prahlad Bubbar<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Galerie Chenel<\/td>\n<td>Paris<\/td>\n<\/tr>\n<tr>\n<td>Jonathan Clark Fine Art<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Colnaghi<\/td>\n<td>London, Brussels, Madrid, New York<\/td>\n<\/tr>\n<tr>\n<td>Galleria Continua<\/td>\n<td>San Gimignano, Beijing, Les Moulins, Havana, Rome, S\u00e3o Paulo, Paris<\/td>\n<\/tr>\n<tr>\n<td>Daniel Crouch Rare Books<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>De Jonckheere<\/td>\n<td>Geneva<\/td>\n<\/tr>\n<tr>\n<td>DAG<\/td>\n<td>New Delhi, Mumbai, New York<\/td>\n<\/tr>\n<tr>\n<td>D Lan Galleries<\/td>\n<td>Melbourne, Sydney, New York<\/td>\n<\/tr>\n<tr>\n<td>Charles Ede<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Andrew Edlin Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Larkin Erdmann<\/td>\n<td>Zurich<\/td>\n<\/tr>\n<tr>\n<td>Peter Finer<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Sam Fogg<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Willoughby Gerrish<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Michael Goedhuis Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Richard Green<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Galerie Haas<\/td>\n<td>Berlin, Zurich<\/td>\n<\/tr>\n<tr>\n<td>Johnny Van Haeften<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Hales<\/td>\n<td>London, New York<\/td>\n<\/tr>\n<tr>\n<td>Hauser &amp; Wirth<\/td>\n<td>London, Paris, Zurich, Basel, St. Moritz, New York, Los Angeles, Palo Alto, Somerset, Hong Kong, Monaco, Menorca<\/td>\n<\/tr>\n<tr>\n<td>Hazlitt Holland-Hibbert<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Ben Hunter<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Lyndsey Ingram<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Gallery Isabelle<\/td>\n<td>Dubai<\/td>\n<\/tr>\n<tr>\n<td>Jahn und Jahn<\/td>\n<td>Lisbon, Munich<\/td>\n<\/tr>\n<tr>\n<td>Annely Juda Fine Art<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Daniel Katz Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Kent Antiques<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Ketabi Bourdet<\/td>\n<td>Paris<\/td>\n<\/tr>\n<tr>\n<td>Koopman Rare Art<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Hartford Fine Art \u2013 Lampronti Gallery<\/td>\n<td>Monte Carlo<\/td>\n<\/tr>\n<tr>\n<td>Kunstkammer Georg Laue<\/td>\n<td>Munich, London Galerie L\u00e9age, Paris<\/td>\n<\/tr>\n<tr>\n<td>Salomon Lilian<\/td>\n<td>Amsterdam, Geneva<\/td>\n<\/tr>\n<tr>\n<td>Luxembourg + Co.<\/td>\n<td>London, New York<\/td>\n<\/tr>\n<tr>\n<td>Maruani Mercier<\/td>\n<td>Brussels, Knokke<\/td>\n<\/tr>\n<tr>\n<td>Miles McEnery Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Kunsthandel S. Mehringer<\/td>\n<td>Munich<\/td>\n<\/tr>\n<tr>\n<td>Galerie Minsky<\/td>\n<td>Paris<\/td>\n<\/tr>\n<tr>\n<td>Mohtashemi<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Philip Mould &amp; Company<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Ambrose Naumann Fine Art<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Stephen Ongpin Fine Art<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Ortuzar<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Osborne Samuel Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Pelgrims de Bigard<\/td>\n<td>Brussels<\/td>\n<\/tr>\n<tr>\n<td>Ronald Phillips<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Piano Nobile<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Raccanello &amp; Leprince<\/td>\n<td>London, Paris<\/td>\n<\/tr>\n<tr>\n<td>Artur Ramon Art<\/td>\n<td>Barcelona<\/td>\n<\/tr>\n<tr>\n<td>Rasti Fine Art<\/td>\n<td>Hong Kong<\/td>\n<\/tr>\n<tr>\n<td>Robilant<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Carlton Rochell Asian Art<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Rossi &amp; Rossi<\/td>\n<td>Hong Kong<\/td>\n<\/tr>\n<tr>\n<td>Frankie Rossi Art<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Vito Schnabel Gallery<\/td>\n<td>New York, St. Moritz<\/td>\n<\/tr>\n<tr>\n<td>Schoelkopf Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Marc Selwyn Fine Art<\/td>\n<td>Los Angeles<\/td>\n<\/tr>\n<tr>\n<td>Shapero Rare Books \/ Shapero Modern<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Susan Sheehan Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Shibunkaku<\/td>\n<td>Kyoto, Tokyo<\/td>\n<\/tr>\n<tr>\n<td>Jacqueline Simcox<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Skarstedt<\/td>\n<td>New York, London, Paris<\/td>\n<\/tr>\n<tr>\n<td>Stair Sainty Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Gallery Moshe Tabibnia<\/td>\n<td>Milan<\/td>\n<\/tr>\n<tr>\n<td>Karen Taylor Fine Art<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Thomsen Gallery<\/td>\n<td>New York<\/td>\n<\/tr>\n<tr>\n<td>Tomasso<\/td>\n<td>Leeds, London<\/td>\n<\/tr>\n<tr>\n<td>Trias Art Experts<\/td>\n<td>Munich<\/td>\n<\/tr>\n<tr>\n<td>Vagabond<\/td>\n<td>Petworth<\/td>\n<\/tr>\n<tr>\n<td>Vendelmans<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Axel Vervoordt<\/td>\n<td>Antwerp, Hong Kong<\/td>\n<\/tr>\n<tr>\n<td>Vigo Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Voena, Milan<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Rupert Wace<\/td>\n<td>Suffolk, London<\/td>\n<\/tr>\n<tr>\n<td>Waddington Custot<\/td>\n<td>London, Paris, Dubai<\/td>\n<\/tr>\n<tr>\n<td>Offer Waterman<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>The Weiss Gallery<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Adam Williams Fine Art<\/td>\n<td>New York<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Frieze Masters: Spotlight<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Exhibitor<\/strong><\/td>\n<td><strong>Location(s)<\/strong><\/td>\n<td><strong>Artist<\/strong><\/td>\n<\/tr>\n<tr>\n<td>10 A.M. Art<\/td>\n<td>Milan<\/td>\n<td>Tilde Poli<\/td>\n<\/tr>\n<tr>\n<td>Akar Prakar<\/td>\n<td>New Delhi, Kolkata<\/td>\n<td>Ganesh Haloi<\/td>\n<\/tr>\n<tr>\n<td>Akara Modern<\/td>\n<td>Mumbai<\/td>\n<td>Piraji Sagara<\/td>\n<\/tr>\n<tr>\n<td>Alisan Fine Arts<\/td>\n<td>Hong Kong, New York<\/td>\n<td>Fong Chung-Ray<\/td>\n<\/tr>\n<tr>\n<td>Galerie Mikael Andersen<\/td>\n<td>Copenhagen<\/td>\n<td>Ernest Mancoba<\/td>\n<\/tr>\n<tr>\n<td>Art Exposure<\/td>\n<td>Kolkata<\/td>\n<td>Nihar Ranjan Chowdhury<\/td>\n<\/tr>\n<tr>\n<td>Cecilia Brunson Projects<\/td>\n<td>London<\/td>\n<td>Blanca Luz Brum<\/td>\n<\/tr>\n<tr>\n<td>Cr\u00e8vecoeur<\/td>\n<td>Paris<\/td>\n<td>Emma Reyes<\/td>\n<\/tr>\n<tr>\n<td>Each Modern<\/td>\n<td>Taipei<\/td>\n<td>Lang Jingshan<\/td>\n<\/tr>\n<tr>\n<td>Elmarsa Gallery<\/td>\n<td>Tunis, Dubai<\/td>\n<td>Mahjoub Ben Bella<\/td>\n<\/tr>\n<tr>\n<td>The Gallery of Everything<\/td>\n<td>London<\/td>\n<td>Anna Zem\u00e1nkov\u00e1<\/td>\n<\/tr>\n<tr>\n<td>Gramma_Epsilon Gallery<\/td>\n<td>Athens<\/td>\n<td>Anna Esposito<\/td>\n<\/tr>\n<tr>\n<td>Grob Gallery<\/td>\n<td>Geneva, Parracombe<\/td>\n<td>William Klein<\/td>\n<\/tr>\n<tr>\n<td>Grosvenor Gallery<\/td>\n<td>London<\/td>\n<td>Syed Sadequain<\/td>\n<\/tr>\n<tr>\n<td>Harlesden High Street<\/td>\n<td>London<\/td>\n<td>Luce Turnier<\/td>\n<\/tr>\n<tr>\n<td>Alison Jacques<\/td>\n<td>London<\/td>\n<td>Pacita Abad<\/td>\n<\/tr>\n<tr>\n<td>Jhaveri Contemporary<\/td>\n<td>Mumbai<\/td>\n<td>Anwar Jalal Shemza<\/td>\n<\/tr>\n<tr>\n<td>Takato Kano Gallery + Iskra<\/td>\n<td>Nagoya, Yokohama, Tokyo, Osaka, Fukuoka, Nishinomiya, Sendai<\/td>\n<td>Shiko Munakata<\/td>\n<\/tr>\n<tr>\n<td>k\u00f3<\/td>\n<td>Lagos<\/td>\n<td>Adebisi Fabunmi<\/td>\n<\/tr>\n<tr>\n<td>Lamb<\/td>\n<td>London<\/td>\n<td>Jim Amaral<\/td>\n<\/tr>\n<tr>\n<td>Lawrie Shabibi<\/td>\n<td>Dubai<\/td>\n<td>Maliheh Afnan<\/td>\n<\/tr>\n<tr>\n<td>Loeve&amp;Co<\/td>\n<td>Paris<\/td>\n<td>Roland Dorcely<\/td>\n<\/tr>\n<tr>\n<td>Galeria MaPa<\/td>\n<td>S\u00e3o Paulo<\/td>\n<td>Bernard Bouts<\/td>\n<\/tr>\n<tr>\n<td>The Mayor Gallery<\/td>\n<td>London<\/td>\n<td>William Klein<\/td>\n<\/tr>\n<tr>\n<td>OSL contemporary<\/td>\n<td>Oslo<\/td>\n<td>Aase Texmon Rygh<\/td>\n<\/tr>\n<tr>\n<td>Perve Galeria<\/td>\n<td>Lisbon<\/td>\n<td>Jo\u00e3o Artur da Silva<\/td>\n<\/tr>\n<tr>\n<td>Remota<\/td>\n<td>Salta<\/td>\n<td>Mar\u00eda Martorell<\/td>\n<\/tr>\n<tr>\n<td>Richard Saltoun Gallery<\/td>\n<td>London, Rome, New York<\/td>\n<td>Manina<\/td>\n<\/tr>\n<tr>\n<td>Saskia Fernando Gallery<\/td>\n<td>Colombo<\/td>\n<td>H. A. Karunaratne<\/td>\n<\/tr>\n<tr>\n<td>Tafeta<\/td>\n<td>London<\/td>\n<td>Lamidi Fakeye<\/td>\n<\/tr>\n<tr>\n<td>Unit 7<\/td>\n<td>London<\/td>\n<td>Leonardo Ricci<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Frieze Masters: \u201cQueering Modernism\u201d <\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Exhibitor<\/strong><\/td>\n<td><strong>Location(s)<\/strong><\/td>\n<td><strong>Artist(s)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Ab-Anbar<\/td>\n<td>London<\/td>\n<td>Bahman Mohasses<\/td>\n<\/tr>\n<tr>\n<td>Galerie Albrecht<\/td>\n<td>Berlin<\/td>\n<td>Ruth Bernhard<\/td>\n<\/tr>\n<tr>\n<td>Agnews<\/td>\n<td>London<\/td>\n<td>Lotte Laserstein and Glyn<br \/>Philpot<\/td>\n<\/tr>\n<tr>\n<td>Danielian<\/td>\n<td>Rio de Janeiro, S\u00e3o Paulo<\/td>\n<td>Ismael Nery<\/td>\n<\/tr>\n<tr>\n<td>Elvira Moreno Gallery<\/td>\n<td>Bogot\u00e1<\/td>\n<td>Luis Fernando Zapata<\/td>\n<\/tr>\n<tr>\n<td>Alberta Pane Gallery<\/td>\n<td>Paris, Venice<\/td>\n<td>Claude Cahun and Judy Chicago<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Frieze Masters: Reflections<\/strong><\/p>\n<figure class=\"wp-block-table\">\n<table class=\"has-fixed-layout\">\n<tbody>\n<tr>\n<td><strong>Exhibitor<\/strong><\/td>\n<td><strong>Location(s)<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Ammann Gallery<\/td>\n<td>Cologne<\/td>\n<\/tr>\n<tr>\n<td>Erskine, Hall &amp; Coe<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Tristan Hoare<\/td>\n<td>London<\/td>\n<\/tr>\n<tr>\n<td>Side Gallery<\/td>\n<td>Madrid, Barcelona, Casavells<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/market\/frieze-london-frieze-masters-2026-exhibitor-lists-1234788804\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/FLFM26-FIRST-DETAILS-PRESS-RELEASE-E-4.jpg?w=1024&#8243;] Nearly 300 galleries will participate in the upcoming editions of Frieze London and Frieze Masters, which will run in the Regent\u2019s Park from October 14 to October 18. Frieze London will have 172 exhibitors, while Frieze Masters will host 138. Eight galleries will have booths in both fairs including Hauser &amp; Wirth, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1986398","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1986398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1986398"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1986398\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1986398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1986398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1986398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}