{"id":1978001,"date":"2026-06-08T00:11:40","date_gmt":"2026-06-07T21:11:40","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1978001"},"modified":"2026-06-08T00:11:40","modified_gmt":"2026-06-07T21:11:40","slug":"meet-the-knicks-fan-shooting-nba-finals-courtside-magic-on-his-iphone-hollywood-legend-ben-stiller","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1978001","title":{"rendered":"Meet the Knicks fan shooting NBA Finals courtside magic on his iPhone: Hollywood legend Ben Stiller"},"content":{"rendered":"<div class=\"Article_ContentContainer__jBNW3 article-content-container bodytext1\">\n<p>NEW YORK \u2014 Looking at this camera operator\u2019s iPhone, you can hardly make out what is coming through his lens. A nearly opaque, washed-out image of Victor Wembanyama cuts through the screen, as the filmmaker sits just far enough away to fit the 7-foot-4 San Antonio Spurs star in frame.<\/p>\n<p>Sitting in the closest spot in the building to Wembanyama, he has the perfect shot of <em>the<\/em> shot. As Wembanyama gets the ball, pulls, fires away, and then falls back to the floor as the ball clanks off the rim and the final buzzer rings out, the camera shakes as the man screams, \u201cYeah!\u201d It\u2019s a genuine POV of a devout Knicks fan watching his team inch closer to history, shooting a courtside scene dramatic enough to win this cameraman another Emmy.<\/p>\n<div class=\"ad-container\">\n<div class=\"ad-wrapper article-treatment\">\n<div class=\"ad-slug-container\">\n<p class=\"ad-slug\">Advertisement<\/p>\n<\/div>\n<div id=\"mid1\" data-position=\"mid1\" class=\"ad place-ad\"><\/div>\n<\/div>\n<\/div>\n<p>The most exciting angle of Wembanyama\u2019s missed jumper at the buzzer, giving the Knicks a 2-0 series lead in the NBA Finals, was filmed by Hollywood icon Ben Stiller.<\/p>\n<blockquote class=\"twitter-tweet\" data-media-max-width=\"560\">\n<p dir=\"ltr\" lang=\"en\">KNICKS IN 4 <a href=\"https:\/\/t.co\/xoJjimzbo7\" rel=\"nofollow noopener noreferrer\">pic.twitter.com\/xoJjimzbo7<\/a><\/p>\n<p>\u2014 Ben Stiller (@BenStiller) <a href=\"https:\/\/x.com\/BenStiller\/status\/2063113668699541865?ref_src=twsrc%5Etfw\" rel=\"nofollow noopener noreferrer\">June 6, 2026<\/a><\/p>\n<\/blockquote>\n<p>\u201cIf you\u2019re lucky enough to have that access and have that point of view, I feel like it\u2019s great to be able to share that,\u201d Stiller tells <em>The Athletic.<\/em> \u201cI think that\u2019s the biggest part of it, is to be able to share that point of view because I feel so grateful to have that. And then it\u2019s fun to be just witnessing it.\u201d<\/p>\n<p>Stiller has been courtside for the Knicks throughout the playoff run and has turned his X profile into a Knicks Stan account. His profile picture is a photo of a Jalen Brunson jersey. His banner image behind that avatar is a shot of the Knicks celebrating their first Eastern Conference finals win since 1999. He is one of the many famous Knicks fans who are celebrity row mainstays, but he is turning his fandom into a gift for the masses.<\/p>\n<p>He is not only one of the most renowned comedic actors of the 21st century, but has also become an acclaimed director and producer.<\/p>\n<p>Of the hundreds of fan videos that come out of each game, his was different from them all. It wasn\u2019t just that Stiller was sitting so close to Wembanyama that he had to shoot on the ultra-wide lens (0.5x) to fit everything into frame. It was the distinctive tone of the footage itself, colors and shadows that had a Stiller touch.<\/p>\n<div data-ath-video-stream=\"oxDAnMFo124dA7F\"><\/div>\n<p>Most video shot on an iPhone looks more or less the same: lifted shadows, overtly sharpened, ripened colors. It\u2019s set up that way to allow anyone to pull out their phone and easily capture a clean image without editing. But Stiller turns on a special feature deep in his phone\u2019s settings to shoot in Log, a format that deliberately appears nearly grey upon capture. It\u2019s the video equivalent of an old-school film negative.<\/p>\n<div class=\"ad-container\">\n<div class=\"ad-wrapper article-treatment\">\n<div class=\"ad-slug-container\">\n<p class=\"ad-slug\">Advertisement<\/p>\n<\/div>\n<div id=\"mid2\" data-position=\"mid2\" class=\"ad place-ad\"><\/div>\n<\/div>\n<\/div>\n<p>It takes a keen eye and sense of composition to shoot in Log, as it films everything washed out to the point that you can barely see what\u2019s coming through the screen. But it captures every little detail to allow for a beautiful composition once it\u2019s manually edited in post-production. It\u2019s a filmmaker\u2019s format, reserved for those who can see the final shot in their mind.<\/p>\n<p>\u201cObviously, you can then control what you want to do with the color,\u201d Stiller says. \u201cDown the line, it\u2019s great to have that flexibility.\u201d<\/p>\n<p>Stiller edited the Wembanyama shot to have strong, blue shadows, with deep orange highlights. Even his color grade is in Knicks colors. It epitomizes how the Log format is designed for the artist to put their stamp on everything you see, capturing Stiller\u2019s vision at a deeper level.<\/p>\n<p>He has been gracing everyone with something unique, courtside footage of cinematic quality from a fan in a Knicks hat just watching their favorite team on a magical run.<\/p>\n<p>\u201cIt\u2019s just incredible. It\u2019s so exciting,\u201d Stiller says. \u201cObviously, to do what I love doing, and then my favorite thing to do is to go see the Knicks play, (it\u2019s special) to have that come together.\u201d<\/p>\n<div data-ath-video-stream=\"rMMeLVSmqqAOJcF\"><\/div>\n<p>These videos from Stiller are a genuine marriage of his passions. He films in landscape instead of vertical, capturing the shot to be experienced in a cinematic way. It\u2019s not made for social. And while he is filming, he makes it a point not to turn the camera back onto himself, as so many people do these days.<\/p>\n<p>\u201cThat\u2019s the last thing in the world (I want),\u201d Stiller says.<\/p>\n<p>Just as Stiller is about to finish his thought, a media member jumps into the interview with their phone out and asks Stiller for a shoutout to Puerto Rico.<br \/>\n\u201cLove Puerto Rico!\u201d Stiller says, turning on his game face as the camera is rolling. \u201cPuerto Rico, me encanta!\u201d<\/p>\n<div class=\"ad-container\">\n<div class=\"ad-wrapper article-treatment\">\n<div class=\"ad-slug-container\">\n<p class=\"ad-slug\">Advertisement<\/p>\n<\/div>\n<div id=\"mid3\" data-position=\"mid3\" class=\"ad place-ad\"><\/div>\n<\/div>\n<\/div>\n<p>It shows how easily he can jump into Hollywood actor mode when called upon, gracious with his time and energy. Filming these scenes courtside is truly just for him, creating memories in the way he experiences them and hoping everyone watching can enjoy his perspective.<\/p>\n<p>\u201cIt\u2019s that thing of just trying to appreciate the moment,\u201d Stiller says. \u201cIt\u2019s actually hard, even when I\u2019m filming, because I want to enjoy it as a fan, too. So, it\u2019s kind of that balance. So, half the time I\u2019ll drop the phone and just go jump up and down. For me, I\u2019m much more interested in seeing what\u2019s going on out there instead of myself.\u201d<\/p>\n<p>The irony is that when he filmed Wembanyama\u2019s missed shot at the end of Game 2, he got so excited that he kept the camera rolling and left a whole bunch of footage of his crotch in the video when he posted it. Call it artistic expression, or maybe just a Knicks fan too busy jumping for joy to cut the outtakes.<\/p>\n<div id=\"inline-graphic\">\n<p>        a.showcase-link-container {<br \/>\n  display: flex;<br \/>\n  gap: 20px;<br \/>\n  flex-direction: column;<br \/>\n  align-items: center;<br \/>\n  padding: 20px 0px;<br \/>\n  border-top: 1px solid rgba(150, 150, 147, 0.4);<br \/>\n  border-bottom: 1px solid rgba(150, 150, 147, 0.4);<br \/>\n  text-decoration: none;<br \/>\n  color: #121212;<br \/>\n  cursor: pointer;<\/p>\n<p>  .showcase-link {<br \/>\n    font-family: nyt-franklin;<br \/>\n    font-size: 14px;<br \/>\n    font-style: normal;<br \/>\n    font-weight: 700;<br \/>\n    line-height: 13.8px;<br \/>\n    letter-spacing: 1.1px;<br \/>\n    text-transform: uppercase;<br \/>\n  }<\/p>\n<p>  .showcase-link-image {<br \/>\n    border-radius: 8px;<br \/>\n    object-fit: cover;<br \/>\n    width: 200px;<br \/>\n    height: 150px;<br \/>\n    margin: 0px;<br \/>\n    @media (max-width: 600px) {<br \/>\n      width: 120px;<br \/>\n      height: 120px;<br \/>\n    }<br \/>\n  }<\/p>\n<p>  .showcase-link-inner-content {<br \/>\n    display: flex;<br \/>\n    flex-direction: row;<br \/>\n    gap: 16px;<br \/>\n    width: 100%;<br \/>\n  }<\/p>\n<p>  .showcase-link-text-content {<br \/>\n    display: flex;<br \/>\n    flex-direction: column;<br \/>\n    gap: 20px;<br \/>\n    justify-content: center;<br \/>\n    @media (max-width: 600px) {<br \/>\n      gap: 8px;<br \/>\n    }<br \/>\n  }<\/p>\n<p>  .showcase-link-title {<br \/>\n    font-family: nyt-cheltenham;<br \/>\n    font-size: 24px;<br \/>\n    font-style: normal;<br \/>\n    font-weight: 500;<br \/>\n    line-height: 120%; \/* 24px *\/<br \/>\n    letter-spacing: 0.01px;<br \/>\n    text-overflow: ellipsis;<br \/>\n    overflow: hidden;<br \/>\n    display: -webkit-box;<br \/>\n    -webkit-box-orient: vertical;<br \/>\n    -webkit-line-clamp: 3;<br \/>\n    @media (max-width: 600px) {<br \/>\n      font-size: 16px;<br \/>\n    }<br \/>\n  }<\/p>\n<p>  .showcase-link-excerpt {<br \/>\n    font-family: nyt-imperial;<br \/>\n    font-size: 16px;<br \/>\n    font-style: normal;<br \/>\n    font-weight: 400;<br \/>\n    line-height: 139%; \/* 19.46px *\/<br \/>\n    color: #323232;<br \/>\n    text-overflow: ellipsis;<br \/>\n    overflow: hidden;<br \/>\n    display: -webkit-box;<br \/>\n    -webkit-box-orient: vertical;<br \/>\n    -webkit-line-clamp: 4;<br \/>\n    @media (max-width: 600px) {<br \/>\n      font-size: 12px;<br \/>\n      line-height: 121%;<br \/>\n    }<br \/>\n  }<br \/>\n}<\/p>\n<p>.showcase-link-inputs {<br \/>\n  .showcase-link-input {<br \/>\n    width: 100%;<br \/>\n    font-size: 1rem;<br \/>\n    background-color: white;<br \/>\n    margin-bottom: 12px;<br \/>\n  }<\/p>\n<p>  .showcase-link-indent {<br \/>\n    margin-left: 25px;<br \/>\n  }<\/p>\n<p>  option {<br \/>\n    width: 100%;<br \/>\n  }<br \/>\n}<\/p>\n<p>@media (prefers-color-scheme: dark) {<br \/>\n  .native-mobile a.showcase-link-container {<br \/>\n    background-color: #121212;<br \/>\n    color: #f0f0ee;<br \/>\n    .showcase-link-excerpt {<br \/>\n      color: #c4c4c0;<br \/>\n    }<br \/>\n  }<br \/>\n}<\/p>\n<p>            \/\/ Remove all onclicks on imgs for apps to prevent image zoom on click<br \/>\n            document.querySelectorAll(&#8216;.showcase-link-image&#8217;).forEach((img) =&gt; img.removeAttribute(&#8216;onclick&#8217;));<\/p>\n<p>        <a id=\"showcase-link-7340406\" href=\"https:\/\/www.nytimes.com\/athletic\/7340406\/2026\/06\/07\/new-york-city-knicks-nba-finals-27-years-trump\/\" class=\"showcase-link-container in-content-module-link testbed-shortcode\" data-shortcode-id=\"101\" data-shortcode-string=\"showcase-link\" data-content-id=\"7340406\" data-content-post-type=\"headline\"><\/p>\n<div class=\"showcase-link\">What You Should Read Next<\/div>\n<div class=\"showcase-link-inner-content\">\n            <img decoding=\"async\" src=\"https:\/\/static01.nyt.com\/athletic\/uploads\/wp\/2026\/06\/07170204\/GettyImages-2280085118-1024x683.jpg?width=400&amp;quality=70\" alt=\"Get ready, New York. The NBA Finals \u2014 with Trump, Wemby and the red-hot Knicks \u2014 are finally back\" class=\"showcase-link-image\" width=\"200\" height=\"200\" loading=\"lazy\"><\/p>\n<div class=\"showcase-link-text-content\">\n<div class=\"showcase-link-title\">\n                  Get ready, New York. The NBA Finals \u2014 with Trump, Wemby and the red-hot Knicks \u2014 are finally back\n              <\/div>\n<div class=\"showcase-link-excerpt\">\n                  The sporting world will descend upon Manhattan for its first NBA Finals game in 27 years, and Knicks vs. Spurs promises to be wild.\n              <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p>        <\/a><\/p><\/div>\n<p>But Stiller is a filmmaker, not just a cameraman. The first stage of making a film is capturing it. Then, the magic comes in the editing room, piecing together the story to say something bigger than one shot ever could. So far, he has just been posting his favorite moments, making quick edits to convert his Log files into something with character.<\/p>\n<p>But could there be something more coming?<\/p>\n<p>\u201cDown the line, who knows what comes out of it?\u201d Stiller says.<\/p>\n<p>For now, he is reveling in Knicks fan heaven. He got a special media pass to Sunday\u2019s practice at Madison Square Garden \u2014 as did New York rap legends Fat Joe and Jadakiss \u2014 and had his phone out, capturing the scenes. He was even on one knee, getting another close-up shot of Wembanyama during the Spurs star\u2019s press conference.<\/p>\n<p>Stiller even made showing up to the media duties special for Knicks coach Mike Brown, who finally got to meet Stiller.<\/p>\n<div class=\"ad-container\">\n<div class=\"ad-wrapper article-treatment\">\n<div class=\"ad-slug-container\">\n<p class=\"ad-slug\">Advertisement<\/p>\n<\/div>\n<div id=\"mid4\" data-position=\"mid4\" class=\"ad place-ad\"><\/div>\n<\/div>\n<\/div>\n<p>\u201cThis is a great day for Mike Brown,\u201d the Knicks coach said Sunday, with two fists in the air and a big smile.<\/p>\n<p>The truth is, even with all the incredible things Stiller has accomplished in his life, he\u2019s still a kid in a blue and orange candy store. With his Knicks hat on, he\u2019s roaming backstage, chasing the next shot, grateful to be there. So, when Stiller saw the video of Brown\u2019s excitement on X, he responded in kind.<\/p>\n<p>\u201cGreat day for Ben Stiller.\u201d<\/p>\n<p>But not as great as the day the Knicks could actually win it all. It could happen as soon as Game 4 in his home away from home. He\u2019ll be there, up close, ready to shoot. Or at least he will do his best.<\/p>\n<p>\u201cI\u2019ll try. I\u2019ll definitely keep the camera going,\u201d Stiller says. \u201cIt\u2019s going to be insane.\u201d<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK \u2014 Looking at this camera operator\u2019s iPhone, you can hardly make out what is coming through his lens. A nearly opaque, washed-out image of Victor Wembanyama cuts through the screen, as the filmmaker sits just far enough away to fit the 7-foot-4 San Antonio Spurs star in frame. Sitting in the closest spot [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,241],"class_list":["post-1978001","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-nytimes-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1978001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1978001"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1978001\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1978001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1978001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1978001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}