{"id":1976590,"date":"2026-06-05T10:00:34","date_gmt":"2026-06-05T07:00:34","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1976590"},"modified":"2026-06-05T10:00:34","modified_gmt":"2026-06-05T07:00:34","slug":"mass-cuts-at-pace-gallery","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1976590","title":{"rendered":"Mass Cuts at Pace Gallery"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;]<\/p>\n<p><main class=\"gh-main\"><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Mass Cuts at Pace Gallery<\/h1>\n<p class=\"gh-article-excerpt is-body\">The mega gallery cuts 100 workers and artists. Plus, a terrible movie about Kate Moss and Lucian Freud, and honoring the giant behind \u201cPersepolis.\u201d<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-06-05\">June 5, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 4 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>Workers and artists at Pace Gallery were having a beer in celebration of the Knicks\u2019 historic finals win, or just waking up yesterday morning, when they heard the news via friends, coworkers, even push notifications. The mega gallery is laying off 50 workers and cutting 50 artists from its roster. That\u2019s about a fifth of its staff and a third of its artists. CEO Marc Glimcher calls it a \u201cmodel correction\u201d; I call it workers and artists once again paying for the boardroom\u2019s bad bets.\u00a0<\/p>\n<p>If you need an escape into a different but possibly equally stupid world, go see <em>Moss &amp; Freud<\/em>, about supermodel Kate Moss and painter Lucian Freud\u2019s tumultuous artist-muse relationship, filled with gems of dialogue like \u201cpaintings are very meaningful.\u201d Better yet, read Eileen G\u2019Sell\u2019s wickedly entertaining review \u2014 I can promise you,\u00a0it\u2019s better than the movie.\u00a0<\/p>\n<p>Also today, we honor Marjane Satrapi, the comic artist behind <em>Persepolis<\/em>, about growing up during and after the Islamic Revolution, who passed away at 56. Her work is a lesson in the expressive and empathetic potential of drawing \u2014 and a reminder of why we in the art world do what we do, despite it all. <\/p>\n<p><em>\u2014Lisa Yin Zhang, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/pace-newsletter.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tPace Cuts 50 Workers and 50 Artists, Citing a \u201cBroken\u201d Gallery Model<br \/>\n\t\t<\/h3>\n<p>\n\t\tJust years after inaugurating its $100 million flagship building in Manhattan\u2019s Chelsea neighborhood and positioning itself as a leader in the crypto art space, Pace Gallery has cut 50 artists from its roster and laid off 50 staff members in what CEO Marc Glimcher characterized as a \u201cmodel correction.\u201d\n      <\/p>\n<p>\n      In a statement shared with Hyperallergic, Glimcher claimed that \u201cthe current gallery model isn\u2019t only broken, it\u2019s unfixable.\u201d | Valentina Di Liscia and Rhea Nayyar\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<h2 id=\"obituary\">Obituary<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/marjane-newsletter.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tMarjane Satrapi, \u201cPersepolis\u201d Author and Human Rights Fighter, Dies at 56<br \/>\n\t\t<\/h3>\n<p>\n\t\tMarjane Satrapi, the Iranian-French artist, director, and author of the graphic novel <em>Persepolis<\/em>, has died at 56. An outspoken critic of the Iranian government, Satrapi helped bring the experiences of modern Iran to a global audience.\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/print-house-ad.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>America Today: Voices in Contemporary Print<\/strong><\/b><\/p>\n<p><span>On view at The Print Center through July 25, the exhibition highlights the power of print as a medium for expressing political ideals and urgent societal concerns.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/getty-exhibition.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe Black Photographers Who Exposed My Own Brainwashing<br \/>\n\t\t<\/h3>\n<p>\n\t\tAn exhibition at The Getty gave me the peculiar feeling of peeking behind a curtain in my own house and discovering new things about a topic I thought I knew well. | Nereya Otieno\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<div>\n<h3>\n\t\t\tThe Best Part of \u201cMoss &amp; Freud\u201d Is When It\u2019s Over<br \/>\n\t\t<\/h3>\n<p>\n\t\tIn the film, Kate Moss is looking for the right man to get her sober, and Lucian Freud is a Great Man who magically sees the \u201ctruth\u201d in young women. | Eileen G\u2019Sell\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/rietberg-ad.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art<\/strong><\/b><\/p>\n<p><span>At Museum Rietberg, 20 global artists transform colonial photographs into new narratives of memory, identity, and resistance.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"community\">Community<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/required-reading-6.5.26.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tRequired Reading<br \/>\n\t\t<\/h3>\n<p>\n\t\tThis week: Esperanto on Duolingo, a Black Panther Party stud grandma, Arsenal and Africa, queer fish, the secret leftist history of Renaissance faires, and more.\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<div>\n<h3>\n\t\t\tArt Movements: Meet MoMA\u2019s New Photo Chief<br \/>\n\t\t<\/h3>\n<p>\n\t\tMakeda Best is joining MoMA as chief curator of Photography, the Asian Cultural Council awards $1.6M in grants to artists, and at least one sector of the art market is hot as hell.\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/katy-hessel.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tKaty Hessel Kicks Men Out of the Western Art Canon<br \/>\n\t\t<\/h3>\n<p>\n\t\tAfter reading &#8220;The Story of Art Without Men,&#8221; educators may aspire to redesign their art history surveys and syllabi \u2014 and trade some Picassos for Gegos. | Nageen Shaikh\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Mass Cuts at Pace Gallery<\/h1>\n<p class=\"gh-article-excerpt is-body\">The mega gallery cuts 100 workers and artists. Plus, a terrible movie about Kate Moss and Lucian Freud, and honoring the giant behind \u201cPersepolis.\u201d<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-06-05\">June 5, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 4 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>Workers and artists at Pace Gallery were having a beer in celebration of the Knicks\u2019 historic finals win, or just waking up yesterday morning, when they heard the news via friends, coworkers, even push notifications. The mega gallery is laying off 50 workers and cutting 50 artists from its roster. That\u2019s about a fifth of its staff and a third of its artists. CEO Marc Glimcher calls it a \u201cmodel correction\u201d; I call it workers and artists once again paying for the boardroom\u2019s bad bets.\u00a0<\/p>\n<p>If you need an escape into a different but possibly equally stupid world, go see <em>Moss &amp; Freud<\/em>, about supermodel Kate Moss and painter Lucian Freud\u2019s tumultuous artist-muse relationship, filled with gems of dialogue like \u201cpaintings are very meaningful.\u201d Better yet, read Eileen G\u2019Sell\u2019s wickedly entertaining review \u2014 I can promise you,\u00a0it\u2019s better than the movie.\u00a0<\/p>\n<p>Also today, we honor Marjane Satrapi, the comic artist behind <em>Persepolis<\/em>, about growing up during and after the Islamic Revolution, who passed away at 56. Her work is a lesson in the expressive and empathetic potential of drawing \u2014 and a reminder of why we in the art world do what we do, despite it all. <\/p>\n<p><em>\u2014Lisa Yin Zhang, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/pace-newsletter.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tPace Cuts 50 Workers and 50 Artists, Citing a \u201cBroken\u201d Gallery Model<br \/>\n\t\t<\/h3>\n<p>\n\t\tJust years after inaugurating its $100 million flagship building in Manhattan\u2019s Chelsea neighborhood and positioning itself as a leader in the crypto art space, Pace Gallery has cut 50 artists from its roster and laid off 50 staff members in what CEO Marc Glimcher characterized as a \u201cmodel correction.\u201d\n      <\/p>\n<p>\n      In a statement shared with Hyperallergic, Glimcher claimed that \u201cthe current gallery model isn\u2019t only broken, it\u2019s unfixable.\u201d | Valentina Di Liscia and Rhea Nayyar\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<h2 id=\"obituary\">Obituary<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/marjane-newsletter.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tMarjane Satrapi, \u201cPersepolis\u201d Author and Human Rights Fighter, Dies at 56<br \/>\n\t\t<\/h3>\n<p>\n\t\tMarjane Satrapi, the Iranian-French artist, director, and author of the graphic novel <em>Persepolis<\/em>, has died at 56. An outspoken critic of the Iranian government, Satrapi helped bring the experiences of modern Iran to a global audience.\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/print-house-ad.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>America Today: Voices in Contemporary Print<\/strong><\/b><\/p>\n<p><span>On view at The Print Center through July 25, the exhibition highlights the power of print as a medium for expressing political ideals and urgent societal concerns.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/getty-exhibition.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe Black Photographers Who Exposed My Own Brainwashing<br \/>\n\t\t<\/h3>\n<p>\n\t\tAn exhibition at The Getty gave me the peculiar feeling of peeking behind a curtain in my own house and discovering new things about a topic I thought I knew well. | Nereya Otieno\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<div>\n<h3>\n\t\t\tThe Best Part of \u201cMoss &amp; Freud\u201d Is When It\u2019s Over<br \/>\n\t\t<\/h3>\n<p>\n\t\tIn the film, Kate Moss is looking for the right man to get her sober, and Lucian Freud is a Great Man who magically sees the \u201ctruth\u201d in young women. | Eileen G\u2019Sell\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/rietberg-ad.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art<\/strong><\/b><\/p>\n<p><span>At Museum Rietberg, 20 global artists transform colonial photographs into new narratives of memory, identity, and resistance.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"community\">Community<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/required-reading-6.5.26.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tRequired Reading<br \/>\n\t\t<\/h3>\n<p>\n\t\tThis week: Esperanto on Duolingo, a Black Panther Party stud grandma, Arsenal and Africa, queer fish, the secret leftist history of Renaissance faires, and more.\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<div>\n<h3>\n\t\t\tArt Movements: Meet MoMA\u2019s New Photo Chief<br \/>\n\t\t<\/h3>\n<p>\n\t\tMakeda Best is joining MoMA as chief curator of Photography, the Asian Cultural Council awards $1.6M in grants to artists, and at least one sector of the art market is hot as hell.\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/katy-hessel.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tKaty Hessel Kicks Men Out of the Western Art Canon<br \/>\n\t\t<\/h3>\n<p>\n\t\tAfter reading &#8220;The Story of Art Without Men,&#8221; educators may aspire to redesign their art history surveys and syllabi \u2014 and trade some Picassos for Gegos. | Nageen Shaikh\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<section class=\"gh-content gh-canvas is-body\">\n<p>Workers and artists at Pace Gallery were having a beer in celebration of the Knicks\u2019 historic finals win, or just waking up yesterday morning, when they heard the news via friends, coworkers, even push notifications. The mega gallery is laying off 50 workers and cutting 50 artists from its roster. That\u2019s about a fifth of its staff and a third of its artists. CEO Marc Glimcher calls it a \u201cmodel correction\u201d; I call it workers and artists once again paying for the boardroom\u2019s bad bets.\u00a0<\/p>\n<p>If you need an escape into a different but possibly equally stupid world, go see <em>Moss &amp; Freud<\/em>, about supermodel Kate Moss and painter Lucian Freud\u2019s tumultuous artist-muse relationship, filled with gems of dialogue like \u201cpaintings are very meaningful.\u201d Better yet, read Eileen G\u2019Sell\u2019s wickedly entertaining review \u2014 I can promise you,\u00a0it\u2019s better than the movie.\u00a0<\/p>\n<p>Also today, we honor Marjane Satrapi, the comic artist behind <em>Persepolis<\/em>, about growing up during and after the Islamic Revolution, who passed away at 56. Her work is a lesson in the expressive and empathetic potential of drawing \u2014 and a reminder of why we in the art world do what we do, despite it all. <\/p>\n<p><em>\u2014Lisa Yin Zhang, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/pace-newsletter.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tPace Cuts 50 Workers and 50 Artists, Citing a \u201cBroken\u201d Gallery Model<br \/>\n\t\t<\/h3>\n<p>\n\t\tJust years after inaugurating its $100 million flagship building in Manhattan\u2019s Chelsea neighborhood and positioning itself as a leader in the crypto art space, Pace Gallery has cut 50 artists from its roster and laid off 50 staff members in what CEO Marc Glimcher characterized as a \u201cmodel correction.\u201d\n      <\/p>\n<p>\n      In a statement shared with Hyperallergic, Glimcher claimed that \u201cthe current gallery model isn\u2019t only broken, it\u2019s unfixable.\u201d | Valentina Di Liscia and Rhea Nayyar\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<h2 id=\"obituary\">Obituary<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/marjane-newsletter.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tMarjane Satrapi, \u201cPersepolis\u201d Author and Human Rights Fighter, Dies at 56<br \/>\n\t\t<\/h3>\n<p>\n\t\tMarjane Satrapi, the Iranian-French artist, director, and author of the graphic novel <em>Persepolis<\/em>, has died at 56. An outspoken critic of the Iranian government, Satrapi helped bring the experiences of modern Iran to a global audience.\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/print-house-ad.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>America Today: Voices in Contemporary Print<\/strong><\/b><\/p>\n<p><span>On view at The Print Center through July 25, the exhibition highlights the power of print as a medium for expressing political ideals and urgent societal concerns.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/getty-exhibition.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe Black Photographers Who Exposed My Own Brainwashing<br \/>\n\t\t<\/h3>\n<p>\n\t\tAn exhibition at The Getty gave me the peculiar feeling of peeking behind a curtain in my own house and discovering new things about a topic I thought I knew well. | Nereya Otieno\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<div>\n<h3>\n\t\t\tThe Best Part of \u201cMoss &amp; Freud\u201d Is When It\u2019s Over<br \/>\n\t\t<\/h3>\n<p>\n\t\tIn the film, Kate Moss is looking for the right man to get her sober, and Lucian Freud is a Great Man who magically sees the \u201ctruth\u201d in young women. | Eileen G\u2019Sell\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/rietberg-ad.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art<\/strong><\/b><\/p>\n<p><span>At Museum Rietberg, 20 global artists transform colonial photographs into new narratives of memory, identity, and resistance.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"community\">Community<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/required-reading-6.5.26.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tRequired Reading<br \/>\n\t\t<\/h3>\n<p>\n\t\tThis week: Esperanto on Duolingo, a Black Panther Party stud grandma, Arsenal and Africa, queer fish, the secret leftist history of Renaissance faires, and more.\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<div>\n<h3>\n\t\t\tArt Movements: Meet MoMA\u2019s New Photo Chief<br \/>\n\t\t<\/h3>\n<p>\n\t\tMakeda Best is joining MoMA as chief curator of Photography, the Asian Cultural Council awards $1.6M in grants to artists, and at least one sector of the art market is hot as hell.\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/06\/katy-hessel.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tKaty Hessel Kicks Men Out of the Western Art Canon<br \/>\n\t\t<\/h3>\n<p>\n\t\tAfter reading &#8220;The Story of Art Without Men,&#8221; educators may aspire to redesign their art history surveys and syllabi \u2014 and trade some Picassos for Gegos. | Nageen Shaikh\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/06\/Rose_2007.1.410.45_recto_pol-1.jpg\" alt=\"Divination, Mark Making, Boxing, &amp; Drawing: &quot;Tracey Rose&quot; at Ruby City\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Divination, Mark Making, Boxing, &amp; Drawing: &#8220;Tracey Rose&#8221; at Ruby City<\/h3>\n<p class=\"gh-card-excerpt is-body\">Opening June 6 in San Antonio, Texas, \u201cTracey Rose\u201d offers viewers an intimate look at the artist\u2019s groundbreaking multidisciplinary practice including performance and drawings.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Ruby City<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/05\/TPC_Garcia_full-1.jpg\" alt=\"America Today: Voices in Contemporary Print\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">America Today: Voices in Contemporary Print<\/h3>\n<p class=\"gh-card-excerpt is-body\">On view at The Print Center through July 25, the exhibition highlights the power of print as a medium for expressing political ideals and urgent societal concerns.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">The Print Center<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/05\/2026-McKnight-Fellows-Image.jpg\" alt=\"Announcing the 2026 McKnight Visual Artist Fellows\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Announcing the 2026 McKnight Visual Artist Fellows<\/h3>\n<p class=\"gh-card-excerpt is-body\">Designed to support mid-career Minnesota artists, the fellowship provides each recipient with a $25,000 stipend, professional development, a residency, and more.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">McKnight Foundation<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/05\/Wendi-Yan-1.png\" alt=\"Open Call: The 7th VH AWARD for Media Artists Engaged with the Context of Asia\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Open Call: The 7th VH AWARD for Media Artists Engaged with the Context of Asia<\/h3>\n<p class=\"gh-card-excerpt is-body\">Supporting media artists with production grants, global exhibitions, and an expanded online residency with Ars Electronica.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">VH AWARD<\/span><\/footer>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/hyperallergic.com\/mass-cuts-at-pace-gallery\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;] Daily Newsletter Mass Cuts at Pace Gallery The mega gallery cuts 100 workers and artists. Plus, a terrible movie about Kate Moss and Lucian Freud, and honoring the giant behind \u201cPersepolis.\u201d Hyperallergic June 5, 2026\u2014 4 min read Workers and artists at Pace Gallery were having a beer in celebration of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,69],"class_list":["post-1976590","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-hyperallergic-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1976590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1976590"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1976590\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1976590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1976590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1976590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}