{"id":1972299,"date":"2026-06-04T12:01:14","date_gmt":"2026-06-04T09:01:14","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1972299"},"modified":"2026-06-04T12:01:14","modified_gmt":"2026-06-04T09:01:14","slug":"artists-mothers-announces-2026-recipients-of-childcare-grants","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1972299","title":{"rendered":"Artists &amp; Mothers Announces 2026 Recipients of Childcare Grants"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/nikola.png?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNew York City nonprofit Artists &amp; Mothers has named the 2026 recipients of its eponymous $25,000 grant for artists who identify as mothers. The landmark program provides funding to cover nine months of childcare and is open to emerging and mid-career artists raising a child under the age of three.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrom photography and sculpture to collage and bookmaking, this year\u2019s awardees\u2014Sara Cwynar, Nickola Pottinger, Trisha Baga, and Mimi \u1eccn\u1ee5\u1ecdha\u2014span a wide range of artistic practices, conceptual concerns, and styles. <strong>Mimi \u1eccn\u1ee5\u1ecdha <\/strong>centers human and machine relationships, sometimes combining family photographs with video and images sourced from the internet. The 2025 single-channel video <em>Ground Truths<\/em>, for example, unearthed a buried history\u2014literally, a mass grave\u2014in Sugar Land, near the artist\u2019s hometown, using a machine-learning model trained to identify similar sites across the state.\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/Mimi-Onuoha_Photograph-by-Casey-Horsfield-Courtesy-the-artist.jpg?w=400\" alt height=\"2000\" width=\"1334\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Mimi \u1eccn\u1ee5\u1ecdha.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photograph by Casey Horsfield. Courtesy the artist<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Nickola Pottinger<\/strong>, an artist born in Jamaica and raised in Crown Heights, Brooklyn, works across drawing, collage, and sculpture. Her sculptural works, which she calls \u201cduppies\u201d\u2014the Jamaican patois word for ghosts\u2014pay tribute to her cultural heritage through its physical remnants. Found heirlooms, repurposed materials, and pigmented pulp made from personal documents and past artworks, blended in a kitchen mixer, form the basis of the works featured in her 2025 exhibition at the The Aldrich Contemporary Art Museum. Pottinger is included, too, in this year\u2019s Greater New York survey at MoMA PS1.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Artists &amp; Mothers grant arrives at a profoundly pivotal chapter in my life,\u201d Pottinger said. \u201cThis support gives our daughter access to quality childcare and education during her earliest years while also giving me the invaluable time and space to continue nurturing my art practice alongside motherhood.\u201d She added that such support is \u201ctruly rare.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u1eccn\u1ee5\u1ecdha echoed the sentiment: \u201cCreative labor is work. Motherhood is work. Artists &amp; Mothers is the rare organization willing to act like it.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/Sara-Cwynar_Self-Portrait-Courtesy-the-artist.jpg?w=400\" alt=\"Screenshot\" height=\"1852\" width=\"1626\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Sara Cwynar.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Courtesy the artist<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAwardee <strong>Sara Cwynar<\/strong>, a Vancouver-born photographer, filmmaker, and installation based in Brooklyn, is best known for sensory-shocking collages with pop-cultural imagery. In her 2025 exhibition at the Institute of Contemporary Art\/Boston, she drew on search-engine algorithms to assemble collages of reclining women, luxury cars, and pristine-looking food coupled with hand-written annotations, questioning the performance and advertisement of domesticity. Mimicking the addictive pull and passive consumption of social media, these works also function as critiques of capitalism.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe final awardee, <strong>Trisha Baga<\/strong>, a Queens native, works across multimedia installation, ceramics, and performance, exploring, among other themes, the increasing encroachment of technology into everyday life. Speaking to <em>Art in America<\/em> last year, Baga described her return to filmmaking after first gaining recognition for her 3D video works and then taking a five-year hiatus to focus on painting. Now sharing her studio with a toddler, she reflected on how meeting her studio practice with motherhood: \u201cWhile making the work, I eventually figured out a way to think about it while I was hanging out with my kid, Homer, and to film with him. He\u2019d get excited and be like, \u201cIt\u2019s time to make video art! Where\u2019s my tripod?\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/Trisha-Baga.-Photo-by-Molly-Dektar.-Courtesy-the-artist.jpg?w=400\" alt height=\"1334\" width=\"2000\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Trisha Baga.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo by Molly Dektar. Courtesy the artist<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCwynar, in a statement to <em>ARTnews<\/em>, agreed: \u201cHaving a baby as an artist in America is a daunting proposition, and I have often felt split in a million places since having a child. The cognitive\u00a0dissonance is insane because it has been the most joy of my life mixed with the most stress around my work and studio and trying to keep it all going.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis grant, Cwynar added, \u201cis an absolute game changer.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNow in its third grant cycle, Artists &amp; Mothers awarded its first grant to\u00a0Carissa Rodriguez, and its second cohort comprised Alison Janae Hamilton, Amanda\u00a0Phingbodhipakkiya, and Cecilia Lopez. The program was founded by artist\u00a0Maria De Victoria\u00a0and arts consultant\u00a0Julia Trotta, who had been \u201cworkshopping an idea around a resource for artists who are mothers,\u201d Trotta told\u00a0<em>ARTnews<\/em>\u00a0in a 2024 interview. The grant amount\u2014$25,000\u2014was set to approximate the average annual cost of full-time childcare in New York City. <\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/artists-mothers-announces-2026-recipients-of-childcare-grants-1234788320\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/nikola.png?w=1024&#8243;] New York City nonprofit Artists &amp; Mothers has named the 2026 recipients of its eponymous $25,000 grant for artists who identify as mothers. The landmark program provides funding to cover nine months of childcare and is open to emerging and mid-career artists raising a child under the age of three. From photography [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1972299","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1972299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1972299"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1972299\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1972299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1972299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1972299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}