{"id":1969371,"date":"2026-06-01T21:06:26","date_gmt":"2026-06-01T18:06:26","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1969371"},"modified":"2026-06-01T21:06:26","modified_gmt":"2026-06-01T18:06:26","slug":"6-new-books-to-take-you-elsewhere-this-june","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1969371","title":{"rendered":"6 New Books to Take You Elsewhere This June"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/aia_book-collage.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJune\u2019s most exciting art books enlist art\u2014and history\u2014as a portal to another time and place, which sounds pretty nice right about now. Transport yourself to the culture wars of the 1980s, the salons of modernist Paris, or the artistic heyday of the Weimar Republic.<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>The Perfect Moment: God, Sex, Art, and the Birth of America\u2019s Culture Wars<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"611\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/81OOI6k-HcL._AC_UF10001000_QL80_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"611\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/81OOI6k-HcL._AC_UF10001000_QL80_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Isaac Butler<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis timely reassessment of the culture wars is brought to you by someone raised on its front lines. Isaac Butler was a child actor who held roles in a couple of plays concerning the AIDS crisis in the 1980s\u2014plays that were major targets of the right at the time. But he was inspired to write this book while watching the tides turn again in the 2020s: Where the left had once been the bastion of free expression, soon it was the right championing\u2014and rebranding\u2014\u201cfree speech.\u201d Familiar stories, like the controversies surrounding Andres Serrano\u2019s <em>Piss Christ<\/em> and Chris Ofili\u2019s <em>The Holy Virgin Mary<\/em>, are helpfully contextualized among fiscal budgets, new interviews, and searing zingers. Here history emerges a playbook for the new wave of culture wars ahead.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>My Year in Paris with Gertrude Stein\u00a0\u00a0<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"613\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/My-Year-in-Paris-with-Gertrude-Stein-A-Fiction-WEB.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"613\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/My-Year-in-Paris-with-Gertrude-Stein-A-Fiction-WEB.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Deborah Levy<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA writer, living in Paris, is stumped by an assignment\u2014an essay on Gertrude Stein. Soon she finds herself imagining, as she goes about her daily life, what Stein would think about this or that\u2014about her friend\u2019s missing cat, or another friend\u2019s three lovers. It\u2019s as if they are conversing in the narrator\u2019s head. Then, as she reflects on how the lesbian icon of modernism broke down language, Deborah Levy\u2019s own prose takes on memorable experimental form. In the hands of a master of her craft\u2014a true successor to Stein\u2014the voices of the narrator and her subject merge into one. You are what you read.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>[READ A REVIEW HERE]<\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><strong>Vermeer\u2019s Afterlives\u00a0<\/strong><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"566\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/81kHg5R9ECL._AC_UF10001000_QL80_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"566\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/81kHg5R9ECL._AC_UF10001000_QL80_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Ruth Bernard Yeazell<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOn the heels of Andrew Graham-Dixon\u2019s new Vermeer biography comes this reassessment of the Dutch painter\u2019s legacy by literary scholar Ruth Bernard Yeazell. The enigmatic quality of Vermeer\u2019s work\u2014the way his mysterious scenes beg for interpretation\u2014has inspired countless works of art and literature, most famously Tracy Chevalier\u2019s blockbuster novel\u00a0<em>Girl with a Pearl Earring<\/em>\u00a0(1999). Yet Vermeer was far from a household name until two centuries after his death. As art historian Kelly Presutti writes in a review of both Vermeer books, he has since been \u201cemployed to respond to the needs of the present.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>[READ A REVIEW HERE]<\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>Rem Before Koolhaas: Journalism by an Architect<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"654\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/61umzkECcL._AC_UF10001000_QL80_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"654\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/61umzkECcL._AC_UF10001000_QL80_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Rem Koolhaas<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBefore becoming the starchitect behind OMA and publishing his iconic book <em>Delirious New York <\/em>(1978), Rem Koolhaas worked as a journalist for <em>Haagse Post<\/em>\u00a0from 1963 to 1968. This book collects that work\u2014interviews were his specialty\u2014and offers a view into the formative years of this ur-urbanist as we watch him learn on the job.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>Weimar: Life on the Edge of Catastrophe<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"620\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/91Iqvp-5WmL._AC_UF10001000_QL80_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"620\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/91Iqvp-5WmL._AC_UF10001000_QL80_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Katja Hoyer<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Weimar Republic (1919\u201333) marked Germany\u2019s artistic golden age. It was the milieu that gave rise to such household names as Hannah H\u00f6ch, K\u00e4the Kollwitz, and Otto Dix, as well as cabaret, the Bauhaus, and <em>Neue Sachlichkeit<\/em>. For this book, Katja Hoyer zooms in on city of Weimar itself, a town defined by tensions: It was home to the Bauhaus, but also an early stronghold of the Nazi Party. Focusing on the lives of ordinary people, artists among them, she charts how hyperinflation gave way to Hitler, turning original archival research into a gripping narrative.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/list\/art-in-america\/aia-reviews\/june-books-culture-wars-gertrude-stein-weimar-republic-1234788048\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/aia_book-collage.jpg?w=1024&#8243;] June\u2019s most exciting art books enlist art\u2014and history\u2014as a portal to another time and place, which sounds pretty nice right about now. Transport yourself to the culture wars of the 1980s, the salons of modernist Paris, or the artistic heyday of the Weimar Republic. The Perfect Moment: God, Sex, Art, and the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1969371","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1969371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1969371"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1969371\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1969371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1969371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1969371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}