[analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/Art-Basel-exclusive.jpg?w=1024″]<\/p>\n
\n\tThe criticisms of art fairs (and the art market they are a defining part of) are many. One of them is that though we might think of these shows as real-time events, where deals are made and multimillion-dollar artworks are sold to whoever gets to the gallery\u2019s booth first, in reality some of the biggest-ticket sales are are quietly engineered ahead of time: the galleries email PDF previews to high-powered advisors and deep-pocketed collectors in the weeks leading up to opening day, such that some dealers have sold out their presentations before the first Louboutin makes contact with the convention center carpet.\u00a0<\/p>\n
\n\tArt Basel, launched in Switzerland in 1970 and now with annual fairs in Miami Beach, Hong Kong, Paris, and Qatar, aims to undercut that critique with its new initiative, dubbed Basel Exclusive, in which dealers pledge to withhold anywhere from one work to their entire presentation from those emailed previews. It will debut at this month\u2019s edition of Art Basel (June 18\u201321, with VIP preview days June 16\u201317). Participating galleries will be labeled on floor plans, and selected works will be highlighted by plaques.<\/p>\n
\n\tAs of now, says the fair in an announcement to ARTnews<\/em>, some 193 of the 232 exhibitors in the fair\u2019s main sector, or some 83 percent, have agreed to participate. (That number has grown from when Exclusive was first announced, in April, when 170 had taken the pledge.) They include heavy hitters like Acquavella, Gagosian, Hauser & Wirth, L\u00e9vy Gorvy Dayan, Lisson, Pace Di Donna Schrader, Perrotin, Almine Rech, Thaddaeus Ropac, and David Zwirner. Respected small and mid-size galleries like Bortolami, James Cohan, Sadie Coles HQ, Fortes D\u2019Aloia & Gabriel, Kukje, Matthew Marks, Silverlens, and Spr\u00fcth Magers are also on board.\u00a0<\/p>\n \n\tAbout 230 artists are covered by the no-previews stipulation. They include widely known contemporary figures and canonical historical artists, such as Etel Adnan, Jean-Michel Basquiat, Louise Bourgeois, Alexander Calder, Giorgio de Chirico, Marcel Duchamp, Lucio Fontana, Helen Frankenthaler, Yang Fudong, Philip Guston, David Hockney, Arthur Jafa, Joan Mitchell, Bruce Nauman, Tuan Andrew Nguyen, H\u00e9lio Oiticica, Nicolas Party, Pablo Picasso, Cy Twombly, Andy Warhol, and Xu Zhen.<\/p>\n \n\t\u201cWe all recognize the fact that we live in a digital world that is very much driven by the distribution of images and of artworks\u2019 images,\u201d Art Basel\u2019s chief artistic officer and global director of fairs Vincenzo de Bellis told ARTnews <\/em>in April. \u201cBut at the same time, we also know the importance of seeing things in person, and that\u2019s true for all the different constituencies of our industry. And therefore, we wanted to make a point altogether about this.\u201d<\/p>\n \n\tHe added, \u201cIt\u2019s great to remind people that if they don\u2019t come [to Basel], they won\u2019t see certain things in person.\u201d<\/p>\n \n\tAt the same time, the move could be seen as an attempt to shore up the original Swiss edition\u2019s preeminence, after Art Basel Paris (launched in 2022 under the name Paris+ par Art Basel) has been widely seen as becoming the preeminent edition of the fair, taking place in a city with far more attractions than the fair\u2019s birthplace. As ARTnews<\/em>\u2019s Maximilian Duron wrote in April, \u201cBasel\u2026 appears to be waning in its ability to draw top collectors, especially Americans, to the Swiss city. Introducing a new form of scarcity that requires in-person attendance might be just what the fair needs to pull them back in.\u201d<\/p>\n \n\tThe full lists of galleries participating in Basel Exclusive and the artists selected follow below.<\/p>\n \n\t303 Gallery<\/p>\n \n\tA Gentil Carioca<\/p>\n \n\tMiguel Abreu<\/p>\n \n\tAcquavella<\/p>\n \n\tApplicat-Prazan<\/p>\n \n\tThe Approach<\/p>\n \n\tArcadia Missa<\/p>\n \n\tAlfonso Artiaco<\/p>\n \n\tvon Bartha<\/p>\n \n\tBeijing Commune<\/p>\n \n\telba ben\u00edtez<\/p>\n \n\tBernier\/Eliades<\/p>\n \n\tBerry Campbell<\/p>\n \n\tblank projects<\/p>\n \n\tTanya Bonakdar<\/p>\n \n\tBortolami<\/p>\n \n\tBQ<\/p>\n \n\tThe Breeder<\/p>\n \n\tBen Brown<\/p>\n \n\tCanada<\/p>\n \n\tGisela Capitain<\/p>\n \n\tCardi<\/p>\n \n\tCasas Riegner<\/p>\n \n\tPedro Cera<\/p>\n \n\tChapter NY<\/p>\n \n\tChemould Prescott Road<\/p>\n \n\tChertL\u00fcdde<\/p>\n \n\tJames Cohan<\/p>\n \n\tSadie Coles HQ<\/p>\n \n\tConsonni Radziszewski<\/p>\n \n\tContemporary Fine Arts<\/p>\n \n\tContinua<\/p>\n \n\tPaula Cooper<\/p>\n \n\tPilar Corrias<\/p>\n \n\tRaffaella Cortese<\/p>\n \n\tCr\u00e8vec\u0153ur<\/p>\n \n\tCristea Roberts<\/p>\n \n\tChantal Crousel<\/p>\n \n\tCroy Nielsen<\/p>\n \n\tThomas Dane<\/p>\n \n\tMassimodecarlo<\/p>\n \n\tEigen + Art<\/p>\n \n\tEmalin<\/p>\n \n\tLarkin Erdmann<\/p>\n \n\tExperimenter<\/p>\n \n\tKonrad Fischer<\/p>\n \n\tFoksal<\/p>\n \n\tFortes D\u2019Aloia & Gabriel<\/p>\n \n\tPeter Freeman<\/p>\n \n\tFrith Street<\/p>\n \n\tGagosian<\/p>\n \n\tChristophe Gaillard<\/p>\n \n\tGalerie 1900\u20132000<\/p>\n \n\tGalleria dello Scudo<\/p>\n \n\tFran\u00e7ois Ghebaly<\/p>\n \n\tGladstone<\/p>\n \n\tGomide&Co<\/p>\n \n\tElvira Gonz\u00e1lez<\/p>\n \n\tGoodman Gallery<\/p>\n \n\tMarian Goodman<\/p>\n \n\tB\u00e4rbel Gr\u00e4sslin<\/p>\n \n\tGray<\/p>\n \n\tGreene Naftali<\/p>\n \n\tKarsten Greve<\/p>\n \n\tCristina Guerra<\/p>\n \n\tHaas<\/p>\n \n\tHauser & Wirth<\/p>\n \n\tHazlitt Holland-Hibbert<\/p>\n \n\tHerald St<\/p>\n \n\tHollybush Gardens<\/p>\n \n\tPippy Houldsworth<\/p>\n \n\tXavier Hufkens<\/p>\n \n\thunt kastner<\/p>\n \n\tTaka Ishii<\/p>\n \n\tMartin Janda<\/p>\n \n\tCatriona Jeffries<\/p>\n \n\tJenkins Johnson<\/p>\n \n\tAnnely Juda<\/p>\n \n\tKadel Willborn<\/p>\n \n\tKalfayan<\/p>\n \n\tCasey Kaplan<\/p>\n \n\tJan Kaps<\/p>\n \n\tKarma<\/p>\n \n\tKarma International<\/p>\n \n\tkaufmann repetto<\/p>\n \n\tSean Kelly<\/p>\n \n\tTina Keng<\/p>\n \n\tKerlin<\/p>\n \n\tAnton Kern<\/p>\n \n\tKiang Malingue<\/p>\n \n\tPeter Kilchmann<\/p>\n \n\tTina Kim<\/p>\n \n\tknust kunz<\/p>\n \n\tDavid Kordansky<\/p>\n \n\tKraupa-Tuskany Zeidler<\/p>\n \n\tAndrew Kreps<\/p>\n \n\tKrinzinger<\/p>\n \n\tKukje<\/p>\n \n\tLabor<\/p>\n \n\tLahumi\u00e8re<\/p>\n \n\tLandau<\/p>\n \n\tLayr<\/p>\n \n\tLehmann Maupin<\/p>\n \n\tLelong<\/p>\n \n\tL\u00e9vy Gorvy Dayan<\/p>\n \n\tLisson<\/p>\n \n\tLuxembourg+Co.<\/p>\n \n\tMagazzino<\/p>\n \n\tMagician Space<\/p>\n \n\tMai 36<\/p>\n \n\tMarcelle Alix<\/p>\n \n\tGi\u00f3 Marconi<\/p>\n \n\tMatthew Marks<\/p>\n \n\tMax Mayer<\/p>\n \n\tMayoral<\/p>\n \n\tMazzoleni<\/p>\n \n\tGreta Meert<\/p>\n \n\tAnthony Meier<\/p>\n \n\tUrs Meile<\/p>\n \n\tMendes Wood DM<\/p>\n \n\tMennour<\/p>\n \n\tMeyer Riegger<\/p>\n \n\tMassimo Minini<\/p>\n \n\tLe Minotaure<\/p>\n \n\tVictoria Miro<\/p>\n \n\tThe Modern Institute<\/p>\n \n\tmor charpentier<\/p>\n \n\tmother\u2019s tankstation<\/p>\n \n\tn\u00e4chst St. Stephan Rosemarie Schwarzw\u00e4lder<\/p>\n \n\tNagel Draxler<\/p>\n \n\tHelly Nahmad<\/p>\n \n\tCarolina Nitsch<\/p>\n \n\tFranco Noero<\/p>\n \n\tNordenhake<\/p>\n \n\tNathalie Obadia<\/p>\n \n\tOMR<\/p>\n \n\tLorcan O\u2019Neill<\/p>\n \n\tOrtuzar<\/p>\n \n\tP.P.O.W<\/p>\n \n\tP420<\/p>\n \n\tPace Di Donna Schrader<\/p>\n \n\tMaureen Paley<\/p>\n \n\tPerrotin<\/p>\n \n\tPlan B<\/p>\n \n\tGregor Podnar<\/p>\n \n\tPrats Nogueras Blanchard<\/p>\n \n\tEva Presenhuber<\/p>\n \n\tProjecteSD<\/p>\n \n\tAlmine Rech<\/p>\n \n\tPhillida Reid<\/p>\n \n\tThaddaeus Ropac<\/p>\n \n\tLia Rumma<\/p>\n \n\tDeborah Schamoni<\/p>\n \n\tEsther Schipper<\/p>\n \n\tRen\u00e9 Schmitt<\/p>\n \n\tR\u00fcdiger Sch\u00f6ttle<\/p>\n \n\tThomas Schulte<\/p>\n \n\tSfeir-Semler<\/p>\n \n\tShanghART<\/p>\n \n\tSies+H\u00f6ke<\/p>\n \n\tSikkema Malloy Jenkins<\/p>\n \n\tSilverlens<\/p>\n \n\tJessica Silverman<\/p>\n \n\tSkarstedt<\/p>\n \n\tSoci\u00e9t\u00e9<\/p>\n \n\tSprovieri<\/p>\n \n\tSpr\u00fcth Magers<\/p>\n \n\tNils St\u00e6rk<\/p>\n \n\tGregor Staiger<\/p>\n \n\tStampa<\/p>\n \n\tStandard (Oslo)<\/p>\n \n\tChristian Stein<\/p>\n \n\tTake Ninagawa<\/p>\n \n\tBene Taschen<\/p>\n \n\tTemplon<\/p>\n \n\tThe Third Gallery Aya<\/p>\n \n\tTornabuoni<\/p>\n \n\tTrautwein Herleth<\/p>\n \n\tTraves\u00eda Cuatro<\/p>\n \n\tTucci Russo<\/p>\n \n\tGeorges-Philippe & Nathalie Vallois<\/p>\n \n\tVan de Weghe<\/p>\n \n\tTim Van Laere<\/p>\n \n\tVedovi<\/p>\n \n\tVielmetter<\/p>\n \n\tOffer Waterman<\/p>\n \n\tOskar Weiss<\/p>\n \n\tBarbara Wien<\/p>\n \n\tJocelyn Wolff<\/p>\n \n\tYares<\/p>\n \n\tThomas Zander<\/p>\n \n\tDavid Zwirner<\/p>\n \n\tRebecca Ackroyd<\/p>\n \n\tKarl-Heinz Adler<\/p>\n \n\tEtel Adnan<\/p>\n \n\tHenni Alftan<\/p>\n \n\tFrancis Al\u00ffs<\/p>\n \n\tPawel Althamer<\/p>\n \n\tKai Althoff<\/p>\n \n\tEi Arakawa-Nash<\/p>\n \n\tAlexander Archipenko<\/p>\n \n\tArman<\/p>\n \n\tJohn Armleder<\/p>\n \n\tFrank Auerbach<\/p>\n \n\tCaroline Bachmann<\/p>\n \n\tJohn Baldessari<\/p>\n \n\tYto Barrada<\/p>\n \n\tAlvaro Barrington<\/p>\n \n\tLenora de Barros<\/p>\n \n\tGeraldo de Barros<\/p>\n \n\tHernan Bas<\/p>\n \n\tJean-Michel Basquiat<\/p>\n \n\tHans Op de Beeck<\/p>\n \n\tKatherine Bernhardt<\/p>\n \n\tAlighiero Boetti<\/p>\n \n\tErwin Bohatsch<\/p>\n \n\tSoumya Sankar Bose<\/p>\n \n\tLouise Bourgeois<\/p>\n \n\tKatherine Bradford<\/p>\n \n\tHerbert Brandl<\/p>\n \n\tCornel Brudascu<\/p>\n \n\tDavid Byrd<\/p>\n \n\tAlexander Calder\u00a0<\/p>\n \n\tAntonio Calderara<\/p>\n \n\tVlassis Caniaris<\/p>\n \n\tPatricia Fern\u00e1ndez Carcedo<\/p>\n \n\tEnrico Castellani<\/p>\n \n\tHan Mengyun Cheng<\/p>\n \n\tJudy Chicago<\/p>\n \n\tGiorgio de Chirico<\/p>\n \n\tTiffany Chung<\/p>\n \n\tWilliam Copley<\/p>\n \n\tJoseph Cornell<\/p>\n \n\tTony Cragg<\/p>\n \n\tTania P\u00e9rez C\u00f3rdova<\/p>\n \n\tAngela de la Cruz<\/p>\n \n\tSvenja Deininger<\/p>\n \n\tDiambe<\/p>\n \n\tDavid Diao<\/p>\n \n\tAnju Dodiya<\/p>\n \n\tKees Van Dongen<\/p>\n \n\tJean Dubuffet<\/p>\n \n\tMarcel Duchamp<\/p>\n \n\tGiuseppe Ducrot<\/p>\n \n\tWilliam Eggleston<\/p>\n \n\tOlafur Eliasson<\/p>\n \n\tTracey Emin<\/p>\n \n\tNikos Engonopoulos<\/p>\n \n\tZhang Enli<\/p>\n \n\tMax Ernst<\/p>\n \n\tLuciano Fabro<\/p>\n \n\tM\u00e1rcia Falc\u00e3o<\/p>\n \n\tShao Fan<\/p>\n \n\tZeng Fanzhi<\/p>\n \n\t\u00c2ngela Ferreira<\/p>\n \n\tLucio Fontana<\/p>\n \n\tHelen Frankenthaler<\/p>\n \n\tScott Fraser<\/p>\n \n\tKira Freije<\/p>\n \n\tYang Fudong<\/p>\n \n\tGilbert & George<\/p>\n \n\tVinicius Gerheim<\/p>\n \n\tAdrian Ghenie<\/p>\n \n\tSam Gilliam<\/p>\n \n\tBeatriz Gonz\u00e1lez\u00a0<\/p>\n \n\tArshile Gorky<\/p>\n \n\tLaura Grisi<\/p>\n \n\tWang Guangyi<\/p>\n \n\tShilpa Gupta<\/p>\n \n\tPhilip Guston<\/p>\n \n\tKeith Haring<\/p>\n \n\tGrace Hartigan<\/p>\n \n\tHans Hartung<\/p>\n \n\tCynthia Hawkins<\/p>\n \n\tJeppe Hein<\/p>\n \n\tSabine Hertig<\/p>\n \n\tIrma H\u00fcnerfauth<\/p>\n \n\tDavid Hockney<\/p>\n \n\tFerdinand Hodler<\/p>\n \n\tKl\u00e1ra Hosnedlov\u00e1<\/p>\n \n\tPeter Hujar<\/p>\n \n\tLeiko Ikemura<\/p>\n \n\tYee I-Lann<\/p>\n \n\tFrieda Toranzo Jaeger<\/p>\n \n\tArthur Jafa<\/p>\n \n\tAnn Veronica Janssens<\/p>\n \n\tPoppy Jones<\/p>\n \n\tAtsushi Kaga<\/p>\n \n\tWassily Kandinsky<\/p>\n \n\tMike Kelley<\/p>\n \n\tWilliam Kentridge\u00a0<\/p>\n \n\tYves Klein<\/p>\n \n\tJulije Knifer<\/p>\n \n\tDominique Knowles\u00a0<\/p>\n \n\tEleonore Koch<\/p>\n \n\tJutta Koether<\/p>\n \n\tJoseph Kosuth<\/p>\n \n\tJannis Kounellis<\/p>\n \n\tAntonia Kuo<\/p>\n \n\tYves Laloy<\/p>\n \n\tMaia Ruth Lee<\/p>\n \n\tJochen Lempert<\/p>\n \n\tZoe Leonard<\/p>\n \n\tDan Lie<\/p>\n \n\tKim Lim\u00a0<\/p>\n \n\tDuane Linklater<\/p>\n \n\tHew Locke<\/p>\n \n\tSophia Loeb\u00a0<\/p>\n \n\tLorenza Longhi<\/p>\n \n\tAmadeo Lorenzato<\/p>\n \n\tMorris Louis<\/p>\n \n\tJos\u00e9 Loureiro<\/p>\n \n\tSarah Lucas<\/p>\n \n\tSammi Lynch<\/p>\n \n\tLiz Magor<\/p>\n \n\tMaruja Mallo<\/p>\n \n\tMarepe<\/p>\n \n\tEnzo Mari<\/p>\n \n\tRoberto Burle Marx<\/p>\n \n\tSoshiro Matsubara<\/p>\n \n\tJan Merta<\/p>\n \n\tMeuser<\/p>\n \n\tMa\u0142gorzata Mirga-Tas<\/p>\n \n\tJoan Mitchell<\/p>\n \n\tNour Mobarak<\/p>\n \n\tLucia Moholy<\/p>\n \n\tYuko Mohri<\/p>\n \n\tGiorgio Morandi<\/p>\n \n\tSveta Mordovskaya<\/p>\n \n\tSabine Moritz<\/p>\n \n\tOlivier Mosset<\/p>\n \n\tMatt Mullican<\/p>\n \n\tLee Mullican<\/p>\n \n\tJuan Mu\u00f1oz<\/p>\n \n\tRei Naito<\/p>\n \n\tBruce Nauman<\/p>\n \n\tArmineh Negahdari<\/p>\n \n\tLouise Nevelson<\/p>\n \n\tTuan Andrew Nguyen<\/p>\n \n\tIsabel Nolan<\/p>\n \n\tAsemahle Ntlonti<\/p>\n \n\tAlbert Oehlen<\/p>\n \n\tShinro Ohtake<\/p>\n \n\tH\u00e9lio Oiticica<\/p>\n \n\tPrecious Okoyomon\u00a0<\/p>\n \n\tClaes Oldenburg<\/p>\n \n\tRoman Ondak<\/p>\n \n\tUriel Orlow<\/p>\n \n\tLaura Owens<\/p>\n \n\tSeung Ah Paik<\/p>\n \n\tMimmo Paladino<\/p>\n \n\tGiulio Paolini<\/p>\n \n\tClemen Parrocchetti\u00a0<\/p>\n \n\tNicolas Party<\/p>\n \n\tHenrique Pav\u00e3o<\/p>\n \n\tYan Pei-Ming<\/p>\n \n\tNiki de Saint Phalle<\/p>\n \n\tFrancis Picabia<\/p>\n \n\tPablo Picasso<\/p>\n \n\tWalter Pichler<\/p>\n \n\tOtto Piene<\/p>\n \n\tTobias Pils<\/p>\n \n\tJoanna Piotrowska<\/p>\n \n\tDaniel Pit\u00edn<\/p>\n \n\tWildredo Prieto<\/p>\n \n\tRobert Pruitt<\/p>\n \n\tYao Qingmei<\/p>\n \n\tMartial Raysse<\/p>\n \n\tMarina Rheingantz<\/p>\n \n\tGerhard Richter<\/p>\n \n\tBridget Riley<\/p>\n \n\tPamela Rosenkranz<\/p>\n \n\tEd Ruscha<\/p>\n \n\tRobert Ryman<\/p>\n \n\tAmano Ryuichi<\/p>\n \n\tChristine Safa<\/p>\n \n\tPrem Sahib<\/p>\n \n\tSalvo<\/p>\n \n\tWilliam Schaeuble\u00a0<\/p>\n \n\tChanakya School<\/p>\n \n\tJan Schoonhoven<\/p>\n \n\tThomas Sch\u00fctte<\/p>\n \n\tGerard Sekoto<\/p>\n \n\tGeorges Seurat<\/p>\n \n\tJamel Shabazz<\/p>\n \n\tKatharina Sieverding<\/p>\n \n\tJaune Quick-to-See Smith<\/p>\n \n\tKeith Sonnier<\/p>\n \n\tFrank Stella<\/p>\n \n\tJessica Stockholder<\/p>\n \n\tMyron Stout<\/p>\n \n\tEmily Sunblad<\/p>\n \n\tEduardo Terrazas<\/p>\n \n\tPaul Thek<\/p>\n \n\tGuim Ti\u00f3<\/p>\n \n\tNiele Toroni<\/p>\n \n\tAntoni T\u00e0pies<\/p>\n \n\tThu-Van Tran<\/p>\n \n\tFrancisco Tropa<\/p>\n \n\tAntonio T\u00e1rsis<\/p>\n \n\tJanaina Tsch\u00e4pe<\/p>\n \n\tCy Twombly<\/p>\n \n\tG\u00fcnther Uecker<\/p>\n \n\tAlvaro Urbano<\/p>\n \n\tVictor Vasarely<\/p>\n \n\tErika Verzutti<\/p>\n \n\tCecilia Vicu\u00f1a<\/p>\n \n\tOriol Vilanova<\/p>\n \n\tRaphaela Vogel<\/p>\n \n\tAndy Warhol<\/p>\n \n\tGillian Wearing<\/p>\n \n\tPeter Fischli \/ David Weiss<\/p>\n \n\tFranz West<\/p>\n \n\tCathy Wilkes<\/p>\n \n\tRachel Eulena Williams<\/p>\n \n\tHu Xiang<\/p>\n \n\tSu Xiaobai<\/p>\n \n\tZhao Yang<\/p>\n \n\tManoucher Yektai<\/p>\n \n\tDing Yi<\/p>\n \n\tTang Yongxiang<\/p>\n \n\tYoo Youngkuk\u00a0<\/p>\n \n\tUrban Zellweger<\/p>\n \n\tXu Zhen<\/p>\n<\/div>\n<\/div>\n [analyse_source url=”https:\/\/www.artnews.com\/art-news\/market\/art-basel-reveals-galleries-artists-selected-exclusive-1234788177\/”]<\/p>\n","protected":false},"excerpt":{"rendered":" [analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/06\/Art-Basel-exclusive.jpg?w=1024″] The criticisms of art fairs (and the art market they are a defining part of) are many. One of them is that though we might think of these shows as real-time events, where deals are made and multimillion-dollar artworks are sold to whoever gets to the gallery\u2019s booth first, in reality some […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1969159","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1969159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1969159"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1969159\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1969159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1969159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1969159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n\t\tGalleries:\t<\/h2>\n
\n\t\tArtists:\t<\/h2>\n