{"id":1961728,"date":"2026-05-27T10:00:28","date_gmt":"2026-05-27T07:00:28","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1961728"},"modified":"2026-05-27T10:00:28","modified_gmt":"2026-05-27T07:00:28","slug":"haegue-yangs-meditations-on-exile","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1961728","title":{"rendered":"Haegue Yang\u2019s Meditations on Exile"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;]<\/p>\n<p><main class=\"gh-main\"><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Haegue Yang\u2019s Meditations on Exile<\/h1>\n<p class=\"gh-article-excerpt is-body\">Also, the controversy around an AI-altered version of an Ansel Adams photo.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-05-27\">May 27, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>Half-open, half-closed;\u00a0glimpses, but not passageways. Haegue Yang\u2019s Venetian blinds, Alex Paik writes in a review of her show at the Museum of Contemporary Art, Los Angeles, invite the viewer to meditate on doublings, inversions, and asymmetries: a Korea arbitrarily divided by the US military, a composer driven to exile, star-crossed lovers at opposite ends of the galaxy.\u00a0<\/p>\n<p>On the other end of Los Angeles, the Huntington juxtaposes two very different powerhouse writers: 19th-century English novelist Charlotte Bront\u00eb and sci-fi pioneer Octavia E. Butler, uncovering layers of motherhood, career, friendship, family, and loss through their personal effects. \u201cSpeak well, and tell a good story,\u201d Butler wrote in a notebook on view in the exhibition. We take that to heart here.\u00a0<\/p>\n<p><em>\u2014Lisa Yin Zhang, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/octavia-butler-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe Private Worlds of Charlotte Bront\u00eb and Octavia E. Butler<br \/>\n\t\t<\/h3>\n<p><em>Stories from the Library: From Bront\u00eb to Butler<\/em> illustrates how a single person and her possessions can encompass their own reality, especially for those who build worlds for a living.\n<\/p>\n<p>\nIn the show at The Huntington Library, the inner lives of important women writers are depicted through their personal effects. The objects on display range in date from the Victorian-era novelist Charlotte Bront\u00eb to 20th-century science fiction author Octavia E. Butler. Not only are the items varied in years, but in topic as well: An 1819 letter from English author Mary Shelley describing the pain of losing a child lies feet away from the 20th-century prose of Butler and Eve Babitz.\u00a0 | Hannah Benson\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<ul>\n<li>The Ansel Adams Publishing Rights Trust has lambasted New York City gallerist James Danziger for offering AI-colorized<strong>\u00a0<\/strong>editions of one of the late artist\u2019s most recognized photos for sale<strong>\u00a0<\/strong>at an art fair last month.<\/li>\n<li>A group of sculptures installed at Freedom Plaza includes a statue of a Revolutionary War officer who enslaved at least 200 people during his lifetime.\u00a0<\/li>\n<li>Miami graffiti legend Eric Alan Hirt (\u201cEson\u201d), a prolific urban tagger and member of the Miami Style Gods (MSG) crew, has died in a train strike.<\/li>\n<\/ul>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/borteh.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe In-Between Worlds of Larissa Borteh<br \/>\n\t\t<\/h3>\n<p>\n\t\tIn the artist\u2019s paintings, are we looking at plants in a state of beautiful decay, ghosts, deities, fairylands, or something from a dream? | John Yau\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<div>\n<h3>\n\t\t\tHaegue Yang\u2019s Constellations for a Divided Korea<br \/>\n\t\t<\/h3>\n<p>\n\t\tThe artist\u2019s play on light and shadow transforms Venetian blinds into haunting reflections on exile, borders, and the longing for reunification. | Alex Paik\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/lehman-2.jpg\" alt=\"CTA Image\" data-image-dimensions=\"2000x1125\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Lehman College Art Gallery Presents the 2026 Thesis Exhibition<\/strong><\/b><\/p>\n<p><span>On view May 20 to 28, the show brings together over thirty undergraduate and graduate artists, reflecting a broad spectrum of conceptual inquiry and material experimentation.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">This article brings to the fore the sadness and anxiety I have about the future of my artistic archive. As a faculty member, I had exhibits at university galleries and some commercial galleries. I retired 13 years ago after forty plus years of teaching, and am now faced with the reality of owning my own archive. And what to do with it? All organized and documented.<\/div>\n<\/div>\n<p>Laurie Snyder on Damien Davis&#8217;s &#8220;When Artists Lose Their Archives&#8221;<\/p>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/ai-articl.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tCan Artists Stop the AI Slop Machine?<br \/>\n\t\t<\/h3>\n<p>\n\t\tA recent workshop in Manhattan\u2019s Lower East Side challenged the notion that the takeover of machine learning is inevitable. | Aaron Short\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Haegue Yang\u2019s Meditations on Exile<\/h1>\n<p class=\"gh-article-excerpt is-body\">Also, the controversy around an AI-altered version of an Ansel Adams photo.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-05-27\">May 27, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>Half-open, half-closed;\u00a0glimpses, but not passageways. Haegue Yang\u2019s Venetian blinds, Alex Paik writes in a review of her show at the Museum of Contemporary Art, Los Angeles, invite the viewer to meditate on doublings, inversions, and asymmetries: a Korea arbitrarily divided by the US military, a composer driven to exile, star-crossed lovers at opposite ends of the galaxy.\u00a0<\/p>\n<p>On the other end of Los Angeles, the Huntington juxtaposes two very different powerhouse writers: 19th-century English novelist Charlotte Bront\u00eb and sci-fi pioneer Octavia E. Butler, uncovering layers of motherhood, career, friendship, family, and loss through their personal effects. \u201cSpeak well, and tell a good story,\u201d Butler wrote in a notebook on view in the exhibition. We take that to heart here.\u00a0<\/p>\n<p><em>\u2014Lisa Yin Zhang, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/octavia-butler-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe Private Worlds of Charlotte Bront\u00eb and Octavia E. Butler<br \/>\n\t\t<\/h3>\n<p><em>Stories from the Library: From Bront\u00eb to Butler<\/em> illustrates how a single person and her possessions can encompass their own reality, especially for those who build worlds for a living.\n<\/p>\n<p>\nIn the show at The Huntington Library, the inner lives of important women writers are depicted through their personal effects. The objects on display range in date from the Victorian-era novelist Charlotte Bront\u00eb to 20th-century science fiction author Octavia E. Butler. Not only are the items varied in years, but in topic as well: An 1819 letter from English author Mary Shelley describing the pain of losing a child lies feet away from the 20th-century prose of Butler and Eve Babitz.\u00a0 | Hannah Benson\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<ul>\n<li>The Ansel Adams Publishing Rights Trust has lambasted New York City gallerist James Danziger for offering AI-colorized<strong>\u00a0<\/strong>editions of one of the late artist\u2019s most recognized photos for sale<strong>\u00a0<\/strong>at an art fair last month.<\/li>\n<li>A group of sculptures installed at Freedom Plaza includes a statue of a Revolutionary War officer who enslaved at least 200 people during his lifetime.\u00a0<\/li>\n<li>Miami graffiti legend Eric Alan Hirt (\u201cEson\u201d), a prolific urban tagger and member of the Miami Style Gods (MSG) crew, has died in a train strike.<\/li>\n<\/ul>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/borteh.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe In-Between Worlds of Larissa Borteh<br \/>\n\t\t<\/h3>\n<p>\n\t\tIn the artist\u2019s paintings, are we looking at plants in a state of beautiful decay, ghosts, deities, fairylands, or something from a dream? | John Yau\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<div>\n<h3>\n\t\t\tHaegue Yang\u2019s Constellations for a Divided Korea<br \/>\n\t\t<\/h3>\n<p>\n\t\tThe artist\u2019s play on light and shadow transforms Venetian blinds into haunting reflections on exile, borders, and the longing for reunification. | Alex Paik\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/lehman-2.jpg\" alt=\"CTA Image\" data-image-dimensions=\"2000x1125\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Lehman College Art Gallery Presents the 2026 Thesis Exhibition<\/strong><\/b><\/p>\n<p><span>On view May 20 to 28, the show brings together over thirty undergraduate and graduate artists, reflecting a broad spectrum of conceptual inquiry and material experimentation.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">This article brings to the fore the sadness and anxiety I have about the future of my artistic archive. As a faculty member, I had exhibits at university galleries and some commercial galleries. I retired 13 years ago after forty plus years of teaching, and am now faced with the reality of owning my own archive. And what to do with it? All organized and documented.<\/div>\n<\/div>\n<p>Laurie Snyder on Damien Davis&#8217;s &#8220;When Artists Lose Their Archives&#8221;<\/p>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/ai-articl.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tCan Artists Stop the AI Slop Machine?<br \/>\n\t\t<\/h3>\n<p>\n\t\tA recent workshop in Manhattan\u2019s Lower East Side challenged the notion that the takeover of machine learning is inevitable. | Aaron Short\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<section class=\"gh-content gh-canvas is-body\">\n<p>Half-open, half-closed;\u00a0glimpses, but not passageways. Haegue Yang\u2019s Venetian blinds, Alex Paik writes in a review of her show at the Museum of Contemporary Art, Los Angeles, invite the viewer to meditate on doublings, inversions, and asymmetries: a Korea arbitrarily divided by the US military, a composer driven to exile, star-crossed lovers at opposite ends of the galaxy.\u00a0<\/p>\n<p>On the other end of Los Angeles, the Huntington juxtaposes two very different powerhouse writers: 19th-century English novelist Charlotte Bront\u00eb and sci-fi pioneer Octavia E. Butler, uncovering layers of motherhood, career, friendship, family, and loss through their personal effects. \u201cSpeak well, and tell a good story,\u201d Butler wrote in a notebook on view in the exhibition. We take that to heart here.\u00a0<\/p>\n<p><em>\u2014Lisa Yin Zhang, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/octavia-butler-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe Private Worlds of Charlotte Bront\u00eb and Octavia E. Butler<br \/>\n\t\t<\/h3>\n<p><em>Stories from the Library: From Bront\u00eb to Butler<\/em> illustrates how a single person and her possessions can encompass their own reality, especially for those who build worlds for a living.\n<\/p>\n<p>\nIn the show at The Huntington Library, the inner lives of important women writers are depicted through their personal effects. The objects on display range in date from the Victorian-era novelist Charlotte Bront\u00eb to 20th-century science fiction author Octavia E. Butler. Not only are the items varied in years, but in topic as well: An 1819 letter from English author Mary Shelley describing the pain of losing a child lies feet away from the 20th-century prose of Butler and Eve Babitz.\u00a0 | Hannah Benson\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<ul>\n<li>The Ansel Adams Publishing Rights Trust has lambasted New York City gallerist James Danziger for offering AI-colorized<strong>\u00a0<\/strong>editions of one of the late artist\u2019s most recognized photos for sale<strong>\u00a0<\/strong>at an art fair last month.<\/li>\n<li>A group of sculptures installed at Freedom Plaza includes a statue of a Revolutionary War officer who enslaved at least 200 people during his lifetime.\u00a0<\/li>\n<li>Miami graffiti legend Eric Alan Hirt (\u201cEson\u201d), a prolific urban tagger and member of the Miami Style Gods (MSG) crew, has died in a train strike.<\/li>\n<\/ul>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/borteh.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tThe In-Between Worlds of Larissa Borteh<br \/>\n\t\t<\/h3>\n<p>\n\t\tIn the artist\u2019s paintings, are we looking at plants in a state of beautiful decay, ghosts, deities, fairylands, or something from a dream? | John Yau\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<div>\n<h3>\n\t\t\tHaegue Yang\u2019s Constellations for a Divided Korea<br \/>\n\t\t<\/h3>\n<p>\n\t\tThe artist\u2019s play on light and shadow transforms Venetian blinds into haunting reflections on exile, borders, and the longing for reunification. | Alex Paik\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/lehman-2.jpg\" alt=\"CTA Image\" data-image-dimensions=\"2000x1125\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Lehman College Art Gallery Presents the 2026 Thesis Exhibition<\/strong><\/b><\/p>\n<p><span>On view May 20 to 28, the show brings together over thirty undergraduate and graduate artists, reflecting a broad spectrum of conceptual inquiry and material experimentation.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">This article brings to the fore the sadness and anxiety I have about the future of my artistic archive. As a faculty member, I had exhibits at university galleries and some commercial galleries. I retired 13 years ago after forty plus years of teaching, and am now faced with the reality of owning my own archive. And what to do with it? All organized and documented.<\/div>\n<\/div>\n<p>Laurie Snyder on Damien Davis&#8217;s &#8220;When Artists Lose Their Archives&#8221;<\/p>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/ai-articl.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><\/figure>\n<div>\n<h3>\n\t\t\tCan Artists Stop the AI Slop Machine?<br \/>\n\t\t<\/h3>\n<p>\n\t\tA recent workshop in Manhattan\u2019s Lower East Side challenged the notion that the takeover of machine learning is inevitable. | Aaron Short\n\t<\/p>\n<p>\t\tRead More<\/p>\n<\/div>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/05\/Fig.-1.jpg\" alt=\"A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">A Kind of Paradise: Reclaiming Colonial-Era Photography Through Contemporary Art<\/h3>\n<p class=\"gh-card-excerpt is-body\">At Museum Rietberg, 20 global artists transform colonial photographs into new narratives of memory, identity, and resistance. <\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Museum Rietberg<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/05\/balasubramanian_2400x1350.jpg\" alt=\"Art-Science Undisciplined: A Playbook for Transformative Collaboration\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Art-Science Undisciplined: A Playbook for Transformative Collaboration<\/h3>\n<p class=\"gh-card-excerpt is-body\">Artist Janani Balasubramanian and astrophysicist Natalie Gosnell reimagine collaboration through a values-based and joyfully undisciplined practice.\n<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">University of California Press<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/05\/CMoG_Image_5.png\" alt=\"Tough Stuff: Women in The American Glass Studio\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Tough Stuff: Women in The American Glass Studio<\/h3>\n<p class=\"gh-card-excerpt is-body\">Highlighting works from the 1960s through today, this survey at the Corning Museum of Glass celebrates the legacies of women artists who helped shape the Studio Glass Movement in the US.\n<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Corning Museum of Glass<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/05\/Still-in-Sound_reverbimpulses_CSM.jpg\" alt=\"Still in Sound\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Still in Sound<\/h3>\n<p class=\"gh-card-excerpt is-body\">Sound artists compose sonic and multisensory interpretations of abstract paintings for this new exhibition at the Clyfford Still Museum in Denver, Colorado. <\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Clyfford Still Museum<\/span><\/footer>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/hyperallergic.com\/haegue-yangs-meditations-on-exile\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;] Daily Newsletter Haegue Yang\u2019s Meditations on Exile Also, the controversy around an AI-altered version of an Ansel Adams photo. Hyperallergic May 27, 2026\u2014 3 min read Half-open, half-closed;\u00a0glimpses, but not passageways. Haegue Yang\u2019s Venetian blinds, Alex Paik writes in a review of her show at the Museum of Contemporary Art, Los Angeles, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,69],"class_list":["post-1961728","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-hyperallergic-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1961728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1961728"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1961728\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1961728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1961728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1961728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}