{"id":1960253,"date":"2026-05-28T12:00:00","date_gmt":"2026-05-28T09:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1960253"},"modified":"2026-05-28T12:00:00","modified_gmt":"2026-05-28T09:00:00","slug":"art-basel-paris-2026-exhibitor-list-includes-206-galleries","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1960253","title":{"rendered":"Art Basel Paris 2026 Exhibitor List Includes 206 Galleries"},"content":{"rendered":"

[analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/3_Art-Basel-Paris-2025_Courtesy-of-Art-Basel.jpg?w=1024″]<\/p>\n

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\n\tArt Basel Paris will return to the Grand Palais this fall with more than 200 exhibitors from 41 countries and territories, marking the fair\u2019s fifth edition and the first under the direction of Karim Crippa, who has replaced the outgoing director\u00a0Cl\u00e9ment Del\u00e9pine.<\/p>\n

\n\tScheduled to run October 23\u201325, with preview days October 21\u201322, the fair will once again be divided into its three sections: Galeries, Emergence, and Premise. But several shifts in this year\u2019s edition point to a fair still refining its identity as Paris consolidates its position as Europe\u2019s dominant art market hub after London\u2019s Brexit fumble.<\/p>\n

\n\tThe biggest structural change comes in the main Galeries sector, which has expanded to more than 180 exhibitors, up from 177 last year. The fair is also leaning harder into collaborative presentations, with a record 12 joint booths this year. According to Art Basel, that\u2019s the highest number of joint presentations in the fair\u2019s history.\u00a0<\/p>\n

\n\tNearly 30 galleries will participate in the fair for the first time, according to organizers, while more than 60 exhibitors now operate spaces in France. The fair\u2019s growing Parisian footprint remains one of its defining features, with major local dealers including Mennour, Galerie Chantal Crousel, Galerie Lelong, Perrotin, Almine Rech, Cr\u00e8vec\u0153ur, mor charpentier, galerie frank elbaz, and Galerie Christophe Gaillard all returning.\u00a0<\/p>\n

\n\tAmong the international blue-chip galleries returning to the fair are Gagosian, Hauser & Wirth, David Zwirner, White Cube, Thaddaeus Ropac, Marian Goodman Gallery, Pace Gallery, Gladstone Gallery, kurimanzutto, Mendes Wood DM, and Goodman Gallery.\u00a0<\/p>\n

\n\tThis year\u2019s first-time exhibitors include Berlin\u2019s ChertL\u00fcdde and Kraupa-Tuskany Zeidler, Hong Kong\u2019s Empty Gallery, Paris-based Isabella Ritter, London\u2019s Luxembourg + Co., and New York\u2019s Olney Gleason and Pace Di Donna Schrader Galleries.\u00a0<\/p>\n

\n\tSeveral galleries that appeared in last year\u2019s edition are absent from the 2026 lineup, including Air de Paris, Blindspot Gallery, Ginny on Frederick, Ch\u00e2teau Shatto, Gordon Robichaux, and Stars. (Air de Paris is also gone from the exhibitor list, but that\u2019s because it closed.) Their absence is partially offset by the fair\u2019s emphasis on galleries graduating between sectors. Petrine and The Pill, for example, both move from Emergence into the main Galeries section this year.\u00a0<\/p>\n

\n\tThe fair is also continuing to experiment with programming outside the booth model. Oh La La!, the rehang initiative introduced in earlier editions, returns October 23\u201324 with a collaborator from outside the art world still to be announced. The\u00a0invitation-only\u00a0Avant-Premi\u00e8re\u00a0program will also return for a second edition on October 20.\u00a0<\/p>\n

\n\tEmergence, the fair\u2019s section for younger galleries and solo artist presentations, will feature 16 booths again this year, though organizers emphasized a sharper turnover rate, with 12 first-time participants. Among the newcomers are Lo Brutto Stahl, Mariposa, Green Art Gallery, Brunette Coleman, and Schiefe Z\u00e4hne.\u00a0<\/p>\n

\n\tPremise, meanwhile, continues its focus on historically driven and research-heavy presentations. This year\u2019s edition includes projects centered on Robert Indiana and Ellsworth Kelly, Derek Jarman, Vera Moln\u00e1r, Tarsila do Amaral, and Farid Belkahia.\u00a0<\/p>\n

\n\t\u201cEdition by edition, Art Basel Paris has become deeply embedded in the French cultural landscape and established itself as a major moment at the intersection of the art world and the broader creative industries, much like the city of Paris itself,\u201d Crippa said in an email to ARTnews<\/em>. \u201cThe enthusiasm surrounding this next edition has felt as vigorous as it is galvanizing. There\u2019s a real sense now that Art Basel Paris is no longer simply arriving in the city each October, but becoming woven into its intellectual life and cultural rhythm.\u201d<\/p>\n

\n\tThe fair arrives during a strong rebound for the French market. According to the Art Basel & UBS Global Art Market Report 2026, sales in France reached $4.5 billion in 2025, up 9 percent year-over-year and above pre-pandemic levels. France now accounts for 8 percent of the global art market and more than half of the European Union market by value, according to the report.<\/p>\n

\n\tThe full exhibitor list follows below.<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Gallery Name<\/td>\nExhibition Spaces<\/td>\n<\/tr>\n
1 Mira Madrid \/ 2 Mira Archiv<\/td>\nMadrid<\/td>\n<\/tr>\n
303 Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
47 Canal<\/td>\nNew York<\/td>\n<\/tr>\n
A Gentil Carioca<\/td>\nRio de Janeiro, S\u00e3o Paulo<\/td>\n<\/tr>\n
Miguel Abreu Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Acquavella Galleries<\/td>\nNew York, Palm Beach<\/td>\n<\/tr>\n
Galerie Allen<\/td>\nParis<\/td>\n<\/tr>\n
Christian Andersen<\/td>\nCopenhagen<\/td>\n<\/tr>\n
Andr\u00e9hn-Schiptjenko<\/td>\nStockholm, Paris<\/td>\n<\/tr>\n
Antenna Space<\/td>\nShanghai, Hong Kong<\/td>\n<\/tr>\n
Applicat-Prazan<\/td>\nParis<\/td>\n<\/tr>\n
The Approach<\/td>\nLondon<\/td>\n<\/tr>\n
Art : Concept<\/td>\nParis<\/td>\n<\/tr>\n
Alfonso Artiaco<\/td>\nNaples<\/td>\n<\/tr>\n
Athr Gallery<\/td>\nJeddah, Ad Diriyah, AlUla<\/td>\n<\/tr>\n
Galerie Anne Barrault<\/td>\nParis<\/td>\n<\/tr>\n
Tanya Bonakdar Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Bortolami<\/td>\nNew York<\/td>\n<\/tr>\n
Galerie Isabella Bortolozzi<\/td>\nBerlin<\/td>\n<\/tr>\n
Ellen de Bruijne Projects<\/td>\nAmsterdam<\/td>\n<\/tr>\n
Galerie Buchholz<\/td>\nCologne, Berlin, New York<\/td>\n<\/tr>\n
Emanuela Campoli<\/td>\nParis, Milano<\/td>\n<\/tr>\n
Capitain Petzel<\/td>\nBerlin<\/td>\n<\/tr>\n
Cardi Gallery<\/td>\nMilan, London<\/td>\n<\/tr>\n
Carlos\/Ishikawa<\/td>\nLondon<\/td>\n<\/tr>\n
Ceysson & B\u00e9n\u00e9ti\u00e8re<\/td>\nParis, Saint-Etienne, Lyon, Tokyo, Koerich, New York<\/td>\n<\/tr>\n
Chapter NY<\/td>\nNew York<\/td>\n<\/tr>\n
ChertL\u00fcdde<\/td>\nBerlin<\/td>\n<\/tr>\n
Sadie Coles HQ<\/td>\nLondon<\/td>\n<\/tr>\n
Consonni Radziszewski<\/td>\nLisbon, Milan, Warsaw<\/td>\n<\/tr>\n
Galleria Continua<\/td>\nSan Gimignano, Rome, S\u00e3o Paulo, Beijing, Havana, Boissy-le-Ch\u00e2tel, Paris<\/td>\n<\/tr>\n
Paula Cooper Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Pilar Corrias<\/td>\nLondon<\/td>\n<\/tr>\n
Lodovico Corsini<\/td>\nBrussels<\/td>\n<\/tr>\n
Galleria Raffaella Cortese<\/td>\nMilan<\/td>\n<\/tr>\n
Cr\u00e8vec\u0153ur<\/td>\nParis<\/td>\n<\/tr>\n
Galerie Chantal Crousel<\/td>\nParis<\/td>\n<\/tr>\n
Croy Nielsen<\/td>\nVienna<\/td>\n<\/tr>\n
Massimodecarlo<\/td>\nMilan, London, Paris, Hong Kong<\/td>\n<\/tr>\n
Jeffrey Deitch<\/td>\nLos Angeles, New York, West Hollywood<\/td>\n<\/tr>\n
Document<\/td>\nChicago, Lisbon<\/td>\n<\/tr>\n
galerie frank elbaz<\/td>\nParis<\/td>\n<\/tr>\n
Emalin<\/td>\nLondon<\/td>\n<\/tr>\n
Empty Gallery<\/td>\nHong Kong<\/td>\n<\/tr>\n
Larkin Erdmann<\/td>\nZurich<\/td>\n<\/tr>\n
Galerie C\u00e9cile Fakhoury<\/td>\nDakar, Abidjan<\/td>\n<\/tr>\n
Fanta-MLN<\/td>\nMilan<\/td>\n<\/tr>\n
Selma Feriani Gallery<\/td>\nTunis<\/td>\n<\/tr>\n
Konrad Fischer Galerie<\/td>\nD\u00fcsseldorf, Berlin, Los Angeles<\/td>\n<\/tr>\n
Foksal Gallery Foundation<\/td>\nWarsaw<\/td>\n<\/tr>\n
Fortes D\u2019Aloia & Gabriel<\/td>\nRio de Janeiro, S\u00e3o Paulo<\/td>\n<\/tr>\n
Peter Freeman, Inc.<\/td>\nNew York, Paris<\/td>\n<\/tr>\n
Lars Friedrich<\/td>\nBerlin<\/td>\n<\/tr>\n
Gagosian<\/td>\nNew York, Paris, Hong Kong, Athens, Rome, Basel, Saanen, London, Beverly Hills<\/td>\n<\/tr>\n
Galerie Christophe Gaillard<\/td>\nParis, Brussels<\/td>\n<\/tr>\n
Galerie 1900-2000<\/td>\nParis<\/td>\n<\/tr>\n
Felix Gaudlitz<\/td>\nVienna<\/td>\n<\/tr>\n
Fran\u00e7ois Ghebaly<\/td>\nLos Angeles, New York<\/td>\n<\/tr>\n
Gianni Manhattan<\/td>\nVienna<\/td>\n<\/tr>\n
Gladstone Gallery<\/td>\nNew York, Brussels, Rome, Seoul<\/td>\n<\/tr>\n
Goodman Gallery<\/td>\nCape Town, Johannesburg, London<\/td>\n<\/tr>\n
Marian Goodman Gallery<\/td>\nNew York, Paris, Los Angeles<\/td>\n<\/tr>\n
Maxwell Graham<\/td>\nNew York<\/td>\n<\/tr>\n
Greene Naftali<\/td>\nNew York<\/td>\n<\/tr>\n
Galerie Karsten Greve<\/td>\nParis, St. Moritz, Cologne<\/td>\n<\/tr>\n
Hauser & Wirth<\/td>\nZurich, London, Somerset, New York, Basel, Gstaad, St. Moritz, Paris, Hong Kong, Monaco, Ciutadella de Menorca, Los Angeles, West Hollywood<\/td>\n<\/tr>\n
Galerie Max Hetzler<\/td>\nBerlin, Paris, London, Marfa<\/td>\n<\/tr>\n
Hollybush Gardens<\/td>\nLondon<\/td>\n<\/tr>\n
Xavier Hufkens<\/td>\nBrussels<\/td>\n<\/tr>\n
Mariane Ibrahim<\/td>\nParis, Chicago, Mexico City<\/td>\n<\/tr>\n
Taka Ishii Gallery<\/td>\nTokyo, Kyoto, Maebashi<\/td>\n<\/tr>\n
Alison Jacques<\/td>\nLondon<\/td>\n<\/tr>\n
Galerie Jousse Entreprise<\/td>\nParis<\/td>\n<\/tr>\n
Casey Kaplan<\/td>\nNew York<\/td>\n<\/tr>\n
Jan Kaps<\/td>\nCologne<\/td>\n<\/tr>\n
Karma<\/td>\nNew York, Los Angeles<\/td>\n<\/tr>\n
Karma International<\/td>\nZurich<\/td>\n<\/tr>\n
kaufmann repetto<\/td>\nMilan, New York<\/td>\n<\/tr>\n
Anton Kern Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Tina Kim Gallery<\/td>\nSeoul, New York<\/td>\n<\/tr>\n
David Kordansky Gallery<\/td>\nLos Angeles, New York<\/td>\n<\/tr>\n
Kraupa-Tuskany Zeidler<\/td>\nBerlin, Munich<\/td>\n<\/tr>\n
Andrew Kreps Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Kukje Gallery<\/td>\nSeoul, Busan<\/td>\n<\/tr>\n
kurimanzutto<\/td>\nMexico City, New York<\/td>\n<\/tr>\n
Labor<\/td>\nMexico City<\/td>\n<\/tr>\n
Landau Fine Art<\/td>\nMontreal, Meggen<\/td>\n<\/tr>\n
Laveronica arte contemporanea<\/td>\nModica<\/td>\n<\/tr>\n
Layr<\/td>\nVienna<\/td>\n<\/tr>\n
LC Queisser<\/td>\nTbilisi<\/td>\n<\/tr>\n
In Situ \u2013 fabienne leclerc<\/td>\nRomainville<\/td>\n<\/tr>\n
Lehmann Maupin<\/td>\nNew York, London, Seoul<\/td>\n<\/tr>\n
Galerie Lelong<\/td>\nParis, New York<\/td>\n<\/tr>\n
L\u00e9vy Gorvy Dayan<\/td>\nNew York, London<\/td>\n<\/tr>\n
Lisson Gallery<\/td>\nLondon, New York, Los Angeles, Shanghai<\/td>\n<\/tr>\n
Loevenbruck<\/td>\nParis<\/td>\n<\/tr>\n
Luhring Augustine<\/td>\nNew York<\/td>\n<\/tr>\n
Luxembourg + Co.<\/td>\nLondon, New York<\/td>\n<\/tr>\n
Magnin-A<\/td>\nParis<\/td>\n<\/tr>\n
Mai 36 Galerie<\/td>\nZurich<\/td>\n<\/tr>\n
Marcelle Alix<\/td>\nParis<\/td>\n<\/tr>\n
Gi\u00f3 Marconi<\/td>\nMilan<\/td>\n<\/tr>\n
Marfa\u2019 Projects<\/td>\nBeirut<\/td>\n<\/tr>\n
Matthew Marks Gallery<\/td>\nNew York, Los Angeles<\/td>\n<\/tr>\n
Galerie Max Mayer<\/td>\nBerlin<\/td>\n<\/tr>\n
Fergus McCaffrey<\/td>\nNew York, Tokyo, Saint Barth\u00e9lemy<\/td>\n<\/tr>\n
Mendes Wood DM<\/td>\nS\u00e3o Paulo, Paris, New York, Brussels<\/td>\n<\/tr>\n
Mennour<\/td>\nParis<\/td>\n<\/tr>\n
Meyer Riegger<\/td>\nBerlin, Karlsruhe, Seoul, Basel<\/td>\n<\/tr>\n
Galerie Le Minotaure<\/td>\nParis<\/td>\n<\/tr>\n
Victoria Miro<\/td>\nLondon, Venice<\/td>\n<\/tr>\n
Misako & Rosen<\/td>\nTokyo<\/td>\n<\/tr>\n
Modern Art<\/td>\nLondon, Paris<\/td>\n<\/tr>\n
The Modern Institute<\/td>\nGlasgow<\/td>\n<\/tr>\n
Edouard Montassut<\/td>\nParis<\/td>\n<\/tr>\n
mor charpentier<\/td>\nParis, Bogot\u00e1<\/td>\n<\/tr>\n
Galerie n\u00e4chst St. Stephan Rosemarie Schwarzw\u00e4lder<\/td>\nVienna<\/td>\n<\/tr>\n
Richard Nagy Ltd.<\/td>\nLondon<\/td>\n<\/tr>\n
Nahmad Contemporary<\/td>\nNew York<\/td>\n<\/tr>\n
Galerie Neu<\/td>\nBerlin<\/td>\n<\/tr>\n
Neue Alte Br\u00fccke<\/td>\nFrankfurt am Main<\/td>\n<\/tr>\n
neugerriemschneider<\/td>\nBerlin<\/td>\n<\/tr>\n
Nicoletti<\/td>\nLondon<\/td>\n<\/tr>\n
Galleria Franco Noero<\/td>\nTurin<\/td>\n<\/tr>\n
David Nolan Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Galerie Nathalie Obadia<\/td>\nParis, Brussels<\/td>\n<\/tr>\n
Ortuzar<\/td>\nNew York<\/td>\n<\/tr>\n
P.P.O.W<\/td>\nNew York<\/td>\n<\/tr>\n
P420<\/td>\nBologna<\/td>\n<\/tr>\n
Pace Gallery<\/td>\nNew York, Los Angeles, Berlin, Hong Kong, Minato City, Seoul, Geneva, London<\/td>\n<\/tr>\n
Pace Di Donna Schrader Galleries<\/td>\nNew York<\/td>\n<\/tr>\n
Perrotin<\/td>\nParis, New York, Los Angeles, Hong Kong, Shanghai, Tokyo, Seoul, Dubai, London<\/td>\n<\/tr>\n
Petrine<\/td>\nParis, D\u00fcsseldorf<\/td>\n<\/tr>\n
The Pill<\/td>\nIstanbul, Paris<\/td>\n<\/tr>\n
Galeria Plan B<\/td>\nCluj, Berlin<\/td>\n<\/tr>\n
PM8 \/ Francisco Salas<\/td>\nVigo<\/td>\n<\/tr>\n
Galerie J\u00e9r\u00f4me Poggi<\/td>\nParis<\/td>\n<\/tr>\n
Prats Nogueras Blanchard<\/td>\nBarcelona, Madrid<\/td>\n<\/tr>\n
Galerie Eva Presenhuber<\/td>\nZurich, Vienna<\/td>\n<\/tr>\n
Almine Rech<\/td>\nParis, Brussels, New York, Shanghai, Monaco, Saanen<\/td>\n<\/tr>\n
Reena Spaulings Fine Art<\/td>\nNew York<\/td>\n<\/tr>\n
Regen Projects<\/td>\nLos Angeles<\/td>\n<\/tr>\n
Michel Rein<\/td>\nParis, Brussels<\/td>\n<\/tr>\n
Isabella Ritter<\/td>\nParis<\/td>\n<\/tr>\n
Thaddaeus Ropac<\/td>\nParis, Paris-Pantin, Salzburg, Milan, Seoul, London<\/td>\n<\/tr>\n
Michael Rosenfeld Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Salle Principale<\/td>\nParis<\/td>\n<\/tr>\n
sans titre<\/td>\nParis<\/td>\n<\/tr>\n
Esther Schipper<\/td>\nBerlin, Paris, Seoul<\/td>\n<\/tr>\n
Semiose<\/td>\nParis<\/td>\n<\/tr>\n
seventeen<\/td>\nLondon<\/td>\n<\/tr>\n
Sfeir-Semler Gallery<\/td>\nBeirut, Hamburg<\/td>\n<\/tr>\n
Jack Shainman Gallery<\/td>\nNew York<\/td>\n<\/tr>\n
Sikkema Malloy Jenkins<\/td>\nNew York<\/td>\n<\/tr>\n
Jessica Silverman<\/td>\nSan Francisco<\/td>\n<\/tr>\n
Skarstedt<\/td>\nNew York, Paris, London<\/td>\n<\/tr>\n
Soci\u00e9t\u00e9<\/td>\nBerlin<\/td>\n<\/tr>\n
Soft Opening<\/td>\nLondon<\/td>\n<\/tr>\n
Sprovieri<\/td>\nLondon<\/td>\n<\/tr>\n
Spr\u00fcth Magers<\/td>\nBerlin, London, Los Angeles, New York, Hong Kong<\/td>\n<\/tr>\n
Standard (Oslo)<\/td>\nOslo<\/td>\n<\/tr>\n
Stevenson<\/td>\nCape Town, Amsterdam<\/td>\n<\/tr>\n
Luisa Strina<\/td>\nS\u00e3o Paulo<\/td>\n<\/tr>\n
Sultana<\/td>\nParis, Arles<\/td>\n<\/tr>\n
Catinca Tabacaru<\/td>\nBucharest, Harare<\/td>\n<\/tr>\n
Take Ninagawa<\/td>\nTokyo<\/td>\n<\/tr>\n
Templon<\/td>\nParis, Brussels, New York<\/td>\n<\/tr>\n
Tornabuoni Art<\/td>\nParis, Florence, Forte dei Marmi, Milan, Rome, Crans Montana<\/td>\n<\/tr>\n
Trautwein Herleth<\/td>\nBerlin<\/td>\n<\/tr>\n
Galerie Georges-Philippe & Nathalie Vallois<\/td>\nParis, New York<\/td>\n<\/tr>\n
Van de Weghe<\/td>\nNew York<\/td>\n<\/tr>\n
Tim Van Laere Gallery<\/td>\nAntwerp, Rome<\/td>\n<\/tr>\n
Vedovi Gallery<\/td>\nBrussels<\/td>\n<\/tr>\n
Vitamin Creative Space<\/td>\nBeijing, Guangzhou<\/td>\n<\/tr>\n
We Do Not Work Alone<\/td>\nParis<\/td>\n<\/tr>\n
Galerie Michael Werner<\/td>\nBerlin<\/td>\n<\/tr>\n
White Cube<\/td>\nLondon, New York, Hong Kong, Paris, Seoul<\/td>\n<\/tr>\n
Galerie Jocelyn Wolff<\/td>\nParis<\/td>\n<\/tr>\n
Yares Art<\/td>\nSanta Fe, Beverly Hills, New York<\/td>\n<\/tr>\n
Galerie Thomas Zander<\/td>\nCologne, Paris<\/td>\n<\/tr>\n
David Zwirner<\/td>\nNew York, Paris, Hong Kong, London, Los Angeles<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

\n\t\tEmergence \t<\/h3>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Gallery Name<\/td>\nExhibition Spaces<\/td>\n<\/tr>\n
243 Luz<\/td>\nMargate<\/td>\n<\/tr>\n
Bank<\/td>\nShanghai, New York<\/td>\n<\/tr>\n
Brunette Coleman<\/td>\nLondon<\/td>\n<\/tr>\n
ermes ermes<\/td>\nRome<\/td>\n<\/tr>\n
Exo Exo<\/td>\nParis<\/td>\n<\/tr>\n
Green Art Gallery<\/td>\nDubai<\/td>\n<\/tr>\n
Eli Kerr<\/td>\nMontreal<\/td>\n<\/tr>\n
KIN<\/td>\nBrussels<\/td>\n<\/tr>\n
Lo Brutto Stahl<\/td>\nParis, Basel<\/td>\n<\/tr>\n
Mariposa<\/td>\nLos Angeles, New York<\/td>\n<\/tr>\n
P21<\/td>\nSeoul<\/td>\n<\/tr>\n
ROH<\/td>\nJakarta<\/td>\n<\/tr>\n
Schiefe Z\u00e4hne<\/td>\nBerlin<\/td>\n<\/tr>\n
Galeria Stereo<\/td>\nWarsaw<\/td>\n<\/tr>\n
Galerie Oskar Weiss<\/td>\nZurich<\/td>\n<\/tr>\n
Wsch\u00f3d<\/td>\nWarsaw, New York<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

\n\t\tPremise \t<\/h3>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n
Gallery Name<\/td>\nExhibition Spaces<\/td>\n<\/tr>\n
Almeida & Dale<\/td>\nS\u00e3o Paulo<\/td>\n<\/tr>\n
Blue Velvet<\/td>\nZurich, Madrid<\/td>\n<\/tr>\n
k\u00f3<\/td>\nLagos<\/td>\n<\/tr>\n
Galerie Eric Mouchet<\/td>\nParis, Brussels<\/td>\n<\/tr>\n
Olney Gleason<\/td>\nNew York<\/td>\n<\/tr>\n
Pavec<\/td>\nParis<\/td>\n<\/tr>\n
Le Violon Bleu<\/td>\nSidi Bou Said<\/td>\n<\/tr>\n
Amanda Wilkinson Gallery<\/td>\nLondon<\/td>\n<\/tr>\n
Galerie Zlotowski<\/td>\nParis<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<\/div>\n<\/div>\n

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[analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/3_Art-Basel-Paris-2025_Courtesy-of-Art-Basel.jpg?w=1024″] Art Basel Paris will return to the Grand Palais this fall with more than 200 exhibitors from 41 countries and territories, marking the fair\u2019s fifth edition and the first under the direction of Karim Crippa, who has replaced the outgoing director\u00a0Cl\u00e9ment Del\u00e9pine. Scheduled to run October 23\u201325, with preview days October 21\u201322, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1960253","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1960253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1960253"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1960253\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1960253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1960253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1960253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}