{"id":1958965,"date":"2026-05-27T16:06:48","date_gmt":"2026-05-27T13:06:48","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1958965"},"modified":"2026-05-27T16:06:48","modified_gmt":"2026-05-27T13:06:48","slug":"paula-kamps-dead-ascendant-painter-dies-at-36","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1958965","title":{"rendered":"Paula Kamps Dead: Ascendant Painter Dies at 36"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/f8186485-1015-42cb-919a-ab83c0ef6229-paulakamps-portrait-1024x.jpg?w=797&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPaula Kamps, a painter whose softly hued paintings showing flowers and blurring figures gained her recognition in Europe and the US, died at 36. Her Paris gallery, Sans Titre, confirmed her death on Tuesday, but did not state a cause.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tKamps\u2019s paintings frequently dealt with the fleetingness of memory. Using thin washes of watercolor and ink, she represented figures and plants that appeared to be either coming into focus or fading away. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe painter Andr\u00e9 Butzer, an admirer of Kamps\u2019s work who on at least one occasion showed her paintings alongside his own, once termed her flows of ink \u201cstains,\u201d seemingly in reference to the fact that they looked like splotches or bruises.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShe painted landscapes and still lifes, dreamy portraits and hallucinatory tableaux. Often, her subject matter was surreal: a person smearing lipstick across their face, a man\u2019s head forming a mountain range, three people who blend into leafy branches.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBorn in 1990 in Cologne, Germany, Kamps first attended the Freie Universit\u00e4t Berlin\u2019s philosophy program before entering the famed Kunstakademie D\u00fcsseldorf, where her teachers included Lucy McKenzie. She then became a master student with the painter Tomma Abts before returning once again to the Kunstakademie D\u00fcsseldorf, this time under the tutelage of Elizabeth Peyton. She graduated in 2016.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter graduation, she moved to Chicago, where she made her solo debut with M. LeBlanc Gallery in 2021. That show included such works as <em>Granny\u2019s U.F.O.<\/em> (2021), featuring a mysterious ink orb that obliquely alluded to alien phenomena. To create that piece and others in the show, she worked wet on wet, applying layers of ink and pigment before the ones on her canvas were already dried. She also airbrushed some of the works.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShe started showing with Sans Titre that same year, and went on to exhibit virtually via David Zwirner\u2019s Platform site and physically with Mou Projects gallery in Hong Kong and Galerie Christine Mayer in Zurich, which just staged a Kamps solo outing earlier this year. The Christine Mayer show came with a poem by Kamps, who also produced artist books. Titled \u201cMistress of Good Advice,\u201d that poem concluded: \u201cAll flowers wilt differently, \/ all of them are good at keeping secrets, and they never pick themselves.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/PK_3-2048x1335-1.jpg?w=400\" alt=\"A painting of a rose next to a painting of two people kissing.\" height=\"782\" width=\"1200\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Works by Paula Kamps from a 2026 show at Galerie Christine Mayer in Zurich.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Courtesy Galerie Christine Mayer<\/cite><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/paula-kamps-painter-dead-1234787539\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/f8186485-1015-42cb-919a-ab83c0ef6229-paulakamps-portrait-1024x.jpg?w=797&#8243;] Paula Kamps, a painter whose softly hued paintings showing flowers and blurring figures gained her recognition in Europe and the US, died at 36. Her Paris gallery, Sans Titre, confirmed her death on Tuesday, but did not state a cause. Kamps\u2019s paintings frequently dealt with the fleetingness of memory. Using thin washes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1958965","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1958965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1958965"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1958965\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1958965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1958965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1958965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}