{"id":1949934,"date":"2026-03-27T02:26:00","date_gmt":"2026-03-26T23:26:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1949934"},"modified":"2026-03-27T02:26:00","modified_gmt":"2026-03-26T23:26:00","slug":"au-palais-de-tokyo-les-paillettes-de-benoit-pieron-face-a-la-violence-des-normes-sociales","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1949934","title":{"rendered":"Au Palais de Tokyo, les paillettes de Beno\u00eet Pi\u00e9ron face \u00e0 la violence des normes sociales"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n                                <img loading=\"lazy\" decoding=\"async\" width=\"1864\" height=\"1190\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/pieron-push.jpg\" class=\"img-fluid\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">22<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n                                <img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%201300%201634'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/pieron-thumb.jpg\"><img decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/pieron-thumb.jpg\" class=\"img-fluid\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">22<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div class=\"ad-responsive\">\n<div id=\"div-gpt-ad-1773673590069-0\" class=\"ads-pub px-0\">\n<p>                googletag.cmd.push(function () {<br \/>\n                    googletag.display(&#8216;div-gpt-ad-1773673590069-0&#8217;);<br \/>\n                });<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"copy-link\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\"><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/art\/numero-art\/benoit-pieron-palais-de-tokyo\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/art\/numero-art\/benoit-pieron-palais-de-tokyo\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/art\/numero-art\/\">Num\u00e9ro Art<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t22 mai 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>Au Palais de Tokyo, les paillettes de Beno\u00eet Pi\u00e9ron face \u00e0 la violence des normes sociales<\/h1>\n<div class=\"introduction\">\n<p>Beno\u00eet Pi\u00e9ron d\u00e9ploie avec Vernis \u00e0 ombres une constellation d\u2019\u0153uvres qui sondent la maladie, le langage et les identit\u00e9s invisibilis\u00e9es. Une exposition sensible et politique, o\u00f9 le trouble devient un espace de r\u00e9invention.<\/p>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tPar\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/numero.com\/contributor\/anya-harrison\/\">Anya Harrison<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<div id=\"ads03\" class=\"mobile padding-bottom-s\">\n<div class=\"ad-wrapper\">\n\t\t\t\t\t\t\t\t\t<!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div class=\"ad ad-responsive interscroller-slot\">\n<div id=\"div-gpt-ad-1773673675628-0\" class=\"ads-pub\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1773673675628-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure data-wp-context='{\"imageId\":\"6a10a61abc936\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a10a61abc936\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20600%20900'%3E%3C\/svg%3E\" alt=\"Beno\u00eet Pi\u00e9ron photographi\u00e9 par Tobias Zielony \" class=\"wp-image-845667\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/portrait-pieron.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/portrait-pieron.jpg\" alt=\"Beno\u00eet Pi\u00e9ron photographi\u00e9 par Tobias Zielony \" class=\"wp-image-845667\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Beno\u00eet Pi\u00e9ron photographi\u00e9 par Tobias Zielony pour Num\u00e9ro art 12. <a href=\"https:\/\/shop.numero.com\/produit\/numero-art-12\/\" id=\"https:\/\/shop.numero.com\/produit\/numero-art-12\/\">Retrouver le Num\u00e9ro art 12 en e-shop.<\/a><\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Construire de nouveaux langages<\/h2>\n<p>Comment traduire un <em>\u201c\u00e9tat de d\u00e9sorientation totale\u201d<\/em>, produit d\u2019un bouleversement arriv\u00e9 soudainement et dont le langage adapt\u00e9 n\u2019existe pas encore pour en parler ouvertement ? <\/p>\n<p>Ceci sert de question de base qui se pose, et\u00a0pose \u00e0\u00a0nous, le public, <strong>Beno\u00eet Pi\u00e9ron<\/strong> \u00e0\u00a0travers les\u00a0trois \u0153uvres in\u00e9dites qui constituent \u201cVernis \u00e0\u00a0ombres\u201d, l\u2019exposition personnelle pr\u00e9sent\u00e9e au <strong>Palais de Tokyo<\/strong>, dans une continuit\u00e9 qui ouvre un nouveau chapitre dans le\u00a0travail que l\u2019on conna\u00eet d\u00e9j\u00e0 de cet artiste fran\u00e7ais, une pratique qui, depuis les derni\u00e8res ann\u00e9es, \u0153uvre \u00e0\u00a0<em>\u201cdonner des expressions alternatives \u00e0\u00a0la maladie, essayant d\u2019enrichir la soci\u00e9t\u00e9 avec des expressions et des strat\u00e9gies crip <\/em>(terme issu de l\u2019insulte anglaise\u00a0<em>cripple<\/em>, r\u00e9appropri\u00e9 par la communaut\u00e9 handie pour revendiquer positivement l\u2019exp\u00e9rience du handicap) <em>encapsul\u00e9es dans la douceur afin de permettre aux gens de regarder ce qui est en face\u201d.<\/em><\/p>\n<p>Ici, c\u2019est <strong>la d\u00e9couverte de sa propre intersexuation<\/strong> qui a servi de guide dans une tentative de construire \u00e0 nouveau un\u00a0langage pour combler cette lacune toujours existante dans la soci\u00e9t\u00e9 qui est la n\u00f4tre, construite sur la primaut\u00e9 du binarisme, un\u00a0besoin de mettre des mots, jusqu\u2019ici manquants, sur des situations et des v\u00e9cus encore invisibilis\u00e9s.<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context='{\"imageId\":\"6a10a61abcda5\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a10a61abcda5\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"845672\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20675%20900'%3E%3C\/svg%3E\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" class=\"wp-image-845672\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/05.-PdT-2026-Benoit-Pieron.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"845672\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/05.-PdT-2026-Benoit-Pieron.jpg\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" class=\"wp-image-845672\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><\/figure>\n<figure data-wp-context='{\"imageId\":\"6a10a61abd07e\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a10a61abd07e\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"845670\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20675%20900'%3E%3C\/svg%3E\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" class=\"wp-image-845670\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/04.-PdT-2026-Benoit-Pieron.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"845670\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/04.-PdT-2026-Benoit-Pieron.jpg\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" class=\"wp-image-845670\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><\/figure>\n<\/figure>\n<p class=\"has-text-align-center\">Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026). Cr\u00e9dit photo : Aur\u00e9lien Mole.<\/p>\n<h2 class=\"wp-block-heading\">Une mise en sc\u00e8ne du tabou et de l\u2019effacement<\/h2>\n<p><strong>Un film porn qui se d\u00e9ploie sous la forme d\u2019un th\u00e9\u00e2tre d\u2019ombre<\/strong>s, des lampadaires qui, au\u00a0lieu d\u2019\u00e9clairer, pr\u00e9sentent un spectacle de paillettes o\u00f9 toute notion du temps semble momentan\u00e9ment suspendue\u2026 Nous sommes ici en face d\u2019une constellation d\u2019\u0153uvres qui s\u2019interrogent sur <em>\u201cl\u2019histoire de tabous, d\u2019effacements, d\u2019impossibilit\u00e9 de dire\u201d<\/em>, explique <strong>Salom\u00e9 Burstein<\/strong>, cocommissaire de l\u2019exposition.<\/p>\n<p>Si\u00a0<em>\u201cle genre est un\u00a0spectre, pas d\u00e9finissable, quoi faire du langage ?\u00a0Comment \u00e9viter d\u2019\u00eatre dans la fixit\u00e9, mais ressaisir cette perte de rep\u00e8res et g\u00e9n\u00e9rer des troubles, des exp\u00e9riences fondamentalement politiques ?\u201d<\/em> D\u2019o\u00f9 <em>Fluide correcteur<\/em>, \u0153uvre qui met le mot INTERSEXE<strong> inscrit au Tipp-Ex<\/strong>, mat\u00e9riau classique pour\u00a0corriger une faute dans le langage \u00e9crit ainsi qu\u2019<strong>un vernis \u00e0 ongles DIY<\/strong> (<em>do it yourself<\/em>), directement sur un mur de l\u2019institution avec la typographie propre au <strong>Palais de\u00a0Tokyo<\/strong>.<\/p>\n<figure data-wp-context='{\"imageId\":\"6a10a61abd4d6\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a10a61abd4d6\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20675%20900'%3E%3C\/svg%3E\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" class=\"wp-image-845674\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/06.-PdT-2026-Benoit-Pieron.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"675\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/06.-PdT-2026-Benoit-Pieron.jpg\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" class=\"wp-image-845674\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026). Cr\u00e9dit photo : Aur\u00e9lien Mole.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Le porn crip, une critique des regards normatifs<\/h2>\n<p>Si un certain rythme, voire une lenteur, s\u2019annonce \u00e0\u00a0travers ces \u0153uvres, c\u2019est pour mieux nous rappeler que nous ne sommes jamais loin dans la pratique de <a href=\"https:\/\/numero.com\/art\/art-art\/benoit-pieron-lartiste-qui-reechante-les-corps-non-valides-et-non-productifs\/\" id=\"https:\/\/numero.com\/art\/art-art\/benoit-pieron-lartiste-qui-reechante-les-corps-non-valides-et-non-productifs\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Beno\u00eet<\/strong> <strong>Pi\u00e9ron<\/strong><\/a> d\u2019une temporalit\u00e9 autre, la sienne, celle qui s\u2019instaure dans les salles d\u2019attente des h\u00f4pitaux, l\u00e0 o\u00f9 r\u00e8gnent les corps malades ou non norm\u00e9s. <strong>Objets math\u00e9matiques, moulages du corps de l\u2019artiste, sex-toys<\/strong>\u00a0: ils forment les protagonistes de <em>La\u00a0Fen\u00eatre<\/em>, sans chor\u00e9graphie, sans narration, sans d\u00e9but ni fin.<\/p>\n<figure data-wp-context='{\"imageId\":\"6a10a61abd82d\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a10a61abd82d\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"675\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20900%20675'%3E%3C\/svg%3E\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" class=\"wp-image-845676\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/11.-PdT-2026-Benoit-Pieron.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"675\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/11.-PdT-2026-Benoit-Pieron.jpg\" alt=\"Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026)\" class=\"wp-image-845676\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Beno\u00eet Pi\u00e9ron, vue de l\u2019exposition \u201cVernis \u00e0 ombres\u201d, Palais de Tokyo (2026). Cr\u00e9dit photo : Aur\u00e9lien Mole.<\/figcaption><\/figure>\n<p>Pour l\u2019artiste et la commissaire, c\u2019est un point d\u2019entr\u00e9e dans <strong>le porn crip<\/strong>, une mise en avant des formes suffisamment abstraites mais dont l\u2019\u00e9rotisme et la sensualit\u00e9 cr\u00e9ent une <em>\u201canalogie entre les regards porno et m\u00e9dical, <\/em>dit <strong>Burstein<\/strong><em>, qui \u00e9crasent les\u00a0corps\u201d<\/em>. Face <em>\u201cau fait que les corps invalid\u00e9s sont d\u00e9sexualis\u00e9s et que l\u2019acc\u00e8s au plaisir est compliqu\u00e9 pour les personnes invalid\u00e9es\u201d<\/em>, explique <strong>Pi\u00e9ron<\/strong>, c\u2019est par ces gestes d\u2019adoucissement, d\u2019\u00e9tranget\u00e9 et de r\u00e9enchantement, que l\u2019on arrive \u00e0\u00a0affronter les asym\u00e9tries du\u00a0pouvoir. <\/p>\n<p><em>\u201cVernis \u00e0\u00a0ombres\u201d, exposition jusqu\u2019au 13\u00a0septembre 2026 au\u00a0<strong><a href=\"https:\/\/palaisdetokyo.com\" target=\"_blank\" rel=\"noreferrer noopener\">Palais de Tokyo<\/a><\/strong>, Paris\u00a0XVIe.<\/em><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div class=\"title\">Recommand\u00e9<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/interview-daniel-roseberry-schiaparelli-exposition-londres\/\"><\/p>\n<div class=\"container-img \">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/thumb-interview-daniel-roseberry-schiaparelli-exposition-londres-768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/thumb-interview-daniel-roseberry-schiaparelli-exposition-londres-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">26<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Mode<\/p>\n<h3 class=\"post-title\">Au V&amp;A de Londres, Daniel Roseberry ravive l\u2019esprit d\u2019Elsa Schiaparelli<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t26 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/a-ne-pas-rater-henry-taylor-lun-des-plus-grands-peintres-africains-americains-au-musee-picasso\/\"><\/p>\n<div class=\"container-img \">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Henry Taylor, Haitian Working (washing my window) not begging (2015).\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/taylor-thumb-768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/taylor-thumb-768x965.jpg\" class=\"img-fluid\" alt=\"Henry Taylor, Haitian Working (washing my window) not begging (2015).\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">19<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">A ne pas rater : Henry Taylor, l\u2019un des plus grands peintres africains-am\u00e9ricains, au Mus\u00e9e Picasso<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t19 mai 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/dries-van-noten-fondation-venise\/\"><\/p>\n<div class=\"container-img \">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"\u00a9 Fondazione Dries Van Noten. 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Une exposition sensible et politique, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,258],"class_list":["post-1949934","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-numero-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1949934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1949934"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1949934\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1949934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1949934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1949934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}