{"id":1942345,"date":"2026-05-14T09:00:00","date_gmt":"2026-05-14T06:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1942345"},"modified":"2026-05-14T09:00:00","modified_gmt":"2026-05-14T06:00:00","slug":"5-art-novels-to-read-this-summer","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1942345","title":{"rendered":"5 Art Novels to Read This Summer"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/aia_book-collage.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhether on the beach or in your bed, catch up on five of the best art novels published this past year. As it happens, all five center on how art emerges through relationships\u2014with friends, mentors, parents, and lovers, and with artists from the past.<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em><strong>Transcription<\/strong><\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"613\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/9780374618599.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"613\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/9780374618599.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Ben Lerner<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOnly Ben Lerner can turn anxious, overthinking, self-deprecating inner monologues into moving and tender tales so effectively, so consistently. <em>Transcription<\/em> starts as a detailed day of navigating the world without a phone. Our narrator has dropped his into the sink (and <em>not<\/em> the toilet!), but he\u2019s supposed to be interviewing his mentor for a magazine. Visiting that mentor\u2019s intimidating, impressive art-filled house, he finds he\u2019s too embarrassed to confess his clumsy mistake. So he arrives without a recording device and gets caught in an elaborate workaround, acting childish. His humiliating flop is outed at a Museo Reina Sofia dinner, and as the story unfolds, parent-child and mentor-mentee relationships of all kinds blur. It\u2019s a portrait of a world where adulthood\u2014where having \u201cfigured it out\u201d\u2014is increasingly understood as a myth.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><strong><em>Discipline<\/em><\/strong><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/01\/91XUAT5Q9bL._SL1500_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/01\/91XUAT5Q9bL._SL1500_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Larissa Pham<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLarissa Pham\u2019s first novel is a moving tale of mentorship after #MeToo. A woman artist and her male teacher embark on a complicated relationship here portrayed unflinchingly and in all its complexity. The teacher\u2019s approval has an outsize impact on our young protagonist. Haunted by the suspicion that her professional success could be attributed to her famous teacher\u2019s sexual attraction to her rather than her own talent, she eventually gives up painting altogether and writes a novel imagining feminist revenge\u2014his death. But off on book tour, she finds the book doesn\u2019t quite provide the catharsis she\u2019d hoped for. Then, he reads it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><strong><em>My Year in Paris with Gertrude Stein: A Fiction<\/em><\/strong><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"613\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/My-Year-in-Paris-with-Gertrude-Stein-A-Fiction-WEB.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"613\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/My-Year-in-Paris-with-Gertrude-Stein-A-Fiction-WEB.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Deborah Levy<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA writer, living in Paris, is stumped by an assignment\u2014an essay on Gertrude Stein. Soon she finds herself imagining, as she goes about her daily life, what Stein would think about this or that\u2014about her friend\u2019s missing cat, another friend\u2019s three lovers. It\u2019s as if they are conversing in the narrator\u2019s head. Then, as she reflects on how the lesbian icon of modernism broke down language, Deborah Levy\u2019s own prose takes on memorable experimental form. In the hands of a master of her craft\u2014a true successor to Stein\u2014the voices of the narrator and her subject merge into one. You are what you read.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em><strong>Lonely Crowds<\/strong><\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"604\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/Lonely-Crowds-Stephanie-Wambugu-WEB.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"604\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/Lonely-Crowds-Stephanie-Wambugu-WEB.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Stephanie Wambugu<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tStephanie Wambugu\u2019s debut novel follows two childhood friends as they grow up together, choosing the same college (Bard) and embarking on lives as artists in New York City. Arriving on the scene at a moment when Black figurative painting is ascendant, they both navigate the expectations this trend puts upon them in their own ways. It\u2019s a tale of two artist archetypes that here are codependent: Maria is troubled but gregarious; Ruth is introverted and contemplative. And it is Ruth who serves as the steady-eyed narrator of this story of nature versus nurture. She candidly analyzes a friendship at once toxic and tender, steady and chaotic, familial-feeling and erotically charged.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em><strong>Kill Dick<\/strong><\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"618\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/9781636284651_FC-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"618\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/9781636284651_FC-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Luke Goebel<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tImagine a novel written in the style of <em>Vice<\/em> magazine. That\u2019s <em>Kill Dick<\/em>, Luke Goebel\u2019s debut. This unhinged work of bicoastal art world satire imagines Sackler family revenge from the vantage of an NYU art school dropout who hates her dad\u2014the lawyer for Dick Sickler (a thinly veiled Sackler patriarch) personally responsible for helping the opioid dealer get away with mass murder. How does a rich girl rebel against a dad like that? By getting addicted to OxyContin, naturally\u2014and creating a transgressive public art installation that puts the Sicklers to shame. This one\u2019s for fans of Luigi Mangione and Nan Goldin, and maybe also Ottessa Moshfegh\u2014Goebel\u2019s wife.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>[READ A REVIEW HERE]<\/strong><\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/list\/art-in-america\/columns\/5-art-novels-summer-ben-lerner-deborah-levy-luke-goebel-1234785245\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/05\/aia_book-collage.jpg?w=1024&#8243;] Whether on the beach or in your bed, catch up on five of the best art novels published this past year. As it happens, all five center on how art emerges through relationships\u2014with friends, mentors, parents, and lovers, and with artists from the past. Transcription By Ben Lerner Only Ben Lerner can [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1942345","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1942345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1942345"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1942345\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1942345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1942345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1942345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}