{"id":1941868,"date":"2026-03-14T02:26:00","date_gmt":"2026-03-13T23:26:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1941868"},"modified":"2026-03-14T02:26:00","modified_gmt":"2026-03-13T23:26:00","slug":"en-pleine-foret-amazonienne-visite-de-latelier-de-sara-flores-artiste-coup-de-coeur-de-la-biennale-de-venise","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1941868","title":{"rendered":"En pleine for\u00eat amazonienne, visite de l\u2019atelier de Sara Flores, artiste coup de c\u0153ur de la Biennale de Venise"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n                                <img loading=\"lazy\" decoding=\"async\" width=\"1864\" height=\"1190\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%201864%201190'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Sara Flores, photo de Thibaut Wychowanok.\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-push.jpg\"><img decoding=\"async\" width=\"1864\" height=\"1190\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-push.jpg\" class=\"img-fluid\" alt=\"Sara Flores, photo de Thibaut Wychowanok.\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">18<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n                                <img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%201300%201634'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Sara Flores photographi\u00e9e au P\u00e9rou par Thibaut Wychowanok.\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-sara-flores.jpg\"><img decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-sara-flores.jpg\" class=\"img-fluid\" alt=\"Sara Flores photographi\u00e9e au P\u00e9rou par Thibaut Wychowanok.\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">18<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div class=\"ad-responsive\">\n<div id=\"div-gpt-ad-1773673590069-0\" class=\"ads-pub px-0\">\n<p>                googletag.cmd.push(function () {<br \/>\n                    googletag.display(&#8216;div-gpt-ad-1773673590069-0&#8217;);<br \/>\n                });<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"share-widget\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/share.svg\"><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"copy-link\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\"><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/art\/numero-art\/qui-est-l-artiste-sara-flores-perou\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"facebook\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/art\/numero-art\/qui-est-l-artiste-sara-flores-perou\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"twitter\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/art\/numero-art\/\">Num\u00e9ro Art<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t18 mai 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>En pleine for\u00eat amazonienne, visite de l\u2019atelier de Sara Flores, artiste coup de c\u0153ur de la Biennale de Venise<\/h1>\n<div class=\"introduction\">\n<p>Depuis la for\u00eat amazonienne jusqu\u2019aux murs de la galerie new-yorkaise White Cube et au pavillon du P\u00e9rou \u00e0 la Biennale de Venise, Sara Flores incarne aujourd\u2019hui une sc\u00e8ne artistique en cours de reconfiguration. H\u00e9riti\u00e8re du peuple Shipibo-Konibo, l\u2019artiste d\u00e9ploie \u00e0 travers ses motifs \u201cken\u00e9\u201d un langage \u00e0 la fois spirituel, politique et profond\u00e9ment contemporain. <em>Num\u00e9ro\u00a0art<\/em> est all\u00e9 \u00e0 sa rencontre dans la jungle p\u00e9ruvienne.<\/p>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tTexte et photos au P\u00e9rou\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/numero.com\/contributor\/thibaut-wychowanok\/\">Thibaut Wychowanok<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<div id=\"ads03\" class=\"mobile padding-bottom-s\">\n<div class=\"ad-wrapper\">\n\t\t\t\t\t\t\t\t\t<!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div class=\"ad ad-responsive interscroller-slot\">\n<div id=\"div-gpt-ad-1773673675628-0\" class=\"ads-pub\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1773673675628-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure data-wp-context='{\"imageId\":\"6a0b564e078d5\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e078d5\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20690%20900'%3E%3C\/svg%3E\" alt=\"Sara Flores photographi\u00e9e au P\u00e9rou par Thibaut Wychowanok.\" class=\"wp-image-842300\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES.jpg\" alt=\"Sara Flores photographi\u00e9e au P\u00e9rou par Thibaut Wychowanok.\" class=\"wp-image-842300\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Sara Flores photographi\u00e9e au P\u00e9rou par Thibaut Wychowanok.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Sara Flores, du march\u00e9 de Pucallpa \u00e0 la Biennale de Venise<\/h2>\n<p><em>\u201cImaginez : sur <strong>ce petit march\u00e9 local de Pucallpa<\/strong>, en plein c\u0153ur du P\u00e9rou, l\u2019\u0153uvre de <strong>Sara Flores<\/strong> \u00e9tait vendue 30 dollars pi\u00e8ce. L\u2019une d\u2019elles vient d\u2019\u00eatre acquise par <strong>le\u00a0Guggenheim<\/strong> pour <strong>150\u00a0000\u00a0dollars<\/strong>.\u201d<\/em> <strong>Matteo Norzi<\/strong> s\u2019en souvient tr\u00e8s bien, alors qu\u2019il nous fait visiter les \u00e9choppes de cette b\u00e2tisse p\u00e9ruvienne, que l\u2019artiste, aujourd\u2019hui repr\u00e9sent\u00e9e par la tr\u00e8s respect\u00e9e <strong>galerie White Cube<\/strong>, a\u00a0d\u00e9sert\u00e9e depuis longtemps.<\/p>\n<p>Trente dollars, c\u2019\u00e9tait donc il\u00a0y\u00a0a dix\u00a0ans, nous explique celui qui a particip\u00e9 \u00e0\u00a0la\u00a0faire conna\u00eetre et qui est co-commissaire du <strong>pavillon du P\u00e9rou \u00e0\u00a0la Biennale de Venise<\/strong>. Ses \u0153uvres ont, depuis, int\u00e9gr\u00e9 <strong>les collections de la Tate<\/strong>, du<strong> Metropolitan Museum<\/strong> ou encore de grands mus\u00e9es am\u00e9ricains de la c\u00f4te ouest. <em>\u201cIl reste encore beaucoup de travail \u00e0\u00a0faire en Europe, mais nous arrivons\u201d<\/em>, glisse Norzi. Comment une telle bascule est-elle possible ?<\/p>\n<p>La r\u00e9ponse ne se trouve pas seulement dans un march\u00e9 de l\u2019art qui tente opportun\u00e9ment de rattraper son retard dans les repr\u00e9sentations des femmes artistes et des minorit\u00e9s, mais l\u00e0 o\u00f9 tout commence,<strong> chez Sara Flores, en\u00a0pleine for\u00eat amazonienne<\/strong>. Le\u00a0voyage d\u00e9bute \u00e0\u00a0Pucallpa, ville-fronti\u00e8re entre l\u2019asphalte et la jungle. De\u00a0l\u00e0, un\u00a0bus brinquebalant s\u2019enfonce dans la poussi\u00e8re, longe des maisons basses, traverse des zones o\u00f9 l\u2019agglom\u00e9ration semble d\u00e9j\u00e0 s\u2019effilocher.<\/p>\n<figure data-wp-context='{\"imageId\":\"6a0b564e07d70\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e07d70\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"587\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20900%20587'%3E%3C\/svg%3E\" alt=\"Photographies au P\u00e9rou de Thibaut Wychowanok.\" class=\"wp-image-842304\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"587\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-2.jpg\" alt=\"Photographies au P\u00e9rou de Thibaut Wychowanok.\" class=\"wp-image-842304\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Photo : Thibaut Wychowanok.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">\u00c0 travers la jungle amazonienne<\/h2>\n<p>Puis il faut continuer en naviguant sur <strong>le r\u00edo Ucayali<\/strong>. La\u00a0pirogue fend les flots de la rivi\u00e8re bord\u00e9e de v\u00e9g\u00e9tation \u00e9paisse. \u00c0\u00a0mesure que l\u2019on avance, les arbres plongent leurs racines dans l\u2019eau, les oiseaux couvrent le bruit du moteur. La\u00a0surface est, par endroits, recouverte de plantes flottantes, comme un tapis vivant que l\u2019embarcation d\u00e9chire lentement.<\/p>\n<p>Le paysage devient liquide. Le\u00a0ciel se refl\u00e8te dans l\u2019eau noire, les nuages glissent sous la coque. On\u00a0croise une barque abandonn\u00e9e, \u00e0\u00a0moiti\u00e9 engloutie dans une lagune, coinc\u00e9e contre un tronc de palmier. Plus loin, une autre pirogue passe, un\u00a0homme pench\u00e9 sur son moteur, silhouette fragile dans l\u2019immensit\u00e9 v\u00e9g\u00e9tale. Ici,<strong> tout semble \u00e0\u00a0la fois immobile et en mouvement<\/strong>. Puis appara\u00eet Multiversidad Bakish Mai. Une clairi\u00e8re perc\u00e9e dans la for\u00eat, quelques structures en bois, des toits de palme, une grande maison sur pilotis. \u00c0\u00a0l\u2019int\u00e9rieur, des espaces lumineux o\u00f9\u00a0la lumi\u00e8re traverse de larges ouvertures sur la jungle. Et<strong>\u00a0l\u2019atelier de\u00a0l\u2019artiste. <\/strong><\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context='{\"imageId\":\"6a0b564e08176\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e08176\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1352\" height=\"1730\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"842329\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%201352%201730'%3E%3C\/svg%3E\" alt=\"Sara Flores, photographi\u00e9e par Thibaut Wychowanok\" class=\"wp-image-842329\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-main.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1352\" height=\"1730\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"842329\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-main.jpg\" alt=\"Sara Flores, photographi\u00e9e par Thibaut Wychowanok\" class=\"wp-image-842329\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><\/figure>\n<figure data-wp-context='{\"imageId\":\"6a0b564e08479\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e08479\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"3013\" height=\"3661\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"842332\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%203013%203661'%3E%3C\/svg%3E\" alt=\"Sara Flores, photographi\u00e9e par Thibaut Wychowanok\" class=\"wp-image-842332\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-tools.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"3013\" height=\"3661\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"842332\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-tools.jpg\" alt=\"Sara Flores, photographi\u00e9e par Thibaut Wychowanok\" class=\"wp-image-842332\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><\/figure>\n<\/figure>\n<p class=\"has-text-align-center\">Photos : Thibaut Wychowanok.<\/p>\n<h2 class=\"wp-block-heading\">Une \u201cmultiversit\u00e9\u201d pens\u00e9e comme un projet politique<\/h2>\n<p>Ce lieu n\u2019est pas seulement un atelier. <strong>C\u2019est un projet politique<\/strong>. <strong>Multiversidad Bakish Mai <\/strong>(<em>\u201cla terre d\u2019hier et de demain\u201d<\/em>) est pens\u00e9e comme <strong>une alternative aux mod\u00e8les occidentaux de savoir<\/strong>. Ici, on ne parle pas d\u2019universit\u00e9 mais de <em>\u201cmultiversit\u00e9\u201d<\/em>\u00a0: une mani\u00e8re d\u2019affirmer que plusieurs formes de connaissance peuvent coexister. Implant\u00e9 sur un\u00a0ancien territoire sacr\u00e9 progressivement absorb\u00e9 par le\u00a0march\u00e9 foncier, le\u00a0site a \u00e9t\u00e9 rachet\u00e9 et transform\u00e9 en fondation pour le soustraire \u00e0\u00a0la sp\u00e9culation et lui redonner une fonction communautaire pour les peuples autochtones. <strong>Il\u00a0s\u2019\u00e9tend entre 35 et 70\u00a0hectares<\/strong> selon la mont\u00e9e des eaux, oscillant entre terre ferme et zones inond\u00e9es.<\/p>\n<p><strong>Norzi<\/strong> pr\u00e9cise l\u2019architecture du projet\u00a0: <em>\u201cJe suis bas\u00e9 \u00e0\u00a0New\u00a0York, mais je viens ici tout le temps. Nous avons notre organisation principale \u00e0\u00a0Harlem, avec une petite \u00e9quipe, et\u00a0ici, une organisation s\u0153ur. En\u00a0r\u00e9alit\u00e9, nous sommes un conglom\u00e9rat d\u2019organisations, dont la plupart sont dirig\u00e9es par des autochtones.\u201d <\/em>Une structure hybride, qui<strong> relie Manhattan \u00e0\u00a0l\u2019Amazonie<\/strong>, sans rompre l\u2019ancrage\u00a0local.<\/p>\n<figure data-wp-context='{\"imageId\":\"6a0b564e088f0\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e088f0\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20690%20900'%3E%3C\/svg%3E\" alt=\"Sara Flores dans son atelier, photographi\u00e9e par Thibaut Wychowanok.\" class=\"wp-image-842312\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-4.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"690\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-4.jpg\" alt=\"Sara Flores dans son atelier, photographi\u00e9e par Thibaut Wychowanok.\" class=\"wp-image-842312\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Sara Flores dans son atelier, photographi\u00e9e par Thibaut Wychowanok.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Une vie enti\u00e8re \u00e0 tracer des lignes\u2026<\/h2>\n<p>Car c\u2019est ici que travaille <strong>Sara Flores<\/strong>. Elle\u00a0appara\u00eet, petite silhouette droite, cheveux noirs coup\u00e9s au carr\u00e9, frange nette. Elle porte une tunique bleue bord\u00e9e de motifs roses et verts, une jupe orn\u00e9e de dessins g\u00e9om\u00e9triques. Son visage est calme, presque impassible, mais ses mains racontent autre chose\u00a0: <strong>une vie enti\u00e8re \u00e0\u00a0tracer des lignes<\/strong>. Elle vous regarde, puis esquisse un\u00a0sourire. <em>\u201cBienvenue \u00e0 la maison\u201d<\/em>, dit-elle simplement.<\/p>\n<p>Autour d\u2019elle, ses filles et petites-filles. Une constellation familiale qui travaille ensemble, dans <strong>une soci\u00e9t\u00e9 profond\u00e9ment matriarcale<\/strong> o\u00f9 le savoir appartient aux femmes et se transmet de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration. Sara est reconnue par ses pairs comme une praticienne exceptionnelle. Pour certains, la\u00a0derni\u00e8re \u00e0\u00a0ma\u00eetriser pleinement cet\u00a0art.<\/p>\n<p>Sur la table, des tissus de coton sauvage \u2013\u00a0<strong>le tocuyo<\/strong>\u00a0\u2013 d\u00e9j\u00e0 teints. Sara montre ses pigments. Elle explique son travail avec une pr\u00e9cision presque rituelle\u00a0: elle extrait ses couleurs des arbres, en pr\u00e9l\u00e8ve l\u2019\u00e9corce qu\u2019elle fait bouillir jusqu\u2019\u00e0\u00a0obtenir une teinture sur laquelle elle peint. Le\u00a0dessin se construit ensuite en plusieurs passages pour obtenir ces lignes noir profond. Puis intervient une \u00e9tape inattendue\u00a0: une boue sp\u00e9ciale dans laquelle elle plonge le tissu pour fixer la couleur.<\/p>\n<p>Le\u00a0jaune vient du <strong>guisador <\/strong>(curcuma), le\u00a0rouge, du <strong>roucou<\/strong>, utilis\u00e9 aussi en cuisine, et\u00a0le vert, <strong>des feuilles cueillies dans la for\u00eat<\/strong>. Trois couleurs essentielles, pr\u00e9cise-t-elle, <em>\u201cparce que la for\u00eat est verte\u201d<\/em>. Chaque pigment est un geste, chaque geste, un\u00a0lien direct avec le\u00a0territoire. Le geste, lui, est d\u2019<strong>une pr\u00e9cision hypnotique<\/strong>. Pas de r\u00e8gle, pas de croquis. Elle trace d\u2019abord \u00e0\u00a0sec, comme une esquisse invisible, puis le dessin \u00e9merge. <em>\u201cC\u2019est comme \u00e9crire\u201d<\/em>, dit-elle.<\/p>\n<figure data-wp-context='{\"imageId\":\"6a0b564e08d12\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e08d12\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"587\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20900%20587'%3E%3C\/svg%3E\" alt=\"Sara Flores, photo de Thibaut Wychowanok.\" class=\"wp-image-842314\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-5.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"587\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-5.jpg\" alt=\"Sara Flores, photo de Thibaut Wychowanok.\" class=\"wp-image-842314\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Photo : Thibaut Wychowanok.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Le motif \u201c<em>ken\u00e9<\/em>\u201d, une langue et une m\u00e9decine<\/h2>\n<p>Ces motifs \u2013\u00a0le\u00a0<em>\u201cken\u00e9\u201d<\/em>\u00a0\u2013 sont au c\u0153ur de son travail.\u00a0Ils\u00a0ne sont pas d\u00e9coratifs. Ils sont une langue. Les <strong>Shipibo<\/strong>, son peuple, racontent qu\u2019autrefois, humains et animaux pouvaient se transformer les uns en les autres et parler une m\u00eame langue. <strong>Une langue faite de motifs<\/strong>. Le\u00a0<em>ken\u00e9<\/em> en serait la\u00a0trace.<\/p>\n<p>Cette langue est aussi <strong>li\u00e9e \u00e0\u00a0l\u2019ayahuasca<\/strong>, une pr\u00e9paration \u00e0\u00a0base de plantes qui induit des \u00e9tats de conscience modifi\u00e9s. Dans ces exp\u00e9riences, les visions deviennent sons, les sons deviennent couleurs. Un\u00a0chant d\u2019oiseau peut appara\u00eetre comme une ligne. <strong>L\u2019art amazonien<\/strong>, au-del\u00e0 des Shipibo, <strong>semble na\u00eetre de ces exp\u00e9riences de transe<\/strong> o\u00f9 l\u2019on acc\u00e8de \u00e0\u00a0d\u2019autres mondes pour ensuite les traduire en images. Le\u00a0mot <em>\u201cteinture\u201d<\/em> est ici r\u00e9v\u00e9lateur\u00a0: il\u00a0d\u00e9signe \u00e0\u00a0la fois une couleur et une m\u00e9decine. Une substance que l\u2019on applique et que l\u2019on peut aussi boire.<\/p>\n<figure data-wp-context='{\"imageId\":\"6a0b564e090af\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e090af\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"587\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20900%20587'%3E%3C\/svg%3E\" alt=\"Sara Flores, photo de Thibaut Wychowanok.\" class=\"wp-image-842316\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-6.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"587\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-6.jpg\" alt=\"Sara Flores, photo de Thibaut Wychowanok.\" class=\"wp-image-842316\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Photo : Thibaut Wychowanok.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Une pratique artistique profond\u00e9ment politique<\/h2>\n<p>Chez les Shipibo, l\u2019art et la gu\u00e9rison rel\u00e8vent d\u2019un m\u00eame\u00a0geste. Matteo Norzi parle d\u2019une <em>\u201cesth\u00e9tique synesth\u00e9sique et \u00e9thique\u201d<\/em>\u00a0: les motifs ne sont pas peints, ils germent. Ils occupent l\u2019espace comme une plante qui pousse, comme des racines qui cherchent leur chemin. Ils imposent un ordre au chaos, \u00e0\u00a0la violence, \u00e0\u00a0l\u2019exploitation, \u00e0\u00a0la rupture du lien avec la\u00a0nature.<\/p>\n<p>Car <strong>l\u2019histoire de Sara Flores <\/strong>n\u2019est pas seulement celle d\u2019une ascension artistique. Elle est ins\u00e9parable d\u2019une histoire plus vaste, souvent violente, celle des <strong>peuples autochtones d\u2019Amazonie<\/strong>. Depuis la colonisation, ces territoires ont \u00e9t\u00e9 <strong>le th\u00e9\u00e2tre d\u2019extractions successives <\/strong>(caoutchouc, bois, p\u00e9trole) accompagn\u00e9es d\u2019esclavage, de\u00a0massacres et de destructions culturelles.<\/p>\n<p>Les <strong>Shipibo-Konibo<\/strong>, comme les autres\u00a0communaut\u00e9s, vivent dans <strong>un syst\u00e8me juridique paradoxal\u00a0<\/strong>: leurs droits sont reconnus en th\u00e9orie, mais rarement appliqu\u00e9s. Ils ne disposent d\u2019aucune repr\u00e9sentation politique r\u00e9elle au niveau national. Les r\u00e9formes agraires ont impos\u00e9 des structures de gouvernance \u00e9trang\u00e8res \u00e0\u00a0leur organisation traditionnelle, fragmentant davantage leur tissu social.<\/p>\n<figure data-wp-context='{\"imageId\":\"6a0b564e09481\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e09481\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20690%20900'%3E%3C\/svg%3E\" alt=\"Sara Flores et sa fille, photographi\u00e9es par Thibaut Wychowanok.\" class=\"wp-image-842308\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-7.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"690\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/SARA-FLORES-7.jpg\" alt=\"Sara Flores et sa fille, photographi\u00e9es par Thibaut Wychowanok.\" class=\"wp-image-842308\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Sara Flores et sa fille, photographi\u00e9es par Thibaut Wychowanok.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">L\u2019\u0153uvre de Sara Flores, une ressource collective<\/h2>\n<p>Et, face aux entreprises extractives, l\u2019asym\u00e9trie d\u2019information est telle que des terres peuvent \u00eatre exploit\u00e9es sans que les communaut\u00e9s voisines en aient connaissance. Dans ce contexte,<strong> l\u2019art devient un outil politique<\/strong>. <em>\u201cEntrer dans le monde de l\u2019art contemporain est une strat\u00e9gie, <\/em>explique <strong>Norzi<\/strong><em>. Une mani\u00e8re de faire reconna\u00eetre des savoirs autochtones comme contemporains, et non comme des reliques du pass\u00e9.<\/em>\u201d<\/p>\n<p>L\u2019\u00e9conomie du travail de Sara est, elle aussi, pens\u00e9e comme un syst\u00e8me de redistribution. <strong>Chaque vente est divis\u00e9e<\/strong>\u00a0: une part pour elle, une pour sa fille et l\u2019enseignement qu\u2019elle effectue au sein de la communaut\u00e9, une pour l\u2019activisme, une pour les frais de fonctionnement et la communication.<\/p>\n<p>L\u2019\u0153uvre devient ressource collective. <strong>La\u00a0Biennale de Venise<\/strong>, o\u00f9\u00a0elle repr\u00e9sente le P\u00e9rou, s\u2019inscrit dans cette logique. Le\u00a0pavillon, intitul\u00e9 \u201cFrom Other Worlds\u201d, vise \u00e0\u00a0repositionner ces pratiques dans le d\u00e9bat global, \u00e0\u00a0<strong>questionner les cadres coloniaux de l\u2019art contemporain<\/strong>. Il\u00a0ne s\u2019agit pas d\u2019int\u00e9grer<strong> <\/strong>Sara Flores au canon occidental, mais de d\u00e9placer ce\u00a0canon.<\/p>\n<figure data-wp-context='{\"imageId\":\"6a0b564e09850\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e09850\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"675\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20900%20675'%3E%3C\/svg%3E\" alt=\"Vue de l'exposition From Other Worlds au Pavillon du P\u00e9rou, Venise.\" class=\"wp-image-842338\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-venise3.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"675\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-venise3.jpg\" alt=\"Vue de l'exposition From Other Worlds au Pavillon du P\u00e9rou, Venise.\" class=\"wp-image-842338\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Vue de l\u2019exposition \u201cFrom Other Worlds\u201d au Pavillon du P\u00e9rou, Venise. \u00a9 Sara Flores. Photo \u00a9 White Cube (Eva Herzog).<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Questionner les cadres coloniaux de l\u2019art contemporain<\/h2>\n<p>Dans l\u2019atelier, ces enjeux semblent pourtant loin. Sara continue de tracer ses lignes, imperturbable. Autour d\u2019elle,\u00a0<strong>les femmes peignent ensemble<\/strong>. Elles rient, parlent, partagent leurs histoires. L\u2019atelier est aussi un lieu de lien, une mati\u00e8re interg\u00e9n\u00e9rationnelle. Sara le dit, toujours simplement\u00a0: <em>\u201cNous ne vivons plus dans la communaut\u00e9 [elle vit en ville]\u2026 mais il ne faut pas abandonner nos coutumes. Nos parents vivaient ensemble, mangeaient ensemble, allaient chercher leur nourriture, invitaient les voisins. C\u2019est ainsi notre coutume.\u201d<\/em> En\u00a0fin de journ\u00e9e, la\u00a0lumi\u00e8re baisse sur la lagune. Les sons de la for\u00eat prennent le relais. Sara continue de travailler, concentr\u00e9e.<\/p>\n<p>\u00c0\u00a0<strong>Venise<\/strong>, son travail prendra aussi une autre forme. <strong>Un\u00a0drapeau<\/strong>. Celui d\u2019une nation autochtone r\u00eav\u00e9e, encore inexistante politiquement, mais d\u00e9j\u00e0 r\u00e9elle symboliquement. Dans ce morceau de tissu, tout se rejoint\u00a0: la\u00a0for\u00eat, les plantes, les lignes, les luttes. Et\u00a0cette question initiale \u2013\u00a0comment passe-t-on de 30\u00a0dollars \u00e0\u00a0150\u00a0000 ?\u00a0\u2013 trouve une r\u00e9ponse plus complexe qu\u2019un simple opportunisme ou mode du march\u00e9. Ce n\u2019est pas seulement une histoire de valeur. <strong>C\u2019est une histoire de regard<\/strong>.<\/p>\n<p>Ce regard, Sara Flores l\u2019a construit tr\u00e8s\u00a0t\u00f4t. N\u00e9e en\u00a01950 dans une communaut\u00e9 de <strong>l\u2019Amazonie p\u00e9ruvienne<\/strong>, elle apprend le <em>ken\u00e9<\/em> aupr\u00e8s de sa m\u00e8re dans un syst\u00e8me matrilin\u00e9aire, comme d\u00e9j\u00e0 dit plus haut, o\u00f9\u00a0le savoir fait l\u2019objet d\u2019une transmission transg\u00e9n\u00e9rationnelle. Tr\u00e8s jeune, elle est initi\u00e9e \u00e0 une forme d\u2019apprentissage o\u00f9 technique et vision sont indissociables\u00a0: le\u00a0geste s\u2019acquiert, mais l\u2019inspiration \u2013\u00a0ce que les Shipibo appellent \u201c<em>shinan\u201d<\/em>\u00a0\u2013 ne\u00a0se transmet pas, elle se\u00a0r\u00e9v\u00e8le.<\/p>\n<figure data-wp-context='{\"imageId\":\"6a0b564e09c45\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"6a0b564e09c45\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"675\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20900%20675'%3E%3C\/svg%3E\" alt=\"Vue de l'exposition From Other Worlds au Pavillon du P\u00e9rou, Venise.\" class=\"wp-image-842340\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-venise5.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"900\" height=\"675\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/sara-flores-venise5.jpg\" alt=\"Vue de l'exposition From Other Worlds au Pavillon du P\u00e9rou, Venise.\" class=\"wp-image-842340\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Vue de l\u2019exposition \u201cFrom Other Worlds\u201d au Pavillon du P\u00e9rou, Venise. \u00a9 Sara Flores. Photo \u00a9 White Cube (Eva Herzog).<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Une nation autochtone r\u00eav\u00e9e<\/h2>\n<p>Or, cette continuit\u00e9 est aujourd\u2019hui menac\u00e9e. <strong>Certaines plantes utilis\u00e9es pour les teintures ont d\u00e9j\u00e0 disparu<\/strong>, victimes de la pollution ou de la transformation des \u00e9cosyst\u00e8mes. Chaque \u0153uvre devient alors aussi la trace d\u2019un environnement en mutation, voire en disparition. \u00c0\u00a0Multiversidad Bakish Mai, cette tension est palpable\u00a0: entre <strong>pr\u00e9servation et adaptation<\/strong>, entre transmission et invention.<\/p>\n<p>Le\u00a0lieu accueille ateliers, rencontres, programmes \u00e9ducatifs. Il\u00a0tente de recr\u00e9er<strong> une forme de communaut\u00e9<\/strong> dans un monde o\u00f9 celle-ci a \u00e9t\u00e9 <strong>fragilis\u00e9e par des d\u00e9cennies de ruptures<\/strong>. Le\u00a0drapeau que Sara pr\u00e9pare pour Venise prolonge ce geste. Il\u00a0ne repr\u00e9sente pas seulement une identit\u00e9, mais une projection. Une tentative de donner une forme visible \u00e0\u00a0une nation dispers\u00e9e, fragment\u00e9e, mais toujours\u00a0vivante.<\/p>\n<p>Dans la p\u00e9nombre de l\u2019atelier, alors que les derniers reflets du jour disparaissent sur la lagune, Sara continue de tracer. Ligne apr\u00e8s ligne, motif apr\u00e8s motif. Comme si, au fond,<strong> la\u00a0v\u00e9ritable valeur de son travail ne r\u00e9sidait pas dans son prix<\/strong>, mais dans cette capacit\u00e9 \u00e0 tenir ensemble ce qui, ailleurs, est s\u00e9par\u00e9\u00a0: l\u2019art et la\u00a0vie, la\u00a0m\u00e9moire et l\u2019avenir, la\u00a0for\u00eat et le\u00a0monde.<\/p>\n<p><em>\u201cFrom Other Worlds\u201d, exposition jusqu\u2019au 22\u00a0novembre au pavillon du P\u00e9rou, <a href=\"https:\/\/www.labiennale.org\/en\" id=\"https:\/\/www.labiennale.org\/en\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale de Venise<\/a>. <\/em><\/p>\n<p><em>\u201cSara Flores\u201d, exposition du 25\u00a0juin au 14\u00a0ao\u00fbt \u00e0\u00a0<a href=\"https:\/\/www.whitecube.com\" id=\"https:\/\/www.whitecube.com\" target=\"_blank\" rel=\"noreferrer noopener\">la\u00a0galerie White Cube<\/a>, New\u00a0York.<\/em><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div 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href=\"https:\/\/numero.com\/art\/numero-art\/le-loewe-foundation-craft-prize-2026-decrypte-par-jack-mccollough-et-lazaro-hernandez\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Jack McCollough et Lazaro Hernandez. \u00a9 Courtesy of Loewe.\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-loewe-1-768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-loewe-1-768x965.jpg\" class=\"img-fluid\" alt=\"Jack McCollough et Lazaro Hernandez. \u00a9 Courtesy of Loewe.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">13<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Le Loewe Foundation Craft Prize 2026 : les directeurs de cr\u00e9ation de Loewe nous racontent l\u2019\u00e9dition de Singapour<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t13 mai 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/artiste-michael-armitage-palazzo-grassi-venise\/\"><\/p>\n<div class=\"container-img\">\n<p>                                                <img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"Portrait de Michael Armitage par Ola Rindal.\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-armitage-.jpg\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-armitage-.jpg\" alt=\"Portrait de Michael Armitage par Ola Rindal.\"><\/p>\n<div class=\"number\">13<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t13 mai 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Michael Armitage au Palazzo Grassi : une expo coup de poing pendant la Biennale de Venise<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/artiste-michael-armitage-palazzo-grassi-venise\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Portrait de Michael Armitage par Ola Rindal.\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-armitage--768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-armitage--768x965.jpg\" class=\"img-fluid\" alt=\"Portrait de Michael Armitage par Ola Rindal.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">13<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Michael Armitage au Palazzo Grassi : une expo coup de poing pendant la Biennale de Venise<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t13 mai 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/stanislava-kovalcikova-prix-reiffers-2026-en-couverture-de-numero-art\/\"><\/p>\n<div class=\"container-img\">\n<p>                                                <img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"Cover Num\u00e9ro art 18 Stanislava Kovalcikova\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-kovalcikova.jpg\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-kovalcikova.jpg\" alt=\"Cover Num\u00e9ro art 18 Stanislava Kovalcikova\"><\/p>\n<div class=\"number\">12<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t12 mai 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Stanislava Kovalcikova, Prix Reiffers 2026, en couverture de Num\u00e9ro art<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/stanislava-kovalcikova-prix-reiffers-2026-en-couverture-de-numero-art\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Cover Num\u00e9ro art 18 Stanislava Kovalcikova\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-kovalcikova-768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-kovalcikova-768x965.jpg\" class=\"img-fluid\" alt=\"Cover Num\u00e9ro art 18 Stanislava Kovalcikova\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">12<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Stanislava Kovalcikova, Prix Reiffers 2026, en couverture de Num\u00e9ro art<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t12 mai 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<div class=\"padding-bottom-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div class=\"ad-responsive\">\n<div id=\"div-gpt-ad-1773673267712-0\" class=\"ads-pub\">\n<p>                        googletag.cmd.push(function () {<br \/>\n                            googletag.display(&#8216;div-gpt-ad-1773673267712-0&#8217;);<br \/>\n                        });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>18 18 googletag.cmd.push(function () { googletag.display(&#8216;div-gpt-ad-1773673590069-0&#8217;); }); Lien copi\u00e9 Num\u00e9ro Art 18 mai 2026 En pleine for\u00eat amazonienne, visite de l\u2019atelier de Sara Flores, artiste coup de c\u0153ur de la Biennale de Venise Depuis la for\u00eat amazonienne jusqu\u2019aux murs de la galerie new-yorkaise White Cube et au pavillon du P\u00e9rou \u00e0 la Biennale de Venise, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,258],"class_list":["post-1941868","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-numero-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1941868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1941868"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1941868\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1941868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1941868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1941868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}