{"id":1935167,"date":"2026-05-14T15:41:06","date_gmt":"2026-05-14T12:41:06","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1935167"},"modified":"2026-05-14T15:41:06","modified_gmt":"2026-05-14T12:41:06","slug":"dior-goes-hollywood","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1935167","title":{"rendered":"Dior Goes Hollywood"},"content":{"rendered":"
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(Runway)<\/p>\n<\/div>\n

Dior Goes Hollywood<\/h1>\n<\/div>\n
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Lights, camera, action. <\/p>\n<\/div>\n

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by Angela Melero<\/a><\/address>\n
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It was expected that Jonathan\u2019s Anderson\u2019s<\/a> first Cruise collection as creative director of Dior would be a dreamy spectacle of epic proportions. Did industry insiders anticipate him taking his lofty vision to Los Angeles? Probably not at first. However, considering the brand\u2019s historic stake in Hollywood, the West Coast pilgrimage is not a far-fetched notion. When hitting the scene with its \u201cNew Look\u201d in the 1947, film stars like Elizabeth Taylor, Rita Hayworth, and Marlene Dietrich were some of the first to cosign the label\u2019s glamorous aesthetic. Dietrich was even famously reported to insist on being dressed in Dior for Alfred Hitchcock\u2019s Stage Fright, <\/em>delivering the now-legendary ultimatum: \u201cNo Dior, no Dietrich.\u201d For Dior\u2019s Cruise 2027, Anderson referenced Dietrich\u2019s no-famous devotion as well as the industry that put the brand on the map.<\/p>\n

The designer set the scene from the jump on the chilly evening of May 13 at the Los Angeles County Museum of Art (LACMA), scattering classic Cadillac convertibles in sherbet colors around the outdoor runway, with dimly lit vintage lamp posts and subtle smoke machines creating a palpable film noir vibe. On each guest\u2019s seat was a mock script for a project named \u201cWilshire Boulevard\u201d tucked under cozy wool Dior blankets. Amidst the chatter of the excited attendees (which included Sabrina Carpenter<\/a>, Miley Cyrus<\/a>, and Mikey Madison) a background track of a director shouting instruction and the familiar boisterous sounds of a sound stage instantly transported you to a different time. <\/p>\n

The runway commenced to the tune of croon-y 1940s love songs, with models emerging from the smoky path in romantic chiffon gowns with giant rosettes accenting the drop-waist silhouettes. Silky bias-cut slips \u2014 a nod to John Galliano\u2019s<\/a> iconic tenure \u2014 embellished with poppy heads read like items pulled directly from the wardrobes of Lana Turner or Sophia Loren. The reference to California\u2019s signature flower was revisited in an even more dramatic fashion later in the show when Anderson sent models down the runway in luminous 3D orange creations that emulated poppy fields in full bloom. <\/p>\n

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