{"id":1925749,"date":"2026-05-08T07:00:23","date_gmt":"2026-05-08T04:00:23","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1925749"},"modified":"2026-05-08T07:00:23","modified_gmt":"2026-05-08T04:00:23","slug":"lykke-li-the-afterparty-review-a-brief-but-heady-last-round-from-the-swedish-alt-pop-icon","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1925749","title":{"rendered":"Lykke Li \u2013 \u2018The Afterparty\u2019 review: a brief but heady last round from the Swedish alt-pop icon"},"content":{"rendered":"

[analyse_image type=”featured” src=”https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/lykke_li_press_album_review_2000.jpg”]<\/p>\n

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\"Lykke
Lykke Li credit: Chlo\u00e9 Le Drezen
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Reviews<\/span>Album Reviews<\/span><\/div>\n<\/div>\n
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Lykke Li \u2013 \u2018The Afterparty\u2019 review: a brief but heady last round from the Swedish alt-pop icon<\/h1>\n<\/div>\n<\/div>\n
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Threatening to be her last, this sixth album from the \u2018I Follow Rivers\u2019 star captures the fear and heartache of the end of the night with strings, beats and love<\/p>\n<\/div>\n<\/div>\n

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By<\/span> Andrew Trendell<\/div>\n<\/div>\n<\/div>\n
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