{"id":1922343,"date":"2026-05-06T08:30:36","date_gmt":"2026-05-06T05:30:36","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1922343"},"modified":"2026-05-06T08:30:36","modified_gmt":"2026-05-06T05:30:36","slug":"rosalia-live-in-london-a-breathtakingly-brilliant-work-of-art","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1922343","title":{"rendered":"Rosal\u00eda live in London: a breathtakingly brilliant work of art"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/Rosalia-O2-Arena-credit-Samir-Hussein.jpg&#8221;]<\/p>\n<article id=\"template-id-3332206\" class=\"post-3332206 tdb_templates type-tdb_templates status-publish post\">\n<div id=\"tdi_65\" class=\"tdc-zone\">\n<div class=\"tdc_zone tdi_66  wpb_row td-pb-row\">\n<div id=\"tdi_67\" class=\"tdc-row stretch_row_1400 td-stretch-content\">\n<div class=\"vc_row tdi_68  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_70  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_single_featured_image tdi_71 tdb-content-horiz-left td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_71\">\n<div class=\"tdb-block-inner td-fix-index\">\n<figure><img decoding=\"async\" loading=\"lazy\" width=\"696\" height=\"442\" class=\"entry-thumb\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/Rosalia-O2-Arena-credit-Samir-Hussein-696x442.jpg\" alt=\"Rosal\u00eda\" title=\"Rosalia O2 Arena credit Samir Hussein\"><figcaption class=\"tdb-caption-text\">Rosal\u00eda credit: Samir Hussein<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_72\" class=\"tdc-row stretch_row\">\n<div class=\"vc_row tdi_73  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_75  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_breadcrumbs tdi_76 td-pb-border-top td_block_template_2 tdb-breadcrumbs \" data-td-block-uid=\"tdi_76\">\n<div class=\"tdb-block-inner td-fix-index\"><span>Reviews<\/span><span>Live Reviews<\/span><\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_title tdi_77 tdb-single-title td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_77\">\n<div class=\"tdb-block-inner td-fix-index\">\n<h1 class=\"tdb-title-text\">Rosal\u00eda live in London: a breathtakingly brilliant work of art<\/h1>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_subtitle tdi_78 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_78\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>The O2, May 5, 2026: the Spanish star brings her ambitious album \u2018Lux\u2019 to life with a performance that turns the arena into a living museum<\/p>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_review_overall tdi_79 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_79\">\n<table class=\"td-review td-fix-index\">\n<tr class=\"td-review-footer rate_stars\">\n<td class=\"td-review-score\">\n<div class=\"td-review-overall\">\n<div class=\"td-review-final-score\">5<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<\/div>\n<div class=\"td_block_wrap tdb_single_author tdi_80 td-pb-border-top td_block_template_2 tdb-post-meta\" data-td-block-uid=\"tdi_80\">\n<div class=\"tdb-block-inner td-fix-index\">\n<div class=\"tdb-author-name-wrap\"><span class=\"tdb-author-by\">By<\/span> Rhian Daly<\/div>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_date tdi_81 td-pb-border-top td_block_template_2 tdb-post-meta\" data-td-block-uid=\"tdi_81\">\n<div class=\"tdb-block-inner td-fix-index\"><time class=\"entry-date updated td-module-date\" datetime=\"2026-05-06T09:30:36+01:00\">6th May 2026<\/time><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_82\" class=\"tdc-row\">\n<div class=\"vc_row tdi_83  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_85  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"td_block_wrap tdb_single_content tdi_86 td-pb-border-top td_block_template_2 td-post-content tagdiv-type\" data-td-block-uid=\"tdi_86\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>Rosal\u00eda\u2019s \u2018Lux\u2019 tour is a work of art. That\u2019s a message the Spanish artist conveys even before she takes the stage \u2013 in place of a support act, classical music plays over the PA, while the stage is covered by what looks like the back of a painter\u2019s canvas. It gives the impression that, while the audience waits for the show to begin, a masterpiece is being prepared on the other side.<\/p>\n<ul>\n<li><strong>READ MORE:\u00a0<\/strong><strong>Rosal\u00eda \u2013 \u2018Lux\u2019 review: an arresting album of astonishing scope and ambition<\/strong><\/li>\n<\/ul>\n<p>Once things do kick off, it\u2019s hard to argue: Largely dedicated to the songs from Rosal\u00eda\u2019s astonishing and artful 2025 album \u2018Lux\u2019, which found her singing in 13 languages and mixing cool with classical, tonight\u2019s (May 5) show practically turns The O2 into a museum.<\/p>\n<div class=\"td-a-ad id_inline_ad0 id_ad_content-horiz-center\"><span class=\"td-adspot-title\">Advertisement<\/span><\/div>\n<p>When the two sides of the canvas split to show what\u2019s hiding behind, we\u2019re greeted by blocks draped with dust covers. Dancers pull a sheet off one box, lift its lid and dismantle its sides to reveal tonight\u2019s architect in tutu and ballet shoes, poised on a plinth. It\u2019s from here Rosal\u00eda delivers the first few songs of the night \u2013 \u2018Sexo, Violencia y Llantas\u2019, \u2018Reliquia\u2019 and half of \u2018Porcelana\u2019 \u2013 gradually loosening up like a sculpture coming to life. As she begins to move around the stage, graceful ballet transitions into powerful modern dance, dust (or an effect made to look like it) fluttering around her.<\/p>\n<p>This is a breathtaking show through and through. An orchestra guides the songs from the centre of the arena floor, but that doesn\u2019t stop the intense bass and beats on songs like \u2018Divinize\u2019 from thumping through your chest. Each track is given the treatment it needs to really land \u2013 \u2018Mio Cristo Piange Diamanti\u2019 has Rosal\u00eda on stage alone, shrouded in a white robe, the diamond tears she sings of twinkling in her eyes; \u2018Berghain\u2019 begins with her in a pile of bodies, moving as one, before an industrial dance break outro turns this faux-museum into a club. A cover of Frankie Valli\u2019s \u2018Can\u2019t Take My Eyes Off You\u2019 seems slightly random on Setlist.fm, but the 33-year-old uses it to position herself as the art, standing in a picture frame to perform it as a group of \u201ctourists\u201d gawps.<\/p>\n<figure id=\"attachment_3944205\" aria-describedby=\"caption-attachment-3944205\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3944205\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/Rosalia-O2-Arena-013-credit-Samir-Hussein.jpg\" alt=\"Rosal\u00eda\" width=\"2000\" height=\"1270\"><figcaption id=\"caption-attachment-3944205\" class=\"wp-caption-text\">Rosal\u00eda credit: Samir Hussein<\/figcaption><\/figure>\n<p>As poignant and powerful as this performance is, there is also plenty of levity. Before \u2018Sauvignon Blanc\u2019, Rosal\u00eda sits on top of a grand piano and asks the audience to teach her how to do an English accent. When she accidentally chooses a fan from Rome who wants to teach her Italian instead, she rolls with it, then downs the contents of a large wine glass. Moments earlier, she invites Lola Young on stage to join her in a confession booth. When the British musician dishes about finding out the man she was sleeping with was married with kids, Rosal\u00eda\u2019s reactions are gold \u2013 shocked facial expressions delivered to camera as if she\u2019s in her own episode of <em>The Office<\/em>.<\/p>\n<p>Although tonight is largely focused on \u2018Lux\u2019, a few songs from the rest of Rosal\u00eda\u2019s discography sneak into the setlist too, to make this a slightly broader retrospective. The Spanish guitars of \u2018Los Angeles\u2019\u2019 \u2018El redentor\u2019 get a rocky makeover, its creator\u2019s vocals storming over the top. \u2018CUUUUuuuuuute\u2019 closes out a section where she performs from among the orchestra, a speaker adorned with flashing lights and billowing with smoke swinging over her head as the experimental, club-ready song takes the set into brasher territory.<\/p>\n<div class=\"td-a-ad id_inline_ad1 id_ad_content-horiz-center\">\n<h5 class=\"taboola-mid-article-title\">Recommended<\/h5>\n<\/div>\n<p>The final two-song act takes the beauty of the night, if possible, even higher. In \u2018Focu \u2018Ranni\u2019, she matches lyrics about maintaining your freedom (\u201c<em>I will not be your other half \/ Never your property<\/em>\u201d) with dashing dancers, liberated and uncontrolled. As it reaches its end, she climbs to the top of a block of stairs, and still wearing white angel wings, falls off the back into nothingness. Moments later, she reappears for a gorgeous, concluding \u2018Magnolias\u2019, backing into a bright white light that adds a holy touch. A true masterpiece.<\/p>\n<h3><strong>Rosal\u00eda played:\u00a0<\/strong><\/h3>\n<p>\u2018Sexo, Violencia y Llantas\u2019<br \/>\n\u2018Reliquia\u2019<br \/>\n\u2018Porcelana\u2019<br \/>\n\u2018Divinize\u2019<br \/>\n\u2018Mio Cristo Piange Diamanti\u2019<br \/>\n\u2018Saoko\u2019<br \/>\n\u2018La Fama\u2019<br \/>\n\u2018La Combi Versace\u2019<br \/>\n\u2018De Madrug\u00e1\u2019<br \/>\n\u2018El redentor\u2019<br \/>\n\u2018Can\u2019t Take My Eyes Off You\u2019<br \/>\n\u2018La Perla\u2019<br \/>\n\u2018Sauvignon Blanc\u2019<br \/>\n\u2018La Yugular\u2019<br \/>\n\u2018Dios Es Un Stalker\u2019<br \/>\n\u2018La Rumba Del Perd\u00f3n\u2019<br \/>\n\u2018CUUUUuuuuuute\u2019<br \/>\n\u2018Bizcochito\u2019<br \/>\n\u2018Despech\u00e1\u2019<br \/>\n\u2018Focu \u2018Ranni\u2019<br \/>\n\u2018Magnolias\u2019<\/p>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap tdb_single_tags tdi_87 td-pb-border-top td_block_template_2\" data-td-block-uid=\"tdi_87\">\n<div class=\"tdb-block-inner td-fix-index\">\n<ul class=\"tdb-tags\">\n<li><span>Related Topics<\/span><\/li>\n<li>Pop<\/li>\n<li>Rosalia<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"tdi_88\" class=\"tdc-row\">\n<div class=\"vc_row tdi_89  wpb_row td-pb-row\">\n<div class=\"vc_column tdi_91  wpb_column vc_column_container tdc-column td-pb-span12\">\n<div class=\"wpb_wrapper\">\n<div class=\"vc_row_inner tdi_93  vc_row vc_inner wpb_row td-pb-row\">\n<div class=\"vc_column_inner tdi_95  wpb_column vc_column_container tdc-inner-column td-pb-span12\">\n<div class=\"vc_column-inner\">\n<div class=\"wpb_wrapper\">\n<div class=\"wpb_wrapper td_block_wrap vc_raw_html tdi_97 \">\n<div class=\"td-fix-index\">\n<h3>More Stories<\/h3>\n<\/div>\n<\/div>\n<div class=\"td_block_wrap td_flex_block_1 tdi_98 td-pb-border-top td_module_flex_1--card td_module_flex_1--card--highlight td_block_template_2 tdc-no-posts td_flex_block\" data-td-block-uid=\"tdi_98\">\n<div id=\"tdi_98\" class=\"td_block_inner td-mc1-wrap\">\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Olivia Rodrigo adds extra London shows to 2027 UK tour due to demand<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Kneecap in race for UK Number One album ahead of Melanie C and Michael Jackson<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Album Reviews<\/p>\n<h3 class=\"entry-title td-module-title\">Zara Larsson \u2013 \u2018Midnight Sun: Girls Trip\u2019 review: reinvigorated pop queen drives us into a red-hot Eurosummer<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Lizzo will not back down in backup dancers lawsuit: \u201cThe truth is less salacious than the headlines\u201d<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"td_module_flex td_module_flex_1 td_module_wrap td-animation-stack\">\n<div class=\"td-module-container td-category-pos-above\">\n<div class=\"td-module-meta-info\">\n                    Music News<\/p>\n<h3 class=\"entry-title td-module-title\">Victoria Beckham hints that Spice Girls could do an \u2018ABBA Voyage\u2019-style hologram show<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div 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class=\"td-page-meta\"><\/span><\/span><span class=\"td-page-meta\"><\/span><span class=\"td-page-meta\"><span class=\"td-page-meta\"><\/span><span><\/span><\/span><span class=\"td-page-meta\"><\/span><\/article>\n<\/p>\n<div class=\"td_block_wrap tdb_single_content tdi_86 td-pb-border-top td_block_template_2 td-post-content tagdiv-type\" data-td-block-uid=\"tdi_86\">\n<div class=\"tdb-block-inner td-fix-index\">\n<p>Rosal\u00eda\u2019s \u2018Lux\u2019 tour is a work of art. That\u2019s a message the Spanish artist conveys even before she takes the stage \u2013 in place of a support act, classical music plays over the PA, while the stage is covered by what looks like the back of a painter\u2019s canvas. It gives the impression that, while the audience waits for the show to begin, a masterpiece is being prepared on the other side.<\/p>\n<ul>\n<li><strong>READ MORE:\u00a0<\/strong><strong>Rosal\u00eda \u2013 \u2018Lux\u2019 review: an arresting album of astonishing scope and ambition<\/strong><\/li>\n<\/ul>\n<p>Once things do kick off, it\u2019s hard to argue: Largely dedicated to the songs from Rosal\u00eda\u2019s astonishing and artful 2025 album \u2018Lux\u2019, which found her singing in 13 languages and mixing cool with classical, tonight\u2019s (May 5) show practically turns The O2 into a museum.<\/p>\n<div class=\"td-a-ad id_inline_ad0 id_ad_content-horiz-center\"><span class=\"td-adspot-title\">Advertisement<\/span><\/div>\n<p>When the two sides of the canvas split to show what\u2019s hiding behind, we\u2019re greeted by blocks draped with dust covers. Dancers pull a sheet off one box, lift its lid and dismantle its sides to reveal tonight\u2019s architect in tutu and ballet shoes, poised on a plinth. It\u2019s from here Rosal\u00eda delivers the first few songs of the night \u2013 \u2018Sexo, Violencia y Llantas\u2019, \u2018Reliquia\u2019 and half of \u2018Porcelana\u2019 \u2013 gradually loosening up like a sculpture coming to life. As she begins to move around the stage, graceful ballet transitions into powerful modern dance, dust (or an effect made to look like it) fluttering around her.<\/p>\n<p>This is a breathtaking show through and through. An orchestra guides the songs from the centre of the arena floor, but that doesn\u2019t stop the intense bass and beats on songs like \u2018Divinize\u2019 from thumping through your chest. Each track is given the treatment it needs to really land \u2013 \u2018Mio Cristo Piange Diamanti\u2019 has Rosal\u00eda on stage alone, shrouded in a white robe, the diamond tears she sings of twinkling in her eyes; \u2018Berghain\u2019 begins with her in a pile of bodies, moving as one, before an industrial dance break outro turns this faux-museum into a club. A cover of Frankie Valli\u2019s \u2018Can\u2019t Take My Eyes Off You\u2019 seems slightly random on Setlist.fm, but the 33-year-old uses it to position herself as the art, standing in a picture frame to perform it as a group of \u201ctourists\u201d gawps.<\/p>\n<figure id=\"attachment_3944205\" aria-describedby=\"caption-attachment-3944205\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3944205\" src=\"https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/Rosalia-O2-Arena-013-credit-Samir-Hussein.jpg\" alt=\"Rosal\u00eda\" width=\"2000\" height=\"1270\"><figcaption id=\"caption-attachment-3944205\" class=\"wp-caption-text\">Rosal\u00eda credit: Samir Hussein<\/figcaption><\/figure>\n<p>As poignant and powerful as this performance is, there is also plenty of levity. Before \u2018Sauvignon Blanc\u2019, Rosal\u00eda sits on top of a grand piano and asks the audience to teach her how to do an English accent. When she accidentally chooses a fan from Rome who wants to teach her Italian instead, she rolls with it, then downs the contents of a large wine glass. Moments earlier, she invites Lola Young on stage to join her in a confession booth. When the British musician dishes about finding out the man she was sleeping with was married with kids, Rosal\u00eda\u2019s reactions are gold \u2013 shocked facial expressions delivered to camera as if she\u2019s in her own episode of <em>The Office<\/em>.<\/p>\n<p>Although tonight is largely focused on \u2018Lux\u2019, a few songs from the rest of Rosal\u00eda\u2019s discography sneak into the setlist too, to make this a slightly broader retrospective. The Spanish guitars of \u2018Los Angeles\u2019\u2019 \u2018El redentor\u2019 get a rocky makeover, its creator\u2019s vocals storming over the top. \u2018CUUUUuuuuuute\u2019 closes out a section where she performs from among the orchestra, a speaker adorned with flashing lights and billowing with smoke swinging over her head as the experimental, club-ready song takes the set into brasher territory.<\/p>\n<div class=\"td-a-ad id_inline_ad1 id_ad_content-horiz-center\">\n<h5 class=\"taboola-mid-article-title\">Recommended<\/h5>\n<\/div>\n<p>The final two-song act takes the beauty of the night, if possible, even higher. In \u2018Focu \u2018Ranni\u2019, she matches lyrics about maintaining your freedom (\u201c<em>I will not be your other half \/ Never your property<\/em>\u201d) with dashing dancers, liberated and uncontrolled. As it reaches its end, she climbs to the top of a block of stairs, and still wearing white angel wings, falls off the back into nothingness. Moments later, she reappears for a gorgeous, concluding \u2018Magnolias\u2019, backing into a bright white light that adds a holy touch. A true masterpiece.<\/p>\n<h3><strong>Rosal\u00eda played:\u00a0<\/strong><\/h3>\n<p>\u2018Sexo, Violencia y Llantas\u2019<br \/>\n\u2018Reliquia\u2019<br \/>\n\u2018Porcelana\u2019<br \/>\n\u2018Divinize\u2019<br \/>\n\u2018Mio Cristo Piange Diamanti\u2019<br \/>\n\u2018Saoko\u2019<br \/>\n\u2018La Fama\u2019<br \/>\n\u2018La Combi Versace\u2019<br \/>\n\u2018De Madrug\u00e1\u2019<br \/>\n\u2018El redentor\u2019<br \/>\n\u2018Can\u2019t Take My Eyes Off You\u2019<br \/>\n\u2018La Perla\u2019<br \/>\n\u2018Sauvignon Blanc\u2019<br \/>\n\u2018La Yugular\u2019<br \/>\n\u2018Dios Es Un Stalker\u2019<br \/>\n\u2018La Rumba Del Perd\u00f3n\u2019<br \/>\n\u2018CUUUUuuuuuute\u2019<br \/>\n\u2018Bizcochito\u2019<br \/>\n\u2018Despech\u00e1\u2019<br \/>\n\u2018Focu \u2018Ranni\u2019<br \/>\n\u2018Magnolias\u2019<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.nme.com\/reviews\/live\/rosalia-lux-tour-london-live-review-setlist-photos-3944203&#8243;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.nme.com\/wp-content\/uploads\/2026\/05\/Rosalia-O2-Arena-credit-Samir-Hussein.jpg&#8221;] Rosal\u00eda credit: Samir Hussein ReviewsLive Reviews Rosal\u00eda live in London: a breathtakingly brilliant work of art The O2, May 5, 2026: the Spanish star brings her ambitious album \u2018Lux\u2019 to life with a performance that turns the arena into a living museum 5 By Rhian Daly 6th May 2026 Rosal\u00eda\u2019s \u2018Lux\u2019 tour [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,78],"class_list":["post-1922343","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-nme-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1922343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1922343"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1922343\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1922343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1922343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1922343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}