{"id":1920715,"date":"2026-03-27T02:26:00","date_gmt":"2026-03-26T23:26:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1920715"},"modified":"2026-03-27T02:26:00","modified_gmt":"2026-03-26T23:26:00","slug":"la-tova-foundation-devoile-la-scene-kazakhstanaise-a-la-biennale-de-venise","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1920715","title":{"rendered":"La TOVA Foundation d\u00e9voile la sc\u00e8ne kazakhstanaise \u00e0 la Biennale de Venise"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"408\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20408'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Sayan Baigaliyev. From the Room (2022)\" data-lazy-srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/push-TOVA-768x490.jpg 768w, https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/push-TOVA-1024x654.jpg 1024w, https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/push-TOVA.jpg 1864w\" data-lazy-sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/push-TOVA-768x490.jpg\"><img decoding=\"async\" width=\"640\" height=\"408\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/push-TOVA-768x490.jpg\" class=\"img-fluid\" alt=\"Sayan Baigaliyev. From the Room (2022)\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">6<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Transparent vase (2026) de Sayan Baigaliyev.\" data-lazy-srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-TOVA-768x965.jpg 768w, https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-TOVA-815x1024.jpg 815w, https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-TOVA.jpg 1300w\" data-lazy-sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-TOVA-768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/thumb-TOVA-768x965.jpg\" class=\"img-fluid\" alt=\"Transparent vase (2026) de Sayan Baigaliyev.\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">6<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div id=\"div-gpt-ad-1773673590069-0\" class=\"px-0\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1773673590069-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"share-widget\" data-lazy-src=\"\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/share.svg\"><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"copy-link\" data-lazy-src=\"\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\"><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/art\/numero-art\/la-tova-foundation-exposition-scene-kazakhstanaise-biennale-de-venise\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"facebook\" data-lazy-src=\"\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/art\/numero-art\/la-tova-foundation-exposition-scene-kazakhstanaise-biennale-de-venise\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%200%200'%3E%3C\/svg%3E\" alt=\"twitter\" data-lazy-src=\"\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/art\/numero-art\/\">Num\u00e9ro Art<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t6 mai 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>La TOVA Foundation d\u00e9voile la sc\u00e8ne kazakhstanaise \u00e0 la Biennale de Venise<\/h1>\n<div class=\"introduction\">\n<p>Le 7 mai, \u00e0 Venise, la TOVA Foundation pr\u00e9sente Trading Treasures, un \u00e9v\u00e9nement qui met en lumi\u00e8re la sc\u00e8ne kazakhstanaise encore trop m\u00e9connue \u00e0 travers deux artistes, Sayan Baigaliyev et Saule Suleimenova.<\/p>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tPar\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/numero.com\/contributeur\/thibaut-wychowanok\/\">Thibaut Wychowanok<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<div id=\"ads03\" class=\"mobile\">\n<div class=\"ad-wrapper\">\n<div class=\"ad interscroller desktop\">\n<\/div>\n<p><!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div id=\"div-gpt-ad-1773673675628-0\" class=\"ads-pub\">\n<p>        googletag.cmd.push(function () {<br \/>\n            googletag.display(&#8216;div-gpt-ad-1773673675628-0&#8217;);<br \/>\n        });<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure data-wp-context='{\"imageId\":\"69fb325165ccd\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69fb325165ccd\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"871\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%201024%20871'%3E%3C\/svg%3E\" alt=\"My Maternal Identity (Novosibirsk Tatars at Picnic, 1928) [2023] de Saule Suleimenova. \" class=\"wp-image-839713\" data-lazy-srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/Saule-Suleimenova-My-Maternal-Identity-1024x871.jpg 1024w, https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/Saule-Suleimenova-My-Maternal-Identity-768x653.jpg 768w\" data-lazy-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/Saule-Suleimenova-My-Maternal-Identity-1024x871.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"871\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/Saule-Suleimenova-My-Maternal-Identity-1024x871.jpg\" alt=\"My Maternal Identity (Novosibirsk Tatars at Picnic, 1928) [2023] de Saule Suleimenova. \" class=\"wp-image-839713\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Saule Suleimenova, <em>My Maternal Identity (Novosibirsk Tatars at Picnic, 1928)<\/em> (2023). Sacs plastique en poly\u00e9thyl\u00e8ne recycl\u00e9, 150 \u00d7 150 cm. \u00a9 Courtesy of the artists and TOVA Foundation.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">La TOVA Foundation, un levier pour la sc\u00e8ne kazakhstanaise<\/h2>\n<p>Fond\u00e9e par <strong>Togzhan Wertheimer<\/strong>, la <strong>TOVA Foundation<\/strong> s\u2019impose comme l\u2019un des nouveaux vecteurs de visibilit\u00e9 de <strong>la sc\u00e8ne kazakhstanaise<\/strong>. \u00c0 la crois\u00e9e de la production, de la recherche et du networking, la\u00a0structure agit comme un\u00a0v\u00e9ritable catalyseur, accompagnant artistes et curateurs \u00e0\u00a0diff\u00e9rents moments de leur trajectoire.<\/p>\n<p>Dans un\u00a0paysage encore marginalis\u00e9 sur la carte globale de l\u2019<a href=\"https:\/\/numero.com\/category\/art\/\" id=\"https:\/\/numero.com\/category\/art\/\" target=\"_blank\" rel=\"noreferrer noopener\">art<\/a> contemporain, elle orchestre des circulations, cr\u00e9e des ponts, et\u00a0inscrit progressivement le Kazakhstan dans une g\u00e9ographie culturelle \u00e9largie. <\/p>\n<p>C\u2019est dans cet esprit qu\u2019elle prend ses quartiers \u00e0\u00a0Venise\u00a0pendant<strong>\u00a0la Biennale<\/strong> avec l\u2019exposition \u201cTrading Treasures\u201d, le\u00a07\u00a0mai, \u00e0 <strong>la Casa dei Tre Oci<\/strong>. Plus qu\u2019un simple vernissage, l\u2019\u00e9v\u00e9nement se pense comme un espace de connexions. Ici, les \u0153uvres ne sont qu\u2019un point de d\u00e9part\u00a0: ce\u00a0sont les \u00e9changes, les affinit\u00e9s et les r\u00e9cits qui circulent, en \u00e9cho aux anciennes routes commerciales entre l\u2019Asie et l\u2019Europe.<\/p>\n<figure data-wp-context='{\"imageId\":\"69fb32516614a\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69fb32516614a\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"915\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20915%201024'%3E%3C\/svg%3E\" alt=\"Transparent vase (2026) de Sayan Baigaliyev.\" class=\"wp-image-839716\" data-lazy-srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/transparent-vase-sayan-baigaliyev-915x1024.jpg 915w, https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/transparent-vase-sayan-baigaliyev-768x860.jpg 768w\" data-lazy-sizes=\"(max-width: 915px) 100vw, 915px\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/transparent-vase-sayan-baigaliyev-915x1024.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"915\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/05\/transparent-vase-sayan-baigaliyev-915x1024.jpg\" alt=\"Transparent vase (2026) de Sayan Baigaliyev.\" class=\"wp-image-839716\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Sayan Baigaliyev, <em>Transparent vase<\/em> (2026). Huile sur bois, 121 \u00d7 63 \u00d7 103 cm. \u00a9 Courtesy of the artists and TOVA Foundation.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Deux artistes kazakhstanais au c\u0153ur du dispositif<\/h2>\n<p>Le dispositif s\u2019articule autour de deux artistes. <strong>Saule Suleimenova<\/strong> y d\u00e9voile cinq pi\u00e8ces r\u00e9alis\u00e9es \u00e0 partir de sacs plastiques recycl\u00e9s. \u00c0\u00a0premi\u00e8re vue, des tableaux presque classiques\u00a0; \u00e0\u00a0y regarder de plus pr\u00e8s, une mati\u00e8re charg\u00e9e d\u2019histoires. <\/p>\n<p>Le\u00a0plastique, d\u00e9riv\u00e9 direct du p\u00e9trole \u2013\u00a0ressource centrale du pays\u00a0\u2013 devient le support d\u2019<strong>une lecture politique et sociale<\/strong>, tout en conservant les\u00a0traces d\u2019une \u00e9conomie globale, logos et fragments de consommation comme autant de vestiges contemporains. <\/p>\n<p>En contrepoint, <strong>Sayan Baigaliyev<\/strong> d\u00e9ploie un langage plus formel. Entre peinture et volume, ses \u0153uvres construisent<strong> des espaces instables<\/strong>, jouant d\u2019illusions tridimensionnelles et de perspectives fragment\u00e9es. <\/p>\n<p>Dans une filiation post-cubiste, son travail questionne la mat\u00e9rialit\u00e9 m\u00eame du r\u00e9el, jusqu\u2019\u00e0\u00a0en sugg\u00e9rer sa dissolution. \u00c0 Venise, <strong>la TOVA Foundation<\/strong> ne se contente pas d\u2019exposer\u00a0: elle <strong>met en sc\u00e8ne une dynamique<\/strong>. Celle d\u2019une sc\u00e8ne \u00e9mergente qui s\u2019\u00e9crit au pr\u00e9sent, entre ancrage local et projection internationale.<\/p>\n<p><em>\u201cTrading Treasures\u201d, exposition le 7 mai 2026 \u00e0\u00a0<a href=\"https:\/\/berggruen.org\/casa-dei-tre-oci\" id=\"https:\/\/berggruen.org\/casa-dei-tre-oci\" target=\"_blank\" rel=\"noreferrer noopener\">la Casa dei Tre Oci<\/a>, Venise.<\/em><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div class=\"title\">Recommand\u00e9<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/interview-daniel-roseberry-schiaparelli-exposition-londres\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt 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class=\"img-fluid\" alt data-lazy-srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-exposition-andre-leon-talley-scad-lacoste-caftan-balenciaga-nicolas-ghesquiere-768x965.jpg 768w, https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-exposition-andre-leon-talley-scad-lacoste-caftan-balenciaga-nicolas-ghesquiere-815x1024.jpg 815w, https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-exposition-andre-leon-talley-scad-lacoste-caftan-balenciaga-nicolas-ghesquiere.jpg 1300w\" data-lazy-sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-exposition-andre-leon-talley-scad-lacoste-caftan-balenciaga-nicolas-ghesquiere-768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-exposition-andre-leon-talley-scad-lacoste-caftan-balenciaga-nicolas-ghesquiere-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">8<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Mode<\/p>\n<h3 class=\"post-title\">Le jour o\u00f9 Andr\u00e9 Leon Talley a fait du caftan son uniforme<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t8 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"padding-top-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1773673267712-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function () {<br \/>\n                        googletag.display(&#8216;div-gpt-ad-1773673267712-0&#8217;);<br \/>\n                    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src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt data-lazy-srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-artiste-georg-baselitz-interview-disparition-768x965.jpg 768w, https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-artiste-georg-baselitz-interview-disparition-815x1024.jpg 815w, https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-artiste-georg-baselitz-interview-disparition.jpg 1300w\" data-lazy-sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-artiste-georg-baselitz-interview-disparition-768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-artiste-georg-baselitz-interview-disparition-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">30<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Georg Baselitz : hommage \u00e0 un artiste aussi mythique que scandaleux<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t30 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/epladji-diaby-lafayette-anticipations\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Portrait de Ladji Diaby.\" data-lazy-srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/ladji-diaby-thumb-1-768x965.jpg 768w, 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width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/ladji-diaby-thumb-1-768x965.jpg\" class=\"img-fluid\" alt=\"Portrait de Ladji Diaby.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">30<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Ladji Diaby expose ses reliques chin\u00e9es et recycl\u00e9es \u00e0\u00a0Lafayette Anticipations<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t30 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/exposition-prix-reiffers-initiatives-2026-stanislava-kovalcikova\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Vernissage de l'exposition Trafiquer l'inconnu.\" data-lazy-srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026-768x965.jpg 768w, https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026-815x1024.jpg 815w, https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026.jpg 1300w\" data-lazy-sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026-768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026-768x965.jpg\" class=\"img-fluid\" alt=\"Vernissage de l'exposition Trafiquer l'inconnu.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">17<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Art &amp; Design<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t17 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Le Prix Reiffers Initiatives r\u00e9compense l\u2019artiste Stanislava Kovalcikova<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/exposition-prix-reiffers-initiatives-2026-stanislava-kovalcikova\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"804\" src=\"\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%20640%20804'%3E%3C\/svg%3E\" class=\"img-fluid\" alt=\"Vernissage de l'exposition Trafiquer l'inconnu.\" data-lazy-srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026-768x965.jpg 768w, https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026-815x1024.jpg 815w, https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026.jpg 1300w\" data-lazy-sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-lazy-src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026-768x965.jpg\"><img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-vernissage-prix-reiffers-2026-768x965.jpg\" class=\"img-fluid\" alt=\"Vernissage de l'exposition Trafiquer l'inconnu.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">17<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Art &amp; Design<\/p>\n<h3 class=\"post-title\">Le Prix Reiffers Initiatives r\u00e9compense l\u2019artiste Stanislava Kovalcikova<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t17 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<div class=\"padding-bottom-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1773673267712-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function () {<br \/>\n                        googletag.display(&#8216;div-gpt-ad-1773673267712-0&#8217;);<br \/>\n                    });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>6 6 googletag.cmd.push(function () { googletag.display(&#8216;div-gpt-ad-1773673590069-0&#8217;); }); Lien copi\u00e9 Num\u00e9ro Art 6 mai 2026 La TOVA 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