{"id":1919682,"date":"2026-05-05T10:00:07","date_gmt":"2026-05-05T07:00:07","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1919682"},"modified":"2026-05-05T10:00:07","modified_gmt":"2026-05-05T07:00:07","slug":"the-carnegie-international-makes-its-mark","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1919682","title":{"rendered":"The Carnegie International Makes Its Mark"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;]<\/p>\n<p><main class=\"gh-main\"><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">The Carnegie International Makes Its Mark<\/h1>\n<p class=\"gh-article-excerpt is-body\">Artists protest the Met Gala, Iran exits the Venice Biennale, and MoMA\u2019s Duchamp survey leaves us feeling blue.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-05-05\">May 5, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>Pittsburgh is a hidden art gem, and critic Ed Simon has proof. The Carnegie International \u2014 the oldest survey of its kind in the country \u2014 brings work by 61 artists from around the world to the Steel City, a hub independent of the New York and LA art scenes. Read his review of this year\u2019s edition, \u201cwhere the personal is political.\u201d<\/p>\n<p>In the wake of the annual \u201cmoral shit show\u201d that is the Met Gala \u2014 in the words of one protest sign last night \u2014 we report on a heavily costumed action against Jeff Bezos blocks away from the museum steps, and a guerrilla projection on the billionaire&#8217;s penthouse. Read on for Editor-in-Chief Hakim Bishara\u2019s reflections on the Marcel Duchamp show at MoMA, and keep an eye out for our Venice Biennale coverage later this week!<\/p>\n<p><em>\u2014Lakshmi Rivera Amin, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/carnegie-1200x675.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Painting from Khalil Rabah\u2019s 2025 series <\/span><i><em class=\"italic\">Making a Right Heart<\/em><\/i><span>, oil on canvas (photo Ed Simon\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"the-carnegie-international-looks-back-at-itself\">The Carnegie International Looks Back at Itself<\/h3>\n<p>The 59th iteration captures some of the excitement of earlier exhibitions, providing vital commentary on issues of authoritarianism and militarism. | Ed Simon<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/Center-for-Craft-ad-1.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Call for Applications: 2026 Craft Archive Fellowship<\/strong><\/b><\/p>\n<p><span>The Center for Craft will award up to four $5,000 fellowships to support research on underrepresented craft histories, culminating in an article on Hyperallergic.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/image-3-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Rise and Resist activists hold up a sign at a protest near the Met Gala on May 4, 2026.<\/span><\/figcaption><\/figure>\n<ul>\n<li>A small but rollicking protest against Jeff Bezos, who co-chaired this year&#8217;s Met Gala, unfolded blocks from the museum while celebrities filed into the event last night. On Sunday, a series of projections condemning Amazon lit up the billionaire\u2019s Madison Square Park luxury residence. <\/li>\n<li>Iran withdrew from the national pavilion exhibition at the Venice Biennale, which opens for previews today.<\/li>\n<li>MoMA PS1 will present the first United States survey of\u00a0Mexican artist Teresa Margolles\u00a0bringing together several works at the intersection of grief, violence, and the US-Mexico border.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/Duchamp-newsletter-image-3.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>New York subway commuters passing by an ad for a Marcel Duchamp exhibition at the Museum of Modern Art (photo Hakim Bishara\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>) <\/span><\/figcaption><\/figure>\n<h3 id=\"i%E2%80%99ve-got-the-post-duchamp-blues\">I\u2019ve Got the Post-Duchamp Blues<\/h3>\n<p>MoMA\u2019s Marcel Duchamp show made me long for those simpler times when \u201celiminating the artist\u2019s hand\u201d provided a pathway back to the true self. | Hakim Bishara <\/p>\n<h3 id=\"is-this-what-%E2%80%9Cmade-in-america%E2%80%9D-looks-like\">Is This What \u201cMade in America\u201d Looks Like?<\/h3>\n<p>Christopher Payne\u2019s photographs at Cooper Hewitt sidestep questions of economic uncertainty and geopolitical strife to spotlight the craftsmanship of factory workers. | Julie Schneider<\/p>\n<hr>\n<h2 id=\"icymi\">ICYMI<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/guide-to-biennale-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Sculptures by Manolo Vald\u00e9s in Piazza San Marco as part of the 2022 Venice Biennale (photo Hrag Vartanian\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"hyperallergic%E2%80%99s-guide-to-the-2026-venice-biennale\">Hyperallergic\u2019s Guide to the 2026 Venice Biennale<\/h3>\n<p>Here\u2019s what to see and do at this year\u2019s edition, including national pavilions, collateral exhibitions, and notable events. | Hrag Vartanian<\/p>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">The Carnegie International Makes Its Mark<\/h1>\n<p class=\"gh-article-excerpt is-body\">Artists protest the Met Gala, Iran exits the Venice Biennale, and MoMA\u2019s Duchamp survey leaves us feeling blue.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-05-05\">May 5, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>Pittsburgh is a hidden art gem, and critic Ed Simon has proof. The Carnegie International \u2014 the oldest survey of its kind in the country \u2014 brings work by 61 artists from around the world to the Steel City, a hub independent of the New York and LA art scenes. Read his review of this year\u2019s edition, \u201cwhere the personal is political.\u201d<\/p>\n<p>In the wake of the annual \u201cmoral shit show\u201d that is the Met Gala \u2014 in the words of one protest sign last night \u2014 we report on a heavily costumed action against Jeff Bezos blocks away from the museum steps, and a guerrilla projection on the billionaire&#8217;s penthouse. Read on for Editor-in-Chief Hakim Bishara\u2019s reflections on the Marcel Duchamp show at MoMA, and keep an eye out for our Venice Biennale coverage later this week!<\/p>\n<p><em>\u2014Lakshmi Rivera Amin, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/carnegie-1200x675.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Painting from Khalil Rabah\u2019s 2025 series <\/span><i><em class=\"italic\">Making a Right Heart<\/em><\/i><span>, oil on canvas (photo Ed Simon\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"the-carnegie-international-looks-back-at-itself\">The Carnegie International Looks Back at Itself<\/h3>\n<p>The 59th iteration captures some of the excitement of earlier exhibitions, providing vital commentary on issues of authoritarianism and militarism. | Ed Simon<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/Center-for-Craft-ad-1.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Call for Applications: 2026 Craft Archive Fellowship<\/strong><\/b><\/p>\n<p><span>The Center for Craft will award up to four $5,000 fellowships to support research on underrepresented craft histories, culminating in an article on Hyperallergic.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/image-3-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Rise and Resist activists hold up a sign at a protest near the Met Gala on May 4, 2026.<\/span><\/figcaption><\/figure>\n<ul>\n<li>A small but rollicking protest against Jeff Bezos, who co-chaired this year&#8217;s Met Gala, unfolded blocks from the museum while celebrities filed into the event last night. On Sunday, a series of projections condemning Amazon lit up the billionaire\u2019s Madison Square Park luxury residence. <\/li>\n<li>Iran withdrew from the national pavilion exhibition at the Venice Biennale, which opens for previews today.<\/li>\n<li>MoMA PS1 will present the first United States survey of\u00a0Mexican artist Teresa Margolles\u00a0bringing together several works at the intersection of grief, violence, and the US-Mexico border.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/Duchamp-newsletter-image-3.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>New York subway commuters passing by an ad for a Marcel Duchamp exhibition at the Museum of Modern Art (photo Hakim Bishara\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>) <\/span><\/figcaption><\/figure>\n<h3 id=\"i%E2%80%99ve-got-the-post-duchamp-blues\">I\u2019ve Got the Post-Duchamp Blues<\/h3>\n<p>MoMA\u2019s Marcel Duchamp show made me long for those simpler times when \u201celiminating the artist\u2019s hand\u201d provided a pathway back to the true self. | Hakim Bishara <\/p>\n<h3 id=\"is-this-what-%E2%80%9Cmade-in-america%E2%80%9D-looks-like\">Is This What \u201cMade in America\u201d Looks Like?<\/h3>\n<p>Christopher Payne\u2019s photographs at Cooper Hewitt sidestep questions of economic uncertainty and geopolitical strife to spotlight the craftsmanship of factory workers. | Julie Schneider<\/p>\n<hr>\n<h2 id=\"icymi\">ICYMI<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/guide-to-biennale-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Sculptures by Manolo Vald\u00e9s in Piazza San Marco as part of the 2022 Venice Biennale (photo Hrag Vartanian\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"hyperallergic%E2%80%99s-guide-to-the-2026-venice-biennale\">Hyperallergic\u2019s Guide to the 2026 Venice Biennale<\/h3>\n<p>Here\u2019s what to see and do at this year\u2019s edition, including national pavilions, collateral exhibitions, and notable events. | Hrag Vartanian<\/p>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<section class=\"gh-content gh-canvas is-body\">\n<p>Pittsburgh is a hidden art gem, and critic Ed Simon has proof. The Carnegie International \u2014 the oldest survey of its kind in the country \u2014 brings work by 61 artists from around the world to the Steel City, a hub independent of the New York and LA art scenes. Read his review of this year\u2019s edition, \u201cwhere the personal is political.\u201d<\/p>\n<p>In the wake of the annual \u201cmoral shit show\u201d that is the Met Gala \u2014 in the words of one protest sign last night \u2014 we report on a heavily costumed action against Jeff Bezos blocks away from the museum steps, and a guerrilla projection on the billionaire&#8217;s penthouse. Read on for Editor-in-Chief Hakim Bishara\u2019s reflections on the Marcel Duchamp show at MoMA, and keep an eye out for our Venice Biennale coverage later this week!<\/p>\n<p><em>\u2014Lakshmi Rivera Amin, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/carnegie-1200x675.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Painting from Khalil Rabah\u2019s 2025 series <\/span><i><em class=\"italic\">Making a Right Heart<\/em><\/i><span>, oil on canvas (photo Ed Simon\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"the-carnegie-international-looks-back-at-itself\">The Carnegie International Looks Back at Itself<\/h3>\n<p>The 59th iteration captures some of the excitement of earlier exhibitions, providing vital commentary on issues of authoritarianism and militarism. | Ed Simon<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/Center-for-Craft-ad-1.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Call for Applications: 2026 Craft Archive Fellowship<\/strong><\/b><\/p>\n<p><span>The Center for Craft will award up to four $5,000 fellowships to support research on underrepresented craft histories, culminating in an article on Hyperallergic.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/image-3-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Rise and Resist activists hold up a sign at a protest near the Met Gala on May 4, 2026.<\/span><\/figcaption><\/figure>\n<ul>\n<li>A small but rollicking protest against Jeff Bezos, who co-chaired this year&#8217;s Met Gala, unfolded blocks from the museum while celebrities filed into the event last night. On Sunday, a series of projections condemning Amazon lit up the billionaire\u2019s Madison Square Park luxury residence. <\/li>\n<li>Iran withdrew from the national pavilion exhibition at the Venice Biennale, which opens for previews today.<\/li>\n<li>MoMA PS1 will present the first United States survey of\u00a0Mexican artist Teresa Margolles\u00a0bringing together several works at the intersection of grief, violence, and the US-Mexico border.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/Duchamp-newsletter-image-3.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>New York subway commuters passing by an ad for a Marcel Duchamp exhibition at the Museum of Modern Art (photo Hakim Bishara\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>) <\/span><\/figcaption><\/figure>\n<h3 id=\"i%E2%80%99ve-got-the-post-duchamp-blues\">I\u2019ve Got the Post-Duchamp Blues<\/h3>\n<p>MoMA\u2019s Marcel Duchamp show made me long for those simpler times when \u201celiminating the artist\u2019s hand\u201d provided a pathway back to the true self. | Hakim Bishara <\/p>\n<h3 id=\"is-this-what-%E2%80%9Cmade-in-america%E2%80%9D-looks-like\">Is This What \u201cMade in America\u201d Looks Like?<\/h3>\n<p>Christopher Payne\u2019s photographs at Cooper Hewitt sidestep questions of economic uncertainty and geopolitical strife to spotlight the craftsmanship of factory workers. | Julie Schneider<\/p>\n<hr>\n<h2 id=\"icymi\">ICYMI<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/05\/guide-to-biennale-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Sculptures by Manolo Vald\u00e9s in Piazza San Marco as part of the 2022 Venice Biennale (photo Hrag Vartanian\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"hyperallergic%E2%80%99s-guide-to-the-2026-venice-biennale\">Hyperallergic\u2019s Guide to the 2026 Venice Biennale<\/h3>\n<p>Here\u2019s what to see and do at this year\u2019s edition, including national pavilions, collateral exhibitions, and notable events. | Hrag Vartanian<\/p>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/04\/JemmaByun_SelfPortrait.jpg\" alt=\"SMFA at Tufts Presents Passages, the 2026 MFA Thesis Exhibition\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">SMFA at Tufts Presents Passages, the 2026 MFA Thesis Exhibition<\/h3>\n<p class=\"gh-card-excerpt is-body\">On view from May 5 to 17 in Medford, Massachusetts, this exhibition represents the graduating class and their journeys through worlds visited and imaged. <\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">SMFA at Tufts<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/04\/CongressVotingIndependence1856x1350.jpg\" alt=\"Five Independent Souls: The Signers from New Jersey\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Five Independent Souls: The Signers from New Jersey<\/h3>\n<p class=\"gh-card-excerpt is-body\">This exhibition at Morven Museum &amp; Garden in Princeton examines the lives of the Declaration\u2019s signers, and those they enslaved, through over 100 historic artifacts.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Morven Museum &amp; Garden<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/04\/Stong_BigRamp_2024---The-Johann-Joachim-Winckelmann-Sculpture-Park--27-panel-monotype-polyptych-with-etching-ink--flashe--and-watercolor-on-paper--9ft9in-x-21ft10in-1.jpg\" alt=\"NADA New York 2026 Welcomes 121 International Galleries\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">NADA New York 2026 Welcomes 121 International Galleries<\/h3>\n<p class=\"gh-card-excerpt is-body\">The 12th edition of the New Art Dealers Alliance\u2019s signature fair presents an expanded selection of contemporary art from around the world. On view May 13\u201317.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">New Art Dealers Alliance (NADA)<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/04\/Appel.jpg\" alt=\"Reclaiming the Self-Taught Artist\u2019s Creative Identity\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Reclaiming the Self-Taught Artist\u2019s Creative Identity<\/h3>\n<p class=\"gh-card-excerpt is-body\">\u201cSelf-Made: A Century of Inventing Artists\u201d at the American Folk Art Museum offers rare first-time views, and always-free access, to over 90 works shifting art historical narratives.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">The American Folk Art Museum<\/span><\/footer>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/hyperallergic.com\/an-art-world-grows-in-pittsburgh\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;] Daily Newsletter The Carnegie International Makes Its Mark Artists protest the Met Gala, Iran exits the Venice Biennale, and MoMA\u2019s Duchamp survey leaves us feeling blue. Hyperallergic May 5, 2026\u2014 3 min read Pittsburgh is a hidden art gem, and critic Ed Simon has proof. The Carnegie International \u2014 the oldest survey [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,69],"class_list":["post-1919682","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-hyperallergic-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1919682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1919682"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1919682\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1919682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1919682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1919682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}