{"id":1910264,"date":"2026-04-29T17:13:34","date_gmt":"2026-04-29T14:13:34","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1910264"},"modified":"2026-04-29T17:13:34","modified_gmt":"2026-04-29T14:13:34","slug":"7-books-were-looking-forward-to-in-may","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1910264","title":{"rendered":"7 Books We\u2019re Looking Forward to in May"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/aia_book-collage.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHappy park-reading (or porch-reading) season to those who celebrate! Whether you\u2019re grabbing a book for you flight to the Venice Biennale or to bask on a picnic blanket in the glorious sun elsewhere in the world, we\u2019ve got the latest and greatest art books for you below.<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>That Figures: Selected Writings by Dena Yago<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"599\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/dena-yago-it-figures-22.jpeg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"599\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/dena-yago-it-figures-22.jpeg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>Edited by Antonia Carrara with a Forward by McKenzie Wark<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAcross writing, painting, and her \u201ctrend forecasting\u201d collective K-HOLE, Yago has become a go-to armchair theorist of those aesthetic sensibilities so banal and pernicious\u2014so normal and boring\u2014that they could easily go unnoticed. But once someone\u2014often, Yago and her ilk\u2014puts language to the phenomenon\u2014whether its the aesthetics of irony, cringe, or \u201cnormcore,\u201d the now ubiquitous term K-HOLE coined\u2014you start to see it everywhere. In her paintings, she trains an artist\u2019s keen eye on the visual culture of late capitalism. The result is an update on the Pop art approach meant to evade the cynicism and complicity now synonymous with Andy Warhol.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>Glorious Country: How the Artist Frederic Church Brought the World to America and America to the World<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"606\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/glorious-country-9781982196295_lg.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"606\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/glorious-country-9781982196295_lg.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Victoria Johnson<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJohnson, a finalist for the Pulitzer Prize and National Book Award, offers new biography of this Ur-American artist. The 19th-century landscape painter, Johnson argues, played a pivotal role in crafting a majestic American imaginary, both at home and abroad\u2014putting the country\u2019s art on the world map and helping to found the Metropolitan Museum of Art. This was hardly without consequence: Church\u2019s paintings of unpeopled vistas propagated Manifest Destiny. Still, it\u2019s never not interesting to consider the real roles art plays in politics, for better and for worse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>How to See Like a Machine: Images After AI<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"604\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/How-to-See-Like-a-Machine_021126-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"604\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/How-to-See-Like-a-Machine_021126-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Trevor Paglen<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis book repackages essays from across a career spent turning the tools of surveillance and control back in on themselves. Across it all, an argument emerges. The question of our era, Paglen says, is perhaps no longer: what do images mean? Rather, he posits, it\u2019s: what do images <em>do<\/em>? Paglen confronts, with clear prose and a level head, everything from UFOs to psyops, offering a revealing look behind the curtain that you can\u2019t unsee.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>Anni Albers: A Life <\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"592\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/9780300269376.webp?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"592\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/9780300269376.webp?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Nicholas Fox Weber<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe recent, overdue rediscovery of Anni Albers ushered in an art world reckoning: her sophisticated weavings dialogued significantly with the work of her male peers at the Bauhaus and at Black Mountain College. But her medium and her gender kept her in the shadows for far too long. Cracking open her story made the world alert to the many works in fiber that had been overlooked. This new biography tells the story of her life as a bridge between worlds.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>High Waters: An Oral History of the Venice Biennale<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"559\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/GUEST_9e08d561-2311-4ef4-aa0f-0fe107c1a032.jpeg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"559\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/GUEST_9e08d561-2311-4ef4-aa0f-0fe107c1a032.jpeg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Massimiliano Gioni<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIf you\u2019ve ever wanted to know how\u2014and why\u2014one assembles so strange a creature as the Venice Biennale, here\u2019s one heck of a chance. Massimiliano Gioni, who curated the 2013 edition, has interviewed 11 of its curators, including the late Okwui Enwezor; his wife, Cecilia Alemani; and the team executing Koyo Kouoh\u2019s posthumous 2026 edition.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>Nonstop Bodies: How Dance Shaped New York City<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"604\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/9781419771125_s3.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"604\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/9781419771125_s3.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By Rennie McDougall<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tYvonne Rainer dances her iconic <em>Trio A <\/em>on the cover of this New York history, and aptly so: McDougall\u2019s telling traverses everything from the avant-garde to ordinary movements in the streets, a gulf Rainer herself has memorably bridged. Covering everything from South Bronx hip-hop to Broadway musicals to the ballroom scene, here\u2019s a book to make you wiggle while you read.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>Last Supper: Art, Faith, Sex and Controversy in the 1980s<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"608\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/81ThqlgBbKL._SL1500_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"608\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/81ThqlgBbKL._SL1500_.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><strong>By<\/strong><strong>Paul Elie<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tElie\u2019s <em>Last Supper <\/em>is the first in spate of books coming out this season to address the culture wars of the 1980s. Controversy junkies can keep their eyes peeled for Isaac Butler\u2019s <em>The Perfect Moment: God, Sex, Art, and the Birth of America\u2019s Culture Wars<\/em>, as well as <em>Depraved: The Story of Dangerous Art <\/em>by Daisy Dixon. Why now? The similarities between our times and theirs can\u2019t be overstated: the Right is once again bent on making an enemy out of art it barely understands. One way to prepare for the fight is to bone up on history and learn all the moves in the book, taking note from another generation\u2019s triumphs and mistakes.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/list\/art-in-america\/columns\/art-books-may-oral-history-venice-biennale-anni-albers-bio-1234782965\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/aia_book-collage.jpg?w=1024&#8243;] Happy park-reading (or porch-reading) season to those who celebrate! Whether you\u2019re grabbing a book for you flight to the Venice Biennale or to bask on a picnic blanket in the glorious sun elsewhere in the world, we\u2019ve got the latest and greatest art books for you below. That Figures: Selected Writings by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1910264","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1910264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1910264"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1910264\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1910264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1910264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1910264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}